Remembering George A Romero: One Year Later

Remembering George A Romero: One Year Later

It was a Sunday afternoon one year ago today and the news popped up on Social Media. George A Romero had passed away at the age of 77. Today we are remembering George A Romero: One Year Later.

George A. Romero as seen in the documentary "Birth of the Living Dead."

George A. Romero as seen in the documentary Birth of the Living Dead

Born in New York in 1940, Romero started out shooting short films and commercials after college in the early 1960s. In 1968, a film he made with John Russo would change a horror sub-genre as we knew it. With a budget of $114,000, Night of the Living Dead unleashed itself on October 1, 1968.It gave a new life and spin on the zombie film. The Godfather of Zombies would make several films over the years, but the —– of the Dead titles would always be what he would gain his fame for. There are six —– of the Dead films in total, with the last one, Survival of the Dead, released in 2009. Romero directed all 6 films.

georgeromero-zombielove / Fair use doctrine. George Romero and friends / Fair use doctrine.

Romero attended several horror cons starting in the early 2000s and continued until right before his passing. He would frequently talk about his films, give his thoughts on the state of the zombie film and share memories with the fans. Romero battled a brief battle with lung cancer, before passing away in his sleep last year on this day. Three months after his passing in front of the Hollywood Toys and Costume Store at 6604 Hollywood Boulevard, Hollywood honored him posthumously. On October 25th, he finally was awarded a star on the Hollywood Walk of Fame. The bittersweet moment of the award is that many felt it should have come years earlier and while he was still alive. He was also honored this past March in the Oscar Memoriam presentation.

ZombieGurl with George A. RomeroCrypt Keeper Clint with George A Romero

Please join everyone at House of Tortured Souls in remembering the “Godfather of the Zombie Film”, George A Romero on the one year anniversary of his passing.

Mad Monster welcomes George Romero


Posted by Crypt Keeper Clint in EDITORIALS, STAFF PICKS, ZOMBIES, 0 comments
National Tattoo Month Salute: Chop Shop Tattoos

National Tattoo Month Salute: Chop Shop Tattoos

July is a spotlight month on tattoos, the people who proudly wear them and the artists. July 17th is National Tattoo Day and I would like to shine the spotlight on one artist. Tattoos a mere 30 years ago were looked at with such disregard that people were looked down on if they had any. Fast forward to now and more people have them than do not. In the home of one of the Army’s largest posts, Fort Bragg, is Chop Shop Tattoos.

Located in the Fayetteville Suburb of Hope Mills, NC, Chop has been a staple in the community for 16 years. One of his specialties is horror. Chop (a former member of the Army) is a proud horror fan. He also loves tattooing horror icons. He has over the last year completed “signature pieces”. These are the faces of the icons and their signatures that follow. Robert Englund’s website, this past spring, featured a piece by Chop of Freddy Krueger for a fan.


The Freddy piece complemented a Leatherface tattoo Chop finished in the winter.

Leatherface tattoo with Gunnar Hansen’s signature, done by Chop Shop Tattoos.

Chop says that he has been tattooing for 20 years and constantly looks for new challenges. He loves horror pieces and frequently discusses the movies of the icon he is tattooing. Some of his other iconic pieces have been portraits of Danny Trejo and Edgar Allen Poe.

So fellow horror fans (especially those with ink), please join me in saluting a horror ink master. Let’s all say Happy Tattoo Month to the man they call Chop!

Chop of Chop Shop Tattoos

Posted by Crypt Keeper Clint in EDITORIALS, STAFF PICKS, 0 comments
MOVIE REVIEW: Hereditary (2018)

MOVIE REVIEW: Hereditary (2018)

HereditaryIn the new film, Hereditary, written and directed by Ari Aster, viewers are given a well-written, well-acted experience watching as a grieving family falls further into tragedy and terror. At first, Hereditary seems to be a psychological horror film, but Aster has done a phenomenal job in writing something that the viewer will sink into expecting it to go one way, and finding that it turns a different direction. Now, before I continue with my review, within the horror community, Hereditary has been receiving mixed reviews from it being fantastic to people being bored, these are my personal views, any problems with them feel free to discuss them with me. In addition, this review will have some spoilers.

Hereditary (2018)Back to the film… Toni Collette as Annie, delivers a masterful performance as a woman whose mother has passed away and while grieving, her young daughter brutally dies, having her head knocked off in a tragic car accident while her son is driving. Creating division in the family and leading to Annie hating her son, for a moment the film feels as if it has fallen into the drama category of a family coping with loss, but then Annie meets a woman, who has also lost a loved one (her grandson) and been reunited with him through séances. At first terrified, Annie quickly decides to try it out herself in an attempt to reconnect with her lost daughter Charlie. This is where the film takes another turn, shifting rather well I might add, to a supernatural horror film with some Rosemary’s Baby-esque elements to it.

Hereditary (2018)So as to not ruin what I found to be a spectacular ending, I’ll be stopping with these final remarks. Toni Collette was beautifully haunting throughout the film, as a bereaved mother her desperation was clear and her inability to get past the accident incredibly convincing. Surrounded by a fantastic cast and with phenomenal writing that has me wanting to watch the film again to see what I missed, I highly recommend it. However, as said above, the film is not for everyone, some will not enjoy it, but just because some people don’t like it does not mean you shouldn’t give it a chance.
Hereditary (2018)

Posted by Spencer Evatt in MOVIE REVIEWS, REVIEWS, SATANIC/DEMONIC, THRILLER, 0 comments
International Screams: Birth of Venus Short film (2018)

International Screams: Birth of Venus Short film (2018)

International Screams: Birth of Venus (2018)
Directed By: Berk Büyükbingöl
Written By: Berk Büyükbingöl
Starring: Deniz Turku, Berfin Batir, Elfif Gonen
Country: Turkey

International Screams showcases shorts and features from around the globe and helps you discover exciting new talents. This month we have a short from up-and-coming writer/director Berk Büyükbingöl.

Birth of Venus (2018)Birth of Venus tells the story of two sisters who survive a horrific car crash and struggle with the psychological effects that come with it. But what bloody lengths are they willing to go for the sake of beauty?

Discovering a really solid short is always exciting and something that makes my job as a journalist fulfilling. Berk infuses his short with plenty of morbid nightmare-like images and some pretty palpable scares. He does this by focusing on the technical side of things, and it’s clear that he really knows how to not only fill his frame for maximum frightful effect but also to slyly misdirect, leading to some nice jump scares. He also really knows how to put together, and the editing is on point. This is most evident in the surgery scene.

Birth of Venus (2018)

Giving the film the bulk of its mood is the stark black and white photography. Believe it or not, this is not an easy medium to work in as one might think; however, he does it extremely well, and the end result is a dread-filled fever dream. Büyükbingöl isn’t afraid to go into the surreal; for example, the strange dance sequence is pure Lynchian at its finest. If I had to raise a complaint it would be that, even though this is a freer formed narrative, I feel like the story gets lost and certain plot elements could have been a bit clearer.

When asked what inspirations he drew for this project, Büyükbingöl had this to say:

Mainly the black and white French Horror film Eyes Without a Face inspired me to do it. I tried to mix [The] Texas Chainsaw Massacre with it as well. How far you can go to make your most beloved relative happy? This is the question I asked myself when making it.

Despite a few story issues, Birth of Venus is a creative and visually interesting horror short by a talented filmmaker which most certainly has a future in the industry.

Posted by Mike Vaughn in MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
The OCCUPATION Is Coming from Luke Sparke

The OCCUPATION Is Coming from Luke Sparke

Occupation (2018) The Conquest BeginsI was fortunate to get a chance to meet up with Australian filmmaker Luke Sparke at the Supanova Convention in Sydney on June 16, 2018, and afterward, attend his special Q & A session to discuss the worldwide release of his latest film Occupation.

Also in attendance was some of Sparke’s amazing Australian and New Zealand cast including Dan Ewing, Rhiannon Fish, Stephanie Jacobsen, Izzy Stevens, Zachary Garred, Felix Williamson, Trystan Go, Charles Terrier, and Ben Chisholm.

Ewing and Chisholm have both appeared previously in Sparke’s debut feature film Red Billabong back in 2016 (the first film premiere I attended), which was the story of two brothers and an ancient battle with a mythological Australian being.

Sparke has revealed that a prequel to Red Billabong is in fact in the works and will feature other indigenous creatures, such as the Yowie. The story will be set during the roaring 1920s near Uluru in the Northern Territory (Australia) – infamously known for the disappearance of baby Azaria Chamberlain in 1980 (aka “A dingo ate my baby” case). This prequel is still in the development stage but very much in production, and Sparke himself says, “There was so much I can do in that world of the Bunyip, that I didn’t get to explore in Red Billabong. I’m excited for what we can expand on.”

Occupation (2018) alien at Supernova ConventionSparke’s newest film is due out in the USA on July 20, 2018 and in Australia on July 12, 2018). Surprisingly, a sequel to Occupation was already announced on May 31, 2018, with details yet to be made clear (to avoid spoilers on the first film). The second script has been in the works since November of 2017.

During the Q & A, attendees were treated to a 90-second clip from Occupation that featured a bit of intriguing story-line elements, stunning visual effects, and some impressive creations for our alien antagonists.

Next came a behind the scenes video diary look at some of the footage, and Temuera Morrison began to speak about the film and the plot, saying, “You stop for a pie somewhere and all hell breaks loose.” He praises the diversity of the cast that Sparke has assembled before we meet Rhiannon Fish, who praises Temuera Morrison’s amazing guidance of the younger cast and explains how the rain machines cause a mild form of PTSD. Charles Mesure interjects to discuss the concepts of aliens invading a small Australian country town followed by Jacqueline McKenzie’s praise of Sparke’s ingenuity employing the $6 million budget to maximum impact and creating such amazing visual effects. Dan Ewing appears on-screen and says, “Luke has made such a human piece. The best part is when you get to blow stuff up.” Finally, we are treated to an array of fantastic looking stills, and he joins the cast in attendance on stage.

  • Luke Sparke: It is a fantastic Australian-made thrill ride with dark and light themes, a fun action adventure that Aussie films are lacking at the moment. The inspiration was that I was the child of the 1980s and in LA pitching films, and I came up with this based on loving sci-fi and six months later we were filming. Dan found out at Hog’s Breath Cafe.
  • Dan Ewing: Yes, we were at lunch when Luke told me about it and the richness of the characters. It was exciting.
  • Stephanie Jacobsen: I was in LA and said to my agent that I wanted to go back to Australia and do a sci-fi film, and strangely two weeks later got offered script, read it, leapt at it, and signed on.
  • Zachary Garred: I was sent an email, and it was, of course, ambitious and exciting, so it was an easy yes.
  • Rhiannon Fish: I was just so excited and wanted to sign on immediately!
  • Trystan Go: I was happy to work in the family law and for this, I assumed I would be able to shoot aliens.
  • Charles Terrier: Luke actually played a joke on me and said, “Ahhhh you didn’t get it just move on”. Then [he] said “Nah, I’m fucking with you”, and laughed.
  • Ben Chisholm: I said yes and wanted it to become a country and western. And to fight aliens.

The next question posed was regarding the Australian setting because we have all seen the USA being attacked and fighting back.

  • Luke: Yeah, it’s been done. So we turned it on our own shores, and we get to see those people we all know and they all band together and fight back, which is what the Aussie spirit is all about!
  • Charles: It was cool learning the military histories and all from that background and hanging out with ex-servicemen and learning from them.
  • Dan: It was a surprise for me how rich and how deep the characters were…. how cool they are and how much you care about these characters.
  • Trystan: It was so visceral that you can’t help [but] amazingly get involved in the story.
  • Luke: The fact [that] this is opening in USA cinemas is a testament that the cast and crew were amazing.
  • Rhiannon: Well, going from The 100 and then returning to do Aussie sci-fi was fun. I do love the world of sci-fi because anything is possible, but the difference is that Australia is home and it is wonderful to get to come back and work on an incredible film here.
Occupation (2018) panel at Supernova Convention

L-R: Stephanie Jacobsen, Dan Ewing, Izzy Stevens, Rhiannon Fish, Trystan Go, and Writer/Director Luke Sparke.

The cast was then asked how they relate personally to their characters.

  • Stephanie: For me, she kind of assumes the big sister role and is very protective, as I am. That’s how I related to her.
  • Dan: I think it is okay for people to not be okay. Men are so often ruled by their egos. At times I was sharing my pains, depressions, or my demons as my character, and we see him develop and grow as a man.
  • Izzy: I gained independence at an early age, and I related to that in Isabella, and I did think I was like that and knew a lot and protected my family.
  • Rhiannon: I felt like it was far less of a stretch, and she was just easy to relate to.
  • Trystan: He is a teenager, and I am in high school. (laughs)
  • Zachary: Well…homeless Dennis has stayed on a few couches and backpacked a little, ’cause he’s shifty and a survivalist. And that’s what I try to do and find that gold inside it.
  • Ben: I am an asshole, and he’s an asshole. Nah, I loved his loyalty and how it puts him in opposition with other characters.
  • Felix: Major Davis is a kick-ass soldier and we have absolutely nothing in common, but I did enjoy the adventure of pretending to be him and enjoyed it.

Destroying the opera house is becoming a regular thing, and not too many real invasion stories, but Australia seems to be ripe and worried about big invasions. How did you think you could bring a new twist to the film within the genre?

  • Luke: What I wanted to bring was —for the big fans of films like Red Dawn, like me — I wanted to bring something more to this film. The working together, fighting aliens, those ten people who wouldn’t have had anything to do with one another anyway. A real sense of reality, the past and bringing that to the story. Not trying to save the world, but the sense of reality and character and to see where it goes from there.
Occupation (2018) panel at Supernova Convention

L-R: Felix Williamson, Ben Chisholm, Charles Terrier, Zachary Garred, Stephanie Jacobsen, and Dan Ewing.

Did you find yourself looking for other influences, like hanging with military guys, specifically Australian military? What assistance did you get?

  • Luke: I went to the military, and the ADF (Australian Defence Force) didn’t wanna be involved. So I got ex-military involved instead.
  • Dan: Matt was more originally that Captain America type of leader, but his injury led him into a depression and made it so that the aliens were the least of Matt’s problems.
  • Zachary: Dennis was originally a tattooist, and Luke couldn’t find a parlor grungy enough for his character, so Luke dropped the character and I spoke to Luke and ran with our concept of Dennis from there.

The logo is the second commandos insignia. How did you get permission to use it, and what Australian laws allowed the film’s use of firearms?

  • Luke: Yes, it is. Of course, [for] the logo… we went to the lawyers and spoke with the army brand manager. We told them what we were going to be doing with it, changed it enough to look somewhat different, and they were fine. As for the weapons, Armour in Queensland helped us, and we used best from Sydney. We used proper licenses to shoot at a quarry and it became very loud. The next day was a huge thing on Facebook because we made too much noise, much more than expected.

Are there any drop bears in Occupation?

  • Luke: Actually the AFL team in the film is called the drop bears.

Finally, how did you decide to base it in more of a country town than in the cities like Balmain or Cronulla?

  • Luke: International people think of country or the bush with Australia, and you do see Sydney throughout the film. Small town Australia is very personifying and that small town country feel and the budget as well….but the big things have small beginnings.
Occupation (2018) panel at Supernova Convention

L-R: Ben Chisholm, Charles, Zachary, Stephanie Jacobsen, Dan Ewing, Izzy Stevens, Rhiannon Fish, Trystan Go, and Writer/Director Luke Sparke

Posted by Michelle MIDI Sayles in HORROR NEWS, NEW RELEASES, SCI-FI HORROR, STAFF PICKS, 0 comments
In Memoriam: Harlan Ellison 1934 – 2018

In Memoriam: Harlan Ellison 1934 – 2018

Harlan Ellison / Fair use doctrine.Around 1988, I had the great pleasure of spending two days off and on with Harlan Ellison. My first encounter was as part of a group of six having dinner with Harlan Ellison the night before he was to speak at the University of Alabama at Birmingham. When we met him in his hotel lobby, we discovered that no one had bothered to tell Harlan. There were mutterings of what to do, our group asking Harlan because he seemed annoyed. In typical Harlan fashion, he snapped, “Don’t ask me what I want to do because I want to go upstairs and go to bed.” Without missing a beat, I asked, “So should we all go upstairs and go to bed with you?” Harlan’s face was priceless, but the ice had been broken and we proceeded to dinner and an evening I will always remember.

Harlan was cantankerous, abrasive, temperamental, kind, considerate, and a force all his own. I will miss him deeply.

Original cover for Harlan Ellison's Rumble, now titled Web of the City.Born in 1934, Harlan Ellison grew up in Ohio and briefly attended Ohio State University before being expelled allegedly for punching a teacher who had criticized his writing ability. Ellison also served two years in the army in spite of being staunchly anti-war. Ellison published his first work in 1958, a novel titled Rumble, now retitled Web of the City, a semi-autobiographical non-fiction recollection of his time in a Brooklyn gang. The same year two short story collections were published, A Touch of Infinity and The Deadly Streets. After working in television for many years, Ellison published The Glass Teat in 1970, a collection of essays reflecting his opinion of television. The Other Glass Teat, published in 1975, is a follow-up work in the same vein.Harlan Ellison's The Glass Teat and The Other Glass Teat

Harlan Ellison was an American author whose fictional pieces were often of a science fiction, horror, or sci-fi horror nature, but anyone who ever called Harlan a “science fiction” writer never made that mistake a second time. Harlan eschewed labels that pigeon-holed his writing. Ellison’s 1,700+ published works include teleplays, screenplays, novellas, comic book scripts, and short stories as well as essays and critiques of television, film, literature, and more. For his work, Ellison has won Jupiter, Hugo, Nebula, World Fantasy, Writer’s Guild of America, and Edgar awards. In 2000, Ellison also received the World Horror Convention Grand Master Award for his contributions to the field of horror literature.

Don Johnson as Vic and Tiger as Blood in Harlan Ellison's A Boy and His Dog

Don Johnson as Vic and Tiger as Blood in Harlan Ellison’s A Boy and His Dog

Ellison’s work can be seen on television shows such as Star Trek, The Sixth Sense, The Twilight Zone, The Outer Limits, The Hunger, Logan’s Run, and Babylon 5. In 1975, Ellison’s novella A Boy and His Dog was adapted into a movie with a very young Don Johnson and a (not as young) Jason Robards (Harlan, though not pleased with the adaptation, kindly autographed my copy). His 1967 short story “I Have No Mouth and I Must Scream”, a post-apocalyptic tale of sentient computers and suffering humans, won the Hugo award that year and is often considered one of the greatest post-apocalyptic stories of the 20th Century.

William Shatner and Joan Collins in Harlan Ellison's "The City on the Edge of Forever", one of the most highly acclaimed Star Trek episodes.

William Shatner and Joan Collins in Harlan Ellison’s “The City on the Edge of Forever”, one of the most highly acclaimed Star Trek episodes.

Ellison was also known for taking a vocal stand when he perceived that his work was being butchered or his creative contributions undermined. When this happened, Ellison would direct that the credits read Cordwainer Bird – save when he disagreed with changes to the Star Trek episode “The City on the Edge of Forever”. Interestingly, both Ellison’s original script and the shooting script won awards, the former being the Writers Guild for best episodic television drama (1968) and the latter being a Hugo for best dramatic presentation (1968). This episode also inspired the punk band Edith Keeler Must Die and the song “Edith Keeler Must Die” by Arigon Starr, both named after Spock’s assertion that, “Jim, Edith Keeler must die.” Nevertheless, while Hollywood may’ve not appreciated his efforts, Constant Readers certainly did. For fans, the name Cordwainer Bird immediately evokes knowing nods and “Um-hms”.

Harlan Ellison at the LA Press Club / Copyright 2006 by Galen A. Tripp

Harlan Ellison at the LA Press Club / Copyright 2006 by Galen A. Tripp

Regardless of his irascibility, his work has influenced countless other authors. Stephen King speaks fondly of Harlan and other authors who helped answer questions for Danse Macabre, his 1981 non-fiction book on horror in media.

Lastly, thanks are due to the writers— Ray Bradbury, Harlan Ellison, Richard Matheson, Jack Finney, Peter Straub, and Anne Rivers Siddons among them— who were kind enough to answer my letters of enquiry and to provide information about the genesis of the works discussed here. Their voices provide a dimension to this work which would otherwise be sadly lacking.
— Stephen King

I think that sentiment is as appropriate now – Harlan’s death will leave the world and the world of fiction sadly lacking. Rest in peace, Mr. Ellison.

I’d like to end this with another anecdote from my adventure with Harlan. Among the many outstanding moments, this one stands out above the others.

After dinner, we walked around 5-Points South and stopped to look over some items in the window of Memory Lane. I spotted a button that read “WAR is Menstruation ENVY” and laughed outrageously. We all agreed that it was awesome. The following day Harlan spoke to a small group from the UAB Honors Program. I arrived late to find that he had saved me a seat beside him. As I sat down, Harlan presented that same button to me. I still have it.

Thank you, Harlan. Rest in peace. You will be sorely missed.

Posted by Woofer McWooferson in HORROR NEWS, OBITUARY, STAFF PICKS, TRIBUTE, 0 comments
Shudder Announces The Return Of Joe Bob Briggs

Shudder Announces The Return Of Joe Bob Briggs

After several months of speculation and a strong social media campaign, the rumors are true.  Joe Bob Briggs, America’s favorite Drive-In host will return for his swan song.  Shudder announced this morning a 13 movie marathon event on Friday, July 13th (appropriate that its a Friday The 13th).  According to the press release, it will begin on Friday at 9 PM (EST).  It is being titled The Last Drive-In With Joe Bob Briggs, an indicator that this will be the last time Joe Bob will host a television event … for now.

Briggs began as a writer at Texas Monthly and the Dallas Times Herald.  From there he went on to do a one-man show debuting in Cleveland in 1985.  It was the following year that would make Joe Bob Briggs a household name for horror fans, however.  What started off as a guest host job on TMC’s Drive-In Theater, turned into a 10-year gig.

When TMC changed their format in 1996, Joe Bob was out of a job, but only for a brief period.  In June of 1996, TNT brought Joe Bob in to take over MonsterVision.  MonsterVision lasted until 2000.

In January of this year, Joe Bob Briggs announced that Shudder had an interest in having him return to TV.  Joe Bob had his fans submit video testimonials about what it would mean to make this a reality.

The date for the return would be Friday, June 22nd.  But, that would change (as most things in the industry do) and fans were left waiting.  Yesterday, however, Shudder made the announcement that The Last Drive-In with Joe Bob Briggs would air July 13th.  Shudder said the following:

Characterized by an outrageous worldview and trademark “Drive-in Totals” lists, Joe Bob’s film critiques amassed a loyal fan base through his long-running TV series Joe Bob’s Drive-In Theater and, later, MonsterVision. For 14 years between the two shows, Joe Bob was the ultimate fan, a voice of authority with an unconventional, affable approach. Ahead of his time then, Joe Bob is now a legendary voice within the horror community, and THE LAST DRIVE-IN WITH JOE BOB BRIGGS reminds audiences of the host’s singular perspective on the genre.
Joe Bob BriggsJoe Bob is a horror icon and raconteur whose signature wit and insightful commentary entertained viewers for 14 years on TV,” said Craig Engler, general manager of Shudder. “We’re delighted to bring him back for this exclusive Shudder event where new fans can discover him, and old fans can rediscover him, as he takes on some of the greatest low-budget horror movies ever made.

For the fans, there will be the elements that they have loved for years.  There will be the Drive-In totals for each movie.  Joe Bob will pop in during “commercial breaks with no commercials” and give his 2 cents.  The set looks just like it did when Joe Bob hosted MonsterVision.  There are 13 titles coming over the coming weeks, but here are the first three.

  • Tourist Trap (1979) — July 13: Five friends are hunted by a creepy killer after stopping to visit a roadside museum in this slasher that counts Stephen King as one of its biggest fans. After car trouble, the doomed group goes to visit an odd attraction filled with eerie mannequins that seem to be alive. Tourist Trap is an off-kilter thriller that will have you rethinking any stops on your next road trip.

  • Sleepaway Camp (1983) — July 13: Angela Baker, a traumatized and very shy young girl, is sent to summer camp with her cousin. Shortly after her arrival, campers and counselors meet their ends in a series of grisly murders. This bloody “who done it” features a shock ending that stands the test of time.
Felissa Rose and Jonathan Tiersten in Sleepaway Camp (1983)

  • Basket Case (1982) — July 14: In a tale of revenge with a demented twist, a young man and his basket-bound, hideously deformed twin brother seek vengeance on the doctors who separated them against their will.
0831_220px-Basketcaseposter

Whether this is, in fact, the final hurrah for Joe Bob Briggs, fans are happy he gets his send-off.  The ONLY way to see this is through Shudder, and it will be a live event.  That means to catch it all, you must tune in when it begins.

Joe Bob Briggs

Below is the official promo from Shudder you can view to get excited!  Now fellow mutants, join everyone at House of Tortured Souls and welcome back to TV, Mr. Joe Bob Briggs!

 

 

Posted by Crypt Keeper Clint in COMING SOON, HORROR NEWS, MONSTERS AND CREATURES, 0 comments
SyFy Announces Clive Barker’s Nightbreed TV Series

SyFy Announces Clive Barker’s Nightbreed TV Series

Nicholas Vince as Kinski in Nightbreed (1990)

Nicholas Burman-Vince as Kinski in Nightbreed (1990)

Cabal, Clive Barker’s 1988 novella about a man’s struggle with self-demons and ultimate attempt to find the mythical(?) sanctuary city of Midian, is being brought to TV by SyFy, Morgan Creek Entertainment (Nightbreed (1990) directed by David Cronenberg), Universal Cable Prods, and writer Josh Stolberg,

SyFy’s Nightbreed will explore race relations in the US using the human-monster dichotomy displayed throughout the novella. The story will follow a group of subterranean monster-humans forced to find another place to live after their home is destroyed.

Doug Bradley as Dirk Lylesberg in Nightbreed (1990)

Doug Bradley as Dirk Lylesbergi in Nightbreed (1990)

Before I continue, I want to talk a bit about the movie Nightbreed, which gets some criticism, but should it? For me, I had a difficult time relating to the protagonist because of the casting choice and likewise his girlfriend. However, every other performance blew me away. I have mixed feelings. It’s nothing against either of the actors; they just didn’t click with me. Watch and decide for yourself.

Horror TV series are popular right now, The Walking Dead is still going in spite of the departure of Andrew Lincoln, Ash vs Evil Dead was doing well but not well enough for Starz, I (okay, borderline horror for the younger set) seems popular, Supernatural still pushing it on Netflix, and scores more. But, people are dropping cable packages to watch online. What does this say for the possibility of a win with this one?

Simon Bamford as Ohnaka with friend in Nightbreed (1990)

Simon Bamford as Ohnaka with friend in Nightbreed (1990)

From to the names attached, we can be cautiously hopeful. David Robinson, President of Morgan Creek Entertainment Group, seems quite optimistic:

There has never been a more relevant time for us to turn to one of the genre’s great cult classics from our movie library to impact the national conversation with bold, compelling and unconventional storytelling. The team at Morgan Creek is very excited to partner with Clive Barker, Syfy and Universal Cable Productions on Nightbreed for a unique, trenchant and no-holds-barred exploration of race relations in today’s society. As a sophisticated twist on the classic graphic novel form, Nightbreed pits ‘Humans’ against persecuted monsters, using metaphor and parable to take on bias and prejudice with real-world consequences.

Maybe we can be a little more than cautiously optimistic. Star Trek managed to address these issues with a great deal of success.

David Cronenberg in Nightbreed (1990)

David Cronenberg as Dr. Philip K. Decker in Nightbreed (1990)

Keep your claws crossed. I am.

Posted by Woofer McWooferson in HORROR NEWS, REMAKES AND REBOOTS, 0 comments
EXCLUSIVE: Review of Ritual by JXV & Interview with Rikk R’Treat

EXCLUSIVE: Review of Ritual by JXV & Interview with Rikk R’Treat

JXV Ritual Album Art, courtesy of JXV

I’m no stranger to the world of underground metal, punk and hardcore. When I listened to and reviewed the last JXV record (formerly known as Jason X Voorhees) record Horror Edge, I was excited by that album. You can view that review here: Jason X Voorhees: Horror Edge.

With the sophomore and, sad to say, final album for JXV, I was not only excited to hear it, but Rikk reached out during the recording process. I was honored to be able to throw out opinions and just hear what was going on during the production of the album.

This new record Ritual has really got me thinking that there is hope for the underground music world after all. There are some better-known acts out there touring and playing festivals, which is fine and ultra cool, but we can’t forget that some festivals are specific to particular areas. Those of us whom cannot get to them have to rely on the underground local scene to get us by. JXV, hailing from San Diego, California, is far from local for me, but for their area and for music lovers in general, they’re worth seeking out. This is a hardcore band that has 98 members…okay, six members, but they really complement each other perfectly with each vocal style betwixt the two vocalists as well as having two guitarists, bass, and drums. Each person compliments the other perfectly. Ritual, truly shows how they take from each other and throw it in the recipe for a perfect blend of every influence.

The album opens up with a title track “Ritual”, with a super ominous and creepy tone that sets the pace for the whole record, even some keys up in this to give that overall ultra horror sound. Track number two we get into “Trick x Treat”, which the band recently released as a single accompanied by a music video (see below). This song definitely is a perfect way to introduce everyone to what they’re getting into. This track alone gives us metal, hardcore, and horror punk. Literally, everything you need for a good song, right here. I’ve been telling everyone I come across; “This song, “Trick x Treat”, is the perfect song”. So if you’re going to get into this band, this song is out right now and the video below will give you the taste of perfection. Slide from this into “False Patriots”. My damn god this track also. I don’t know how to get into this except, if you’re a metal fan and like to slam hard, this is the shit right here.

The following track is “Devil’s Night”, a gang-style Hardcore/Horror Punk number with a lot of spooky to it but also gives us some upbeat vibe. The track features vxDEDxv, a fellow straight edge rapper. I think this track will make you all very happy as well. Then we have “Bath Salt Zombies”. I’m not sucking dick here because JXV and myself are in this horror edge game. I am actually truly passionate about this album. We all know, even if we are homies, I’ll tell you if it isn’t good, but this song is probably my favorite on this whole album. Punk as fuck and fast break your neck thrashin’ shit, another track featuring a straight edge rapper SE Frank. The last three songs are pretty awesome, too. “Living Dead” is pure PUNK ROCK with two minutes of circle pit action. “From the Plague We Come to an End” — solid black metal meshed with beatdown hardcore like goddamn..what are they doing? The mix of genres is insane yet put in these songs with perfection. Finally, the last track, “Noose”, is a great way to end the album. JXV gives us the hardcore breakdown for most of the song and signs off beautifully.

I know I said it four million times, but this record is solid from start to finish — heavy, fast, and diverse with the different genres that are portrayed in each song. I strongly believe if you’re more a fan of any metal, punk, or hardcore, this album will please you and may spawn some interest in whatever isn’t your main listening pleasure. Each member really shined through on this album, and the influence is there in each song.

Unfortunately, JXV has decided to call it quits after this record, life gets in the way of art sometimes, and unfortunately, that is the case here. I’ll say this though: this band has not only been great colleagues in the horror, straight edge and music areas of life for myself and many others. They have been great friends as well. We all share the same passions for music and life, and I’m honored that I’ve had the chance to befriend this group and hear their music — music that has PROVEN it’s not just, “Hey we’re a hardcore band”. No, this is a band that has taken every inch of what they love and placed it into this record and has shown that the underground still has acts out there that need to be heard. In true DIY fashion, this band has set out to prove something even if they didn’t know they were doing it. I wish them all the best of luck on future endeavors and I know if they each put the type of heart and soul that this record has then whatever they do it’ll be just as amazing.

RITUAL Will be released July 6, 2018, SO BE READY TO GET THIS ALBUM! YOU WILL NEED THIS IN YOUR COLLECTION! Please check out JXV on bandcamp as well as Optimist/Pessimist Records all of which can be found at the end of the interview with Rikk R’ Treat, drummer of JXV.

JXV Ritual Band Photo : Courtesy of JXV

House of Tortured Souls: When you guys started JXV what was the intent, or sound that you were going for with the band?
Rikk: When I originally came up with the idea for JXV, I had just discovered The Jasons, and although I enjoy them, at the moment I wanted to find something heavier in the horror scene. I also watched Freddy vs Jason that night and realized that JASONxVOORHEES would be a rad heavy straight edge band name…sometime after that I began writing our first song “Immortality Rates”. Oddly enough, at the time I wanted the band to sound like early Aiden, My Chemical Romance, and Atreyu — horror punk based but a bit more aggressive. Obviously, that didn’t exactly happen. After Drink Blood Not Booze came out, Callen, Devon, and I began looking for committed band members. Once Lalo joined/ we wrote the music for lyrics I had written for a song called “HxC” (“Human Centipede”) and then began to work on other songs off of our album Horror Edge. We had troubles with our original bassist but eventually got Jacob on bass, who has been involved in the band since before we released Horror Edge. After over a year of playing as a five-piece, we added out second guitarist, Yako, who helped us get to where we are now sonically. As a six-piece, we have been able to add more “beef” to our old songs and push ourselves to write heavier songs for the new record.
HoTS: Horror Edge was a great album. Did you find it hard trying to market the music and style within the horror punk scene?
Rikk: Thank you. I think overall JXV has been hard to market. Horror punks don’t always get the heavy vocals, and hardcore or metalcore kids don’t understand the horror part. Unfortunately, I’ve often heard about how incoherent we are, but I never understood that because to us it all makes sense together. Sure, surf and death metal don’t mix often, but why not experiment?
HoTS: Your influences are vast across the board. Does the rest of the band share these common influences?
Rikk: As you can hear in our music, our influences vary quite a bit. I think we all overlap in certain places but not in other spots. If you knew our specific influences you’d be able to tell which songs were written by whom on Ritual.
HoTS: This album Ritual is produced perfectly. How long did it take to record this album?
Rikk: We began recording drums in November and finished all mixing and mastering in early June. So quite a while. This was mainly because we hadn’t finished writing all tracks when we started recording, and we all had very different schedules to work around to get into the studio.
HoTS: Was there any clashing of ideas when writing/recording the record?
Rikk: I wouldn’t say there were major clashes while writing, however, it has been more difficult for us to write music off the cuff as a “jam”. A good portion of our music has usually been written and structured before we meet to hash it out with instruments. The songs that were more free-form usually took the longest but, regardless, still came out great.
HoTS: The collaborations with fellow straight edge rappers. How did this come to pass and did you feel this was a bold move within the genre of horror/hardcore?
Rikk: A number of us have always loved nu-metal bands like Linkin Park and Korn. A lot of us also really love hip-hop. I have a lot of respect and love for my edge brothers SE Frank and vxDEDxv, who have both been big supporters of JXV. I had been in talks with them about working on something together, so all it took was finding the right songs they could fit on. As far as the particular genre, I rarely hear rap involved in horror, but traditional hardcore and hip-hop seem to flow together often so it just made sense to us.
HoTS: The song “Trick x Treat” is the single you chose to release. Why is that?
Rikk: “Trick x Treat” was the second song written for this record. I was very inspired by it to draw some artwork, so it was in part because I put a lot of work into the cover art. Once the whole record was written, it ended up being the track that mixed both the heaviness that half the album has with the campy horror that the other half has. So it’s a good representation of the full record.
HoTS: How did you guys find the balance when writing? By this I mean, each track is blended perfectly with punk, hardcore, metal, even rap/hip-hop.
Rikk: We didn’t really think much about the balance of sounds; we just wrote and structured what made sense to us. One may likely argue that none of the album is balanced at all, but to each his own, right?
HoTS: What spawned the idea to call it quits after this final show in July?
Rikk: As mentioned earlier, it is hard to match schedules in a six-person band. For some of us, it also just seemed like time to shift focus on other things. It’s been great working together with my bandmates, and I love them all, but we have to be sensitive to the needs of each member – even if that means we aren’t going to be playing anymore.
HoTS: What’s on the plate for each of you after the finale?
Rikk: Most of us have projects in the works. Once they are finalized or official we’ll share more! From what I know Yako, Devon, and Jake are each hoping to start heavy bands, respectively. Lalo has plans to start an indie project and I will be continuing to play in The Writhers for the rest of the year. As of right now, Callen does not have any musical plans, but when he does we will be supportive of his goals.
HoTS: Anything you want to share with the readers? Words of wisdom?
Rikk: In the immortal words of Bill and Ted, “Be excellent to each other.” We in JXV have always appreciated all and any support we have been given and will continue to be grateful well after we’re done. Also please be on the lookout for our album Ritual to be released in July!
HoTS: Even as homies within the scene of edge, horror, hardcore. Being a musician myself we together have made our music with a heavier tone and yet still pimped hard to a scene that doesn’t really have a lot of bands that dare try D/C tuning or metal vocals, so sharing all this with you all and being hardgore/horror edge brothers has been a true honor. I want to say thank you for everything you have done with Optimist/Pessimist records, and for sharing JXV with the world. Believe it or not, you guys’ music has inspired me to just keep doing what I do, and I’m positive once people hear Ritual they’re going to want more, and if you’re not playing out. They’ll have to make their own music, so the inspiration is definitely there and going to spawn a new generation of horror music.
Rikk: Thanks, man, I really appreciate everything you’ve done for us. You have been a huge help and your support has been a motivation to keep going. I don’t mind if people don’t go out and spawn new horror music – however, I do really hope people will listen to the album and try to understand our vision.

“Trick x Treat” video:

Posted by Schock in Categories, INTERVIEWS, MUSIC REVIEWS, REVIEWS, VIDEOS, 0 comments
HoTS Exclusive Review: The Fear Footage (2018)

HoTS Exclusive Review: The Fear Footage (2018)

I had a chance to view a new film called The Fear Footage. The film starts off as footage found on the body camera of Deputy Cole. It says that on April 19, 2016, the Darkbluff County Sheriff’s Department received calls from residents on Hanmanor Road. One of the houses had been demolished a year prior. It has now reappeared mysteriously. Deputy Cole was sent and never seen from again. Viewers are urged to call the Sheriff’s Department if they have info on the footage or Deputy Cole’s whereabouts.

That is the lead-in for the film. The movie uses a lost art form of first person point of view (POV). We see the film from Deputy Cole’s vantage point as he goes into the house. He now has his gun drawn and is looking for anything suspicious.

Deputy Cole finds a VHS cassette title Fear Footage and puts it into the VCR. He plays the tape and views several segments from different people who are taping moments in their lives. One is a boy who is getting ready for his birthday party. The next is a group of storm chasers. The third and final is a man who is hearing strange sounds from the woods and is trying to document them. Not all shots are first person, but 90% of the film is presented in that manner.

There is a moment that is key. Between two of the segments, the Deputy finds a diary in the house with some disturbing entries. They revolve around the writer finding a tape and its effects on her.

What works in The Fear Footage is the effect for the VHS. You see the grainy “snow” effect that happens when you watch an old VHS cassette. Also, the film seems less like a movie and more like a found footage tape. With almost everything in first person, you can only see from one viewpoint. The advantage is you can’t see around corners and can’t see any potential surprises until they happen.

The knock on this film will be that it is a lot like The Blair Witch Project because it uses the first person, single camera POV. However, any film that uses that approach will draw a comparison to The Blair Witch Project. The main difference between the two is there is far less camera movement in The Fear Footage. For those who got motion sickness or migraines while watching The Blair Witch Project, you won’t feel that with this film.

One of the things I really enjoyed about this is that it uses little special effects. It gives you some good scare moments without using thousands of dollars on effects to do so. This makes it seem like it is more of a real footage tape than a movie.

There are slow parts to this film, but it is almost necessary. There are also some nice surprises and moments that, if watching in the dark, will give you a good jolt.

Viewers who watch The Fear Footage must decide if the house or the videotape is causing the things we see. Overall, this is a very entertaining film that will make you think. You will try to anticipate what may come… it’s not always the case. And what did happen to Deputy Cole? And how did the house mysteriously appear after its demolition? Those questions, you will have to answer on your own!

Posted by Crypt Keeper Clint in COMING SOON, MOVIE REVIEWS, 0 comments
MOVIE REVIEW: Incident in a Ghostland (2018) [SPOILERS]

MOVIE REVIEW: Incident in a Ghostland (2018) [SPOILERS]

I had the opportunity to watch Incident in a Ghostland by Pascal Laugier (Martyrs director) last night. It has been my most anticipated movie release of the year. I had to wait a full 24 hours before doing the review in hopes that my opinion would change, but it’s with a very heavy heart that I sadly report I didn’t like it.

Crystal Reed in Incident in a Ghostland (2018)
I suppose it’s important to point out several things before we get into it.

First, it’s not Martyrs, it’s not even on the same planet as Martyrs and if you’re expecting Martyrs quality you will be even more disappointed than I was. I went in with the expectation that it wouldn’t be Martyrs and still felt robbed. It’s hard to lower your expectations when you know what the director is capable of.

It’s not extreme, and it’s not French. It isn’t graphic enough to be extreme and the few words of French spoken are dismissed. Good news for those of you who hate subtitles.

It’s a good horror movie, it’s not great. It’s nothing fresh and nothing to write home about.

One thing I did really like was the tributes to H.P. Lovecraft and Canadian author Nick Cutter. There were a few fun literary Easter eggs hidden throughout the film that I enjoyed. I also enjoyed Mylene Farmer’s performance.

Mylène Farmer in Incident in a Ghostland (2018)

The movie is about two sisters Beth (Emilia Jones) and Vera (Taylor Hickson) and their mother (Mylene Farmer) who, after the death of their aunt, are moving into her country home. Beth is an aspiring writer who loves H.P. Lovecraft, and Vera is a bit jealous of her writing and her relationship with their mother.

A quick foreshadowing in the form of a newspaper article is given about a serial killer on the loose – a serial killer who murders parents and keeps the children. As the family is on their way to the new home, they encounter a candy truck on the road with menacing individuals inside, but they brush it off. Later that night, their home is invaded by the candy truck drivers, but the trio prevails and thwarts their attackers.

Fast forward to years later and we find Beth (Crystal Reed) in her home with her husband and child now a successful writer. She receives a distressing call from her sister Vera (Anastasia Phillips) and decides to head back to the country home where her mother and sister still live. Vera, unable to cope with the attack, has gone crazy and locks herself in the basement most of the time, and their mother has turned to drink. The big “twist’ is revealed shortly after making the movie marginally better and bearable until the predictable happy ending.

Emilia Jones and Taylor Hickson in Incident in a Ghostland (2018)

You can expect lots of jump scares, “scary” dolls, nods to Rob Zombie and other fanboy tributes and clichés in this one. You won’t, however, find anything truly original or up to the standard that Pascal Laugier is capable of. In my opinion, Laugier is brilliant and Martyrs is God tier filmmaking, and it’s my hope that this film is not what we can expect from him in the future.

2/5 disappointed shocks for this film

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
DREW BARRYMORE: From Child Star to Cannibalistic Leading Lady

DREW BARRYMORE: From Child Star to Cannibalistic Leading Lady

Drew Barrymore with General from Cat's EyeDrew Barrymore has spent her life in front of the camera in a variety of roles but is especially known with genre fans in recent times for her portrayal of Sheila Hammond in two series the Netflix show The Santa Clarita Diet.

Barrymore’s first role was uncredited in a made for television movie Suddenly, Love in 1978 (when she was merely two years old and played a baby boy named Bobby).

Drew BarrymoreIt wouldn’t be until two more years late, in 1980, that Drew would play Margaret Jessup in Altered States, which was also the debut film for William Hurt. Altered States reflected a disturbingly surreal element of humanity and was more psychological than horrifying.

A year later Barrymore hit the big time, starring as the adorably lovable Gertie in Steven Spielberg’s E.T -The Extra-Terrestrial. E.T. was a huge success and grossed nearly half a billion dollars at the box office and was the highest-grossing film of 1982, cementing Barrymore as quite an in-demand child star.

Drew Barrymore in FirestarterIn 1984 Barrymore scored the coveted role of Charlene “Charlie” McGee in the big screen adaptation of Stephen King’s novel Firestarter, playing the film’s pyrokinetic lead. Starring alongside industry heavyweights George. C. Scott and Martin Sheen, Barrymore dominated her screen time and delivered a powerful performance of a young girl driven by her love for her father.

A year later Barrymore would star in yet another Stephen King adaptation, in the anthology film Cat’s Eye. King reportedly wrote the screenplay with Barrymore in mind for the role as she had impressed producer Dino De Laurentiis with her work a year earlier on Firestarter.

Drew BarrymoreThrough the rest of the 80s, Barrymore played parts in shows such as Amazing Stories, The Ray Bradbury Theatre, and CBS Schoolbreak Special. It wasn’t until 1989 when Barrymore was 14 that she returned to genre films with the serial killer thriller Far From Home, as Joleen  Cox. The film was a flop, despite the fact it featured some horror alumni such as Richard Massur (IT), Jennifer Tilly (Bride Of Chucky), and Matt Frewer (The Stand).

This seemed like a decline in Barrymore’s career until three years later when she would star in the seductive 1992 Katt Shea thriller Poison Ivy. As Ivy, Barrymore befriends Sylvie Cooper (played by Sarah Gilbert) and seduces Sylvie’s father Darryl (Tom Skerritt). Barrymore delivered a sultry and fragile performance as the film titles vixen and regained her hold on Hollywood, yet again being seen as a talented actress.

Drew BarrymoreFollowing the success of Poison Ivy (which would spawn three sequels since), Barrymore appeared in Waxwork II: Lost in Time, Sketch Artist, Guncrazy, and No Place To Hide in 1992.

In 1993 Doppelganger was released. Barrymore played Holly Gooding, a young woman with a strange double. It wasn’t as successful as hoped, but has since become popular with fans.

Later that year Barrymore would play Long Island teenager Amy Fisher, in The Amy Fisher Story – based on the true story of a teenager who shot her adult lover Joey Buttafuoco’s wife. The film was well received at the time, and Barrymore praised for her portrayal of the wayward teen and the crime that shocked the world.

For the following years, Barrymore took more romantic roles and in 1995 even appeared as Sugar in Batman Forever, one of the villain Two-Face’s (played by Tommy Lee Jones) girlfriends.

However in 1996 came a pivotal moment in Barrymore’s career, taking on a role as a victim called Casey Becker rather than the lead she was originally offered. In Wes Craven’s/David Williamson’s Scream, Barrymore’s role became as infamous as Janet Leigh’s in Hitchcock’s Psycho 36 years earlier and has since been part of one of Horror’s most memorable on-screen deaths for over two decades since.

Drew Barrymore in ScreamFrom Scream, Barrymore took more light-hearted roles – for which her fans adore her- in films such as The Wedding Singer, Ever After, and Home Fries.

It was in 1999 that Barrymore launched her production company Flower Films and their first film Never Been Kissed (which reunited her with former Doppelganger co-star Sean Whalen – known as Roach from The People Under the Stairs – and Scream co-star David Arquette) was released.

Drew BarrymoreIn 2001 she returned to the genre in Donnie Darko as Karen Pomeroy. The sci-fi/thriller film still has fans divided to this day over the interpretation of what it means.

Following commercial success with the Charlie’s Angels film reboots and a dramatic role in Driving in Cars With Boys, Barrymore has built her career for the last decade primarily in producing films and starring in romantic and dramatic roles.

Drew BarrymoreIn 2017 Netflix released the first series of The Santa Clarita Diet. The show is a horror comedy, about the strange death of Sheila Hammond. However Sheila isn’t quite dead, she’s undead and has a hankering for human flesh. It is up to her husband Joel (Timothy Olyphant), daughter Abby (Liv Hewson) and their young neighbor Eric (Skyler Gisondo) to help figure out how Sheila became what she now is and try and change her back to normal.

The show has run for two seasons already and confirmation for series three has been announced. Fans are enjoying the dark humor and balance between the comedy itself and grotesque gore. It has been an enjoyable and hilarious show to watch and personally a great reintroduction to genre fans for Barrymore’s skills as a comedienne and her abilities within the genre.

Drew Barrymore and Timothy Olyphant in Santa Clarita Diet

Posted by Michelle MIDI Sayles in Categories, 0 comments
The First Trailer For Halloween (2018) Is Here!

The First Trailer For Halloween (2018) Is Here!

While we are 4 months and 11 days (not that I am counting) from the premiere of the new Halloween film, the first trailer is finally here! October 19th (a week before my birthday) is a day fans of the franchise are waiting on, but today is also pretty special. It’s our first look at the trailer that puts the Halloween “Dream Team” together for the first time in decades. Jamie Lee Curtis and Nick Castle will be together for the first time since 1978, when Castle played The Shape.  John Carpenter who created all of the characters is also on board with the music.  Carpenter also serves as an Executive Producer.

Jamie Lee Curtis returns as Laurie Strode in the new Halloween.

 

John Carpenter will serve as an Executive Producer in the new film.

 

Nick Castle as Michael Myers in the new Halloween.

Halloween will pick up 40 years after the first film and will disregard any of the sequels (and remakes). This has upset some fans, while others are just thrilled to see “the band back together”. The trailer is below. Rest assured, I will be there opening night to see this final battle of Laurie vs Michael!

Posted by Crypt Keeper Clint in COMING SOON, HORROR NEWS, STAFF PICKS, 0 comments
MOVIE REVIEW: Tetsuo, the Iron Man (1989) [SPOILERS]

MOVIE REVIEW: Tetsuo, the Iron Man (1989) [SPOILERS]

Tetsuo, the Iron Man by Shinya Tsukamoto is a gnarly cyberpunk fetish film. Filmed in black and white and employing very little dialogue… it’s not really needed because there’s enough going on without it Tetsuo, the Iron Man has a cool techno/industrial, pulsing, fast-paced vibe.

Spoiler Alert Nosferatu

The film starts out with “The Man” or “The Metal Fetishist” (Tsukamoto) inserting a metal pipe into his thigh, then losing his shit when it starts to fester and maggots show up. He runs out into the street where he is hit and presumably killed by “The Salaryman” (Tomorowo Taguchi) and his girlfriend (Kei Fujiwara). They take his body and dump it into a ravine and then get it on in front of the corpse because nothing gets you as hot as killing someone… right?

Tetsuo, the Iron Man (1989)

Later that night, The Salaryman notices a piece of metal sticking out of his cheek that he can’t get rid of. He has a nightmare where his girlfriend has a metal pipe coming from her hoo-haw and she rapes him with it. This scene is actually pretty great, she does this weird ass interpretive dance and licks her pipe before slamming it into his.

Tetsuo, the Iron Man (1989)

For some reason, everyone is super sweaty all the time. When he wakes up, The Salaryman and his girlfriend have sex and eat erotically, as in she licks a wiener. The whole time, however, The Salaryman hears metal scraping, and then he starts to transform. He runs into the bathroom afraid of what he’s becoming and tells his girlfriend to stay away. She says nothing bothers her and goes in anyway, and that’s when we see it… The drill dick!!! Yes, you read that right: his genitalia is now a large spinning metal drilldo. At first, the girlfriend is scared and starts stabbing him, but every time she stabs him, more metal sprouts out of his body. She then becomes turned on and rides the drill to death.

Tetsuo, the Iron Man (1989)

We discover that The Metal Fetishist isn’t actually dead and the two have an epic metalman duel until they eventually meld together into one giant metal man tethered by a metal pipe umbilical cord. The Metal Fetishist vows to turn the whole world into metal and let it rust, scattering it into the dust of the universe. Game over.
4/5 cyberpunk rock shocks for Tetsuo, the Iron Man

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
Andrew Lincoln Set To Leave The Walking Dead

Andrew Lincoln Set To Leave The Walking Dead

Hold onto your seats fans of The Walking Dead because this is a big one. According to several sources this evening, Andrew Lincoln will leave the show before the end of Season 9. Lincoln, who plays Rick Grimes, has been the main protagonist of the show since it began in 2010.

Image: Entertainment Weekly

Several outlets including Collider (who was the first to report the story) are reporting that Lincoln will leave and do so early in the season. Entertainment Weekly is also reporting the story and according to the article, they have confirmed with a source. (Andrew Lincoln To Leave The Walking Dead In Season 9).

Neither Lincoln or AMC, the station that airs the program have commented publicly or are looking to do so anytime soon. However, if this story is true, there are rumors that Norman Reedus’ character, Daryl Dixon would take the place as leading protagonist. Those who saw the Season 8 Finale may remember that the season ended on a cliffhanger.

Jesus and Maggie - Will Rick (Andrew Lincoln) join Maggie

Maggie and Jesus were discussing Rick’s decision to keep Negan alive. They agreed that Rick was wrong and Daryl agreed. The feeling was that they would not allow him to get away with that move. This could mean a struggle from within as we begin Season 9 this fall.

In the above-mentioned article, Andrew Lincoln has been quoted as saying,

I can’t wait to see this next episode. It’s really interesting. It’s very different in a good way. In an exciting way. It’s more reminiscent of the pilot than any other season that we’ve embarked on, which makes me very happy. It’s a good time for it, a really exciting time for it. I feel like season 1. It’s a big year, and I’m excited for it.

Rick (Andrew Lincoln) and Daryl (Norman Reedus) have a talk.What does all this mean? Those who know the answer to that are not saying. What is interesting is that this story broke now and not closer to the fall. There is no hint as to what will happen to Rick Grimes. He may join Morgan on Fear The Walking Dead. However, the speculation is that Rick will be killed off.

The question I am sure many fans of the show will try to answer is by whom. Will Negan seek revenge? Will Rick become a liability by those he trusts? One thing is for certain. There has not been a question this pressing for TWD since fans waited to find out who Negan killed at the end of Season 6.

TWD, S08E05, Rick Grimes sees a helicopter / Fair use doctrine.

The other question is will the show survive without Rick Grimes? One thing we do know is come this fall, we may be forced to find out. Stay tuned, because I am sure this is only the beginning of this story!

Posted by Crypt Keeper Clint in CAST AND CREW NEWS, HORROR NEWS, 0 comments
MOVIE REVIEW: Smoking Hot with … Bong of The Living Dead (2017)

MOVIE REVIEW: Smoking Hot with … Bong of The Living Dead (2017)

Yes, you read that correctly, this review will be about the recent release of a film titled Bong of the Living Dead, a new breed of Zombie film that has so much beautiful sentiment it actually surprised me!

Again, this is an actual moderately action-packed stoner film involving a group of potheads and their antics during an untimely zombie outbreak.

Of course, when you hear the title, you will prejudge based on your views on the prior Evil Bong films. This is not affiliated with those films in any way, shape, or form.

Ted (2012)

Ted (2012) – No, not that bong.

Bong of the Living Dead features a group of twenty-something adults who have known each other since they were kids.

As kids, our hazy leader Christ Moser (played by Eric Boso, previously seen in short films) establishes himself as a self-proclaimed zombie aficionado. He spends a lot of his days mulling over how he would react to a zombie apocalypse, usually while smoking his bong.

Also in the friends’ group is Kate Mitchell (Tiffany Arnold, who appears in Lilith with Jessica Cameron). Kate is a doctor now with much less regard for Christ’s discussions and thinking more logically about the possibility of an attack of the undead.

Joining this duo is Daniel Alan Kiely as Hal Rockwood, Laura. E. Mock as Tara Callahan, Dan Nye as Jon Lance, and Cat Taylor as Danielle Dewitt.

Each adds some genuinely funny moments to this oddly conceived film and balance the humor with their genuine care and compassion for each other.

Daniel Alan Kiely, Tiffany Arnold, Eric Boso, Dan Nye, and Laura E. Mock in Bong of the Living Dead (2017)

Daniel Alan Kiely, Tiffany Arnold, Eric Boso, Dan Nye, and Laura E. Mock in Bong of the Living Dead (2017)

Obviously, there are nods to films notable within the zombie sub-genre and Night of the Living Dead is discussed in one of their Zombie talks. as well as Land of the Dead in relation to guns within the Zombie film world.

When the actual news breaks on TV about the onslaught of Zombies, naturally some are excited and others more reserved within the group.

That said, the original onslaught is quite less than anticipated and notably disheartened, they instead all return inside to…you guessed it…get high!

Hours pass and the news reports worsen to the point that one newscaster reports, “You’re fucked, Columbus!” Even worse, a politician begins a campaign (Councilman Ted Swanson) with the cheesiest slogan, “Don’t be a problem, zom-bee the solution”.  All of this prompts our collective ensemble to again get high, and we are treated to a montage of zombie preparations before they attempt to venture outside. A few of the neighbors are devoured by the increasing horde and things begin to take a zombie-like twist for the worst.

Daniel Alan Kiely, Tiffany Arnold, Eric Boso, Dan Nye, Laura E. Mock, and Cat Taylor in Bong of the Living Dead (2017)

Daniel Alan Kiely, Tiffany Arnold, Eric Boso, Dan Nye, Laura E. Mock, and Cat Taylor in Bong of the Living Dead (2017)

This is where they take a downward spiral. Zombies overtake, some are hurt, even killed. The usual plot aspects of a zombie film. However through a series of horrific moments, and even the news guy shooting himself, our gang begin to recall their fond memories with one another. Tied in with such an amazingly emotional score, it pulls oddly at your heartstrings – not something I anticipated – and creates an almost beautiful climax.

I think people will prejudge Bong of the Living Dead, but in those moments it showed real heart and actually became so much more than a stoner zombie viewing.

Posted by Michelle MIDI Sayles in MOVIE REVIEWS, REVIEWS, 0 comments
CON REVIEW: Days of the Dead – Charlotte, NC – 2018

CON REVIEW: Days of the Dead – Charlotte, NC – 2018

For the first time, the Days of the Dead convention invaded Charlotte, NC this past weekend. They brought in a big lineup that included horror and rock icons. Some of those names are Heather Langenkamp, Cassandra Peterson (Elvira), Linda Blair, Tony Todd, Dee Snider, and Vinnie Vincent.

Friday night was night 1 of the event and at the end of the night was a Hall of Fame Induction. Days of the Dead honors a popular guest who has helped evolve the show and also an Indie Film Maker. The Charlotte show’s inductees were Heather Langenkamp and Tommy Faircloth. Langenkamp, of course, is known for her work in the Nightmare On Elm Street franchise. Faircloth is a Carolina native who has made films for years including Family Possessions. He is working on a new project called Nun’s Curse, which he has a crowdfunding campaign going. So congratulations to both Heather and Tommy!

 

This con was similar to most cons as there were panels, photo ops and chances to meet and get signatures from popular horror icons. The panel I found the most interesting was the Friday The 13th Part 6 panel. There were five cast members (CJ Graham, Thom Mathews, Darcy DeMoss, Tom Fridley, and Kerry Noonan) along with writer/director Tom McLoughlin. This had been the first convention appearance for Noonan, so this group has not been together since filming ended 32 years ago.

Now having traveled to several conventions just in this calendar year, I have seen a lot of great and some not so stellar moments. I have seen some things happen at shows that angered a lot of fans. Days of the Dead did not seem to have those issues this past weekend. Let me qualify this by saying that yes, I was a volunteer at this show. I have volunteered at several shows though. Does that mean that Days of the Dead has mastered how to put on a show? Not exactly.

They have put on 26 shows now in the last decade, so after a while, you learn what can and cannot work. I will also say they did have an advantage that some of the other conventions did not have. Timing. Days of the Dead came after some other shows that had problems. A lot of volunteers do work more than one show, and they post on social media about their experiences. Thus, the staff at Days of the Dead were able to see what problems other conventions experienced and had time to make sure they would not happen at their show. Again, this was their 26th show, and they have run in at least six states. They also hosted an open forum for fans to voice their ideas, issues, suggestions, complaints, etc. They wanted to ensure the fans knew they had a voice.

Let’s talk attendance. The attendance was not nearly what other shows have done. This has caused some people to say the show was unsuccessful. There have been shows in other cities where the crowds were so massive that the fire marshals were called. It’s a double-edged sword. Is there a perfect amount of people that is just right if this was too small and others were too big? I don’t have the answer to that.

What made this show work was that they secured a hotel big enough for fans to spread out. There was also a rhyme and reason for the celebrity layout. The celebrities all seemed to have a great time, including Kerry Noonan, who was often seen having fun with the fans.

What made this show seem to flow smoothly (at least from the perspective that I saw) was that Days of the Dead used a wash, rinse, repeat method. They booked a lot of celebrities that they have used at other shows, and they mixed them with some first-timers. They also used the same core volunteers and staff members that work most of, if not all of their shows.

Were there some hiccups? Sure. Tony Todd had an unexpected family issue come up and was not available for the show on Sunday. I was assured everything is okay, but it had to be taken care of. Life happens, and these celebrities are just like us. Were there some issues with the hotel? Yes. Was the crowd smaller than expected? Yes. But this was the first show Days of the Dead has run in North Carolina, and there are growing pains when you are dealing with a brand new venue and city.

There were some very creative fans that put their cosplay skills to use. There was an entertaining band called Elzig (a cross between Elvis and Danzig) that played the afterparty.

So final analysis. Was this a perfect show? Of course not. Has Days of the Dead found a formula that works for them? Yes. Were there things that could have gone better? I am sure that there are. Most of the fans that I spoke with were extremely happy and excited. Some fans voiced that there was not clear signage of where the panels were being held, but they were happy that team members on the floor were able to guide them in the right direction. Are there changes Days of the Dead can do make improve before their next show? Yes. That will always be the answer, though. This was overall a very successful show, especially for their first run in a new city.

Overall Grade: A

Posted by Crypt Keeper Clint in EVENT REVIEWS, REVIEWS, STAFF PICKS, 0 comments
EXTREME REVIEW: The Life and Death of a Porno Gang (2009) [Spoilers]

EXTREME REVIEW: The Life and Death of a Porno Gang (2009) [Spoilers]

The Life and Death of a Porno Gang is an excellent Serbian movie directed by Mladen Djordjevic. It’s been referred to as “the other Serbian Film” although it has almost no similarities other than it’s Serbian and extreme. So no need to panic, no babies or children are harmed in this one.

This one is a bit difficult to tackle without spoilers, so I’m going to say mild spoilers from this point on and I’ll give you a heads up when I go into major spoilers.

The Life and Death of a Porno Gang (2009)

The film is about Marko (Mihajlo Jovanovic), a young enthusiastic film student fresh out of college. He’s bright-eyed and full of great ideas for an artsy horror/fantasy film. Unfortunately, Serbia has no market for such films and although his father is rich he won’t help with funding. Discouraged and down, Marko goes to a bar where he meets Cane (Srdjan Miletic) one of the top porn directors in Serbia. He offers Marko a job, and Marko accepts in hopes of earning enough money to make his film. After Cane shows him the ropes, Marko uses a few of the actors to make artsy political pornos, and the short film of a killer strain of weed that turns people into sex zombies is actually pretty brilliant. Cane, however, didn’t think so and was pissed that Marko went behind his back. He has his cop brother beat him up and run him out of town.

Marko gets together a group of “actors” and convinces them to join his traveling show: the first pornographic playhouse in Serbia. They buy a really cool van, paint it up all dirty, and hit the road. The rest of the movie follows their struggles in various towns. The show doesn’t go over well, and they get kicked out of town after town until they meet Franz, who offers them a different type of job that they end up accepting for the money. Then we witness the break-up and demise of the gang.

Spoiler Alert Nosferatu

Some of the more disturbing aspects of the film include:

  • The entire group being gang-raped at gunpoint after townsmen follow them from the last town they performed in. This scene was brutal, and I thanked god when one of them started to laugh in the face of their attacker because the scene needed a break.
  • Franz’s job offer was for the gang to do snuff films. The participants were willing, and their surviving family members were well compensated. This is where the film takes a profound turn and even though the participants are willing, we still experience the consequences of taking a life.
  • A horse blowjob that looks pretty real…
  • The death of a goat.
  • The death of everyone in the porno gang.

While the first half of the film was colorful and happy if somewhat disturbing, the second half becomes bleak, overly long, and depressing. It’s a hard watch in more ways than one, but it needs to be seen by any true extreme cinema fan.

4/5 Shocks for this film

The Life and Death of a Porno Gang (2009)

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
EXTREME REVIEW: Doll Syndrome (2014) [Minor Spoilers]

EXTREME REVIEW: Doll Syndrome (2014) [Minor Spoilers]

Doll SyndromeIn Domiziano Cristopharo’s 2014 film Doll Syndrome, one gets the privilege to see Domiziano at his finest. Doll Syndrome is first and foremost a work of art superbly directed by Domiziano and beautifully written by Andrea Cavaletto. Telling the story of a loner who begins to become obsessed with a woman he encounters on the street, we watch this man become a dangerous and disturbing stalker. The way Domiziano directs this beautifully disturbing film the viewer is made privy to every twisted and even odd thought that crosses the loner’s mind.

Doll SyndromeI can confidently say that watching Doll Syndrome and the obsession grow, I felt a deep sense of foreboding as I watched this man follow this girl nearly everywhere and even as he just watches her from afar. A rather graphic film on multiple levels, each scene certainly adds to the feeling of unease you get watching the man progress. Beginning with some basic scenes of masturbation in front of the window in his apartment and building to his purchasing an inflatable sex doll for him to practice his fantasies on, we see his progression deeper and deeper into himself as well as in his obsession with this girl.

Doll SyndromeWhilst most of Doll Syndrome’s sexual scenes are not disturbing in the acts, they are incredibly graphic and progress to the inclusion of self-harm that do make them disturbing. Add the fact that with the sex doll, he is constantly fantasizing about this woman — even when he is using a fabric stapler on various parts of the doll — and it becomes quite disturbing. Not the most disturbing moments of the film by a long shot, but if I were to reveal everything, then where’s the fun in watching it? I will say that this film is not for the faint of heart, and it involves some extremely brutal scenes of torture and self-harm, but for those who are into the extreme side of film, I cannot recommend it enough.

In addition, Doll Syndrome will be available to purchase on 5/22 from Amazon and is up for preorder, and I encourage everyone to support Domiziano’s work!

Posted by Spencer Evatt in GORE, MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
Remembering Margot Kidder

Remembering Margot Kidder

Everyone at House of Tortured Souls is saddened to learn of the death of actress Margot Kidder. Kidder passed away at her home in Montana on Sunday. She was 69. Margot Kidder spent 50 years acting, with her first credit coming in an episode of Wojeck in 1968. She would gain her most notable role 10 years later. In 1978, Kidder wowed audiences opposite Christopher Reeve in Superman, playing Lois Lane.  She would keep that role in Superman’s 3 sequels.

Horror fans will remember Kidder from 1979’s The Amityville Horror where she played Kathy Lutz, opposite James Brolin. She continued acting all the way through 2017.

Kidder’s toughest role may have come in 1996 when she had a manic episode. The episode caused her to become homeless for a while, and she was reported missing for four days. She would be diagnosed with Bipolar disorder and be under doctor’s care. Years later, Kidder, who was open about her disorder would become an advocate for mental illness. She had stated that she had not any episodes in many years after being on medication.

Margot Kidder in Brian DePalma's Sisters (1973)

Kidder was scheduled to be at Motor City Comic-con this upcoming weekend in Detroit. Officials have not released a cause of death at this time. Our thoughts here at House of Tortured Souls are with Margot’s family.

Rest In Peace, Ms. Lois Lane.

Margot Kidder
1948-2018

Woofer's Paw Print icon microscopicEditor’s Note: If you know someone who is or might be suffering from mental illness, please reach out and be that friend.

Posted by Crypt Keeper Clint in HORROR NEWS, STAFF PICKS, 0 comments
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