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COMING SOON: An Inside Remake (2016)

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The Hollywood foreign to American, remake machine is in full swing. Now coming not long after word that the American remake of Martyrs will soon hit the screen, it appears a remake of Inside is going forward. Inside, along with Martyrs, and others, was part of a wave of extreme gore French horror films. Now Inside (2007) is up to get the typical watered down Hollywood remake formula.

The Where Can I Buy Cheap Valium Online remake went through a lot of changes, from early reports that it would star Kristen Stewart, to the project being shelved, before finally the powers that be decided to throw out a cheap quickie of a film so as not to lose the rights. The Inside remake at least looks like they are taking the time to hire a decent writer and director.

As of now the project, a Spanish produced, English language production is set to be directed by Miguel Angel Vivas, best known for the well received Spanish language film Buy Diazepam Online Legally Uk. The script in play now was written by Jaume Balaguero, director of the excellent Spanish horror film Rec, and Manu Diez, who co-wrote Rec 2 and Rec 4: Apocalypse. So the project, at least for now, has some decent talent attached.

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Manuela Velasco, star of Rec, and Jaume Balaguero of Rec and the Inside remake

Haven't writers and directors who have been successful in the horror genre, although Kidnapped was more thriller than horror, does bode well for the Inside remake. But the thriller part concerns me a bit. The producers have said that the Inside remake would be a taut thriller focusing on a battle between two would be mothers.. OK, there is a thin line between horror and thriller but the original pole vaulted that line and landed in the territory of straight up gore and horror. Making this film a thriller, appears to be an attempt to tone it down. And there is no reason to tone it down, except producers don't think American audiences will crowd into a gorefest.

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The Inside Remake based on the 2007 Gorefest Inside

Still if it looks to be a decent film, I will watch it. Even though it's unnecessary. It's still a long time till the Inside remake hits the screen. It's scheduled to start filming in February 2016, and even that is subject to change. As of now there is no cast attached and only one publicity photo. It doesn't even appear to have an IMDb page yet. Whatever eventually happens with the Inside remake, the trend isn't going to stop. Remakes, re-imaginings, reboots, or whatever you prefer to call them are here to stay. All we can do is hope they do justice to the originals that we love.

Posted by Allen Alberson in HORROR NEWS, 0 comments
RECAP: Ash vs Evil Dead, S01E01, El Jefe

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So don’t even tell me you still haven’t seen the premiere of Ash vs. Evil Dead yet. It’s been on Starz like every other hour since Halloween night. The staff here at Tortured Souls basically seems to concur that the show was awesome or they don’t get that channel. To them I said, It’s streaming free at Starz.com and also on the Ash vs. Evil Dead Facebook page. And now that you know, you have no excuse, either.

Now I’m not going to sugarcoat my review, but I really only had one small gripe. It’s those three words that make every old school gore hound cringe… Computer-generated imagery. Yep, they got some CGI goin’ on in there. We want practical effects and buckets of real (fake) blood a la Dead by Dawn, not CG splatter a la Sharknado. I guess all we can do is hope that with time and growing interest that the budget will increase and they can sell the computers and buy some buckets. Aside from that, I liked it a lot!

The king is back, and boy have we missed him! We join our reluctant hero some thirty years after the events of the Evil Dead or Dead by Dawn (not quite sure as the continuity is hazy at best). From what I gather, they don’t even have the rights to reference Army of Darkness. Ash is still stuck in the same kind of shitty job (at Value Mart now, no longer S-Mart) and he still drives the same classic ’73 Oldsmobile. He now lives in a mobile home in a trailer park in Michigan.

The show opens with Ash rockin’ out to some Deep Purple and suiting up to go out, maybe to kick some deadite ass? No, he speeds on down to a local bar, and enters strategically at 10 minutes before closing. He’s just out looking for some sugar, and his pick-up game is hilarious. His story of losing his hand by stopping a train to save a young boy (well, the truth would be harder to believe than this BS fiction) is too funny. Campbell’s performance is great, as always, and he seems right at home back in the role of Ash.

The episode sets up the show, introduces the characters, and got me all amped up for more. Unfortunately, the lovely Lucy Lawless was only in this episode for a short time. But she will play a big role in the future as a descendent of Professor Raymond (the one who discovered and translated the book), Henreitta, and Annie Knowby. The show as a whole looks to be promising, has me optimistic, and gives all of us Evil Deadheads something to look forward to each week, with new episodes Saturday night at 9pm on Starz.

Posted by Kevin Belyski in MONSTERS AND CREATURES, REVIEWS, SATANIC/DEMONIC, SERIES REVIEWS, 0 comments

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Early this morning, my wife Stephanie woke me up to tell me of the heart breaking news of the passing of Mr. Hansen. As most or many of you know, The Texas Chainsaw Massacre is my personal favorite horror film, and at that, Leatherface is my favorite horror character. Mr. Hansen, to me, IS Leatherface. There are others who have played the role, but, I'm sorry, none compare to Mr. Hansen's portrayal.

Now, I, as many of you have, had the chance to meet him. Mine was at Spooky Empire in Orlando in 2007. I was there with a group of friends from Florida, and this was my very first convention. It's kind of funny. It was about six on a Friday evening, and the convention was rapidly filling up. I was getting tattooed by my good friend Kelly Rogers, who owns and works at Gearhead Tattoo out of Cape Coral and we were all taking a smoke break outside. While out in the hallway, here comes Mr. Hansen, a mountain of a man, headed my way. I can still remember yelling OH SHIIIIT!!!! as I ran back into the the tattoo room, literally diving over the vending table, knocking all kinds of shit over, digging through my backpack to get my camera. I made it back to the corridor just in time as he had just got to where I was.

Out of breath I said said his name, he stopped, turned and looked down at me, "Yes?" was all he said. I kindly explained what I had just done, and asked if I could trouble him for a moment of his time . He agreed, the photo was taken, I said, “Thank you, and it was an honor to meet you, sir”. He looked down and stared at me for a second with that deep look of his, and disappeared into the crowd.
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Was I a bit star struck? Yeah I guess I was, but also know that Mr. Hansen was the first celebrity that I had met at the convention...I also know that I could have honestly gone home after that. It couldn't have gotten any better. And yes, I did go and actually visit Mr.Hansen at his table later during the convention, spoke with him, and had apologized if I had made a spectacle of myself earlier. He just smiled and we shook hands. I don't think I will ever forget meeting him, nor will I ever forget Mr. Hansen.

Feeling broken by this news...

You are deeply missed, sir.

Stay Evil

Posted by John Roisland in EDITORIALS, TRIBUTE, 0 comments

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RIP Gunnar Hansen

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Actor Gunnar Hansen passed away from pancreatic cancer at his home in Maine on November 7, 2015. Hansen, who is best remembered as the original actor behind the human mask face of iconic killer Leatherface in Tobe Hooper's original The Texas Chain Saw Mssacre. Born in Reykjavik, Iceland, Gunnar moved with his parents to the US at age 5 with the Hansen family settling in Maine. At age 11, they moved to Texas, where Hansen attended high school at Austin High School and college at the University of Texas at Austin. In college Hansen doubled majored in English and mathematics, pursing graduate work in English and Scandinavian Studies.

Although he dabbled in theater in college, it wasn't until 1973 that he was interviewed by Tobe Hooper and Kim Henkel, eventually landing the role as Leatherface, the iconic chainsaw wielding cannibal in 1974's The Texas Chain Saw Massacre. This was followed by The Demon Lover in 1977 after which Hansen took a decade-long break from acting. During this break, Hansen worked as a magazine writer and a magazine and book editor. Hansen returned to film in the horror spoof Hollywood Chainsaw Hookers and has worked steadily in film since. Because of his imposing size (Hansen is 6' 4" or 1.93 m), he was usually cast as bad guys in horror movies, further endearing him to the horror fandom.

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In addition to The Texas Chain Saw Massacre (1974), The Demon Lover (1977), and Hollywood Chainsaw Hookers (1988), Hansen has starred in Campfire Tales (1991), Freakshow (1995), Mosquito (1995), Repligator (1996), Chainsaw Sally (2004), and Reykjavik Whale Watching Massacre (2009).

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In 1993 Hansen published a nonfiction travel memoir, Buying Valium On The Street. From the description:

Buy Genuine Valium UkWeaving in and out along the coastlines of Texas, Louisiana, Mississippi, Alabama, South Carolina, and North Carolina, poet and naturalist Gunnar Hansen perceives barrier islands not as sand but as expressions in time of the processes that make them.

In 2013 he wrote the nonfiction book Valium India Online, detailing the making, distribution, and reception of 1973's The Texas Chain Saw Massacre. From the description:

Buy Diazepam Cheap Online UkA critically acclaimed poet and author, Hansen tells the real story of the film, debunking myths, giving behind-the-scenes details, and offering insights on the film's reception and our enduring fascination with the horror genre today.

 

RIP, Mr. Hansen, you will be missed.

Posted by Woofer McWooferson in EDITORIALS, HORROR NEWS, OBITUARY, 0 comments

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Dreamscapes for Avid Readers

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Author: Claus Holm; Editors: Melinda B. Bowman, Ellen Taylor, and Woofer McWooferson; Publisher: CreateSpace; ISBN-10: 1500510106 | ISBM-13: 978-1500510107; Media: Paperback and ePub; Length: 294 pages; Genre: Horror | Fantasy; Country: USA; Language: English; Year: 2014

Dreams and Awakenings is a 2014 short story collection by Danish author Claus Holm. Inspired by such shows as The Twilight Zone and its ilk as well as authors such as Stephen King, Claus has penned stories worthy to be made into episodes of The Twilight Zone itself. Stories range from slightly fantastic to science fiction to downright spooky. In all cases, however, they flow with an ease that enables the reader to sail through the stories, eager to reach the end and what it will reveal. Starting with The App, a story that focuses on death and loss, and ending with To Share Like Brothers, a story that focuses on life and acquisition, Dreams and Awakenings runs the gamut of emotions. Indeed, it is like meeting with an old friend with many new stories to tell.

Claus's ability to easily convey things that are as well as life in the US is laudable. He has his finger on the pulse of the US life, and it is clear in his stories. Not only can he paint a picture of life in the US through his prose, his grasp of American dialogue is uncanny. He weaves story narrative and dialogue seamlessly, and his stories are accessible to all readers.

As is evident from the editors listed above, I am one of the lucky folks who had the pleasure of reading some of these stories before they went to publication. It was a great pleasure for me to work with Claus, and I am eager to do so again in the future.

You can find out more about Claus on his Buying Valium Online Uk, and you can purchase his books through Order Valium Online Overnight. Through Monday, his ebooks are free at Amazon.com. You can also hear Claus read some of the stories on his Valium To Buy.

10/10 claws – Worthy of multiple readings!

Posted by Woofer McWooferson in BOOKS, COMICS, AND PUBLICATION REVIEWS, REVIEWS, 0 comments
GAME REVIEW (RETRO): Sweet Home

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Most people tend to think of the original Alone in the Dark as being the first survival horror video game that they can really remember. Resident Evil would end up being the series that would more famously expose the genre of survival horror to mainstream gamers, but did you know that the original Resident Evil was actually originally supposed to be a remake of a game called Sweet Home? Well, it was.

Now you may be asking yourself, what the fuck is Sweet Home? Well kids, sit down, listen up, and crack open a beer or two and I'll tell you a tale: Sweet Home was a game for the Famicom. The Famicom was basically the Japanese version of the original Nintendo Entertainment System. That beloved grey box that we all fondly remember was a bright red and white console (with a disc-based add-on) in its native Japan, and even featured a few bells and whistles (hardwired controllers, a microphone built into the second controller, etc.) that we never got. Anyway, the Famicom had a shitload of games that never made it on our side of the pond, with Sweet Home being one of them.

Sweet Home is a survival horror role-playing game (that in turn is based on a film of the same name), in which you control a party of five characters that must traverse a spooky-ass mansion. You encounter all kinds of nasty beasts and ghosts in random battles (this is an RPG after all), and there's some majorly creepy shit that happens in the process. The mansion itself is like a giant maze, and also features one of the earliest examples of perma-death in a game; i.e. once a member of your party dies, they stay deader than shit. Yes, this game can be totally unforgiving when it wants to be...and can also be super rewarding too.

Now because of its horror nature and mature subject matter, Sweet Home wasn't deemed fit for American NES players, mainly because a majority of them were super young and enjoying the exploits of a certain stereotypical Italian plumber. So yeah, we missed out on a classic game...at least until the internet became a thing. Various playable ROMs of Sweet Home have been all over the place, thankfully with English fan translations. There's also websites you can find that offer up NES reproduction cartridges that feature the English translation of the game, although these will cost you. So with all that in mind, I wholeheartedly recommend checking Sweet Home out however you can. It's an early classic of the genre, and is every bit as good now as it was back then.

 

Posted by Nick Durham in GAME REVIEWS, REVIEWS, 0 comments
COMIC REVIEW: Trick ‘r Treat: Days Of The Dead

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No one loves Trick 'r Treat more than I do. The best horror anthology to see the light of day in well over a decade (and still is), Trick 'r Treat is one of my all time favorite films of any genre in the history of ever. That's right, I said it.

Anyway, in an effort to sate us Trick 'r Treat fans until we finally get the long-awaited sequel, we get this comic which offers up four separate stories that revolve around different points in Halloween history. The stories themselves come from creator Michael Dougherty, as well as his Krampus cohorts Todd Casey and Zach Shields, along with some additional input from comic veteran Marc Andreyko. Opening tale Seed revolves around witches and magic in Ireland in the 1600s, Corn Maiden revolves around betrayal on the frontier between the evil white-man and Native Americans (and kind of, sort of gives a maybe-kind of origin to Sam), Echoes is a 1950s noir-style detective story, and the closing Monster Mash finds a closed-minded small town get their comeuppance when monsters attack on Halloween night.

The stories are basic, but mostly effective, even though they range in terms of quality. Seed is interesting, Corn Maiden is the best of the bunch, Echoes is a near-unintelligible mess, and Monster Mash is fun. The various artwork, featuring contributions from Saga's Fiona Staples, along with Stephen Byrne, and Zid is all well and great, but Stuart Sayger's work on Echoes left me perplexed as to what the fuck is happening from panel to panel. I don't mean to shit on the guy's work so please don't think I'm knocking him, I just think his style isn't all that well-suited. That aside, the story itself didn't make a lick of sense, so it's not like the art hurts it that much to begin with.

So yeah, Trick 'r Treat: Days of the Dead is a quick and relatively fun read. It's contents are a mixed bag but it features enough interesting moments to whet your appetite until we finally get the sequel to Trick 'r Treat that we're still fucking waiting for. That being said, check it out and give it a whirl. It isn't anything special in the least, but you can always do a lot worse in terms of horror comics than what this offers.

Rating: 3/5

Posted by Nick Durham in BOOKS, COMICS, AND PUBLICATION REVIEWS, REVIEWS, 0 comments

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Directed by Felipe Eluti and released March 24, 2015 by Unearthed Films, Buy Zepose Valium is a descent into depravity as a washed up boxer finds himself at the mercy of an unimaginable evil that lives in his psyche. As his torture escalates at the hands of this female visage, his grip on reality slowly spirals into madness and he seeks out victims to inhumanely torture at the request of his mentor in torture, the nameless female figure. When a man has lost it all, what is left but the raw carnal need to inflict pain on those that he stumbles upon?

Story wise the movie keeps you disoriented by shuffling from past, middle, and present with only head and facial hair as a signifier that any amount of time has passed. One minute you start off in the beginning as The Boxer is furiously training, and then the movie interjects snippets of morbid visions of a bleeding duct taped victim strung from the ceiling. The film definitely keeps you on your toes without allowing you a structured timeline, but with The Boxer losing his grip on sanity, it helps to symbolize his decent into darkness.

The moments between The Boxer and his female tormentor at no point feel like they're just a mental fabrication. They feel unbelievably real and, for that reason, straddle the line of reality and believability. The method by which she tortures him is a twisted, morbid spin on the whole mistress/slave dominatrix BDSM fetishism, and much of the film finds bondage in general via ropes showcased very attentively as The Boxer intricately ties complex knots with great care, binding his victims before mercilessly torturing them.

The torment that the Boxer unleashes on his victims is, at times, anywhere between savagely brutal and mentally cruel. During one scene he binds a female victim to another male victim and after murdering the male victim, leaves him bound to the still alive female to decompose, her face pressed firmly against his corpse. The majority of the torture scenes are sadistic and callous, with eyes being cut out and the open wound being used for sexual gratification in an intense boundary pushing scene that is both disturbing and mesmerizing.

In conclusion, Visceral: Between the Ropes of Madness is an absolute exercise in extremes balanced with the morbid beauty of the fetish culture of bondage. For viewers who seek out extreme horror regularly, this film delivers every bit of the gruesome, morally absent violence that you could ever want. This film is the equivalent of a Mexican cartel decapitation video fisting 50 Shades of Grey, and you will never be the same afterwards.

Rating: 7/10

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments
Back to Pain Dead: An Original Horror Story by Jason Messenheimer

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So here I am writing about this shit again. Still can’t figure out why. Still don’t give a flying fuck. Been a busy day. Walking slowly, not breathing, and looking for specific people to get back at them.# It’s painful to try to get back at somebody and then stumbling into them shambling around being an undead dumbfuck. Ugh. Such is life.

I did manage to get myself a new toy. Only had to take it off the hands of one of the high school jerks. Wait, let me phrase it differently. Actually, I had to take his hands off him. I had just finished sighting in a sniper rifle and I went out to test my newfound sniping skills. Didn’t take long to find my target. It just happened to be Fuck Face Mikey and his little harem.

Let me tell you a little bit about Fuck Face Mikey. He was one of those genetically perfect jocks. Played for all the varsity teams. Pretty much got a free ride through high school because he was the one who could score the points to win the games. Lord, how I hated this motherfucker.

So there I was looking out my scope trying to when I heard this loud mouth yelling, waving around a katana, and having the audacity to be not wearing a shirt. What made it even worse was the fact was he was with two of the super skanks from school and they were running with him in their underwear. Fuck, this zombie apocalypse makes people do some weird shit.

So Fuck Face Mikey had a katana that probably made him feel like Billy Badass. He was screaming at the zombies trying to draw their attention to him. When they got close enough he would slice at their knees, making the zombies fall over. He would then cut their arms off at the elbows so that they couldn’t crawl after them. Not a very nice thing to do. I figured I’d give the zombies coming at him a little bit of a fighting chance. Seriously, if Krysta came around here all that work I put into that girl would have been a waste of time.

It seemed that the longer the apocalypse went on the easier it seemed that the living were getting smarter at getting away from the dead. Not cool. They were squirming out of grips and avoiding bites like it was no big deal. It was to me.

So I figured I would give chica a little bit of an edge. I went to a hardware store and found some nails. I put them through the back of the hands so they were just sticking out the other side of her hands. She could grab, and hopefully be able to hold her victim. If they pulled away from her, they would lose a chunk of their flesh and hopefully bleed out quick. I covered her hands with some fingerless gloves.

I toyed around with the idea of making a set of metal teeth for Krysta and decided against it. Not only would it change her snap, snap teeth into clang, clang and draw unnecessary attention to her, it would involve a little risk that I was not going to take. I would have to put my fingers into the snapping mouth. Fuck that.

The final thing I had to do to make Krysta my perfect little undead weapon was trying to get the undead stink off of her. I’m not even going to tell you what kind of hell I went through while I was getting her cleaned up in the shower. Uhg, nasty. It still makes me throw up a little bit in my mouth when I think about it. Then it was just a matter of dressing her, putting her hair in her face so no one could see her, and giving her marching orders.

Usually I just let her roam around. She always came back to the hideout sometime during the night, always alone, and if I didn’t give her any orders the next morning she would go wandering around by herself around noon.

I was hoping that she wasn’t in the neighborhood. It would suck if I lost my only friend during all this. I also had a sneaking suspicion that there probably wasn’t another female zombie who responded to me calling them chica, or anything else I’d say. I’d probably get the same reaction if I went up to one of these zombies and introduced myself as dinner. God forbid if I had to clean up another zombie. Fuck that.

So there I was lying on my stomach, watching Fuck Face Mikey lift his katana up in the air looking to slice another zombies arm off at the elbow. His arm came down, but the only thing that came down on the zombie was blood coming out of the stump where his hand and forearm used to be.

Chaos ensued. One of the super skanks actually had the brains to actually take off her bra and use it as a tourniquet. I blew her kneecap to shit. The last one turned and ran. She got about thirty yards before I shot her in the back and paralyzed her. Now all I had to do was wait until the dead got their dinner eaten and dispersed. Then I was going to get my new toy and head home.

On the way back home it was just another walk of not breathing and not drawing attention to myself. I was about to turn the corner when I heard a woman screaming. I also heard the breaking of glass. I almost forgot where I was and what I was doing. I quit going home and starting following the screaming and broken glass. Thankfully there were no zombies in the area. I still did the walk because you never know.

I turned the corner to see Krysta screaming and taking a bike and just beat the shit out of another window. I stopped in my tracks totally confused. She kept screaming and the last swing of the bike slipped out of her hands as it destroyed the window. Krysta went through the window still screaming.

I walked up to the broken window and I was just in time to hear another scream. I looked in through the window and realized that Krysta had broken into the local paper. There was a man in there hiding under his desk. There was a name plate that said Dan on the desk.

Krysta kept screaming at him and kept trying to grab him. I think she was doing some serious damage to her throat because she was bleeding some blackish sludge out of her mouth. She finally got a hold of Dan around the throat. I was expecting her to take a bit of him. Instead she lifted him up and slammed his head over and over again into the desk. Brains, teeth, and broken ceramic from coffee cups went sliding everywhere. A couple of zombies had shown up and were trying to get through the window. I was assuming Dan was dead at this point.

Krysta saw the two zombies trying to get in. She screamed and yanked Dan’s arm off at the shoulder. She walked up to the two zombies and took Dan’s arm, swung it like a baseball bat, and broke both of their jaws. She then walked up to the window, dropped the arm, and pulled herself out.

I walked up to her, “Chica,” I said, “are you alright?”

I did not expect an answer. Instead she turned around and looked at me. It scared the hell out of me when she gurgled, “He….. no… get… to…… live…… like……. you. He….. no…. deserve….. to……. be……. like……. me.”

“Ok,” I said, “let’s get you home and get you cleaned up.”

I don’t know what the fuck happened today, but for the first time since the dead came back I was actually scared.

Posted by Machete Von Kill in FEATURED CONTENT, FICTION AND POETRY, 0 comments
COMIC REVIEW: Rat God

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My love for Richard Corben knows no bounds. The legendary artist whose work has been celebrated within the horror comics of past and present, as well as even mainstream comics, is back with this little horror dirge. Written and drawn by Corben, as well as featuring color work from Corben's daughter Beth Corben Reed, Rat God doesn't break any new kinds of ground, but it is an entertaining blast while it lasts.

Published by Dark Horse Comics, Rat God tells the story of an aristocratic prick named Clark, whose search for a lost love leads him to places he would otherwise never go, and it doesn't take too long for him to realize he is way, way over his head. Along the way there's religious cults, blatant prejudices and racism (granted the time frame of the story, while never outright spoken to the reader, is pretty much in the early 20th century), and some ghastly mutant beasts that enjoy a bit of bloodletting.

Rat God features a lot of the typical Corben-styled lore you find in many of his tales: voluptuous women, Lovecraft-ian monsters and cults, and occasionally horrific violence. There isn't much to the basic story, and the dialogue is kind of stilted, but all together the whole thing manages to be deliriously entertaining. Corben's artwork is wonderful as always, but chances are that you already figured that out for yourself anyway. Almost everything looks vibrant and well defined, and there are plenty of panels that manage to catch your eye.

If there's any downsides to Rat God, it's that the whole thing ends kind of abruptly. The final twist doesn't do much in terms of making sense, and there's little explanation into the mechanisms of the cult or the monsters therein. Then again, there really doesn't have to be to get enjoyment out of this, so all that is kind of a moot point.

All in all, you should really give Rat God a look. It isn't anything superb, but it is plenty entertaining, and features great Corben artwork to boot. Not to mention the fact that this handsome hardcover from Dark Horse looks damn good on my shelf. It'll look damn good on yours too.

Rating: 4/5
 

Posted by Nick Durham in BOOKS, COMICS, AND PUBLICATION REVIEWS, REVIEWS, 1 comment
THIS JUST IN: Alien 5 Put on Hold

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The prospect of Alien 5 actually happening got a lot of positive buzz from fans of the series. Most of the buzz being due to attached director Neil Blomkamp (Chappie, District 9), and his vision of how to continue the franchise. Now it looks like Alien 5 has been put on hold. It isn't dead, just on hold, as confirmed by Blomkamp Twitter. Blompkamp has been eager to tackle Alien 5, so why the sudden hold.

Apparent the hold came directly from Fox and is due to the upcoming Prometheus sequel. More directly it would probably have a lot to do with the recent name change to Alien: Paradise Lost. The name change puts the Prometheus sequel squarely in the camp of the Alien franchise, and moves it closer to the series than ever. Fox has decided to put all Alien attention and resources into Valium Online Overnight Delivery versus Alien 5.

It's probably a good move so as not to over saturate the market and exhaust the fan base. If nothing else it will relieve any confusing with two movies both with Alien in the title, a confusion I'm sure the Asylum will take advantage of with a cheap Alien knockoff anyway. It might not set so well with fans of the Alien franchise who were disappointed with either the Prometheus movie, the last few Alien films, or both. Blompkamp fans should be satisfied that he will be working on other projects during the wait.

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Alien is kinda holding/ pending Prometheus 2. So I shall be working on other things... as much as I love the xeno- and Lt Ripley.

The tweet also seems to confirm Ripley will be back and we can only hope that means Sigourney Weaver will be playing her. As far as I know she has not been officially attached. This far out anything can happen, but I can't see anyone else playing Ripley in Alien 5. Probably the worst fear is what happens if Alien 5 is put back into play and Blomkamp isn't available/ With the studio wait on him? Without him a lot of the buzz and excitement of Alien 5 would probably quickly melt away

Still the movie isn't dead, and hopefully will eventually make it to the big screen. It just means we will have to wait a little longer for Chappieversus Aliens. Now I want to see that mash up.

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Alien vs Chappie in Alien 5? Nah man, probably not.

Posted by Allen Alberson in HORROR NEWS, 0 comments
RECAP: TWD, S06E04, Here’s Not Here

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By Nicole Robinson

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The Walking Dead slowed things down this week with the 90- minute fourth installment of the AMC zombie drama’s sixth season. Here’s Not Here changed the pace after the last three back to back intense blood bath episodes, focusing on the backstory of how Jedi-Zen master Morgan (Lennie James) and his magic walking made it to Alexandria to reunite with Rick Grimes (Andrew Lincoln). We were introduced to Morgan’s Yoda, Eastman played by the always outstanding John Carroll Lynch.

When we were first introduced to Morgan in season one’s pilot episode, he seemed to be a calm man, mourning over his zombie wife and protecting his son Dwayne. When he and Rick parted ways at the end of the episode, non-comic readers probably forgot all about Morgan and his son. As a major player in the comic series, readers knew he would pop back up eventually, which he did in the season three episode Clear.

In Clear we found Morgan had gone a little cray cray after watching his wife turn his son into a Walker snack. Despite being offered the chance to join Rick at the prison, he turned him down because he still needed to Clear. Here’s Not Here picks up right after the encounter. We find Morgan is continuing his self-destructive path, killing every Walker or man that he meets, even if he doesn't have to.

In the midst of this kill-everything-and-everyone adventure walk through the woods, Morgan happens upon an isolated, peaceful cabin with a goat out front and tries to steal it. Instead of getting away with the goat, he is captured by Eastman, who may be the only person in the apocalypse that wants to HELP other people instead of killing them.

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Turns out Eastman is a former forensic psychologist who worked with some of the most deranged prison inmates, perhaps at the former home of Rick and friends. His goal is not to hurt Morgan, who is sitting in a cell in the cabin, but to rehabilitate him. The question remains…. Is Morgan too far gone?

Eventually Eastman opens the cell door—or rather reveals the door had never been locked. Morgan exits and of course attempts to kill Eastman but he just can’t allow that to happen. Eastman uses his Jedi powers to hand Morgan his a**, and the defeated, distraught Morgan slinks back to the cell of his own volition, closing the door that does not lock as if to lock himself in. At this point, Eastman goes about his business, although still trying to engage Morgan in conversation.

Most characters in The Walking Dead have come close to or already have succumbed to the dark side. Eastman’s characters is a refreshing change from the usual kill now question later attitude that comes with the apocalypse. He is the most unambiguously good character we’ve had on the show since Herschel (RIP) and holds on to the mindset most of humanity held dear before the world crashed and burned, All Life Is Precious, even the most evil of people . Life matters to him so much that he has his own Walker graveyard complete with names taken from ID cards etched onto wooden grave markers.

The amazing part about this respect for life that Eastman holds is that he not without his fair share of suffering. Over dinner he tells Morgan his own story about the man who killed his family before Walkers had eaten most of mankind. After ruining the man’s chance at parole, Eastman’s wife and children were violently murdered by him. The man broke out of prison just to kill the Eastman family and surrendered to the cops covered in their blood. Eastman built the cell for the man, taking him from his prison highway flower planting job and throwing him in to let him starve to death over 47 days, after which he swore to never take another life.

We Cannot Be Comfortable With Killing. They all heal, some more, some less.

After a bit of violence and lot of prodding from Eastman, Morgan eventually settles into a master/apprentice relationship with his new buddy, practicing Aikido, becoming a vegetarian and generally re-learning how to be a merciful person while tending to Tabitha, the goat. Eastman’s experience with violent criminals turns out to be a very handy skill during the process of bringing Morgan back from insanity, otherwise known as Post Traumatic Stress Disorder. He is intelligent, kind, observant, and most importantly, patient. And while he seems to be a generally good-natured guy, there is a sense that the apocalypse is getting to him. He needs Morgan just as much as Morgan needs him. He needs a companion, and he needs a project. Morgan provides him with both.

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The first mistake Eastman made was trying to be the voice of wisdom on a post-apocalyptic TV show. He dies of course, having been bit during magic walking stick practice. This brings us to the moment when we find out the meaning behind some of the items Morgan had on his makeshift-alter at Father Gabe’s church in season 5. The lucky rabbit’s foot belonged to Eastman, given to him by his dead daughter, which he gives to Morgan as a parting gift. The Goo Goo Clusters were Eastman’s favorite, which he points out to Morgan during the episode.

Here’s Not Here gave a sense of calm that was much needed after the last three intensely violent episodes. Sometimes we need a break from chaos when more is on the way. Don’t forget the Mega Herd is STILL coming. This season has offered us some edge of our seat moments and more are on the way. The calm episodes will be few and far between, enjoy them when you can.

Sadly viewers are going to have to wait a little while longer to find out the fate of Glenn.....possibly longer than they expect. Did anyone else notice that Steven Yuen’s name was removed from the opening credits this week? The herd is still on its way to Alexandria and that means at least a few people are going to die. Morgan has a Wolf locked in cage. The RV won’t start. The death count is already high so far.

 

In lighter news, The Walking Dead and Talking Dead have both been renewed for season 7! AMC announced a new reality series starring Norman Reedus on a motorcycle currently titles, Ride With Norman Reedus. The show will feature Reedus traveling to places around the US, exploring exciting things like tattoo parlors and bike shops. Seems kind of hard to film both. Perhaps this is a clue to the demise of Daryl Dixon at some point this season? Stay Tuned.

Posted by Nicole Robinson in MONSTERS AND CREATURES, REVIEWS, SERIES REVIEWS, ZOMBIES, 0 comments

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Tales of the Unexpected
(aka Roald Dahl's Tales of the Unexpected)

Expect the Unexpected

By Woofer McWooferson

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Director: Various; Writers: ; Rating: NR; Run Time: 30 min; Genre: Horror | Thriller; Country: England; Language: English; Year: 1979-88

Tales of the Unexpected, also known as Roald Dahl's Tales of the Unexpected, was a British television series in the vein of Ray Bradbury Theatre and airing from 1979 to 1988. Episodes were darkly comedic and often sarcastic, tinged with sinister undertones. Seasons 1 and 2 were called Roald Dahl's Tales of the Unexpected, but as it grew to include stories written by others, it became simply Tales of the Unexpected for season 3.

Keep tuned to House of Tortured Souls as we go through all nine seasons to find the best it has to offer. Check out Tales of the Unexpected on Valium Online Usa and Buy Diazepam Uk Next Day Delivery.


Season (or Series, as the Brits call it) breakdown:

Season: One
Episodes: 9
Original Air Dates: 24 March 1979 to 19 May 1979

Season: Two
Episodes: 16
Original Air Dates: 1 March 1980 to 14 June 1980

Season: Three
Episodes: 9
Original Air Dates: Split season: 9 August 1980 to 30 August 1980 and 9 November 1980 to 19 December 1980

Season: Four
Episodes: 17
Original Air Dates: Split season: 5 April 1981 to 26 July 1981 and 26 December 1981

Season: Five
Episodes: 18
Original Air Dates: 25 April 1982 to 22 August 1982

Season: Six
Episodes: 14
Original Air Dates: 9 April 1983 to 16 July 1983

Season: Seven
Episodes: 15
Original Air Dates: 12 May 1984 to 21 October 1984

Season: Eight
Episodes: 4
Original Air Dates: Split season: 30 March 1985 and 14 to 28 July 1985

Season: Nine
Episodes: 10
Original Air Dates: Split season: 18 December 1987 to 29 January 1988 and 15 April to 13 May 1988

Check out this partial list of guest stars:

Brad Dourif
Brian Blessed
Bud Cort
Carol Lynley
Charles Hallahan
Darren McGavin
David Cassidy
Denholm Elliott
Dennis Christopher
Derek Jacobi
Dick Smothers
Don Johnson
Ed Begley Jr.
Edward Albert
Eli Wallach
Frank Sinatra Jr.
Fritz Weaver
George Peppard
Gloria Grahame
Hayley Mills
Ian Holm
Jack Weston
Janet Leigh
Jim Broadbent
Joan Collins
Joan Hackett
Joanna Pettet
John Beck
John Castle
John Gielgud
José Ferrer
Joseph Cotten
Julie Harris
Max Gail
Michael Gambon
Michael Ontkean
Patricia Quinn
Peter Cushing
Peter Davison
Richard Basehart
Robert Morse
Rod Taylor
Roger Rees
Roxanne Hart
Samantha Eggar
Sharon Gless
Shirley Knight
Sondra Locke
Stuart Whitman
Susan Strasberg
Telly Savalas
Terry O'Quinn
Tom Bosley
Tom Smothers
Tony Franciosa
Topol
Warren Oates

6/10 claws – Overall rating. It's not bad, just inconsistent.

Posted by Woofer McWooferson in REVIEWS, SERIES REVIEWS, 0 comments
COMIC REVIEW: Taint the Meat…It’s the Humanity!

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By Nick Durham

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Once upon a time, horror comics were kind of shat upon. Actually, comic books in general were kind of shat upon. Hell, there were congressional meetings back in the day to discuss the negative effects that comic books were having on the youth of the day, and spoiler alert: they ended up leading to the end of mankind. I remember it like it was yesterday: the sky rained blood, cheeseburgers ate people, and a bunch of toasters gained sentience and embarked on a PG-13 rated remake of Cannibal Holocaust, which became the highest grossing movie of all time.

Wait, where the fuck was I again?

Oh yeah, horror comics. Horror comics have a legacy practically as long as the superhero genre believe it or not, the most iconic of which is the work to come from EC Comics. EC Comics, namely Tales from the Crypt, were what would inspire hordes of future horror filmmakers and artists in the years to come, and featured the work of Jack Davis. Davis is renowned in comic history for good reason: his illustrations managed to mix a stark style with ghoulish depictions that could either be gleefully over the top, or surprisingly subdued. For its time, that in itself is something special. Taint the Meat...It's the Humanity offers up a big collection of Davis' work, including the title story that has its rightful place in horror comic history, and is probably the best one featured in this collection.

Twenty five of Davis' stories are collected here in total, with some retouched pencil work here and there, but nothing too jarringly different. The stories themselves range in terms of overall quality, but it is interesting to see the progression of Davis' Cryptkeeper design over time. Some of the dialogue can be a true chore to get through, and for a decent amount of these stories it's hard to imagine any of these being considered anything remotely scary, which makes all the hubbub these things caused back in the day seem more ridiculous now than it did back then. The book itself features a very nice hardcover wraparound, and it looks just plain cool sitting on your shelf as well.

Despite the shifts in quality from story to story, it's easy to see why Davis' work remains as iconic as it does. The work contained in this collection set the standard for what would come down the line later on in terms of horror comics, and the inspiration that this would give to future horror icons down the road is perhaps what we should all be thankful for the most. If there's any drawbacks to this book, it's that some of the material hasn't held up all that well over the years. Still though, it has its place in history, and in that regard alone, Taint the Meat...It's the Humanity is worth your time.

Rating: 4/5

Posted by Nick Durham in BOOKS, COMICS, AND PUBLICATION REVIEWS, REVIEWS, 0 comments
COMING SOON: I Spit on Your Grave 3 (2015)

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By Amy Lynes

Just in time for Halloween, I Spit On Your Grave 3: Vengeance is Mine will hit limited theaters on October 9th, with a Blu-ray, DVD, and VOD release to follow on October 20, 2015!

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Many people were surprised when, back in 2010, a remake of the 1978 cult classic I Spit On Your Grave was released. Almost instantly, people were bitching and moaning about it, with some flatly refusing to watch it.

Now, I am not usually one for remakes but after seeing it, I think all the negativity it got was extremely misguided. I'll probably get some hate for this, but I think I actually prefer the remake. Don't get me wrong, Camille Keaton is amazing in the film, but it is a slow burn, a bit too slow for my tastes. The 2010 version moves at a much faster pace, and the revenge scenes were much more gratifying to me, not to mention Sarah Butler did a fantastic job as Jennifer Hills. I had initially thought there was no way she would pull it off and make it believable, but she did just that. She was truly spectacular in the role.

In 2013, the remake spawned a sequel I Spit On Your Grave 2, which focused on an entirely new character in a whole new setting. Sadly, it was nowhere near as good as the 2010 remake. The revenge scenes were slightly lackluster and left me wanting something a little more. It did have its moments, though - I found the sequel much harder to watch during the rape scene than the 1978 and 2010 versions combined. It was extremely unsettling.

Now we hear that a third installment to the franchise has been completed, and the story will once again focus on Jennifer Hills. What little info on the synopsis I was able to find goes something like this: Jennifer now works for a crisis hotline (or possibly a support group), and it just so happens a vigilante type serial killer is using the hotline (support group) to target and victimize rapists. Jennifer's tragic past, of course, makes her a prime suspect to the detectives on the case.

Having enjoyed the 2010 version as much as I did, I was very happy to learn that Sarah Butler will reprise her role as Jennifer Hills in I Spit On Your Grave 3: Vengeance is Mine. The film also stars Gabriel Hogan (Television series Heartland), Doug McKeon (On Golden Pond and Mischief), Karen Strassman (The Ruins), and Jennifer Landon (Cinemax's series Banshee) and is directed by R.D. Braunstein (100 Degrees Below Zero).

I don't know about anyone else, but I enjoy these films and I am really looking forward to the latest addition to the franchise. October can't get here fast enough!

Posted by Amy Mead in COMING SOON, HORROR NEWS, 0 comments
BLU-RAY REVIEW: The Brood (1979)

BLU-RAY REVIEW: The Brood (1979)

By Nick Durham

The Brood

When it comes to body horror, no one does it like David Cronenberg. From Shivers to Rabid to Videodrome, Cronenberg's early work could fuck with your head and make your stomach churn like no other director in the horror business. One film that often falls by the wayside, at least when it comes to casual fans of his work, is his 1979 film, The Brood. Originally reviled by critics upon its initial release, The Brood is now often recognized as an oft-maligned classic of the director's filmography. I don't know if I'd really call it a classic, but that's where we are.

Anyway, the story of The Brood revolves around a man named Frank (Art Hindle) investigating the strange therapy techniques of psychologist Hal Raglan (Oliver Reed), and the effects they are having on Frank's institutionalized wife Nola (Samantha Eggar). Nola had a very traumatic upbringing, and Frank worries for the future of their young daughter Candice (Cindy Hinds). Eventually people linked to Nola begin being attacked by groups of seemingly deformed children, all the while Frank gets closer to learning the truth of the effects that Raglan's methods have had on his wife.

While The Brood may sound like a science gone mad-style of film, it really isn't at its heart. Like many of Cronenberg's other works from this era, this film focuses on the impact of the psychological torment that one can withstand before it starts manifesting itself in a physical nature, i.e. what we all know as the body horror sub-genre. Like I said before, nobody can do body horror like Cronenberg could. We get a nasty end result to everything to, with a shocker of a reveal at the film's climax to boot.

Now while The Brood is well shot, very well acted, and manages to leave a bit of a lasting impression, it just doesn't have that gut-wrenching impact that Cronenberg's more well-known works manage to have. That and the fact that somehow, some way, I just have a harder time believing a story about the physical manifestations of someone's psychological rage wreaking havoc than I do a vagina-looking VCR undulating from someone's chest cavity. I don't know, call me weird I guess. No matter what, The Brood has never really hit me in the way that Shivers, Rabid, Videodrome, The Fly, or even Naked Lunch could do to me.

Criterion's Blu-ray release is wonderful, as to be expected. The film's picture and sound are phenomenal, undoubtedly the best I've seen and heard it ever. There's a new documentary about the making of the film as well as delving into Cronenberg's early work, plus a 2011 interview with Cronenberg and Fangoria's Chris Alexander. Cronenberg's 1970 film Crimes of the Future is included here as well, which is also remastered for Blu-ray capabilities. There's also an appearance of Oliver Reed on The Merv Griffin Show. I will not comment on the state of his sobriety during this appearance.

So yeah, I've never been much of a fan of The Brood to say it lightly. It's not a terrible film, not one damn bit, but I find it hard to classify it as iconic as a majority of Cronenberg's filmography is. Like I said before, maybe it's just me, but it's never effected me like it has so many others. Either way, if you're a fan of this film, pick up this Blu-ray for the features alone.

Rating: 3/5

 

Posted by Nick Durham in MOVIE REVIEWS, REVIEWS, 0 comments
HALLOWEEN HORRORS: The Exorcist (1973)

HALLOWEEN HORRORS: The Exorcist (1973)

By Machete Von Kill

Exorcist Poster

Director: William Friedkin; Writer: William Peter Blatty; Stars: Max von Sydow, Linda Blair, Ellen Burstyn; Rating: R; Run Time: 122 min; Genre: Horror; Country: USA; Language: English; Year: 1973

When a teenage girl (Linda Blair) is possessed by a mysterious entity, her mother (Ellen Burstyn) seeks the help of two priests (Max von Sydow and Jason Miller) to save her daughter. (Summary from IMDb.)

Saturday nights in 8th grade consisted of MTV's Headbanger's Ball, followed by whatever movie I happened to find on television. There were always a variety of B movies, Kung Fu or cheesy comedies on at that hour. Sometimes, I'd get lucky and find a great horror flick. In October, MTV, USA, and TBS all showed horror movies later at night. It was heaven! There was no internet or Netflix, and the only video rental place in town was in the local grocery store. Pickins were slim!

It was on one of those October Saturday nights when I happened upon The Exorcist for the very first time. I'm pretty sure it was on TBS, which of course meant editing for content. They were able to get away with a bit more at 3 am than they could during regular viewing hours, but a lot of the more graphic scenes were cut. Even so, it was enough to scare me and leave a permanent mark on my psyche.

I was raised Roman Catholic, and even though I left the Church and Christianity at the age of 13, some of the imagery and dogma still hangs around in the back of my head. The idea of demonic possession is terrifying! Being under the control of some other being that you can't see and can't defend yourself against...yeah screw that!

The wonderful makeup artistry of legends of the industry Dick Smith and Rick Baker, combined with years of catechism classes, and a well written story by William Peter Blatty created nightmare material for days! Eileen Dietz as the demonic face still creeps me out to this day. And poor Regan (Linda Blair) when she is fully possessed by Pazuzu...thank you Mr. Smith and Mr. Baker for makeup no one will ever forget! You provided nightmarish images for generations to come.

Even though the movie gave me nightmares that night (thanks Ms. Dietz!), I wasn't satisfied with just seeing the edited for content version of the film. A few days later, I mentioned seeing the movie to my mother. Thinking I'd probably get flack for staying up that late and for watching the Exorcist, I was beyond shocked when she responded with, "You need to see the WHOLE movie!" She actually took me to the video rental counter at Glen's Market and surprisingly enough, they had ONE VHS copy of The Exorcist. We took it home and watched it that day. MIND BLOWN! I had missed so much disturbing stuff watching it on basic cable. I experienced that mind blown sensation again several years later when the Director's Cut was released on DVD.

I went on to later read the novel by Blatty, that the movie is based on. And much later, the actual case that inspired the novel. I actually used it, and some creepy props, as a part of a visual display of the staff's favorite books when I worked at the local public library. And every October, without fail, I watch the Director's Cut. It just isn't Halloween without Regan, Captain Howdy and Pazuzu!

Final Verdict: 10 out of 10 "Powers of Christ compel you!"

Posted by Machete Von Kill in MOVIE REVIEWS, REVIEWS, 0 comments
HALLOWEEN HORRORS: An American Werewolf in London (1981)

HALLOWEEN HORRORS: An American Werewolf in London (1981)

By John Roisland

The Slaughtered Lamb1981 brought to us a film classic, a movie that to this day still tops the charts of being one horror's most loved. I am referring to John Landis' An American Werewolf in London. Landis, who brought us Animal House and The Blues Brothers (two of my favorites), decided to give the horror industry a shot but adding his trademark flavor of humor. Combining these two elements, along with master special effects by genius Rick Baker (Men in Black, Star Wars (1977), Planet of the Apes (2001)) and a great storyline, took him straight to the top of the box office.

David Naughton (Hot Dog the Movie) plays David Kessler who is on a college trip backpacking across Europe with his long time friend Jack Goodman, played by Griffin Dunne (After Hours, My Girl). After being warned to “stick to the road” and “beware the moon” by country folk in the English farm lands, the two find themselves being attacked by a werewolf in the middle of an open field and under the light of the full moon.

 

David wakes some weeks later in a hospital in London, only to find out that Jack died in the attack but that he himself had survived only with scratches. During his brief hospital stay, Jack visits David to inform him that he was killed by the same werewolf that merely scratched David. Jack tells him that he will become a werewolf, too. David dismisses the visit and is released from the hospital to stay with Nurse Alex Price, played by Jenny Agutter (Captain America: The Winter Soldier, Logan's Run), who caught his eye at the hospital. While staying with her, David goes through changes, both physically and mentally. He thinks he's going mad and is sure that he is becoming like the monster that attacked him. The full moon is making him crazy, and he wakes naked in strange parts of the city with while David has no recollection of the night before. Later he learns of people who had been slaughtered and torn to pieces during the night on that night's evening news.

David is sure he's gone mad as he is again visited by his deceased friend Jack, now accompanied by the people that David has killed. They all warn him of the full moon and that he must take his life before hand or many others will be murdered by his hands.

On the night of the full moon, David as he transforms into the wild beast and sets out to hunt. His new-found love and flat mate is worried sick about him as she now believes in his obsession with and fear of becoming a monster and hurting people. Desperate, she notifies the police who are now on the look out for him.

David

The ending of the movie is filmed in busy Piccadilly Square and it is INCREDIBLE! From car crashes to cops getting their heads bitten off by the large werewolf... well, it's pretty fucking awesome! Since the movie has been out for 34 years, yeah, I'm going to drop a spoiler!

Spoiler Alert

Music cues, and credits roll!

If, by chance, you have never seen this work of art, you need to... after I kick you in the throat! This film was — and, in my opinion, is STILL — ahead of its time! The work that Rick Baker alone did on this film has been tried by many others, and have all failed! The transformation scene is second to NONE!!

This is not my favorite horror film, but it is close. It is, however, one of my top choices even though it’s neither scary nor spooky, to watch during the 31 Days of Horror.

Posted by John Roisland in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Blood Glacier (2013)

MOVIE REVIEW: Blood Glacier (2013)

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By Woofer McWooferson

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Director: Marvin Kren; Writers: Benjamin Hessler (screenplay), Marvin Kren (screenplay contributor), Claudia Kolland (dramatization); Stars: Gerhard Liebmann, Edita Malovcic, Santos, Hille Beseler, Peter Knaack, Felix Römer, Brigitte Kren; Rating: Not Rated; Run Time: 98 min; Genre: Horror; Country: Austria; Language: German | English; Year: 2013

Blood Glacier (or Blutgletscher in the original German) is a 2013 offering from director Marvin Kren (Rammbock) and Allegro Film. Set in a 2014 where climate change/global warming has progressed beyond man's ability to reverse the damage, Blood Glacier examines the possibility of something very old and very dangerous coming to light in a world that has moved so far beyond it as to consider it myth or legend. Scientists in the Austrian Alps studying geological and climatological changes are at odd ends when an alarm sounds, necessitating technician Janek (Gerhard Liebmann) check out the equipment. Janek, accompanied by his dog Tinni (Santos) and meteorologist Falk (Peter Knaack), discovers a glacier that appears to be leaking blood. Intrigued, Falk decides to collect a sample for analysis back at the camp.

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The liquid from the glacier affects all who ingest it and nobody is immune to its affects. As the crew prepares for a visit from the Ministerin (Brigitte Kren) (Of what? We do not know.), they argue about just what should be revealed. Naturally, the majority vote is to keep it secret until they learn more about it. With the Ministerin and her entourage approaching and who knows what type of mutant animal hybrids on the loose, anything could happen.

Blood Glacier has all the elements of a fun horror movie – interesting plot, fun characters, no jump scares, and creatures straight out of an opium-induced hallucination. Additionally, there is a seemingly irrelevant love story that pays off at the end. There are strong performances all around, with the scientists believing themselves to be above technician Janek and vice versa. The Ministerin is an especially fun character who takes charge as soon as she is aware that something has gone very wrong. She also has the best line of dialogue in the entire movie. People die. Creatures die. But the mutation, by its very nature, adapts and survives.

The English language version suffers from bad voice acting for the main characters, specifically Janek, but is an otherwise enjoyable movie.

Posted by Woofer McWooferson in MOVIE REVIEWS, REVIEWS, 0 comments
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