Woofer McWooferson

I had the opportunity to watch Puppet Master: The Littlest Reich and jumped at it. Those puppets hold a special place in my heart, much like the Cenobites do, and thus I will always watch the next installment in the franchise. After 2017’s dismal Puppet Master: Axis Termination, I didn’t hold much hope for the latest entry – especially after I saw the redesign of Blade and heard that Six Shooter would be entirely absent. But then I learned that Fangoria, Thomas Lennon, Barbara Crampton, and Udo Kier were involved, and my interest was once again piqued. Could this be a return to the kind of Puppet Master awesomeness that was the best parts of the previous entries?

Udo Kier as Andre Toulon in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Udo Kier as Andre Toulon

If you’re unfamiliar with the timeline of the Puppet Master movies, that will not be a problem. Puppet Master: The Littlest Reich is a complete reboot of the series set in an alternate universe. Fans of the franchise need not fret either as the reboot retains several of our favorite puppets – Blade, Tunneler, Pinhead, and Torch (aka Kaiser) – while introducing some interesting new ones.

Nelson Franklin, Jenny Pellicer, and Thomas Lennon in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Markowitz (Nelson Franklin), Ashley (Jenny Pellicer), and Edgar (Thomas Lennon)

The movie begins with a brief glimpse 30 years into the past when an evil Toulon (Udo Kier from Mark of the Devil) was found and killed by local police. From there it moves to the present and primarily follows Edgar (Thomas Lennon of Santa Clarita Diet), a recently divorced and struggling comic book artist who becomes mixed up in Toulon’s return on the 30th anniversary of the Toulon murders. Edgar, having moved into his parents’ house, also works as a comic store clerk and decides to auction off his dead brother’s Blade puppet at a Toulon convention. He invites Ashley (Jenny Pellicer of The Bridge TV series) along, his boss Markowitz (Nelson Franklin of Scott Pilgrim vs. the World) invites himself along, and the trio set out for what they hope will be a fun and somewhat profitable weekend.

Barbara Crampton as retired officer Carol Doreski in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Barbara Crampton as retired officer Carol Doreski

Puppet Master: The Littlest Reich uses the convention to reveal Toulon’s past in this universe, primarily via the tour of Toulon Mansion as led by one of the officers from the original case 30 years earlier, retired officer Carol Doreski (Barbara Crampton), who outlines the details of the events surrounding the Toulon Massacre. Here’s what we learn of Toulon’s past on the tour: He was born in France in 1907 and eventually entered the family business of manufacturing, selling, and performing with puppets. At this point, Doreski points out that three of the museum’s puppets are missing – Kaiser aka Torch, Pinhead, and a new puppet called Amphibian. In this universe, Toulon fled to Germany after arrests in Paris, Norway, and Luxemborg and likewise fled to the US after the Third Reich surrendered. Toulon’s Nazi roots are underscored by his choice of victims as well as the paraphernalia and the remains of his library, a library that includes three books from Adolf Eichmann, author of the Reich’s “Final Solution”. After a pass through Toulon’s workshop, the tour concludes with an exterior shot of Toulon’s tomb, complete with spikes on top that do not go with the rest of the architecture.

Toulon's tomb in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Andre Toulon’s tomb

And that’s the basic set up for the puppet mayhem.

Nelson Franklin and Charlyne Yi in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Markowitz (Nelson Franklin) and Nerissa (Charlyne Yi )

Once the puppets are in town, they’re let loose on everyone. Primarily targeting people the Nazis did, the puppets do what they do best. I’ll not go into details about the kills, but I will say that they are a lot of fun. There are some creative kills with both the old puppets and the new additions, and the effects are a delight. Fear not, gorehounds, you will be satisfied. While I miss the older puppets that have been omitted, I’m pleased with the results of the new ones as well as the differences in how the traditional puppets are portrayed – something I honestly did not think I would like.

Alex Beh and Michael Pare in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Hotel manager Howie (Alex Beh) and Det. Brown (Michael Paré)

The performances were top notch, and Udo Kier’s Toulon oozed skeeze and evil. Lennon, Pellicer, and Franklin are all excellent in their roles. Lennon’s performance is understated, but that works well for this story. Pellicer as the tough but sexy girl next door is both believable and likable, making the blossoming romance subplot less annoying than they usually are. Franklin holds his own with both and, to both Franklin’s and the movie’s credit, he’s not a caricature. Barbara Crampton (We Are Still Here ) is, as always, awesome and crushes every scene. Michael Paré (Village of the Damned (1995)) plays Detective Brown, the unlucky officer investigating the disappearance of multiple puppets brought to town for auction, and nails the role. In a delightful twist to the usual fare, when faced with puppets acting on their own, Paré’s detective goes with it. Rounding out the main cast are Alex Beh (Sugar) as hotel manager Howie, Charlyne Yi (House – TV series) as comic fan and waitress Nerissa, and Skeeta Jenkins (Summer of ’67) as bartender Cuddly Bear. All work well with this script and as an ensemble.

Skeeta Jenkins as Cuddly Bear in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Skeeta Jenkins as Cuddly Bear

Puppet Master: The Littlest Reich was filmed at the same time as Puppet Master: Axis Termination, but the two could not be further apart in tone and execution. While Puppet Master: Axis Termination follows Toulon’s story as an opponent of the Nazis, Puppet Master: The Littlest Reich places Toulon in the Third Reich for this alternate universe. Written by S. Craig Zahler and directed by Sonny Laguna and Tommy Wiklund from characters created by Charles Band and Kenneth J. Hall, Puppet Master: The Littlest Reich is a worthy entry in the franchise. Indeed, given the last few movies in the original universe, this was a wise move and offers an entirely new storyline to explore. I’m looking forward to seeing what’s next.

Blade, Happy Amphibian, and Tunneler in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Blade, Happy Amphibian, and Tunneler

8/10 claw scratches for this alternate universe Puppet Master reboot

BONUS: Puppet Gallery

Woofenstein “Woofer” McWooferson is a writer, editor, proofreader, researcher, reviewer/critic, and werewolf active in the horror community. A werewolf from birth, Woofer had an otherwise normal childhood. Woofer grew up in a suburban home and found more friends in books, television than at school. In college, Woofer undertook an honors degree while majoring in English with a minor in criminal psychology. Woofer later earned a Master’s degree in English, focusing on the modern British novel and then pursued a degree in Metaphysics at Miskatonic University. Woofer was a contributing author for William Castle Presents: Scare It Forward: “Angel Island” (2010) and an editor for Blake Petit’s Opening Night of the Dead (2012) and Claus Holm’s Dreams and Awakenings (2014) and Tempus Investigations (2016).
MOVIE REVIEW: Puppet Master: The Littlest Reich (2018)

MOVIE REVIEW: Puppet Master: The Littlest Reich (2018)

I had the opportunity to watch Puppet Master: The Littlest Reich and jumped at it. Those puppets hold a special place in my heart, much like the Cenobites do, and thus I will always watch the next installment in the franchise. After 2017’s dismal Puppet Master: Axis Termination, I didn’t hold much hope for the latest entry – especially after I saw the redesign of Blade and heard that Six Shooter would be entirely absent. But then I learned that Fangoria, Thomas Lennon, Barbara Crampton, and Udo Kier were involved, and my interest was once again piqued. Could this be a return to the kind of Puppet Master awesomeness that was the best parts of the previous entries?

Udo Kier as Andre Toulon in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Udo Kier as Andre Toulon

If you’re unfamiliar with the timeline of the Puppet Master movies, that will not be a problem. Puppet Master: The Littlest Reich is a complete reboot of the series set in an alternate universe. Fans of the franchise need not fret either as the reboot retains several of our favorite puppets – Blade, Tunneler, Pinhead, and Torch (aka Kaiser) – while introducing some interesting new ones.

Nelson Franklin, Jenny Pellicer, and Thomas Lennon in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Markowitz (Nelson Franklin), Ashley (Jenny Pellicer), and Edgar (Thomas Lennon)

The movie begins with a brief glimpse 30 years into the past when an evil Toulon (Udo Kier from Mark of the Devil) was found and killed by local police. From there it moves to the present and primarily follows Edgar (Thomas Lennon of Santa Clarita Diet), a recently divorced and struggling comic book artist who becomes mixed up in Toulon’s return on the 30th anniversary of the Toulon murders. Edgar, having moved into his parents’ house, also works as a comic store clerk and decides to auction off his dead brother’s Blade puppet at a Toulon convention. He invites Ashley (Jenny Pellicer of The Bridge TV series) along, his boss Markowitz (Nelson Franklin of Scott Pilgrim vs. the World) invites himself along, and the trio set out for what they hope will be a fun and somewhat profitable weekend.

Barbara Crampton as retired officer Carol Doreski in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Barbara Crampton as retired officer Carol Doreski

Puppet Master: The Littlest Reich uses the convention to reveal Toulon’s past in this universe, primarily via the tour of Toulon Mansion as led by one of the officers from the original case 30 years earlier, retired officer Carol Doreski (Barbara Crampton), who outlines the details of the events surrounding the Toulon Massacre. Here’s what we learn of Toulon’s past on the tour: He was born in France in 1907 and eventually entered the family business of manufacturing, selling, and performing with puppets. At this point, Doreski points out that three of the museum’s puppets are missing – Kaiser aka Torch, Pinhead, and a new puppet called Amphibian. In this universe, Toulon fled to Germany after arrests in Paris, Norway, and Luxemborg and likewise fled to the US after the Third Reich surrendered. Toulon’s Nazi roots are underscored by his choice of victims as well as the paraphernalia and the remains of his library, a library that includes three books from Adolf Eichmann, author of the Reich’s “Final Solution”. After a pass through Toulon’s workshop, the tour concludes with an exterior shot of Toulon’s tomb, complete with spikes on top that do not go with the rest of the architecture.

Toulon's tomb in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Andre Toulon’s tomb

And that’s the basic set up for the puppet mayhem.

Nelson Franklin and Charlyne Yi in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Markowitz (Nelson Franklin) and Nerissa (Charlyne Yi )

Once the puppets are in town, they’re let loose on everyone. Primarily targeting people the Nazis did, the puppets do what they do best. I’ll not go into details about the kills, but I will say that they are a lot of fun. There are some creative kills with both the old puppets and the new additions, and the effects are a delight. Fear not, gorehounds, you will be satisfied. While I miss the older puppets that have been omitted, I’m pleased with the results of the new ones as well as the differences in how the traditional puppets are portrayed – something I honestly did not think I would like.

Alex Beh and Michael Pare in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Hotel manager Howie (Alex Beh) and Det. Brown (Michael Paré)

The performances were top notch, and Udo Kier’s Toulon oozed skeeze and evil. Lennon, Pellicer, and Franklin are all excellent in their roles. Lennon’s performance is understated, but that works well for this story. Pellicer as the tough but sexy girl next door is both believable and likable, making the blossoming romance subplot less annoying than they usually are. Franklin holds his own with both and, to both Franklin’s and the movie’s credit, he’s not a caricature. Barbara Crampton (We Are Still Here ) is, as always, awesome and crushes every scene. Michael Paré (Village of the Damned (1995)) plays Detective Brown, the unlucky officer investigating the disappearance of multiple puppets brought to town for auction, and nails the role. In a delightful twist to the usual fare, when faced with puppets acting on their own, Paré’s detective goes with it. Rounding out the main cast are Alex Beh (Sugar) as hotel manager Howie, Charlyne Yi (House – TV series) as comic fan and waitress Nerissa, and Skeeta Jenkins (Summer of ’67) as bartender Cuddly Bear. All work well with this script and as an ensemble.

Skeeta Jenkins as Cuddly Bear in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Skeeta Jenkins as Cuddly Bear

Puppet Master: The Littlest Reich was filmed at the same time as Puppet Master: Axis Termination, but the two could not be further apart in tone and execution. While Puppet Master: Axis Termination follows Toulon’s story as an opponent of the Nazis, Puppet Master: The Littlest Reich places Toulon in the Third Reich for this alternate universe. Written by S. Craig Zahler and directed by Sonny Laguna and Tommy Wiklund from characters created by Charles Band and Kenneth J. Hall, Puppet Master: The Littlest Reich is a worthy entry in the franchise. Indeed, given the last few movies in the original universe, this was a wise move and offers an entirely new storyline to explore. I’m looking forward to seeing what’s next.

Blade, Happy Amphibian, and Tunneler in Puppet Master: The Littlest Reich (2018) / Fair use doctrine.

Blade, Happy Amphibian, and Tunneler

8/10 claw scratches for this alternate universe Puppet Master reboot

BONUS: Puppet Gallery




Posted by Woofer McWooferson in MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, SLASHERS AND BAD HUMANS, 0 comments
MOVIE REVIEW: Leaf Blower Massacre 2 (2017)

MOVIE REVIEW: Leaf Blower Massacre 2 (2017)

So I was asked to review a film called Leaf Blower Massacre 2. Being a fan of all types of horror, I eagerly accepted. I received two DVDs and have yet to watch the second film, Dirty Sanchez, but the title intrigues me. On the other hand, I was intrigued by Leaf Blower Massacre 2, and my expectations were not fulfilled.

Let me say to start that I expected the movie could execute the title premise in a couple of ways and make it work. It could be a great cheese horror film based on the leaf blower weapon premise alone. While it touched on comedic kills a couple of times, there was something lacking to tip the kills completely into the comedic or horrific arenas. I’m not entirely certain the director was aiming for one or the other but rather whatever works. Unfortunately, having worked on and literally written manuals on several breathing air compressors, I couldn’t help but think about the air pressure level of a leaf blower during a critical scene.

Leaf Blower Massacre 2 (2017)Leaf Blower Massacre 2, written by Michael Wade Johnson and director Anthony Cooney, follows two parallel stories involving the deaths of coeds; the first story revolves around two detectives (Michael Schmid and Tommy Nowicki) who are investigating the murders, and the second story involves a college professor (Shavar D. Clark) who had taught all of the victims. As the stories merge, the reveal is not as surprising as it could be.

The Pros:

  • Works as a standalone film (The movie itself was a sequel to a film I hadn’t seen, but that wasn’t much of a detriment to the enjoyment.)
  • Practical effects
  • Interesting choice of weapon
  • Cinematography
  • Ari Lehman as Phil the Security Guard

The Cons:

  • Acting seemed forced, alternately flat and exaggerated
  • Bad screen presence/chemistry between the leads
  • Audio was muffled at times and vaguely echoed at others

Leaf Blower Massacre 2 (2017)Overall, Leaf Blower Massacre 2 comes off as a decent student film, and the actors will improve with experience. The biggest problem that I saw was that it took a serious approach with a weapon begs to be satirized. Taking a more comedic approach would have helped to smooth over some of the awkwardness and enhance rather than detract from the film.

Final Score: 5 of 10 claw scratches

Posted by Woofer McWooferson in MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, 0 comments
BOOK REVIEW: The Tucson Time Traveler (2018)

BOOK REVIEW: The Tucson Time Traveler (2018)

Once again I have the pleasure of reviewing another book by my good friend author Claus Holm. Though born and raised in Denmark, Claus refers to Tucson, AZ, USA, as his “spiritual home,” and this is quite evident in The Tucson Time Traveler, a collection of stories set in and around the Tucson, AZ, area. Part Ray Bradbury and part Stephen King with a bit of Rod Serling seasoning, The Tucson Time Traveler takes readers through tales of alternate, and sometimes fantastic, realities all circling the central theme of time travel.

The Tucson Time Traveler begins with “The Hilter Dilemma”. Right out of the gate, Claus presents readers with an alternate reality based on the much-debated question, “If you could go back in time and kill Hitler, would you”. It is presented from the POV of a German official who grew up after Hilter was assassinated, causing Germany’s rise as the dominant power in the world. Whereas most Hitler and time travel stories focus on the protagonist’s struggles to stop Hitler prior to his rise to power, Claus takes a different tack and does so brilliantly.

The second story, “Tamagotchi”, deals with loss, grief, and the various ways that humans deal with both. Letting go of a loved one is never easy and the hardest loss for most humans is the death of a loved one. “Tamagotchi” shows just how far a grieving family might go to ease the pain of death.

With “I Love Her From The Mirror”, a man moves into an apartment where his mirror gives him a glimpse into another resident’s life. As the narrator watches his neighbor, always careful to respect her privacy, he finds himself falling in love. By turns humorous and thoughtful, “I Love Her From The Mirror” has a definite Twilight Zone vibe.

Next up is “The Killer Inside”, a tale of a man who decides to act out certain compulsions that he never even knew he had. Mostly told from the killer’s point of view, “The Killer Inside” will make you reconsider those urges Poe called “The Imp of the Perverse”.

One of my favorite stories is “The Last Haunted House”. Following two Halloween night stories, the first of an old man building a haunted house and the other of the three kids who choose to enter, “The Last Haunted House” perfectly captures the feel of Halloween to those who love it – both the old and the young. The sights and sounds of Halloween and the haunted house are palpable and bring to mind hints of Bradbury’s “The Halloween Tree” while the interactions of the children are authentic and believable.

The next story, “The Phone People”, presents a brief interlude in the life of Dave, a man with no past and a job that requires forgetting. Without giving anything away, “The Phone People” has a Ramsey Campbell feel that will leave the reader thinking.

With “The Final Event”, Claus taps into his inner Stephen King and tells the story of a pair of friends who gets their thrills terrorizing other drivers.

Another favorite of mine, “The Harp” is a modern fairy tale set in Smaaland, Sweden. The rich description immerses the reader, transporting them as the story unfolds.

The next to the last story, “The Man of A Lifetime”, will leave the reader wondering about the nature of memories as well as how they shape our lives.

“The Tucson Time Traveler” is the final story and one which dually addresses the concept of memories and their impact on our lives as well as the implications of time travel. Once again, I cannot say much without giving away the story, but I can say that it is a perfect end to a great collection.

I can’t recommend this collection enough. Claus Holm is an extraordinary writer whose abilities to craft a story and create believable characters makes reading The Tucson Time Traveler a joy. Pick up this one if you can!

5/5 claws

Posted by Woofer McWooferson in BOOKS, COMICS, AND PUBLICATION REVIEWS, REVIEWS, 0 comments
In Memoriam: Harlan Ellison 1934 – 2018

In Memoriam: Harlan Ellison 1934 – 2018

Harlan Ellison / Fair use doctrine.Around 1988, I had the great pleasure of spending two days off and on with Harlan Ellison. My first encounter was as part of a group of six having dinner with Harlan Ellison the night before he was to speak at the University of Alabama at Birmingham. When we met him in his hotel lobby, we discovered that no one had bothered to tell Harlan. There were mutterings of what to do, our group asking Harlan because he seemed annoyed. In typical Harlan fashion, he snapped, “Don’t ask me what I want to do because I want to go upstairs and go to bed.” Without missing a beat, I asked, “So should we all go upstairs and go to bed with you?” Harlan’s face was priceless, but the ice had been broken and we proceeded to dinner and an evening I will always remember.

Harlan was cantankerous, abrasive, temperamental, kind, considerate, and a force all his own. I will miss him deeply.

Original cover for Harlan Ellison's Rumble, now titled Web of the City.Born in 1934, Harlan Ellison grew up in Ohio and briefly attended Ohio State University before being expelled allegedly for punching a teacher who had criticized his writing ability. Ellison also served two years in the army in spite of being staunchly anti-war. Ellison published his first work in 1958, a novel titled Rumble, now retitled Web of the City, a semi-autobiographical non-fiction recollection of his time in a Brooklyn gang. The same year two short story collections were published, A Touch of Infinity and The Deadly Streets. After working in television for many years, Ellison published The Glass Teat in 1970, a collection of essays reflecting his opinion of television. The Other Glass Teat, published in 1975, is a follow-up work in the same vein.Harlan Ellison's The Glass Teat and The Other Glass Teat

Harlan Ellison was an American author whose fictional pieces were often of a science fiction, horror, or sci-fi horror nature, but anyone who ever called Harlan a “science fiction” writer never made that mistake a second time. Harlan eschewed labels that pigeon-holed his writing. Ellison’s 1,700+ published works include teleplays, screenplays, novellas, comic book scripts, and short stories as well as essays and critiques of television, film, literature, and more. For his work, Ellison has won Jupiter, Hugo, Nebula, World Fantasy, Writer’s Guild of America, and Edgar awards. In 2000, Ellison also received the World Horror Convention Grand Master Award for his contributions to the field of horror literature.

Don Johnson as Vic and Tiger as Blood in Harlan Ellison's A Boy and His Dog

Don Johnson as Vic and Tiger as Blood in Harlan Ellison’s A Boy and His Dog

Ellison’s work can be seen on television shows such as Star Trek, The Sixth Sense, The Twilight Zone, The Outer Limits, The Hunger, Logan’s Run, and Babylon 5. In 1975, Ellison’s novella A Boy and His Dog was adapted into a movie with a very young Don Johnson and a (not as young) Jason Robards (Harlan, though not pleased with the adaptation, kindly autographed my copy). His 1967 short story “I Have No Mouth and I Must Scream”, a post-apocalyptic tale of sentient computers and suffering humans, won the Hugo award that year and is often considered one of the greatest post-apocalyptic stories of the 20th Century.

William Shatner and Joan Collins in Harlan Ellison's "The City on the Edge of Forever", one of the most highly acclaimed Star Trek episodes.

William Shatner and Joan Collins in Harlan Ellison’s “The City on the Edge of Forever”, one of the most highly acclaimed Star Trek episodes.

Ellison was also known for taking a vocal stand when he perceived that his work was being butchered or his creative contributions undermined. When this happened, Ellison would direct that the credits read Cordwainer Bird – save when he disagreed with changes to the Star Trek episode “The City on the Edge of Forever”. Interestingly, both Ellison’s original script and the shooting script won awards, the former being the Writers Guild for best episodic television drama (1968) and the latter being a Hugo for best dramatic presentation (1968). This episode also inspired the punk band Edith Keeler Must Die and the song “Edith Keeler Must Die” by Arigon Starr, both named after Spock’s assertion that, “Jim, Edith Keeler must die.” Nevertheless, while Hollywood may’ve not appreciated his efforts, Constant Readers certainly did. For fans, the name Cordwainer Bird immediately evokes knowing nods and “Um-hms”.

Harlan Ellison at the LA Press Club / Copyright 2006 by Galen A. Tripp

Harlan Ellison at the LA Press Club / Copyright 2006 by Galen A. Tripp

Regardless of his irascibility, his work has influenced countless other authors. Stephen King speaks fondly of Harlan and other authors who helped answer questions for Danse Macabre, his 1981 non-fiction book on horror in media.

Lastly, thanks are due to the writers— Ray Bradbury, Harlan Ellison, Richard Matheson, Jack Finney, Peter Straub, and Anne Rivers Siddons among them— who were kind enough to answer my letters of enquiry and to provide information about the genesis of the works discussed here. Their voices provide a dimension to this work which would otherwise be sadly lacking.
— Stephen King

I think that sentiment is as appropriate now – Harlan’s death will leave the world and the world of fiction sadly lacking. Rest in peace, Mr. Ellison.

I’d like to end this with another anecdote from my adventure with Harlan. Among the many outstanding moments, this one stands out above the others.

After dinner, we walked around 5-Points South and stopped to look over some items in the window of Memory Lane. I spotted a button that read “WAR is Menstruation ENVY” and laughed outrageously. We all agreed that it was awesome. The following day Harlan spoke to a small group from the UAB Honors Program. I arrived late to find that he had saved me a seat beside him. As I sat down, Harlan presented that same button to me. I still have it.

Thank you, Harlan. Rest in peace. You will be sorely missed.

Posted by Woofer McWooferson in HORROR NEWS, OBITUARY, STAFF PICKS, TRIBUTE, 0 comments
SyFy Announces Clive Barker’s Nightbreed TV Series

SyFy Announces Clive Barker’s Nightbreed TV Series

Nicholas Vince as Kinski in Nightbreed (1990)

Nicholas Burman-Vince as Kinski in Nightbreed (1990)

Cabal, Clive Barker’s 1988 novella about a man’s struggle with self-demons and ultimate attempt to find the mythical(?) sanctuary city of Midian, is being brought to TV by SyFy, Morgan Creek Entertainment (Nightbreed (1990) directed by David Cronenberg), Universal Cable Prods, and writer Josh Stolberg,

SyFy’s Nightbreed will explore race relations in the US using the human-monster dichotomy displayed throughout the novella. The story will follow a group of subterranean monster-humans forced to find another place to live after their home is destroyed.

Doug Bradley as Dirk Lylesberg in Nightbreed (1990)

Doug Bradley as Dirk Lylesbergi in Nightbreed (1990)

Before I continue, I want to talk a bit about the movie Nightbreed, which gets some criticism, but should it? For me, I had a difficult time relating to the protagonist because of the casting choice and likewise his girlfriend. However, every other performance blew me away. I have mixed feelings. It’s nothing against either of the actors; they just didn’t click with me. Watch and decide for yourself.

Horror TV series are popular right now, The Walking Dead is still going in spite of the departure of Andrew Lincoln, Ash vs Evil Dead was doing well but not well enough for Starz, I (okay, borderline horror for the younger set) seems popular, Supernatural still pushing it on Netflix, and scores more. But, people are dropping cable packages to watch online. What does this say for the possibility of a win with this one?

Simon Bamford as Ohnaka with friend in Nightbreed (1990)

Simon Bamford as Ohnaka with friend in Nightbreed (1990)

From to the names attached, we can be cautiously hopeful. David Robinson, President of Morgan Creek Entertainment Group, seems quite optimistic:

There has never been a more relevant time for us to turn to one of the genre’s great cult classics from our movie library to impact the national conversation with bold, compelling and unconventional storytelling. The team at Morgan Creek is very excited to partner with Clive Barker, Syfy and Universal Cable Productions on Nightbreed for a unique, trenchant and no-holds-barred exploration of race relations in today’s society. As a sophisticated twist on the classic graphic novel form, Nightbreed pits ‘Humans’ against persecuted monsters, using metaphor and parable to take on bias and prejudice with real-world consequences.

Maybe we can be a little more than cautiously optimistic. Star Trek managed to address these issues with a great deal of success.

David Cronenberg in Nightbreed (1990)

David Cronenberg as Dr. Philip K. Decker in Nightbreed (1990)

Keep your claws crossed. I am.

Posted by Woofer McWooferson in HORROR NEWS, REMAKES AND REBOOTS, 0 comments
THIS JUST IN: Ash vs. Evil Dead Canceled

THIS JUST IN: Ash vs. Evil Dead Canceled

Since Starz moved Ash vs Evil Dead to Sunday night, the ratings have never recovered and the fan favorite has been canceled. That’s right. In spite of scores like a 99% on the Rotten Tomatoes Tomatometer (94% on the Audience Tomatometer) and 8.5 stars on IMDb, Ash vs Evil Dead has been staked, leaving fans disappointed and wanting more.

Word hit when Bruce Campbell tweeted earlier this afternoon:

Ash Vs Evil Dead has been the ride of a lifetime. Ash Williams was the role of a lifetime.
I will always be grateful to Starz, Sam Raimi, Rob Tapert and our tireless fans for the opportunity to revisit the franchise that launched our careers. Thank you!
RIP Ash vs Evil Dead - Bruce Campbell's tweet

Ash vs Evil Dead, which starred Ray Santiago, Dana DeLorenzo, and Lucy Lawless in addition to Bruce Campbell, saw Ash drawn back into fighting the Deadites long after the events in the movie franchise. Like the movies – especially the two sequels, Ash vs Evil Dead was a fun and gore-filled but cheesy romp through one outrageous event after another. Ash vs Evil Dead not only gave us more of the Ashley J. Williams we all know and love, it also gave us more about Ash and his family. We learned of Ash’s guilt and suffering after his sister’s death as well as his ostracization by nearly everyone in his hometown. We meet his father – and Lee Majors playing Ash’s father was positively inspired casting – as well as his daughter, and there are hints of more… so much more… to come. Alas, unless something changes dramatically at Starz, those hints are all we’ll ever have.

I’m glad to see that Bruce has a groovy attitude because I and other fans of the show are bummed.

House of Tortured Souls wishes Bruce and everyone else involved in the Evil Dead film franchise and TV series the best.

Thank you.

Posted by Woofer McWooferson in HORROR NEWS, SATANIC/DEMONIC, 0 comments
Introduction: MY Spotlight Independent

Introduction: MY Spotlight Independent

Greetings, Souls! Woofer here to report on MY Spotlight Independent, a division of  MY Production, our newest advertiser. If you’re an Indie filmmaker, you’ll definitely want to keep reading.

Who or What is MY Production / MY Spotlight Independent

MY Production is a UK-based company whose MY Spotlight Independent division distributes video content, including feature films, series, short films, documentaries, and promotional videos, on Amazon Prime SVOD and TVOD in both the United Kingdom and United States at zero cost to the content owner. Unlike many distribution companies, MY Production pays the content owners before themselves. Furthermore, MY Production offers competitive production and post-production services, such as writing, directing, producing, editing, composing, transcoding, subtitling, audio post, quality control, digital technical servicing (for any requirements that your broadcasters may require), and DVD and Blu-ray authoring. Phew! That’s a lot in one place.

MY Spotlight Independent – Distribution

Created by filmmaker, editor, and technical servicing specialist, Mumtaz Yildirimlar, MY Spotlight Independent aims to assist filmmakers in getting their work out for the world to see. Mr. Yildirmlar has helmed over seven feature films from start to finish, arranging screenings, premieres, sales, distribution, and the technical delivery of those films globally.

MY Spotlight Independent provides a platform for both individuals and companies of all shapes and sizes.

MY Spotlight Independent even guarantees the release of content on Amazon Prime SVOD and TVOD service in the UK and US with the customer paying nothing! MY Spotlight Independent handles the marketing and post-production costs in-house, including closed caption creation, quality control, artwork, transcoding, metadata, packaging to Amazon’s specifications, administration, reporting, and taxes (UK and US). Best of all, MY Spotlight Independent offers agreements that will not encumber the client for years and can be canceled at any time, giving the client the freedom and flexibility to sell content to other buyers.

My Spotlight Independent’s Partners and Sponsors

Here’s a partial list of My Spotlight Independent’s partners and sponsors.

MY Production Team

Mumtaz Yildirimlar, CEO, MY Spotlight IndependentMumtaz (aka Taz) is an experienced film-maker and technical servicing specialist. With a reference of working for Warner Brothers and Deluxe Media for over 13 years, Taz has enhanced his expertise in the film business. In addition, Taz is an advanced editor and composer. He is experienced in production/post, digital technical servicing and distribution. Being a film-maker and editor himself, has enabled him to fully understand the demands and complications of making and delivering a film from start to finish. He will work at any time of the day or night to ensure a deadline is met where physically possible.
Shen Yildirimlar, Director, MY Spotlight IndependentShen is involved in all areas of the business. Her 18 year strong corporate world experience has equipped her with the skills and foundations necessary to run and grow a business. Shen helps with our administration, acquisitions, marketing and communications processes. Shen is a warm, friendly and very passionate person, with a keen eye for talent, who will go out of her way to help our people grow.
Sefika Tulin, Reporting & Finance, MY Spotlight IndependentSefika Tulin is an experienced accountant with over 35 years experience in account management, royalty reporting and payroll. Sefika is responsible for generating all the royalty reports and making payments to our partners under the MY Spotlight Independent division.

MY Spotlight Independent Is Hunting for Content

Do you have a film in need of a distributor? Then MY Spotlight Independent is looking for you.

MY Spotlight Independent Contact Information

Connect with MY Production / MY Spotlight Independent on Social Media

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WiHM9 Blood Drive, PSA #2 – B[e] Positive

Happy second PSA of Women in Horror Month, Souls! House of Tortured Souls is pround to present the second entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Los Angeles writer/director Joe Magna.

Oh, and before we continue, here’s the obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

And without further ado, behold the amazing second Blood Drive PSA of Women in Horror Month:

B[e] Positive

By Joe Magna

MINI BIO:

Joe Magna is a Los Angeles-based Writer & Director, specializing in surreal fantasy and candy-coated nightmares.
Joe’s creative work spans through Television, Film and Theme Park development.
In addition to recently writing and directing the short film “B[e] Positive” for the Twisted Twins’ WIH Massive Blood Drive, Joe Magna will be releasing two additional short films that he wrote and directed, coming soon in 2018.
Joe Magna is currently working in creative development on several Theme Park attractions overseas.

ON WiHM:


I celebrate Women in horror month every month. Without the wonderful women of the horror genre, we would have no Frankenstein [thank you Mary Shelley]. We would have no Creature from the Black Lagoon [thank you Milicent Patrick]. And we would cease to exist.

I think these days more than ever, we need to remind ourselves that each of us emerged bloody and crying from the womb of a brave and strong woman.

It is my pleasure to be a part of this collection of short films that celebrates the wonderful women of Horror.

ON BLOOD DONATION:


Blood is life. It’s in all of us. For most of us, it flows in abundance.
But there are those out there less fortunate.
Donating blood means donating life. Now more than ever, we need to band together to help our brothers and sisters in need.
Not all of us can donate financially. But nearly all of us can donate the fluid of life to help someone else live theirs.
It’s truly in you to give . Thank you for donating blood. Thank you for being a true hero.

CAST & CREW:

Writer, Director, Editor: Joe Magna
Cinematography, Music, Sound Design: Richard Trejo
Production Design: Alex Napiwocki

Starring:
Jill Evyn
Stephanie Gail Williams
Christina Westbrook
and Noel Jason Scott as Harvey Winesnob

Check out the first PSA:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #28 – The Newish Testament

WiHM9 Blood Drive, PSA #28 – The Newish Testament

Good evening and happy twenty-eighth night of Women in Horror Month, and House of Tortured Souls is proud to present the final entry in this year’s Women in Horror Month Blood Drive.

Tonight’s PSA comes from Jamie DeWolf.

The following may be offensive to some, but in the immortal words of mister John Cleese, “Some people deserve to be offended”….

Without further ado, behold the wicked final Blood Drive PSA of Women in Horror Month:

The Newish Testament

By Jamie DeWolf

SYNOPSIS:

An irreverent romp through the Garden of Eden, on a quest for the origin of the First Blood.
Directed, shot, written and edited by Jamie DeWolf and Sharkey Stiletto

ARTIST’S STATEMENT:

For this short, we wanted to confront widely held fairytales through a critical eye.
This lead us down some zany paths, on a quest of what makes blood magical and what makes it absurd.

STARRING:

A.J. Kirsch as Adam
Sadira LadyLiquid as Eve
Jordan Ranft as God
Asher Kennedy as Sampson
Zoë Rountree as Delilah
Jamie DeWolf as Joseph
Nazelah Jamison as Mary
ChaCha Burnadette as Goddess
Dre AKA Duke Bossman as Jesus Christmas

ABOUT THE ARTIST:

JAMIE DEWOLF is a writer, performer, film director, show producer and circus ringmaster from Oakland, CA. A filmmaker since his teens, DeWolf wrote and directed his first feature film Smoked, a “fast paced, smart, witty dark comedy crime caper” about a botched Cannabis Club robbery in Oakland. The film is described as “Mean, bloody and demented. It’s also piss-your-pants hilarious, maddeningly nihilistic…and an insanely energetic romp.” Smoked was picked up for international distribution by Indican Studios, who also released the cult film Boondock Saints.
DeWolf’s original short films, known for their provocative and boundary pushing subject matter, have won multiple awards from “Best Acting Performance” (A Girl and a Gun Briefs 2013), “Most Terrifying Storyline” (U Turn Scream 2013), “Best Cinematography” (Ricochet in Reverse Scream 2014), and “Best Writing” (Rio Grind 2014). His short films Hey Baby Hey and OK Monster! both won the Grand Prize Audience Award the year of their premiere. His shorts Double Agent and Black Out were both chosen to be featured at the CineKink Film Festival in NYC. His short U Turn was selected for The Invoking 2, a feature length horror film anthology franchise by Ruthless Pictures. He was voted “Best Film-Maker” by the East Bay Express in 2016.
DeWolf has made a dedication to intertwining cinema and social activism, shooting and directing over 32 films for the Bigger Picture Project, an acclaimed, statewide series of films on the youth prevention of Diabetes. The series was featured in the NY Times, the PBS NewsHour, Colorlines and KQED. He’s helmed national film campaigns for the Raise Up Project focusing on the high school drop-out crisis, the Write Home Project which was coupled with a writing program on youth homelessness, and the Off/Page Project in partnership with the Center for Investigative Reporting. The Off/Page Project resulted in the trilogy Whispers from the Fields, This is Home and Locked (in), acclaimed for creating a new hybrid of “lyricism and facts”. His films have accumulated over 5 million shared views across the world, winning the Real Food Media Grand Prize two years in a row with the films Thin Line and Home Flavored, and received the Spirit of 1848 award from the American Public Health Association. He continues to direct and shoot a variety of projects from documentary, music video and narrative films.
Currently DeWolf hosts his variety show Tourettes Without Regrets every First Thursday in Oakland, tours with NPR’s storytelling series Snap Judgment and is writing his next feature film. You can find his CD Vaude Villain featuring his comedy performances on Itunes .

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM Interview: The Inimitable Barbie Wilde

WiHM Interview: The Inimitable Barbie Wilde

Woofer here, Souls, and it’s my great pleasure to introduce this interview. When discussing Women in Horror Month with my assistant editor Spencer, we decided that as fans of Hellraiser – both as the Books of Blood and the film franchise – we would be completely remiss if we didn’t reach out to Barbie Wilde. Being both talented and gracious, she consented to be interviewed and is our final focus for Women in Horror Month.

Barbie Wilde - Female Cenobite Hellbound: Hellraiser II (1988)

Well, that’s enough of my yammering. You’re all here to find out more about the lovely, talented, and kind Barbie Wilde, so keep on reading.
House of Tortured Souls: Did you ever think you would become a horror icon?
Barbie Wilde: I never did… And it’s a bit ironic that I nearly didn’t go to the audition for Hellbound Hellraiser II, because I found the first Hellraiser film so disturbing. (Although I did love the character of Julia. I’m a sucker for obsession! And the Cenobites were such original and unusual monsters.)
However, I’ve very glad that I did go, obviously. Being in Hellbound was a great experience and, speaking as a short blonde person, I’m truly thrilled that I’ve managed to scare so many people over the years.
HoTS: What is your favorite memory from working on Hellraiser II?
BW: Meeting Ken (Dr. Channard) Cranham for the first time. I walked up to him in full Female Cenobite makeup and costume, when he was in full Channard Cenobite makeup and costume — and on the phone to his wife as well! For some reason known only to the infernal powers below, I said: “Hi Ken, I’m Barbie. Do you want to get married and have babies called Pepper and Skipper?”
Why I thought that this was an appropriate way to introduce myself for the first time to such a venerable actor as Ken, I don’t know. Especially since he was English and had no idea that there were these famous American dolls called Barbie, Ken, Pepper and Skipper. (In Britain, the Barbie Doll equivalent is called Cindy.) In my defense, I do say this line to every “Ken” I meet, because for some strange reason, I think it’s hilarious.
Anyway, Ken was gobsmacked and whispered to his wife, “Darling, an actress is talking to me… I’ve got to go.” I apologized profusely and we’ve been good friends ever since.

The Lovely Barbie Wilde

HoTS: What was it like working with Tik and Tok?
BW: The years with Shock in the early 80s were fantastic. It was the most fun that I’ve ever had as a performer. Working with Tik and Tok was wonderful, as well as performing with Robert Pereno, LA Richards, and Carole Caplin. The high point for us was supporting Gary Numan at Wembley Arena, but we also toured with Depeche Mode and supported Ultravox as well.
HoTS: Who are some of your greatest influences?
BW: As a writer: Rod Serling, Patricia Highsmith, Clive Barker, Hemingway, Raymond Chandler, Colin Wilson.
Directors I admire are: Guillermo Del Toro, Hitchcock, Ridley Scott, the Soska Sisters, Ann Biller, Katherine Bigalow, Mary Harron, Agnieszka Smoczynska, Patty Jenkins.

Barbie Wilde's Blue Eyes - A Film By Chris Alexander

HoTS: How do you prepare for a role? Is it different for each?
BW: I approach each role in a new way. I don’t use any particular “method”. I’m very intuitive and I take a lot from the text…
HoTS: Why horror? What drew you to it?
BW: To be honest, I didn’t choose horror, horror chose me! I had moved from acting into presenting, writing and hosting TV shows when I was cast in Hellbound. It was my first horror movie. (Although I suppose being in Grizzly II: The Concert (1983) was my first appearance in a horror movie, but it was never released.)
It’s interesting, because until Paul Kane asked me to write a story for the Hellbound Hearts anthology, I was more interested in exploring the criminal mind in writing novel like my diary-of-a-serial-killer novel, The Venus Complex (published by Comet Press), than writing horror. But I had so much fun writing my Female Cenobite origin story (“Sister Cilice”) for Hellbound Hearts, that I continued writing horror, contributing short stories to various horror anthologies over the years, culminating in my illustrated, full color, short horror story collection, Voices of the Damned (published by SST Publications).

The Venus Complex (2012) by Barbie Wilde

Saying that though, I’ve always watched horror movies, ever since I was a kid, especially Sci-fi horror. Those films really shaped my twisted imagination! And TV shows like The Twilight Zone and The Outer Limits also made a big impression on me.
HoTS: What are your favorite horror films?
BW: I love the old black and white horrors like: The Thing From Another World (1951), Invasion of the Body Snatchers (1956), The Innocents (1961), The Haunting (1963) and Night of the Demon AKA Curse of the Demon (1957). I also like visceral horror such as Carpenter’s The Thing (1982) and Alien (1979). Other favorites are: American Mary (2012), Sinister (2012), Audition (1999), The Lure (2015), Cronos (1993), Mimic (1997), Crimson Peak (2015), etc. (I’m really looking forward to seeing The Shape of Water and the Soska Sisters’ reimagining of Cronenberg’s Rabid.)
HoTS: What drew you to writing? Do you prefer it to acting?
BW: I’ll always love acting, but now I prefer creating my own worlds, my own characters and my own mythologies.
HoTS: When did you realize that you wanted to dive into the arts?
BW: I was a very shy kid, but when I was cast in a school play when I was 12, I was hooked forever. People were laughing with me, rather than at me. I loved it.

Voices of the Damned (2016) by Barbie Wilde

HoTS: What is something outside of art that you’re passionate about?
BW: Wine… Margaritas… Martinis… you see a pattern here? Actually, those are just hobbies! Seriously, I’m fascinated by archeology (it was my Minor at University) and I love what’s happening in the world of science with all the innovations that are happening, medical discoveries, etc. And I’m a tech geek. I never would have guessed that I’d love gadgets so much. I suppose it’s the Star Trek fan in me!

Barbie’s books and other works:

Out now:

Voices of the Damned, an illustrated short horror story collection published by SST Publications. (Publishers Weekly: “…sensual in its brutality.” “…a delight for the darker senses.”) Each story is illustrated in full color by top artists in the horror genre, such as Clive Barker, Nick Percival, Daniele Serra, Vincent Sammy, Tara Bush, Steve McGinnis, Ben Bradford and Eric Gross.

Barbie Wilde - Female Cenobite with knife in Hellbound: Hellraiser II (1988)

The Venus Complex, Barbie’s debut dark crime, diary-of-a-serial-killer novel, published by Comet Press. (Fangoria: “Wilde is one of the finest purveyors of erotically charged horror fiction around.”)

In pre-production:

A feature length horror film called Blue Eyes, based on a short story by Barbie. It’s co-written with Chris Alexander (Blood for Irina, Queen of Blood, Female Werewolf, Blood Dynasty, Space Vampire) and will be directed by Chris. Starring Nivek Ogre of Skinny Puppy.

Work-in-progress:

Film Script: “Zulu Zombies”.
New real life horror novel, working title: The Anatomy of Ghosts.

Plans for the future:

To find a publisher for graphic novels based on Barbie’s short stories “Sister Cilice” and “Zulu Zombies”.

The Offer (2017) - Barbie Wilde

In 2017, Barbie returned to acting after 17 years in The Offer, the first episode of the horror series, Dark Ditties, produced by Cult Film Screenings.

Barbie Wilde Social Media:

Barbie Wilde - Classic Beauty

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #27 – The Love Swallows

WiHM9 Blood Drive, PSA #27 – The Love Swallows

Good evening and happy twenty-seventh PSA of Women in Horror Month, and House of Tortured Souls is proud to present the nxt entry in this year’s Women in Horror Month Blood Drive.

Tonight’s PSA comes from Nicole McClure.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the awesome twenty-seventh Blood Drive PSA of Women in Horror Month:

The Love Swallows

By Nicole McClure

ABOUT THE ARTIST:

Nicole McClure is a writer, director, editor, colorist, and VFX artist. A woman of many talents, Nicole’s body of work is as diverse as she is. Regardless of what position she holds on a production, her work always elevates the pieces to a whole new level.
A two time WiHM Massive Blood drive director before this with her partner, Aramis Sartorio, the two have a hilarious, often shocking, and blood fantastic take on horror to get you in the mood to donate blood.

Cast:

Megan Duffy
Matt Mercer
Aramis Sartorio

Crew:

Production Design………George Hale
Gaffer………Miles Kittrege………
Photography by………Nate Liquor
Pony Gold
Nicole McClure

Special Thanks:

Matt Suchesi
Kaeli Quick
Michael Snyder
Sebastian Love
Mylissa Ftizsimmons
Blame Mercury
Jen & Sylvia Soska

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #26 – NerdGirls

WiHM9 Blood Drive, PSA #26 – NerdGirls

Tonight’s PSA comes from Adam Marcus, Debra Sullivan, and Bryan Sexton.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the awesome twenty-sixth Blood Drive PSA of Women in Horror Month:

NerdGirls

By Adam Marcus, Debra Sullivan, & Bryan Sexton

ADAM MARCUS
TINKER, TAILOR, SOLDIER, SPY,
WRITER, DIRECTOR, CO-PRODUCER GUY:

A native of New York and Connecticut (a feat in itself), at 11, Adam was a PA on his first studio movie. At 13 he was apprentice editing for Columbia Pictures. At 15, he created the Westport Theatreworks Theatrical Company, directing and producing over 50 shows in 7 years. At NYU he won Best Picture in for his film, “…so you like this girl”. At 21, Adam set up his first feature film at Disney and less than a year later he had been hired to write and direct New Line Cinema’s “Jason Goes to Hell: The Final Friday”. At 23 he was the youngest director ever hired by a major studio to write and direct a feature film. He then turned his attention to writing and he and writing partner </ strong>Debra Sullivan, wrote scripts for Paramount (the adaptation of James Patterson’s “Virgin”), Fox (the original “Black Autumn”), and Lionsgate (the box office #1 “Texas Chainsaw 3D”).
In 1995 Adam created the Skeleton Crew TheatreWorks where to this day he trains some of the most talented actors in the industry. This troupe has been the backbone of Adam’s theatrical and cinematic casts.
In 1998 Adam directed the indie comedy, “Let It Snow” starring Bernadette Peters. The film was a critical and festival darling at AFI’s LAIFF (where it won several awards), Sundance, New York/Avignon, the Deauville festival in France among many others. At the same time Adam sold several TV series to Kevin Bright Productions, Imagine Television, NBC, Fox and The WB. Adam then directed the Sony Pictures feature film, “Conspiracy”, which he co-wrote with Sullivan. Starring Val Kilmer, Jennifer Esposito, and Gary Cole. The latest Marcus/Sullivan project written by the duo, is “Momentum”, starring Olga Kurylenko, James Purefoy and Morgan Freeman.
Recently episodes of Adam’s web series, Connected was the winner for best short subject at three separate festivals.
He and Sullivan have recently partnered with long time producer Bryan S. Sexton to form Skeleton Crew Productions. They already have several films slated for release next year and 2 new television series slated for mid- 2018.
As a director Adam has three new films in the pipeline, “The Plantation”, “The Harvest” and “Dread”.
“Secret Santa” is a return to the genre Adam loves dearly. He’s so thrilled to be back, knee deep in blood and madness!

ADAM MARCUS STATEMENT – WiHM BLOOD DRIVE

When I was in film school at NYU, there were two films that would change my idea of artful storytelling. The first was Katherine Bigalow’s “Near Dark”. It was a dark, scary, romantic adrenaline rush. As a young man I was not accustomed to seeing a film this kick-ass made by a woman. A woman who not only gave James Cameron a run for his money when it came to action but was far more interested in the connection between it’s characters than the average horror movie. It knocked my socks off. Then I saw Luc Besson’s “La Femme Nikita”. It was a mash-up of all the things I loved about French Cinema and American Movies. At it’s center was the story of a lost young woman who is as bad an anti-hero as you’ll find. But you love her. She is a murderer who is trained to use her pathological talents for the “government”. We’ve seen this story a thousand times and it’s always a bit ham-fisted. Why does this one work? Because it is the story of a woman and the complications of being a woman used by a world of men for their purposes, that’s why! She goes from being owned by the male-constructed system to owning herself. And it was written and directed by a man. It showed me that a man can tell stories about strong, kick-ass women that still get to be feminine. And that was it… I was hooked.
Since then, I have struggled to do the impossible in Hollywood… tell stories about strong women. For twenty-five years I have tirelessly written movies about women, in every genre. Many of those scripts have been bought, but only a few have even been made. Most sit on shelves in studio offices.
Before it was chic to make stories about women, I wanted to.
No, I yearned to. Every time I’d sit down with my brilliant partner, Debra, and come up with a new story, the response from our representatives was always, “For the love of all that’s holy, can’t you please write something with a male protagonist”? That’s something they don’t teach in film school, or in three day seminars on writing movies… if you want a movie to get made, write about men.
Well… fuck that! Seriously. Fuck that!
A couple of years ago, Debra and I wrote a project based on a wonderful novel our company optioned named, Nightspinners. It was the story of twin sisters who can speak to each other telepathically. Again, it’s about ownership of one’s identity. It’s about strong women. One heroic and one psychotic. But both will not and can not be ignored. When we went searching for our director, I said, “It has to be a woman. This is story that should be told by a woman”. We started making a list but our list got tossed out the window when we found out that Jen and Sylvia Soska were repped at our same agency. After much hemming and hawing (“they’ve seen every twin story out there”) they sent them the script. Twenty-four hours later we received a two line response, “Fuck yeah we’ll do Nightspinners! Cause it’s fucking awesome”! Thus began the beautiful friendship between the Twisted Twins and Skeleton Crew.
When the Soskas came to Debra and me to create something for WiHM, we could not have said, “YES” faster. We got to work immediately on hatching our PSA. Enter the NERDGIRLS!
NerdGirls is a film series that Debra and I created over a year ago. It’s about a young woman, Alex, who since childhood has been obsessed with what she was always told was “Boy Stuff”. Comics, Kung-Fu Movies, Superheroes. Her best friend in grade school, a super-serious tom boy, Maxine, even used to beat up the boys in school who taunted Alex for playing with Giant Robots rather than dolls. When Alex was eight, her father left the family and she blamed herself, thinking she was a bad daughter and not “girly” enough. So she abandoned and threw out everything she loved. Her comics and toys and worse of all… Maxine. 15 years later, Alex’s life is a mess. She’s forced herself to be what society thinks of as a “girl”, all the while still daydreaming of comic books and obsessively sketching on anything she can. On the day that she is robbed at her day job, finds her boyfriend in bed with another… man, and is kicked out of her apartment, she stumbles upon a shop selling the same GIANT ROBOT she abandoned years ago. She rushes into the store to find… Maxine is running the place! Rekindling their friendship, Alex finds a new home and the real adventure of her NerdGirl life is about to begin.
Our WiHM PSA is a horror episode of NerdGirls. It’s about the snakepit that is Blind Dating and the power of friendship and ass-kicking femininity! Oh, and did I mention there’s lot of blood?
I’m so excited to be a part of this year’s Blood Drive and WiHM! Not just as a man who loves stories about women, but as a human being who loves stories about all of us!

DEBRA SULLIVAN:

Debra is an actress/writer/producer. As an actress, over the years, she has appeared in countless plays, films, television shows and commercials. This 2nd generation Los Angelino has played lead roles in comedies, dramas and musicals. In television, she has had lead and/or recurring roles on “Criminal Minds”, “Private Practice”, “Big Love”, “ER”, “Days of Our Lives” and “Cold Case”, as well as many others. Some of her favorite films roles include, “Conspiracy” with Val Kilmer, “Let It Snow” (a Sundance Winner) with Bernadette Peters, “Bring It On, All or Nothing” with Hayden Panetierre, and “Brewster’s Millions” with the late Richard Pryor and John Candy. Recently, she starred opposite Steve Guttenberg in the film, “Lookin’ Up”.
When not acting, she and her husband/partner, Adam Marcus have written over 50 screenplays, including, “Conspiracy”, “Momentum”, “Texas Chainsaw 3D” and “The Plantation”. Their latest script, “Secret Santa” is a film she not only performs in but co-wrote and co-produced with Marcus and their producing partner, Bryan S. Sexton.
“Secret Santa”, a scathing “horromedy”, is burning up the festival circuit right now and is the first feature out of the gate for the trio’s newly formed production company, Skeleton Crew Productions.
Creating Skeleton Crew with Marcus and Sexton has been one of the most rewarding aspects of her career in the business. The company is committed to making entertainment, at all budget levels while giving opportunities to those who haven’t had their “breaks” yet or to work in the field of the business they’ve always wanted to. They currently have several films and television shows in the pipeline, the majority of which have strong female protagonists, something Marcus and Sullivan have always specialized in.
You can follow Debra on Twitter and Instagram @debsullivanm, and on Facebook as Debra Sullivan.

DEBRA SULLIVAN, ARTISTIC STATEMENT:

I am so excited to be a part of this year’s Women in Horror Month Blood Drive. As a woman in the industry and one who has done the majority of her work in the horror genre, I am honored to support the talented and ever amazing Soska Sisters in this annual event.
While we had a lot of fun making our film, our true heart was in the message we’re helping to send out to the world, the importance of donating blood. When you donate, you save lives, period. In these unpredictable times we live in, with more and more things happening, we have to stick together and be there for each other. The horror community has always been a source of people who care. So let’s care together. Go out and donate. You’ll be blessed that you did.
Let the blood-letting begin!!!

Cast & Crew:

The Nerd Girls
Anna Sondall………Alex Travalian
Paris Wise………Kit Kapinski
Michelle Allaire………Mickey Montgomery
Debra Sullivan………Mrs. Virginia Summerbottom
Mesa Kronhaus………Maxine Kotzwinkle
Kristin Wall………Georgia Washington
Ryan Leigh………Seaton Pickles

The Vampires
Scott Maguire………Cassian
Sassan Saffari………Derek
Rissa Kilar………Chantal The Vampire Queen
Nigel Lawes………Abatu The Gatekeeper
Darren Dupree Washington………Baka The Guardian
Jerusalem Girma………D.J. Cyrus
Joshua Kwak………Chiang-Shih
Erika Lane Enggren………Kali
Russ Ferri………Amon
Charlit Dae………Balam The Protector
Ed Nathan………Mecate Cacus The Protector
Pat Destro………Evanora The Vile
Petra Areskoug………Agate
Nick Barajas-Torres………Deumus
Gabriel Fiorindo Bellotti………Cherufe
Glennthomas Camba………Forneus
Melissa Corkern………Eris
Kate Enggren………Gatrea
Gilbert Feliciano………Kappas
CJ Feldbau………Azazel
Scott Fleetwood………Gremony
Troy Fromin………Halphas
Timothy D. Harris………Malphas
Mitch Narito………Marax
Breann Johnson………Hecate
Jeff Karr………Orobas
Gabi Mayorga………Salome
Daryn O’Patry………Moloch
Candace Quirk………Cerys
Jon Daniel Schwartz………Uvall
Anna Yosin………Onodine

Adam Marcus………Director/Co-Writer/Editor/Co-Producer
Debra Sullivan………Co-Writer/Co-Producer
Bryan S. Sexton………Producer
Fidencio Casas………D.P.
Freddy John James………Stunt Coordinator
Timothy D.G. Eilers………Composer/Vfx
Joshua Kwak………First A.D.
Chris Gonzaga………Gaffer
Gregg Furuoka………A.C.
Jorge Ramos………Key Grip
Kristy Munden………Wrangler

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #25 – Kirby, A Hero

WiHM9 Blood Drive, PSA #25 – Kirby, A Hero

Morning, Souls! It’s the twenty-fifth morning of Women in Horror Month, and House of Tortured Souls is proud to present the twenty-fourth entry in this year’s Women in Horror Month Blood Drive.

The twenty-fifth PSA comes from the devilicious mind of Nicholas Burman-Vince.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the brilliant twenty-fifth Blood Drive PSA of Women in Horror Month:

Kirby, A Hero

By Nicholas Burman-Vince

DIRECTOR’S STATEMENT:

When I was 19, I had major reconstructive surgery on my face and during the operation half the blood in my body was replaced via transfusion. For years I thought that was an extraordinary amount, but through the my involvement with the Soskas Blood Drive PSA, I’ve learned this is common – which help put into perspective just how urgent the need for blood donations is. Particularly as surgery isn’t the main use for donated blood. In the UK 67% is used to treat medical conditions including anaemia, cancer and blood disorders. So, people regularly need blood to survive.
I particularly like the current promotion by blood.co.uk #Date2Donate, encouraging people to donate with a friend or family member. What could be more romantic. Getting to know if your partner has a phobia about needles and helping to save someone’s life?

Cast & Crew:

Nicholas Vince – Writer and Director

Nicholas Vince played The Chatterer Cenobite in Clive Barker’s Hellraiser & Hellbound: Hellraiser II and Kinski in Barker’s Nightbreed. In 2016 he was awarded the London Horror Society Award for Outstanding Contribution to UK Independent Horror. He is Patron of the London Horror Festival.

His first short film as writer and director, The Night Whispered, screened at festivals in the US, UK, and France and is now available on Reelhouse.org. His second film, Your Appraisal, is on its festival run and a third, Necessary Evils, will be part of the horror anthology feature film For We Are Many, from Hex Media.

He still acts and recently starred in The Offer, with others from the Hellraiser films. He also stars in the independent feature film, Hollower (dir. MJ Dixon), and numerous short films including the award-winning Mindless (dir. Katie Bonham).

He hosts the weekly YouTube show Chattering with Nicholas Vince, where he interviews independent film makers and actors.

His two collections of short stories, What Monsters Do (rated 5*) and Other People’s Darkness are both available on amazon sites. His short story ‘Prayers of Desire‘, a new origin story for The Chatterer was published in Hellraiser: Anthology – Volume 2 by Seraphim Inc.

Holly Boyden – Rebekah

Recent graduate of the Royal Central School of Speech and Drama, Holly Boyden previously studies at Goldsmith’s College, University of London and the National Youth Theatre of Great Britain.

She is known for The Night Whispered, @MovieGeek and One In A Million.

She is a trained dancer, specialising in Classical Ballet and Ballroom and Latin American. She speaks fluent Spanish.

Dawson James – Kirby

Film maker, actor, cinematographer, performance capture artist and photographer Dawson James, is known for Scale Down, Ophelia, The Night Whispered and his science fiction short, HUD, which is on its festival run. Later this year he stars in Burying the Mother in Law

He is the creator of the young YouTube channel, Fluffy Dog.

Patrick E. Fagan – Composer

Patrick graduated from The University of West Scotland in 2002 with a BA Honours degree in Commercial Music. Since then, Patrick has worked in many roles within the music industry from music management to event organisation and is now currently working as a music teacher.

After many years performing in various bands, Patrick decided to move into creating music specifically aimed at film, TV and Media.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #24 – Blood Bus

WiHM9 Blood Drive, PSA #24 – Blood Bus

Evening, Souls! It’s the twenty-third evening of Women in Horror Month, and House of Tortured Souls is proud to present the twenty-fourth entry in this year’s Women in Horror Month Blood Drive.

The twenty-fourth PSA comes from Marilyn Thomas.

From the official Press Release:

Next up is a segment from an extremely talented Canadian filmmaker (who usually kicks my butt at horror short competitions) who has taken the leap from wearing every other hat on set to directing her first short, Marilyn Thomas.
You are going to love this one – it was a perfect storm of killer amazing talent who came together to make it happen including American Mary’s Paula Lindberg and fellow Canadian artist heavy weight, Crystal Lowe.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the kickass twenty-fourth Blood Drive PSA of Women in Horror Month:

Blood Bus

By Marilyn Thomas

WHY THIS IS IMPORTANT:

I’ve always been a fan of the blood drive, but because of health issues, have never been able to donate. Last year, I found out that people of color are very rare donors. I realized that as a First Nations person, I wanted to change that. This year, I’m not only donating blood, but I’ve signed up as a bone marrow donor and ensured to check off organ donation. Blood donation is the easiest to give. It takes minutes, and you don’t have to die to help someone out.

Cast & Crew:

Paula Lindberg – Actor

Paula Lindberg RADA-trained Paula Lindberg has built a solid genre reputation with her appearances on ‘Fringe’ and ‘Supernatural’ but attained immediate cult status from her portrayal of Ruby Realgirl in the breakout horror hit American Mary. Watch for her starring in the upcoming Corey Haim/Corey Feldman biopic coming out this spring

Sarah Booth – Stunt Actor

Sarah Booth has been an actress in theatre, television and film since 2008. Most notably, she was the lead role in the feature film The Scarehouse (Universal Studios) and a guest role on Law & Order: SVU, a role on American Horror Story VI. Sarah can currently be seen at Universal Studios Hollywood playing the lead role of Helen in the Waterworld Live Stunt Show.

Mike DeCamp – Actor/Stunt Coordinator

Mike DeCamp is a stunt performer and actor for theatre, television, and film. Mike studied at UCLA and UC Irvine (CA). He can be seen in projects such as Deadliest Warrior (Spike TV) as well as Pandemic (New Artist Alliance) and Six Gun Savior (New Artist Alliance).

Marilyn Thomas – Director/Writer

Marilyn Thomas has created a number of award-winning short films including, ‘Shi-Shi- Etko’, ‘The Secret Life Of Cassandra Brown’ and ‘JACK’. She has sold a number of features, as well, she has written and produced documentaries including ‘Path of Pilgrims’. In the realm of digital media, she has created numerous web series & and the successful interactive e-book series ‘Brambleberry Tales’ which is an iTunes editors choice.

Crystal Lowe – Producer/Actress

Crystal Lowe has multiple series regular roles to her name and is no stranger to Horror fans from her work in the Final Destination, Wrong Turn, Children of the Corn franchises. She currently stars in Signed, Sealed, & Delivered for the Hallmark channel & her last three produced short films have garnered international acclaim.

Cory Brandon Clay – Director of Photography / Producer

Cory Brandon Clay is an Emmy Award Winning Producer, Director of Photography &; Photographer. He studied at Webster University in Saint Louis, Missouri, UCLA. Cory collected his first Emmy & Telly Awards for PBS Documentary work. In 2002 he relocated to Los Angeles, where he filmed TV shows such as NCIS, NUMBERS, AMERICAN IDOL, SO YOU THINK YOU CAN DANCE; and feature films such as BORDERTOWN & BULLETPROOF MONK. Hes’ worked on commercials for Nissan, Toyota, & Adidas. In 2013, Cory established The Jukebox Romeos, a creative production agency dedicated to the work of feature films, music video content & live concert films. His clients include Kid Rock, CMT, Papa Roach, MTV, Discovery, Velocity, Blackberry Smoke, Warner Music, Universal Music Group, Red Light Management, ABC & Carrie Underwood.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #23 – Surprise Egg!

WiHM9 Blood Drive, PSA #23 – Surprise Egg!

Morning, Souls! It’s the twenty-third PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

This PSA comes from Hannah Neurotica.

From the official Press Release:

Nine years ago, this next artist decided to change February forever with the very first Women in Horror Month. The founder of WiHM, Hannah Forman, has been growing this event, this celebration, this unity for nine years before it was in vogue to support female artists in the industry.
Without WIHM, our first film wouldn’t have gotten its first two screenings which became life changing events for us. I’ve watched her work tirelessly every year to promote people’s work and raise awareness about artists across the globe in the past, present, and setting up for the future.
I’m over-joyed that she was able to be a part of these 9th Annual WiHM Massive Blood Drive PSAs. Bless you for everything you’ve done, Hannah. Love you to bits!

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the incredible twenty-third Blood Drive PSA of Women in Horror Month:

Surprise Egg

By Hannah Neurotica

Credits:

Claymation

Hannah Neurotica




Music

33 Music Boxes
Public Domain

MINI BIO:

Hannah Neurotica is the founder of Women in Horror Month, the Ax Wound Film Festival, and published the world’s first known print feminist horror publication, Ax Wound ‘Zine. She is a mixed media artist, writer, and experimental filmmaker whose appeared in Newsweek, The GuardianComplex.com, Rue Morgue, Bitch, NPR, CBC Radio, and other pop culture media. She has been invited to speak or moderate a panels at events such as Geek Girl Con, Horror Rama, and Horrible Imaginings.
From event organizing to creative projects, Hannah’s passion is rooted in educating and empowering women to share their stories in all artistic forms, while simultaneously creating new spaces/opportunities to amplify what they have to say.

ARTIST’S STATEMENT:

I am honored to be part of this massive blood drive undertaking. My father passed away right before the first WiHM in 2010 and it was especially meaningful when Jen and Sylvia Soska told me they wanted to start encouraging people to donate with horror/gore themed blood donation PSAs. I’d just watched my dad get bags of blood from people I will never be able to thank but whom I am grateful for everyday. All you have to do is make an appointment, sit in a chair, and then you get a cookie. Being a hero has never been easier! Please consider taking that brave step and share that good red stuff in your veins.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #22 – It’s In You To Give

WiHM9 Blood Drive, PSA #22 – It’s In You To Give

Evening, Souls! It’s the twenty-second PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

This PSA comes from Ama Lea.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the amazing twenty-first Blood Drive PSA of Women in Horror Month:

It’s In You To Give

By Ama Lea

Cast & Crew:

Actors

Lara Jean Mummert
Colton Wheeler

Writer/Director

Ama Lea

Cinematographer

Diego Madrigal

Editor

Eric Thirteen

Special FX

Sheila Mia Seifi




VFS

Adam Lima

MINI BIO:

Ama Lea grew up in Stephen King Country- Bangor, Maine where she naturally had an inclination to the horror genre from a very early age. She spent her youth making films on old Camcorders, editing between VCRs and taking pictures in cemeteries.
After High School Ama moved to Boston where she majored in editorial photography at New England School of photography. She was Valedictorian of her graduating class. Soon after which she attended grad school at Brooks Institute in Santa Barbara, California where she majored in Fashion Photography and Film Studies. She was again, Valedictorian. After college she went on to become a celebrity photographer for many top magazines such as Inked, AP, Revolver, Zink and many more. She worked within the horror industry shooting a fine art photo exhibit entitled The Bloody Best which included portraits of legends in the horror industry which lead to her accepting the position as photographer for Fangoria Magazine where she had the honor of shooting the likes of Roger Corman, Wes Craven, and many more. She went on to create Year of Fear, a sexy parody horror calendar company that releases products annually. Meanwhile she kept her toe in film making by writing and directing several shorts and participating in ABC’s of Death 2.5 for Alamo Drafthouse as well as just finishing a huge festival season with her award winning short film, From Hell She Rises.
Ama is currently working for various publications as an editorial and celebrity photographer.

ARTIST’S STATEMENT:


When asked to be a part of the Soska’s annual blood drive, I was honored! It’s a great cause that’s been a tradition for women in horror and the Soska’s for years. I began to think about the theme…”be a hero.” Obviously capes and tights come to mind first but breaking it down to something even more simple. A hero in your life every day. To me, there is something so heroic about giving your all to another person. So many men have zero idea how to really be a great partner and furthermore, a great lover. To me the ability to give unselfishly to another person is heroic and it’s the same as giving blood. The simple act of donating blood can help save lives. Nearly 4.5 million patients need a blood transfusion a year in the US and Canada alone and only 10% of the population donates per year. If we could increase that number by even 1% the blood deficit in America would disappear. This is a call to arms for the horror community. It’s in all of us to give!

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #21 – Just A Prick

WiHM9 Blood Drive, PSA #21 – Just A Prick

Early morning, Souls! It’s the twenty-second day of Women in Horror Month, and House of Tortured Souls is proud to present the twenty-first entry in this year’s Women in Horror Month Blood Drive.

I’d like apologize personally for the delay on this release to Tonjia Atomic & Mi Chelle Nessk. I am having technical difficulties as well as issues with one of my fangs…
–Woofer McWooferson Source: Internet / Fair use doctrine.

From the Official Press Release comes this introduction:

I’ve known Tonjia Atomic for many years and I am very happy to announce her and Mi Chelle Nessk’s next instalment for the Women in Horror Month Massive Blood Drive PSAs.
These two are incredibly talented directors, multi-talented artists, and astonishingly hard-working professionals. I don’t want to give away anything about their PSA, so just keep an eye out for cameos and lots of other fun (I guess grown up) stuff. Not 18A, but it gets pretty murdery.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the powerful twenty-first Blood Drive PSA of Women in Horror Month:

Just A Prick

By Tonjia Atomic & Mi Chelle Nessk

Cast:

Westin Halvorson – Christopher James Phillips
Tristan Risk – Hailey Vesper
Michelle Nessk – Zee Monsta
Jackey Raye Neyman Jones – Pamela Knickknacks
James Grixoni – Johnathan the Lonely
Tonija Atomic – Cam Date Blair
Rachel Jackson – Audrey Swinging Electra
Hiromi Cota – Gurgling Man
Benjamin Barton – Bear Double
Ygal Kaufman – Zee Monsta’s Victim

Extras:

Christina Lynn Hendricks
Benjamin Barton
Ygal Kaufman
Heather Geer
Britt Byrtus
James Mahoney
Evan Christopher

Writers/Directors

Michelle Nessk
Tonjia Atomic

Producers

Gloomy Sunday Productions
Roux-ga-roux

Executive Producers

D Kirkness
James Mahoney
@ThuNiCo

Associate Producers

Vicki Woods
Angie Faro
Jimmy Weinholz
Charity Becker
Linda Kay
Gary Washington
Shannon Devine
Chrystal Doucette

Sound

Jeff Morales

DP

Conn Buckley

Editor, 2nd AD

James Mahoney

1st AD

Nadine L’Esperance

3rd AD

Angie Faro

1st AC

Britt Byrtus

Audio Editor

Ken Webster

Score

Bryce Kain & Michelle Nessk

Color Correction

Dave Patterson

MUA

Christina Pezzo

Grip

Ygal Kaufman

Key MUA, Wardrobe, Styling, SFX, Assistant Editor, Casting Producer, Art Director

Michelle Nessk

Wardrobe Assistant, Casting Producer, 2nd Art Director

Tonija Atomic

Lighting

Nick Shargas

Hair

Heather Geer

Art Poster Illustrators

Mark McKenna
Cesar Feliciano

Blood Logo Graphic Designer

Christal VanEtten

Production Assistants

Christopher Barnes
Rachel Jackson
Benjamin Barton
Heather Geer
Evan Christopher

SPECIAL THANKS

Kevin Van Walk
Chrystal Doucette
Joshua Phenicie
Joe Sherlock
Women in Horror
Twisted Twins Productions
Blue Mouse Theatre
Crypticon Seattle
PromoteHorror.com




Sponsors

Digital Soaps
Shannon Devine’s Illustrated Stories
Value Village
Sinful Audio

TONJIA ATIMIC’S BIO:

Tonjia Atomic is an award-winning filmmaker, actress, musician, and writer. Her films include Plain Devil and Walking to Linas. Her writing has been featured in several online and print magazines. She’s in the bands Duet To-It, Huh-Uh, and Filthy Issue. Her most recent film, Manos Returns, is the sequel to the 1965 cult film Manos: The Hands of Fate.

TONJIA ATOMIC’S STATEMENT:

It means a lot to me to be a part of the Women in Horror Month blood drive PSAs. As an anemic I am unable to give blood. Participating in the PSAs is a way for me to be able to contribute something by encouraging others to donate blood. I’m proud to be a part of this group of talented filmmakers. What better way than horror to remind us that we all bleed? After all, it’s in you to give.

MICHELLE NESSKS’ BIO:

Michelle Nessk is an award-winning indie horror filmmaker, dancer, musician, and artist out of the Pacific Northwest. Best known for their well-regarded & controversial first full feature film: O. Unilateralis, as well as the annual showcase series Horrors of the PNW. The showcase has premiered at Crypticon Seattle every year for the last five years, where Michelle plays horror host Zee Monsta. Much of Michelle’s work is laced with social commentary regarding rape culture and is often connected to charities and non-profits that focus on domestic abuse survivor advocacy. Their band ANU performs at various horror and sci-fi festivals in the Pacific Northwest. Michelle is the owner of production company Gloomy Sunday Productions and the horror publication The Blood Shed.

MICHELLE NESSKS’ STATEMENT:

I’m so grateful to have gotten to participate in the 2018 Women in Horror Massive Blood Drive PSA. I don’t give blood, I take it. Because I’m severely anemic, I depend upon the generosity of others to give in order to survive. This project has not only given me the opportunity to work with the incredible Tonjia Atomic (who also happens to be anemic), but to truly show my gratitude to all the heroes who open their veins to save lives. Thank you so much for letting us be part of this.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #20 – Blood Bride

WiHM9 Blood Drive, PSA #20 – Blood Bride

Hallo, hallo, hallo, Souls! It’s the twentieth PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Michelle Romano.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the wicked twentieth Blood Drive PSA of Women in Horror Month:

Blood Bride

By Michelle Romano

RESUME HERE

MINI BIO:

Originally from Boston Massachusetts, Michelle Romano is an award winning Actress and Producer. Making her Directorial debut with this year’s Massive Blood Drive Campaign, “BLOOD BRIDE” stars Jennifer Jostyn (“House of 1000 Corpses”), Robert Catrini (“Jack Reacher: Never Go Back”), Heather Grace Hancock (“Wicked City”), Sarah French (“The Night Watchmen”), Renee Dorian (“The Funhouse Massacre”), Alice Ko (“Exposed”), and Corey Tourigny (“My Uncle John is a Zombie”). In the past, Romano joined forces with Patricia Chica in producing two of her PSA blood drive segments. She is thrilled to have this opportunity to direct her own this year!
Romano and Tourigny (writer of “BLOOD BRIDE”) produced this film in Los Angeles. “I am beyond humbled and thankful to all of the people who donated their time to this project, and to everyone who trusted me to direct them in this film. This whole process has been a dream come true for me, and I hope that there will be many more to come!”
Romano serves as an honorary board member for several Women Empowerment campaigns and strives to motivate and empower women in any way that she can. Her annual Roman Media Hollywood event (February), champions Women in Film and Diversity in Entertainment.
Romano is currently in pre-production on several feature film projects with her company, Roman Media.

ARTIST’S STATEMENT:

It is an absolute honor to be a part of the Women in Horror Massive Blood Drive Campaign. We are raising awareness for such an important cause, and what better way to spread this message, than by doing it while making horror movies!?” In the words of Jen and Sylvia Soska, “If we can inspire even a few people to start donating, what a difference that would make in the World.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #19 – The Red Death

WiHM9 Blood Drive, PSA #19 – The Red Death

Howling good evening, Souls! It’s the nineteenth PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Mary Rangel.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the wicked nineteenth Blood Drive PSA of Women in Horror Month:

The Red Death

By Mary Rangel

MINI BIO:

Mary Rangel is a young filmmaker from Southern California whose passion for the Horror genre spans throughout her work in the Haunt and Film industries. Alongside her team of amazing friends and boyfriend who share the same passion for the genre and to bring scary stories to life, she has written and directed a total of five short Horror films, including the latest, The Red Death, for WIHM Blood Drive PSA’s 2018. She is involved in many Horror/Sci-Fi projects in many roles including Hellevator Seasons 1 & 2, John Carpenter’s Utopian Façade Music Video, Into The Black short film, Mystic Cosmic Patrol, amongst many others.
The Red Death is a short horror film inspired by The Masque of the Red Death by Edgar Allan Poe. This is Mary’s favorite Poe tale and The Red Death is one of her favorite symbols in the genre. With that, it seems a perfect match to UNLEASH a tale of The Red Death imbued with witchcraft, cults, an Elizabeth Bathory inspired villain named Theda played by Sara Raftery and Rachael Tucker, terror, Love for the Horror genre and with the message to encourage people to donate blood. It is truly a wonderfully Sanguine Nightmare. The main team of production for the project consists of Mary Rangel (Writer/Director), Timothy Dennison (Producer), Natalie Molina (Script Supervisor/1st AD), Jenn Langley (Key Makeup/SPFX Artist), and Christopher Blake Hannan (Melodies of the Macabre Composer).
With an amazing cast including but not limited to Olivia Grace Morales as the lead/protagonist Pamela and Daisy Hydar as The Red Death, together they conquer the evil that is Theda. Hope you enjoy the story this team created together with the passion for the genre, have a wonderfully spooky time. Thank you and be sure to donate blood this month and save lives.

ARTIST’S STATEMENT:

There’s a certain magic that binds us Horror Fans together. Women in Horror Month is not only the time to appreciate the Scream Queens, Monster Makers, Haunters, and Filmmakers who contribute so much to our favorite Films, TV shows, Haunts, and much more within our favorite Genre. They do it with Passion, Skill, and Love for Horror and for the Things that Go Bump in the Night. Also, during Women In Horror Month, is the time we band together to bring light in our dark world the way we know best… by creating art within the Horror genre.
That is why my team and I am proud, excited and beyond grateful to be apart of The Twisted Twins’ Women in Horror Month Blood Drive PSAs as a Director for 2018. Blood is NECESSARY for us to live. Hospitals are always in need for blood, ESPECIALLY, during time of crisis. I was taught growing up, that donating blood is important to help others in need and save lives. With that, I have always loved the Saw Franchise’s campaign for blood donations in the past; Horror is such a perfect platform to encourage people to donate. There are SO MANY creative ways to do so. The Soskas have their amazing annual Blood Drive PSAs, bringing the Horror Community together, inspiring people to save lives by donating blood. Every year, they are always wonderfully sanguine and spooky.
This year we join the Soskas for the WIHM Blood Drive PSAs by creating The Red Death, which is inspired by The Masque of the Red Death by Edgar Allan Poe, the film by Roger Corman, and Lon Chaney’s portrayal of Erik as The Red Death in Phantom of the Opera. We give the tale a sanguine and wicked twist by bringing The Red Death plague to our time period and the story revolves around how people react and the choices they make with the pressure of death looming all around them. With the theme of, “Be a Hero”, for this year’s PSAs, even though there is ‘darkness and decay’ surrounding the characters… one can still rise above the evil that is festering out of desperation. I am beyond happy for you to watch our interpretation of the story and having The Red Death to be apart of the message to encourage Horror fans and viewers to donate blood. To have the amazing opportunity to create this PSA with friends who share the love and passion for the genre made the experience even better. It would not exist without the hard work and talent of the amazing people of the cast and crew. Be sure to Donate Blood TODAY, because Sara Raftery as Theda informs us in the PSA, ‘blood will save us all.’ Thank you for reading and watching. And have a wonderfully spooky day.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #18 – Saviour

WiHM9 Blood Drive, PSA #18 – Saviour

Good evening, Souls! It’s the eighteenth PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Paddy Murphy.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the killer eighteenth Blood Drive PSA of Women in Horror Month:

Saviour

By Paddy Murphy

MINI BIO:

Paddy Murphy is an Irish film-maker known for his short films Cuppa, Retribution and The Sad Ones as well as the feature film, The Three Don’ts. Paddy comes to film with a background in video game development having spent years as the CEO of Ireland’s largest independent indigenous development company, Open Emotion Studios. Paddy is currently developing shorts for a variety of anthology feature films including Hex Media’s For We Are Many anthology, as well as starting work on his second feature film. Paddy co founded Celtic Badger Media with Barry Fahy, Aaron Walsh and Brian Clancy in 2016 and has been developing projects there ever since.

ARTIST’S STATEMENT:

When I required surgery in 2010 for the removal of an anomaly in my body, one of my biggest concerns was that my blood type was rare… AB Positive to be precise. So if anything happened to me, there may not be sufficient blood available. Due to this, I made a commitment to give blood whenever I could, to ensure that others with my blood type would never be stuck for a bit of plasma. Whether your blood type is rare or normal, please donate regularly to ensure that people will always have a fighting chance of surviving the worst. Thank you. And massive thanks to the Soska Sisters for this fantastic movement, which encourages the bloodletting in a fun, artistic way!
The other reason this event is so important is that it supports and empowers women in horror. This movement is super important, especially in the wake of the numerous assaults against women in the industry continue to come to light.
Highlighting powerful female directors, actors and crew is essential in making the environment more tolerant and less toxic and is the only way this industry can progress forward.

CAST & CREW:

Writer/Director: Paddy Murphy
Producers: Paddy Murphy, Barry Fahy.
Editor & DOP: Barry Fahy.
Music: Evan Murphy.
Production Designer: Kathy Murphy
Assistant Director & Casting: Courtney Mckeon.
BTS Stills: Stephen Tubridy.
BTS Video & DIT: Aaron Walsh.
SFX Makeup & Creature Design: Bekki Tubridy.
SFX Assistant: Shona McMahon.
Sound Op: Luke O Doherty.
Sound Mix: Paddy Murphy.
Assistant Camera: Andrew Moore.
Colour Grade: Barry Fahy

Starring:
Noelle Clarke
Aoife Meade
Rob Moran

Special Thanks: Jen and Sylvia Soska

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments