Andrea Riseborough

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MOVIE REVIEW: Mandy (2018)

MOVIE REVIEW: Mandy (2018)

You came, I saw, and I love you

In Mandy, Nic Cage takes revenge on a crazy religious cult in the woods with a homemade battle ax. STOP DRILLING YOU HIT OIL! That’s pretty much what sold me on the plot for Mandy, the second film by director Panos Cosmatos whose first film was Beyond The Black Rainbow (2010). Set in 1983, Red Miller (Nicholas Cage) goes after a religious cult that brutally murdered his wife Mandy (Andrea Riseborough). If you have seen his first film, you know what to expect in this; if not, then fair warning — watch the movie with an open mind. Although the film plays out like an 80s-themed slasher movie, it’s almost far from it. Let’s examine this movie further.

Mandy (2018) / Fair use doctrine.

Although set in the 80s, it doesn’t have an 80s soundtrack with well-known music. There is a synthesizer, though, along with a Friday the 13th reference to Crystal Lake from Mandy (Andrea Riseborough of such works as Hidden (2015), Waco (2018) (TV mini-series), and Black Mirror (2017) (TV series)). Admittedly there is a real Crystal Lake, Nic Cage himself said that he drew inspiration for his character from Jason Voorhees, so perhaps he wants to give that nod since his character evolved in the woods.

Mandy (2018) / Fair use doctrine.As may be obvious, Mandy is not like any other Nicholas Cage film. From the picture of Cage all bloody and glimpses in the trailer, one would expect a cheesy B horror movie with over the top gore and one-liners. Not at all! The film plays out like a heavy metal live action movie, and at times, it just feels like a dream as Red goes through moments of despair, guilt, and regret. Cage is complemented by a host of character actors, from Richard Brake (31, Halloween II (2009)) to Linus Roache (Batman Begins) to Bill Duke (Payback, Predator), who definitely deliver. The scenes with the cult aren’t over the top, which is good because not once do the characters trail off and leave the idea of the movie on its own. The bikers, though, don’t dress or sound like bikers. Think something out of Mad Max with a distorted voice that almost sounds animalistic. This raises some interesting questions on the cult’s story because there’s really no back story – for anyone on anything.

Mandy (2018) / Fair use doctrine.I saw the movie at night, and it stuck with me — not in a bad way but almost as if I were dreaming too. This, by the way, got me thinking about the end when Nicholas Cage is driving away, caked in blood caked and looking out of his mind. This is not Hollywood Nic Cage but a genuinely insane Nicholas Cage.

Final thoughts: Watch the movie, and watch it at night with an open mind because this is without a doubt an interesting movie, and I sincerely hope we don’t have to wait another eight years for Panos Cosmatos’ third film.




Posted by Jai Alexis in MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, 0 comments