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FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

Set for January 23, 2018, Unearthed Films’ CEO Stephen Biro contacted House of Tortured Souls with a digital press kit for the DVD/Blu-ray release of Red Krokodil.

According to the press release, here’s what we can expect:

Red Krokodil is the story of one man (played by Brock Madson), addicted to the mind-numbing drug Krokodil. He finds himself alone in a post-nuclear city similar to Chernobyl. His physical decay, caused by the massive intake of drugs, is mirrored by his inner world, as reality mixes with hallucinations.
The decomposition of the flesh caused by Krokodil is severe in its graphic, yet slow destruction, madness, and desperation are rampant as one man’s addiction to the drug runs out of control.
Director, Domiziano Christopharo depicts a psychological condition that brings a total detachment from oneself and from the surrounding world, Red Krokodil is a dark trip, with no way out.

Domiziano Christopharo is an Italian independent film director known for having worked with various notable filmmakers in the past, including Ruggero Deodato (Cannibal Holocaust), Frank Laloggia (Lady In White), and Carlo De Mejo (City of Living Dead).

Christopharo is also known for his ongoing work to try and revive the erotic horror genre, familiar to many fans of the Giallo movement as well as fans of filmmakers such as Fellini and Argento – often having reviewers drawing comparisons with the two filmmakers and his own work.

Christopharo’s body of work includes House of Flesh Mannequins (2008), The Museum of Wonders (2009), Hyde’s Secret Nightmare (2010), Shock – My Abstraction of Death (2011), HP Lovecraft: Two Left Arms (2012), Doll Syndrome (2014), and much more.

Many have characterized Christopharo’s work as being pornographic in nature, but he prefers to respond with a quote from Picasso:

Art is never chaste and we should keep her away from pure ignorants. If it were chaste, it wouldn’t be art at all.

So far reviews have been favorable for the film’s release with Steven Paul from Beneath The Undergound calling it a film in which “you will know that you have truly experienced something special”, Barbara Tourette from Dark Veins saying “Brock Madson’s performance is a mirror of the psychic and physical consequences caused by Krokodil”, and Seth Poulin from Celluloid Terror defining it as having a “powerful message…that is open to personal interpretation and what you take the film for is exactly what it is”.

To nab your copy, visit the Unearthed Films Official Web Site.

Red Krokodil (2012)



With Christmas upon us, we venture through the veritable treasure trove of dark stories of yuletide fair. Here is a short list of 9 Christmas tales and traditions used originally to promote the darker (and in some cases oddly comical) side of the holiday period. Whilst some are purely laughable by today’s standards, others are still used to scare children into being good all around the world.
Flashing colored Christmas lights


Krampus / Fair use doctrine.The most obvious on the list and easiest to recognize, KRAMPUS has gained a notoriety with horror fans through various films in recent years.
KRAMPUS is a Christmas character from Austria, who on KRAMPUS Night (December 5th) each year appears to scare and maim. Some say he is Santa Claus’ evil twin brother and, like his brother, has a duty each year to perform. Unlike his kindly brother who delivers gifts to good girls and boys, KRAMPUS has the opposite job and will beat and punish all of the naughty children.
Flashing colored Christmas lights


The Shitter / Fair use doctrine.This odd little custom is used in Spain, Portugal, and Italy.
As usual, a nativity is set up and decorated with the expected characters on display – Jesus, Mary, Joseph, three wise men and perhaps a shepherd. However, in these three countries, you may also add a character known as CAGANER.
CAGANER is literally translated as ‘the crapper’ or ‘the shitter’, and his figurine (which traditionally depicts a man, pooping with his pants around his knees and with a pile of poop at his heels) is usually placed in the corner of a traditional nativity scene. Children are encouraged to find him, as part of their Christmas ritual. The CAGANER is not a new custom, having been around for a few hundred years. It is a bit of a shitty custom, I know, but I will admit I was intrigued by the concept of a man crapping in my nativity scene.
Flashing colored Christmas lights


Brooms - WitchesIn Norway each year, it is perceived that WITCHES and evil spirits will ascend on the towns in search of brooms to ride on to do their evil bidding on Christmas Eve. To thwart this evil, the Norwegians will hide all brooms on Christmas Eve and fire a warning shot outdoors with a shotgun.
Flashing colored Christmas lights


Frau Perchta / Fair use doctrine.Continuing on with our witch folklore, FRAU PERCHTA is another occult Christmas legend from Austria and Germany. It is known that FRAU PERCHTA visits children through the 12 days of Christmas, from December 25th until January 6th. She is seen as both good and bad.
Thought to have descended from an Alpine goddess of nature, FRAU PERCHTA will reward good children.
However, she is very well known for her gruesome punishments for the bad, including one fearful tale of ripping out internal organs and replacing them with garbage.
Flashing colored Christmas lights


Hans Trapp / Fair use doctrine.In certain regions of France, the tales of HANS TRAPP circulate as an anti-Santa.
Dressed like a raggedy scarecrow when he visits, HANS TRAPP was a wealthy man who worshiped Satan and became greedy and evil.
The stories say that HANS TRAPP was about to eat a small boy when he was punished by God and struck by lightning, killing him instantly. However, his dark soul still returns to scare children (looking like a scarecrow) each Christmas, as a reminder that they still have time to be good.
Flashing colored Christmas lights


Pere / Fair use doctrine.PERE FOUETTARD was an evil French butcher who many still fear today.
Said to be a ghoul whose name translates as ‘Father Whipper’, PERE FOUETTARD lured children to their deaths whipping and cutting them (primarily by slicing their throats).
A gruesome tale of 3 young boys he led into his butcher’s shop, was the one that cemented his fate as a part of Christmas’ evil side.
It was there that he murdered them, chopped them up and salted the remains.
St. Nicholas came to the boys’ aid and resurrected them, before enslaving PERE FOUETTARD as his dispenser of punishment, by whipping them naturally.
Flashing colored Christmas lights


Werewolf / Fair use doctrine.Yes …I said WEREWOLVES!
According to varied legends, Lycanthropy is very much included as part of some countries Christmas legends.
In The World Encyclopedia of Christmas, Olaus Magnus (a Swedish folklorist) wrote regarding werewolves gathering on Christmas night to “rage with wondrous ferocity against human beings, by attacking their homes and devouring the inhabitants”.
This was supposedly in Prussia, Livonia, and Lithuania.
However, that is not all of the Christmas-werewolf connection.
In modern times, it has since been reduced to merely being born on Christmas Day is cause enough to believe that person will become a werewolf.
It is seen that being born on December 25th is mocking Jesus Christ and so you must be punished.
Sorry to all you December 25th born children, perhaps steer “clear of the moors”?
Flashing colored Christmas lights


Gryla / Fair use doctrine.GRYLA is an Icelandic legend of a woman with 13 sons (known as the YULE LADS) and her cat Jólakötturinn (see story available on this page about the YULE CAT).
In Iceland, it is customary to receive a gift of new clothes to wear on Christmas Eve. Usually, good workers receive clothes as a gift from employers, and children from their parents.
For those children considered naughty, who do not receive new clothes in time for the festive season, GRYLA comes out from her home and seeks them out -to devour them.
Flashing colored Christmas lights


Like their mother GRYLA, THE YULE LADS were not at all nice to encounter during the holidays. Tales of their numbers vary from five to thirteen, and their antics range from mere pranks to acts of cannibalism.
Either way, these ‘lads’ were to be feared and were usually seen as henchmen for their mother.
In more recent years each of their 13 characters has evolved (since a poem published in 1932 by Jóhannes úr Kötlum) and THE YULE LADS have been seen as more impish, mischievous and less aggressive. In fact with recent toys, stamps and images available they appear more like the seven dwarves than evildoers.

MOVIE REVIEW: Baskin (2015)

MOVIE REVIEW: Baskin (2015)

By John Roisland

2015 brought us the Turkish horror film Baskin. From first hearing about Baskin - reading what little information was being given out - to finally trailers of the movie when first announced, I knew I had to see this film! Baskin had been talked about as the be-all end-all of all horror films. It was claiming to be as one of the scariest and the goriest films to have been made.

I was beyond thrilled when our little friends over at Netflix decided to actually put something worthwhile and relatively new to their horror section. Baskin begins with five Turkish police men who, after dining at a small, dark, and dismal cafe, drive their police van through what seems to be the darkest and creepiest of back roads. While traveling and singing (yes, I guess Turkish men sing love songs to each other), a call comes across the radio from another police vehicle in distress. The location is right up the road, so they respond and immediately hightail it to the location. While en route, they hit what they thought looked like a naked man who ran into the street causing them to run off the road and into a ravine. No one is seriously injured, so on foot they go back to the road where there's no body and no visible evidence that anything was hit.

They soon run upon a family with a small campfire. The family eventually gives directions to the location that the police seek, but warns them not to go. Before leaving, the officers note that the family had buckets full of frogs... Hundreds of frogs.

The cops walk through the woods and make their way to the location, which is a rather large old decrepit building of some kind. They find the empty police car that had radioed for help, lights still flashing. As they slowly enter the building, friends, THIS is where things start to get good! Until this point, the movie was moving kind of slowly, but it still kept the viewer's interest. The things that the police officers run into and witness inside are visions straight from Hell - tortured bodies, cannibalism, and blood everywhere.

It seems that the building is some sort of portal or or threshold, if you will, through one of the gates of Hell. When our five enforcers enter, things quickly get bloody for our law fighters. Unfortunately, it didn't quite live up to my expectations. I did enjoy the film as it moved fairly quickly, yet I wish the build up had been stretched out a bit longer. It seems they took all that time and built it up, they would have rid it out a bit more.

The scenery/set they used for Hell i thought was perfectly designed, much of a dungeon feel to it. The film is subtitled, and I do not know if there is a dub version. I think dubbing takes away from the film. The special effects were good, the overall story was good, and it was an overall solid horror film. It is a dark and twisted film where the director's vision is projected perfectly, but it falls short because of all the media hype that it got upon its release - particularly reports claiming it was the ultimate horror film. It's not, by far, but it's still an enjoyable flick. I'm always up for a good foreign horror film, so I do recommend you check it out and give it a shot. At least it was fairly original... and that alone to me is worth a watch!

Posted by John Roisland in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Plank Face (2016)

MOVIE REVIEW: Plank Face (2016)

By Dixielord

Plank Face is the story of Max (Nathan Barrett), a seemingly normal guy with a dark past. While out camping with his girlfriend Stacy (Ellie Church), he kills a rapist and is then captured by a feral family. He is tortured and sexually abused by the clan as they prepare him to be their new leader and provider. Forced to wear the wooden “plank face” of their dying leader, Max is given the choice to abandon his old life or die. And it's a choice that maybe isn't as hard to make as it seems.

Plank Face movie scene fair use doctrine

Plank Face

Bandit Motion Pictures has quickly gained a reputation for putting out original films. They also have the rep of making films that twist the normal horror tropes. That rep won't take a hit with Plank Face. It's a lot bloodier than their previous film Harvest Lake, which wasn't a shocker considering the story. However, I was a bit shocked to find it's a much more sexual film than Harvest Lake. Or at least the sex reaches out and grabs you harder than Harvest Lake.

Director Shirmer has never shied away from non traditional, uncomfortable and even transgressive sex in his films. Plank Face takes it to another plane. In a time and culture where the presence of rape in films is becoming more controversial, he takes rape and twists it, showcasing female on male rape. In doing so he twists the normal horror trope of the female captured for breeding on its head. Max is no damsel in distress, captured to bear young. He's a strong violent man with bloody tendencies, captured to sire a new generation of cannibals. That, in itself, is a fresh twist on the normal inbreed hillbilly horror.

There's very little dialogue in Plank Face other than grunts, and the cannibals’ twisted version of English. We learn whats up with the cannibals in much the same way as Max, by reading their gestures and body language. Not having everything spelled out or explained might seem annoying but it adds to the immersion, and by the end you find yourself understanding more and more of the feral words. Which isn't always comfortable.

I won't spoil the ending, but I will say, it's not what you usually expect. You will probably see the final “confrontation” coming from early on, but it's still shocking and bloody. Plank Face is a film that will please the fans of Bandit Motion Pictures, and it stands as a good example of an American cannibal movie. While it might not have been as good as Bone Tomahawk, I enjoyed it much more than the over hyped and much bigger budgeted The Green Inferno.

It's not a perfect film, but very few, if any, are. There are small things I didn't like, or didn't seem to work as well, but they were small and I think most can be contributed to budget concerns. While the acting of the leads was effective, especially considering the lack of dialogue (and clothes). Some of the extras came off as forced. But those scenes were a momentary distraction and wont hurt Plank Face overall. It's all compensated for by the main cast, performing with little speech, sometimes with their faces covered, really forcing them to act, and Plank Face is a film that forces them to act. With all it's gore, sex, violence and nudity there is still a story to convey.

While Plank Face will please a lot of fans, it's not a movie for everyone. It's got tons of nudity, full frontal, female and male (ripping another common horror gimmick of only having female nudity). There are multiple scenes of rape, male on female and female on male, as well as scenes of consensual sex (not considering it as a result of Stockholm Syndrome, which I think some scenes could be blamed on SS, others not, but I won't go into reasons here. Comment if you want to discuss it). Plank Face also features explicit scenes of violence, gore, and cannibalism. People who can't handle these images should stay far away. Especially those unable to deal with the depiction of sexual violence.

Plank Face / Screenshot / Fair use doctrine.

Plank Face brings home the bacon

Overall, Plank Face is another success for Bandit Motion Pictures. At first watch I wasn't sure if I liked it more than Harvest Lake but it's growing on me with every viewing. It's growing on me between viewings. It's a movie that merits multiple watches. It's an original and visceral take on the cannibal family and the legacy of Sawney Bean. Check it out if you have the balls (that will be funny after you watch it)

Plank Face is directed by Scott Schrimer, written by Schrimer and Brian Williams. It stars Nathan Barrett as Max/Plank Face, Ellie Church as Stacey, Susan Martin as Granny, Brigid McCauley as The Bride, Jason Hignite as Old Daddy, and Alyss Winkler as The Bunny Girl.

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: He Never Died (2015)

MOVIE REVIEW: He Never Died (2015)


By Nick Durham

Henry Rollins is one of my all time favorite people ever. The legendary punk vocalist and author is no stranger to the horror genre, having appeared in Feast and Wrong Turn 2 over the years, and now he has the starring role in He Never Died; a very unique film that definitely isn’t how it appears to be on the surface. Mixing elements of pitch black comedy and blood-curdling horror; He Never Died is something surprising and maybe even a little bit special too.

Rollins plays a guy named Jack: an antisocial misanthrope that does little other than sleep, watch TV, and frequent a local diner. The thing about Jack though is that this seemingly middle-aged man is a reclusive immortal, with an occasional taste for human flesh. Jack receives a visit from the teenage daughter (Jordan Todosey) he never knew he had, is gleefully unaware of the waitress (Kate Greenhouse) that has a crush on him, and eventually runs afoul of a crew of local gangsters. Naturally it doesn’t take long for shit to hit the fan, as you can probably imagine.

I have to say this right off the bat: Rollins is wonderful. He’s never really given much of a bad performance in anything I’ve seen him in, but here, good ‘ol Hank is something else. His deadpan delivery makes the comedic scenes laugh out loud funny. His revelations on his origins aren’t loaded with remorse or even emotion; they convey that this is a man with everlasting life that is just so damn tired of going on and on with no end in sight. If there’s no other reason to watch He Never Died, it’s Rollins’ performance.

As for the rest of the film, well, it’s definitely interesting and even somewhat original too. There’s a number of directions that writer/director Jason Krawczyk could have gone with the material, but instead of going full on tongue-in-cheek, he chooses to tell the film in a somewhat serious tone with various sprinkled moments of dark humor. I really can’t imagine the tone of this film being any different, because in all honesty, it wouldn’t have taken much for the whole thing to fly off the rails; great lead performance or not. Story wise, there’s still plenty of questions that don’t get resolved, with the rumor being that Krawczyk and Rollins will return with more adventures of Jack sometime in the future.

So yeah, you’re not going to see many films like He Never Died. It’s startlingly original and features a fantastic performance from Henry Rollins, which is reason enough to check it out. It may be an acquired taste for most however, so proceed with a little bit of caution. It’s currently streaming on Netflix, so now’s your chance to give this a look.

Rating: 3.5/5

Posted by Alan Smithee in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Bone Tomahawk (2015)

MOVIE REVIEW: Bone Tomahawk (2015)

By Dixielord

Usually when I get excited for a movie it leads to disappointment, so I went into Bone Tomahawk with some trepidation. However, this is one of those rare times that I walked away happy. Bone Tomahawk is everything it promised. Horror films that flirt with the Western genre don't have a great track record, there are a few good ones like High Plains Drifter, but many more that just don’t cut it, like Gallows Walker and The Killing Box. Bone Tomahawk is one of the good ones, one of the best.

Kurt Russell in Bone Tomahawk

Kurt Russell in Bone Tomahawk

In Bone Tomahawk, a pair of murderous thieves, played by Sid Haig and David Arquette, inadvertently lead a tribe of cannibalistic troglodytes back to a peaceful western community. There they kidnap several townspeople in the middle of the night. The next morning the Sheriff (Kurt Russell) leads a small but determined posse in an attempt to get them back. The posse includes Matthew Fox (Lost) as a local gunman and Indian fighter, Richard Jenkins (Burn After Reading) as back up deputy Chicory, and Patrick Wilson (The Conjuring), whose wife was taken by the cannibals. But the trail to the missing townspeople may be as dangerous as the troglodytes themselves.

Bone Tomahawk does so many things right. It's a horror movie, but it is also a legitimate western. You can completely remove the horror tag, and western fans will be able to enjoy it. The horror aspect doesn't really kick in till over half way into the film. There are a few brutal scenes early on, but I was beginning to believe it was going to be simply a cowboy film. Then the posse makes it to the cave of the troglodytes.

Bone Tomahawk

Bone Tomahawk

Dear people talking about how extreme the gore was in The Green Inferno, check out Bone Tomahawk. While scene for scene it might not contain as much gore, Bone Tomahawk is more squirm-inducing than The Green Inferno. There is one scene that looks incredibly real and it looks to be all practical effects. You want a hard to watch kill scene? Watch Bone Tomahawk.

And it's not just gore that makes this film work. Russell is excellent as an aging sheriff. He might not be as fast, or as smart as some of the members of the posse, but he is determined, honorable (to a fault at times), and wise. He's also tired, and you can see the weight of the bad decisions on his face. He seems to know this is his last hurrah and he will save his people, even if he doesn't come back alive.

Matthew Fox's character is almost immediately unlikeable. Along the trail we learn about his history, and why he hates Native Americans. He becomes a valuable asset, and by the end I had actually developed some respect for him.

Patrick Wilson ends up being the most unlikely hero of them all. Shackled with a bad leg, that's getting worse along the way, he still plays a major part in the resolution. His wife (Lili Simmons) is one of the townspeople kidnapped by the trogs, and he will die to get her back. It is slightly telegraphed that he is going to “save the day” and while logically it might seem contrived, it never feels that way in the film. Instead of shaking my head and laughing, I was cheering him and the rest of the posse on.

On of my favorite characters was Richard Jenkins as Chicory. He is almost a stereotypical western deputy, but it works perfectly. He's fiercely loyal to Sheriff Hunt and determined to follow him into danger. He adds a lot to the western feel. He's a throw back to great western characters like Pea in Lonesome Dove and Mose in The Searchers. There isn't a lot of humor in Bone Tomahawk, but most of it is provided by Jenkins.

One of the things I most disliked about The Green Inferno was the injection of humor into the film. The cannibal films that The Green Inferno paid homage too weren't funny. They were brutal, depressing, and dark. It's almost Eli's calling card to inject humor into his gore fests. It works at times, but with Bone Tomahawk, director S. Craig Zahler (in his directorial debut) plays it straight, with no silly comedy or fart jokes. There are some small humorous moments, but they are all natural and develop from the characters, mostly Chicory’s personality.

Bone Tomahawk takes it time developing. It's a bit of a slow burn as the posse takes time to get to its destination, but it's never boring. The group of would be heroes face adversity every step. There's a run in with bandits that leaves the men on foot. There are battles not only with the horse thieves but with themselves, and with the infection raging in Wilson's leg. The trek there also gives them time for character development that seems natural and unforced. It might be slow, but it is never boring.

Some people may claim it isn't really horror, but it contains suspense, murder, cannibalism, and on screen gore. It's a horror movie. Maybe it's not supernatural, but it's horror. And it's also a legitimate western. I just love this film, no holds barred and no reservations. It is a slow burn, but it isn't boring and the pay off is totally worth it. I give Bone Tomahawk my highest rating, 10 out of 10.

Bone Tomahawk's Kurt Russell, Matthew Fox and Richard Jenkins

Kurt Russell, Matthew Fox, and Richard Jenkins in Bone Tomahawk

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
BOOK REVIEW: Cannibal Metropolis (October 31, 2014)

BOOK REVIEW: Cannibal Metropolis (October 31, 2014)

By Nick Durham

Cannibal Metropolis

Just when I thought my trek through cannibal land would come to an end, I discover this little fucker right here. A novel by Saurav Dutt (I just want to say right now that I am so fucking glad I have the luxury of typing this thing. If I had to try to say his name out loud for a video review or something, there's no way I could ever pronounce it correctly.), Cannibal Metropolis is a glorious mix of zombie horror and cannibal trash. It also manages to beat you over the head with political social commentary, so that way the whole affair isn't just flesh eating, genital mutilation, and rape.

In other words, this is what every kid in school today should do a book report on.

Anyway, Cannibal Metropolis follows a government-led experiment involving a cannibal tribe which eventually turns some soldiers into superhuman cannibal zombies (yes, you read that right) that enjoy raping, pillaging, and eating people alive. There's tons of characters that all have names based on classic genre actors (Biehn, Saxon, Atherton, Englund, and Henriksen) that don't really mean much to the overall story, because we care little about them. It's the violence and brutal way that people are assaulted and munched on that is the main attraction here. Eventually the undead cannibals grow in number (zombie rules get followed to a degree, but just because these fuckers are undead doesn't mean that all they do is shamble around and eat, their brains still function.), and shit begins to really hit the fan when New York City becomes the main target during an Occupy-style protest, and that's when shit really hits the fan.

Needless to say, this book is absolutely disgusting...and super fucking enjoyable. Seriously, I read through this 250 page book in no time flat. Even though the characterizations are stock and boring, the events taking place definitely aren't. The political stabs (no pun intended) are really heavy handed, though. Subtle social commentary is something this thing doesn't really have, but that's beside the point. Cannibal Metropolis knows what it is, and Dutt knows what he's written here, and he delivers the goods that we sick fucks are looking for.

Cannibal Metropolis isn't anything revolutionary or genre-changing, but like I said, it is really fucking enjoyable for what it is. That being said, if you're a fan of zombies and want a little something different, or if you're a fan of cannibals and want a little something different (I swear I didn't type that way on purpose), then you should check this out. I can't find much background info on author Saurav Dutt, so I have no idea if this is his first foray into this kind of thing. If so, I hope he churns out some more of this stuff. Anyway, check out Cannibal Metropolis. If you get it off of Amazon, try to grab a barf bag too.

Rating: 4 severed penises out of 5

Posted by Alan Smithee in BOOKS, COMICS, AND PUBLICATION REVIEWS, REVIEWS, 0 comments
BLU-RAY REVIEW: Cannibal Ferox (1981)

BLU-RAY REVIEW: Cannibal Ferox (1981)

By Nick Durham


Here we go again...

Cannibal Ferox is the not as well-known little brother to Cannibal Holocaust, though it does have quite the following regardless. Directed by Umberto Lenzi (who like Ruggero Deodato, has a lot of experience with this type of filth), Cannibal Ferox, also known as Make Them Die Slowly, is somehow a tad more ferocious in tone than its more well-known brethren. Yes, I'm serious. Also like Cannibal Holocaust, Grindhouse Releasing has blessed us with a beautiful Blu-ray release of the film, which I'll be talking all about shortly.

Anyway, Cannibal Ferox revolves around a handful of anthropologists that take a trip to the Colombian jungle in hopes of proving that cannibalistic tribes are just a myth. Of course things don't work out that way, because then we wouldn't have a fucking movie here would we? They run into a guy named Mike; who is a drug dealer on the run from the New York City mob. He's also a total sick fuck, and has done some extremely terrible things to the local natives...and even if you've never seen this film before (or any cannibal film honestly), you already know where all this is going.

Cannibal Ferox is a truly deplorable film in every sense of the word, and I'm not afraid to say that either. Whereas Cannibal Holocaust is a nasty film that's hard to watch, it has that little bit of subtext and social commentary that set it apart from others of its ilk that made it memorable. Cannibal Ferox has none of that...and you know what? That's actually okay. This is a grindhouse/exploitation movie after all, and we're all here to see people get tortured and eaten, and that's what we fucking get. Body parts are severed, flesh is eaten, there's animal death, and all the other elements that you'd expect from a cannibal film are here, and on full fucking display. It is absolutely perverse how enjoyable it all a degree. It also features Cannibal Holocaust and Debbie Does Dallas star Robert Kerman as well...I'm not saying that as a negative point, I'm only mentioning it because this is the one film he's in where he doesn't show his cock, so I didn't recognize him right away.

I won't lie, I have a harder time watching this than I do Cannibal Holocaust. Where I had said that Cannibal Holocaust has subtext, etc. and Cannibal Ferox does not, that's saying it lightly. Cannibal Ferox is just plain fucking cruel. It's vicious to its core and unapologetic about it too. Not to mention the film as a whole feels uneven. The tone between the jungle scenes and the scenes in New York contrast each other so much it's like you're watching two different films. Maybe that's an effect that Lenzi was going for? The civilized world versus the jungle?

Nah, I'm giving him too much credit with that one.

Grindhouse Releasing has outdone themselves again with this Blu-ray release. The picture and sound are absolutely brilliant as one would expect, and there's a bonus remastered CD soundtrack as well. There's also some rarely seen deleted footage, a commentary by Lenzi, new interviews, a horde of trailers, and a very interesting documentary that features interviews with Lenzi, Ruggero Deodato, Robert Kerman, and more. It's an awesome set, even better than what Grindhouse provided us with the Cannibal Holocaust Blu-ray release believe it or not. My only gripe, and this is totally personal, is that there's no feature to skip the animal deaths like the Cannibal Holocaust Blu-ray had. I just can't watch that shit, and I've seen some really nasty stuff over the years. Maybe I'm soft. If I am, fuck it, I don't care.

All in all, Cannibal Ferox isn't nearly as impactful a film as Cannibal Holocaust, but if this is your kind of thing, you should check it out regardless. If you are a fan and you don't own this, you're missing out. Pick this up while you can, you'll be happy that you did.

Also, I just want to say that if it's one thing watching all these cannibal movies has taught me, it's that if I end up in the jungle I will seriously blow my brains out before anyone tries to eat my dick.

Rating: 4/5

Posted by Alan Smithee in MOVIE REVIEWS, REVIEWS, 0 comments

COMING SOON: Bone Tomahawk (2015)


Kurt Russell in Bone Tomahawk

Western horror movies are a somewhat rare thing, especially good ones. This Halloween, the genre gets a new entry with Bone Tomahawk, which will also bring Kurt Russell back into the horror genre. Russell is popular with horror fans from his starring role in John Carpenter's classic The Thing, as well as Carpenter's not quite horror, but still classics Escape From New York and Big Trouble in Little China. Bone Tomahawk won't be Russell's only dip into the western genre this year. December will see the release of Quentin Tarantino's Hateful Eight which will also star the former Snake Plisken.

Bone Tomahawk will be the directorial debut of writer/director Craig Zahler. The cast, along with Russell will include Patrick Wilson, David Arquette, Matthew Fox, Sean Young and horror icon Sid Haig. Timothy Olyphant and Jennifer Carpenter were originally set to star in the project but have since dropped out, replaced by Russell and Lili Simmons.

Kurt Russell and Sid Haig in Bone Tomahawk

Kurt Russell in Bone Tomahawk

Bone Tomahawk is set in the 1800s on the border between Texas and Mexico. It tells the story of a small town raided by a group of “cannibalistic troglodytes.” The cannibals kidnap several townspeople, and a posse, led by Russell, sets out to rescue them.

Just on the surface the film bears a passing resemblance to The 13th Warrior, with cannibals attacking a small town, and a group of warriors going in pursuit. The 13th Warrior was in itself based on the classic tale of Beowulf and Grendel. Whether or not this is just a surface resemblance we won't know until it releases next month.

The movie will world premiere September 25 at Fantastic Fest, and will screen at the London Film Festival October 15, 2015. Bone Tomahawk will is set for a limited theatrical release on October 23, 2015 just in time for Halloween.

Halloween is going to be a sweet time for Horror fans with The Green Inferno opening late September, Crimson Peak in October as well as Bone Tomahawk. And you can never go wrong with Sid Haig being back on the big screen.

Posted by Allen Alberson in COMING SOON, HORROR NEWS, 0 comments