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The Lullaby (2018)

The Lullaby (2018)

Hey guys, Horrormadam here to bring you a new film. The amazing people at Uncork’d Entertainment, the people who brought us Camera Obscura, Almost Dead, and Rebound were kind enough to send me a screener on their new film The Lullaby IN THEATERS AND ON DEMAND MARCH 2.

The film is directed by Darrell Roodt (Dracula 3000, and Dangerous Ground), and written by Tarryn-Tanille Prinsloo (Trouvoete), and stars Brandon Auret (Elysium, District 9, Blood Drive), Reine Swart (Z Nation, Dominion), Thandi Buren (Racing Stripes, Dead Easy), Deanre Reiners (The Tate Experiment), and Dorothy Ann Gould (Friend Request).

BURBANK, CA : You’ll wish you never brought your baby home.

The writer ,Tarryn-Tanille Prinsloo, gives us a description:

Returning to her hometown, Eden Rock, and overwhelmed by the birth of her firstborn, Chloe van Heerden (19) tries to come to terms with motherhood. Despite the support from her loving mother, Ruby (35), Chloe struggles with the demand of being a new mom. The incessant crying of her baby, the growing sense of guilt and paranoia sends Chloe into a dark depression. With a heightened urge to protect her son, Chloe sees danger in every situation. Distraught she pays a visit to family psychologist Dr. Timothy Reed (40s) who diagnoses her intrusive thoughts and feelings of anxiousness to a mild case of baby blues. Yet the thoughts grow worse and more violent. Chloe starts to hear voices and humming of a childhood lullaby and sees flashes of a strange entity around her child. Convinced that the entity is real, Chloe does everything in her power to protect her son. Her decline reaches fever pitch, and everybody seems to be moving against her. Desperate, Chloe finds solace in the arms of her childhood friend, Emile Hess (20s). The world around Chloe implodes and it becomes clear that she and her child are in imminent danger. But from what? Is Chloe haunted by evil or is it just the baby blues?

The film looks very creepy and I am really looking forward to it and I hope you will enjoy it also!


Posted by Horrormadam in COMING SOON, HORROR NEWS, NEW RELEASES, 0 comments
COMING SOON: Incident in a Ghost Land (2018)

COMING SOON: Incident in a Ghost Land (2018)

Being a huge fan of Martyrs (2008) I was pretty excited to learn that its director Pascal Laugier is making a new film called Incident in a Ghost Land. The film is set to release sometime in April of this year.

Incident in a Ghost Land (2018)

The film stars the incredibly beautiful Mylene Farmer, a very famous French singer in real life, successfully selling more than 30 million records in France. She is considered one of the most successful recording artists of all time in France. Alongside Farmer co-stars Crystal Reed (from TV’s Gotham) and Anastasia Philipps (a lovely young Canadian Actress).

Incident in a Ghost Land (2018)The script is described as having a Stephen King vibe to it and the film as “dark” and “scary”. It’s about a mother Colleen (Farmer) and her two daughters Beth (reed) and Vera (Philipps) who upon the death of Colleen’s aunt inherit her house. On the first night in their new home, there is a home invasion and Colleen is forced to fight to save her daughters lives.

Incident in a Ghost Land (2018)Sixteen years later, Beth becomes a famous horror writer and has a happy family; on the other hand, Vera can’t cope with her past trauma and has become mentally unstable and paranoid. The two sisters continue to live in the dead aunt’s home. Mother and daughters reunite and the strange events begin.

Incident in a Ghost Land (2018)Incident in a Ghost Land sounds a bit “vanilla” and like a story that has been done a thousand times before — not the extreme cinema experience I was expecting. The trailer did nothing to improve my opinion, so I decided to revisit the original Martyrs trailer to see how the two lined up. The Martyrs trailer definitely appears more violent and extreme from the get-go, but it doesn’t reveal much of the actual story or the depths it goes to. At a first glance, it looks like a gritty revenge movie. I’m hoping Incident in a Ghost Land will also be much more than what we see on the surface, and I remain optimistic and excited for its release.

Posted by Candace Stone in COMING SOON, HORROR NEWS, NEW RELEASES, 0 comments
INTERVIEW: Death House (2018) Director Harrison Smith

INTERVIEW: Death House (2018) Director Harrison Smith

“The Only Way Out… Is Down”

I had the great privilege of interviewing the superb director Harrison Smith on his newest film Death House. Before I get into that, let me tell you a little bit about the film.

Death House poster.There is a Fed-Max subterranean government prison that holds humanities worst criminals known as the Death House. It serves as a medical, psychological, and parapsychological research center aimed at eradicating evil. Two federal agents are granted a tour of the center. While on the tour, the unthinkable happens. There is a power outage that releases all of the prisoners, and the agents must fight their way through all of the horror and violence to try to survive. They soon discover that they are being herded down to the lowest depths of the facility. In those depths are a group of supernatural evil beings known as The Five Evils and they may be the agents’ only chance at salvation.

Cody Longo in Death House.

Cody Longo in Death House.

The movie sounds and looks amazing but before I go on I just wanted to say that the media and many articles have labeled the movie, “The Horror Movie genre of The Expendables“. I have to disagree with that. If it were The Expendables we would have a movie with Freddy vs Jason vs Michael vs et. al. Which, to some, may sound interesting but it would lack any substance. The stars in this movie are so much more than their individual roles that they have portrayed, they are true actors who excel at their craft. Let me tell you some of them:

  • Adrienne Barbeau: Escape From N.Y., Creepshow, Swamp Thing, The Fog
  • Kane Hodder: Jason Voorhees in some of the Friday the 13th films and Victor Crowley from The Hatchet films
  • Dee Wallace: The Howling, Cujo, The Frighteners
  • Michael Berryman: The Hills Have Eyes, The Devils Rejects
  • Barbara Crampton: Re-Animator, From Beyond, You’re Next
  • Sid Haig: The Devils Rejects, House of 1000 Corpses, Kill Bill
  • Tony Todd: Candyman, Hatchet, Final Destination
  • Bill Moseley: The Devils Rejects, Rob Zombie’s Halloween
  • Vernon Wells: The Road Warrior, Weird Science
  • Lindsay Hartley: Nightmare Nurse
  • Cody Longo: Piranha 3D, Nashville
  • Cortney Palm: The Dark Tapes
  • Felissa Rose: Sleepaway Camp
  • Vincent Ward: The Walking Dead

Whew, that is a LOT of talent in one film!

Holmesburg Prison in Philadelphia, PA.

Holmesburg Prison in Philadelphia, PA. The place had a built-in horror film setting, full of dark history and eerie vibes. It really acts as a functioning character in the film.

IMDb provided a great quote:

This is a solid horror piece, dark, nasty and gore-soaked; not satire or tongue in cheek.

And like Harrison told me, he was writing in a local bar when the ad for Jurassic World came on and it hit him that this movie was “Assault on Precinct 13 meets Jurassic World without the dinosaurs”. So… great actors along with an exciting script and skilled direction. Then throw in stupefying makeup and effects by the Roy Knyrim (Sinister 2) and SOTA FX, and a soundtrack by John Avarese that sets the perfect ambiance. We will finally get what we paid for at the box office!

Death House - Cody Longo and Dee Wallace on set at Holmesburg Prison.

Death House – Cody Longo and Dee Wallace on set at Holmesburg Prison.

Cortney Palm in Death House.

Cortney Palm in Death House.

House of Tortured Souls: My first question for Harrison was why the horror genre?
Harrison Smith: My first film, The Fields, was based on what really happened to me when I lived and grew up with my grandparents on their farm. The farm came under attack for a short period of time by an unseen presence. We never understood what caused it and we never understood what ended it, so I had personal experience. But also my grandmother and I used to watch horror movies and the old horror TV show Dr. Shock who hosted Saturday morning shows like Scream-In, Horror Theater, and Mad Theater. The movies were captivating. I loved finding out there was a sequel to Frankenstein and that he didn’t die in the burning windmill. There were more like Frankenstein Meets The Wolf Man that continued on the story of Lon Chaney. Like when they killed Lon Chaney in the original Wolfman I was like, “Why? He was a nice man, he didn’t want to be The Wolf Man“. I loved it. They were like Saturday morning soap operas. I loved them as a kid, but that time is gone. That is why I like Tom Holland’s Fright Night. I was watching in the summer of ’85 and knew it was a Valentine to an era that was quickly fading and disappearing. At that time, the threat was coming from cable television and the home video revolution, so Peter Vincent was this aging icon of an era long gone trying to stay relevant. Tom Holland got it, and Fright Night works on many levels. So horror movies, for me, were a real escape from the actually really scary shit that happened to me.

Kane Hodder in Death House. Set piece by PCND/fx.

Kane Hodder in Death House. Set piece by PCND/fx.

HoTS: Then I asked him about the abundance of horror movies and shows seem to be throwing back to the ’80s. Movies like It Follows and The House of the Devil and shows like Stranger Things all reflect that age in horror, and Death House has many actors from that era. Why do you think it is a niche we all still enjoy?

Dee Wallace in Death House.

Dee Wallace in Death House.

HS: Director and actor Eli Roth said that the have-sex-and-die concept behind many of the ’80s slasher films was not as relevant today because millennials look at it and don’t get it. There was a study reported by the L.A. Times in an article by Melissa Batchelor Warnke saying that the millennial generation is the least sexually active, so that concept does not translate well. But at the time when Friday the 13th came around, it was a perfect storm of both liberal and conservative values. We had a very conservative administration with Reagan and yet, at the same time, we were known as the party generation. It was a weird flux of things coming together. So Friday the 13th had fun and parties with lots of boobs and tons of gore but with a moral lesson. See what happens when you fuck in the woods? Jason was like a walking STD. So the ’80s made us nostalgic for the ’50s, and now we look back to the ’80s. We are nostalgic for when we grew up. That is why, when making Death House, we always remembered that we were handling peoples memories and that is very important. The new generation gets to fall in love with it like we did. And with regards to the actors in Death House, they were all smart enough to choose great directors and projects that were just starting out, and their careers flourished from those collaborations so they are all still relevant today.

Death House - Kane Hodder arriving on set.

Kane Hodder arriving on the Death House set pictured with Harrison (dressed as an extra for the ward scene). The guy over his shoulder is producer Rick Finkelstein.

HoTS: I did some research on Holmesburg Prison, where you decided to film the movie. Some extremely monstrous things went on there. Any ghosts try to break into acting for the film?

HS: No, I did not experience anything myself. There were a few reports of the cameras acting wonky, but it was really cold there which probably contributed to that. The place itself was perfect for the mood though. There is a great book called Acres of Skin: Human Experiments At Holmesberg Prison 1998 by Allen Hornblum that tells all about the medical experiments and tortures that went on inside the prison. It really lent itself to what we were shooting. I remember when they gave us a tour and brought us into the warden’s office where he had his throat slit. Nothing paranormal happened but everyone was in tune with what had happened there. Dee Wallace said that it was sometimes overwhelming knowing that you were walking by cells where so much abject misery and torture had taken place. It is a building built on misery.

Harrison also wanted to make sure and give a shout out to the administration and the City of Philadelphia and especially the Philadelphia Police Department, who were more than gracious and just all-around wonderful people.

Death House set design by Joshua Reale.

Death House set design by Joshua Reale.

HoTS: My next question for Harrison was, as a director, what directors influence his work?

HS: Growing up, John Carpenter: Halloween, The Thing, They Live and Tommy Lee Wallace: IT, Halloween III, Fright Night II were major influences on me because they were accessible to me. I used to read Fangoria Magazine all the time and got a subscription to it. I used to read and devour the interviews and not just because of the pictures and oh! there making a sequel to Halloween and I want to see the blood and gore. They did an interview with John Carpenter and he talked about how he made movies and about finding a good crew and sticking with them. And I noticed for the first decade of John’s career he used a lot of the same people in front and behind the camera and that really made an impact on me because Carpenter was very much the founder of the guerilla film movement — that you get a camera, you go out there, and you shoot. That’s what you do, and that really inspired me as a filmmaker. I had a Super 8 silent Kodak camera, and I was learning. I was learning from those interviews in Fangoria and got a really strong base of knowledge. So if you look at my catalog of work so far, you will see many of the same faces. And if you read the credits, you will see a lot of the same names return time and time again. I bring them back because it is like putting the band back together, so to speak, which works for me because it becomes like production shorthand. I would also say Tom Holland of Fright Night and Psycho II fame was another influence because Psycho II made a big impact on me because of the script. I think it is one of the greatest sequels ever made and is very underrated. I wanted to hate it, but 30 minutes into the film I just fell in love with it. When it was over I walked out, called my family to let them know I would be late and went in to see it again. My film Camp Dread is a tip of the hat to Tom Holland. It was more like Psycho II than Friday the 13th.

Barbara Crampton in Death House.

Barbara Crampton in Death House.

HoTS: What is the theme for Death House?

HS: The whole pretext of Death House is evil is evil and good is good, but do they need each other? Because when you try to eradicate evil you are, at most, canceling out good as well. There is no need for good if there’s no need for evil. Bill Mosely has a great line in the film, “True evil is nothingness”. That is true hell. If we were to remove the Holocaust from history we would need a litmus test. Dee Wallace’s and Barbara Crampton’s characters think what they are doing is good. Look at the Nazis during the Holocaust. They didn’t think what they were doing was evil. Dee is like Nurse Ratched. One Flew Over the Cuckoos Nest as a social horror film was a snake pit. Louise Fletcher played it so well because there are real nurses like that. That is the banality of evil. How a modicum of power gives rise to abuse of said power. Are The Five Evils in Death House really evil compared to Dee’s character or Nurse Ratched? They aren’t Cenobites they are regular people like you run into in everyday life. How many times in your own life might you have come into contact with real killers? The Five Evils are normal looking people.

Death House - The Five Evils

Death House – The Five Evils: Vincent Ward, Vernon Wells, Bill Moseley, Lindsay Hartley, Michael Berryman.

The original script for Death House was penned by the incredible Gunnar Hansen, who is best known for playing the mentally-impaired cannibal Leatherface in The Texas Chain Saw Massacre. Gunnar left us on November 7th, 2015, from pancreatic cancer. His agent, Michael Eisenstadt, brought producers Rick Finkelstein and Steven Chase of Entertainment Factory to the screening of Zombie Killers: Elephant’s Graveyard to meet Harrison. Another writer had taken a stab at rewriting the script, but it turned into Texas Chainsaw meets Friday the 13th meets Saw, but that was not what Gunnar wanted. He did not want torture porn but a high concept horror film. Gunnar liked what Harrison did with it, so Harrison finished writing and then directed it. The actors were all there for their friend Gunnar and with Harrison collaborating with Gunnar before his death, I like to think of this as a love letter to an amazing man and actor that we lost too soon.

Gunnar Hansen, 4 March 4, 1947 – 7 November 2015

I was extremely honored to speak with Harrison Smith and pick his brain. To read more on Death House, I have included some links that come straight from the horse’s mouth. Harrison Smith’s Road To Death House articles.

Harrison with stunt coordinator Jaye Greene and his team.

Harrison with stunt coordinator Jaye Greene and his team.

Sean Whalen and Felissa Rose on the Death House set in LA.

Sean Whalen and Felissa Rose on the Death House set in LA.

I cannot even begin to express how excited I am to see this film. It has already won the audience choice award along with best feature film from the Central Florida Film Festival (CENFLO). MPAA said it was gritty, claustrophobic and a hell of a lot of fun. Harrison said it is like a roller coaster ride through a funhouse, and Kane Hodder said it was his favorite film he has worked on. So horror fans get ready for the ride of your life!

I have also included a link to a petition if you want Death House to come to a Regal Cinema near you. It is going to major theaters but I would like to see it in all of them.

So, from myself and the family at House of Tortured Souls, thank you again to the great Harrison Smith and everyone involved with Death House! And just remember readers… “Hell isn’t a word…it’s a sentence.”

Death House - Harrison, Yan Birch and Lauren Compton after filming in LA.

Harrison, Yan Birch, and Lauren Compton after filming Death House in LA.

Posted by Horrormadam in COMING SOON, HORROR NEWS, INTERVIEWS, PARANORMAL, SLASHERS AND BAD HUMANS, 2 comments
COMING SOON: Hatchet 4 – Victor Crowley (2017)

COMING SOON: Hatchet 4 – Victor Crowley (2017)

The Hatchet Army got a big surprise when they attended the 10th Anniversary Celebration in LA on August 22, 2017, at Arclight Hollywood. Everyone showed up to see a special showing of the original film but got a whole lot more. Director Adam Green surprised fans by debuting his fourth installment of his slasher franchise instead. The movie, aptly title Victor Crowley, sent the crowd into a frenzy and you could tell the Hatchet Army was still strong. In an age of script leaks and hackers, it is amazing that this was pulled off without a "hatch". Brian Farmer, director of upcoming 2018 film Blue Call, was one the lucky attendees. When asked how he felt about the surprise, he told me this:
My jaw hit the floor...Victor Crowley is back and he's even more pissed off then ever before. There's something special about the fourth installment. Of the Hatchet series. If you have the chance to catch it in the theater, don't miss it! Adam Green is back baby!
Kane Hodder reprises his role as Victor Crowley and scream queen Felissa Rose will make an appearance. The rest of the cast includes Laura Ortiz (The Hills Have Eyes(2006)), Dave Sheridan (Scary Movie), Tiffany Shepis (Tales of Halloween), and franchise favorite tour guide Parry Shen. The official synopsis released sounds just as fun and bloody as the original.
Synopsis: In 2007, forty-nine people were brutally murdered in Louisiana's Honey Island Swamp. Over the past decade, lone survivor Andrew Yong (Parry Shen) still claims that local legend Victor Crowley was responsible for the massacre but has been met with great controversy. Now a twist of fate puts Andrew right back at the scene of the grisly murders and Crowley is mistakenly resurrected.
Writer/director Adam Green was quoted in a press release stating:
Resurrecting the series for its tenth anniversary was our way of saying thank you to everyone in the Hatchet Army and beyond who has supported this series since its inception. This bloodbath is for you.
He also told Entertainment Weekly how he approached pulling this off without anyone knowing:
The script was called Arwen's Fancy Dinner and then, when we were shooting, it was called Arwen's Revenge, just because that was easier to fit on a camera slate. Nobody ever spoke the words Hatchet or Victory Crowley. Also, it really came down to me sort of sitting down with each and every crew member for a while, and explaining why I was doing this, and who we were doing it for. Maybe not everyone in the world is going to have their life changed when they hear, 'There's a new Hatchet movie.' But for the fans that do love this so passionately, it is going to be a surprise, and I'm just so happy that it stayed that way.
Victor Crowley will be screening at the upcoming FrightFest Festival in London. Then it will hit select theaters in the US this October as part of what is being called the Victor Crowley Road Show. Green among other cast members will travel with this show and provide special introductions to these one-night screenings across America.
I don't know about you all, but I cannot wait. The kills in the Hatchet movies are unlike no other. I will definitely be watching out for this one to see if it releases near me or even just within driving distance. This would so be worth the road trip. Check out the official teaser trailer below.

Happy nightmares!
ZombieGurl
Posted by ZombieGurl in COMING SOON, HORROR NEWS, SLASHERS AND BAD HUMANS, 0 comments
COMING SOON: Spawn (UNK)

COMING SOON: Spawn (UNK)

Spawn (UNK)
Written and Directed By: Todd McFarlane

Spawn the anti-hero, literally and figuratively from Hell, has had a long rough ride to being translated successfully to the big screen. First, (em)HBO(/em) produced the fairly faithful (and enjoyable) adaptation to the small screen and then sadly 1997 gave us the lackluster Spawn starring Michael Jai White. Despite an amazing performance by White and John Leguizamo the movie failed to strike a chord with fans, as it watered down the source material and worst yet strayed too much from the comics. And while the film is something of a guilty pleasure for me personally, it is still a far cry from what hardcore fans truly deserve.
But fear not, with the hugely successful DeadPool franchise making studio execs see green we once again are hearing rumblings that the undead caped hero will be resurrected once more. In a recent interview with SyFy Wire, creator Todd McFarlane once again stoked the rumor mill by saying he has written a script with an estimated 10 million dollar budget. Seems that McFarlane wants to write, produce, and direct the film. He has remained firm on this issue which seems to make studios nervous and not willing to back the pet project. He says,
“It's slowly moving forward, just trying to put all the pieces together both from an artistic and a financial side. The intent is trying to finance as much as possible internally and then finding partners who will help in the production of it as we move forward. I can argue getting the money might be harder than getting everybody signed off on the story.”
He also assured fans that it would indeed be a hard R rating and would use less CGI (a major problem with the 90s film) and more on good old practical effects. He goes on to say,
“I’m going for the same crowd that horror film releases go for. People who want to take their boyfriend or girlfriend or go out with the girls and go to the movies and get spooked.”
All this sounds pretty amazing and, as a fan of the comics, I really want to see it done properly this time. It seems you just can’t keep a good undead hero down.
Posted by Mike Vaughn in COMING SOON, HORROR NEWS, 0 comments
COMING SOON: The Houses October Built 2 (2017)

COMING SOON: The Houses October Built 2 (2017)

The Houses October Built Retrospective
and The Houses October Built 2 Announcement

the houses october built 2With the big news of a sequel to The Houses October Built, I thought it was time I wrote a nice little piece about this sometimes misunderstood film. I’m one of those horror fans that don’t automatic hate on the found footage sub-genre. The Houses October Built is one that actually nails it pretty well!
Bobby Roe (l), Zack Andrews (r)
Bobby Roe (l), Zack Andrews (r)
Now some hardcore fans seem to simply write this off as a lazy and a bit clichéd, and while I enjoy the film immensely, I have to agree that it is guilty of some horror pitfalls. Still, I think the film has an above interesting plot with some genuinely creepy moments and a decent ending (even though it sorta cribs the original The Vanishing). The very fact it’s already gaining a fast and loyal cult following with a sequel on its way means I must not be alone. Returning Houses writer/director/actor Bobby Roe uses the found footage not nearly as clunky or unrealistic as some in the genre, and in a lot of ways it amps the suspense and creep factor, which is how found footage should be utilized. The follow up, simply titled The Houses October Built 2 (for now, anyway), was penned by Roe and Zack Andrews and will, by all accounts, pick up from the last film and reunite Roe and Andrews with fellow cast members Brandy Schaefer, and Mikey Roe. I only hope that they build and expand the mythos of Blue Skeleton instead of simply remaking the first film, but the synopsis indicates it could go either way.
SYNOPSIS:
Five friends try to recover from the trauma of being kidnapped last Halloween by the Blue Skeleton – a group who takes “extreme haunt” to another level – by facing their fears in order to move on. As they go back out on the road to experience more haunted house attractions, signs of the Blue Skeleton start appearing and a new terror begins…

RLJE Films has picked up the North American rights to The Houses October Built 2 and plan to release the film in theaters and On Demand in September 2017.

Posted by Mike Vaughn in COMING SOON, HORROR NEWS, 0 comments
COMING SOON (BLU-RAY): Drive-In Massacre

COMING SOON (BLU-RAY): Drive-In Massacre

Drive-In Massacre (1977)
Coming to Blu-Ray

Heads Will Roll

Distributor: Severin
Release Date: 3/14/2017

About the Film:

I have to admit I feel extremely lucky that I have an actual fully functional drive-in that I can go to in the summer time. But I’m sure it couldn’t compare to the wild and seamy drive-ins of yesteryear. So those looking for a slice of nostalgia and gore filled romp should defiantly seek out Drive-In Massacre. The plot is pretty straightforward: A savage killer armed with a sword is slicing and dicing his way through a rural California drive-in. Now it’s up to two bumbling cops to solve the crime before more bodies pile up. The film suffers from horrible over padding and a tepid plot, but fans of Grindhouse sleaze, lots of ultra carnage, and some unintentional hilarity will be able to look past its flaws and enjoy it for its other merits. What saves this for me is it wears its heart on its bloody sleeve, and it doesn’t try to be something more than a fun, by the numbers slasher with some nice quirky moments thrown in for good measure. For example, the one gentleman cop going in undercover drag (and not passable) is an unexpected treat for the audience and something that makes it stick out. Again, it’s not brilliant, but it’s a perfectly serviceable nasty little gem to crawl out of the 70s. One can even forgive the obvious and sadly outdated marketing gimmick.

Picture/Sound:

Fans are treated to a brand new transfer using a recently discovered original 35mm print. The end result is a near flawless looking picture which is a huge improvement to previous releases. Colors are balanced nicely and skin tones look natural. Thankfully it doesn’t suffer from being washed out. Night scenes are practically good looking. Sound fares pretty Well with a nice 2.0 audio track. Sounds are crisp with little noise distortion — again a much needed improvement from previous editions.

Extras:

Severin has proved they can hang with the big boys of cult/horror blu ray releases and they are kicking off 2017 with some stellar releases. Drive in Massacre features brand new interviews with co-writer/actor John F.Goff, Norm Sheridan and director Stu Segall. The interviews are both fun and informative and are a must for fans of this sleazy 70’s slice’em up. Perhaps my favorite new feature is the feature length commentary with Stu Segall. And rounding out the extras is the infamous trailer with the misspelled title. Put it all together it’s a great collection of new features giving it a complete picture of this sorely over looked, entertaining Grindhouse classic. Also look for a hidden Easter egg on the main menu.

Overall:

While not one of the best slashers of the decade it is a lot of fun and those looking to add this to your slice and dice collection will not feel cheated. Not only is the sound/picture great but a lot of love was put into the brand new extras making this a must own blu release. For a limited time anyone who buys off their site will receive an autographed copy at no extra cost.
Posted by Mike Vaughn in COMING SOON, HORROR NEWS, MOVIE REVIEWS, REVIEWS, 0 comments
COMING SOON: We Happy Few

COMING SOON: We Happy Few

Well, this certainly looks like a game for me. I am a gamer indeed, but I am a selective gamer (as are many), and my favorite games are dreary. We Happy Few caught my attention because it favored BioShock A LOT! And a touch of Fallout which is my favorite!!! Ya know, Retro-Apocalyptic. Like the end of the world happened in the late 50s. The characters also remind me of Fallout quite a bit!
Shelter, We Happy Few
Here's the twist... It is a dystopia game; however, the characters take a pill called “Joy” that tricks them all into seeing a nice, gleeful village (rainbows, butterflies, and all that shit) and have the same big smile mask plastered to their face. They’re called “Wellers”. If you do not take your pill, then you are called a “Downer”, the Wellers can catch on, and they will kill you. So you have to convince them that you are a Weller (big grins and giggles). As you go through the game, you will learn the history of the town and the destruction of it in World War II in 1933.
You play a Downer, and there are 3 Downers total. All of the Downers stories cross, and you unlock the other Downers when you play. All the Downers, like all the Wellers, have done something horrible in the past. The Downers are reminded of their horrible deed all the time because they do not take Joy (which the Wellers created to forget it all).
Wellette, We Happy Few
We Happy Few does have a KickStarter program, most of their goals have been met, with two remaining (English weather (YAY!) and Wellie-mode (where you get to play as a Weller)).
The graphics are phenomenal. The art and detailing are on point. The story line is certainly fresh! This will soon be my new obsession. 😉
Patty-Cake - We Happy Few
This lovely game, of course, will be available for all gaming systems and computer operating systems.
Just check out these trailers for the game. I'm so in love!!!

Posted by Tammie Parker in COMING SOON, HORROR NEWS, 0 comments
COMING SOON: Young Frankenstein on the big screen!

COMING SOON: Young Frankenstein on the big screen!

By Dixielord

In 1974 Young Frankenstein had horror fans singing “Putting on the Ritz”, and now Fathom Events is putting it back on the big screen. Yep for one, and only one special night, the Mel Brooks comedy classic will be back in theaters. On October 5th, 2016, for one night only Young Frankenstein will be back in theaters. The movie will screen on 500 screens nation wide, and there will be a live presentation before the film with director Mel Brooks.

Young Frankenstein credit Young Frankenstein

Teri Garr, Gene Wilder, and Marty Feldman in Young Frankenstein (1974)
TM and Copyright © 20th Century Fox Film Corp. All rights reserved. Courtesy: Everett Collection.

It's perfectly timed for fans of the film with Halloween just around the corner. Sadly Gene Wilder, star of Young Frankenstein and other Brooks classics, recently passed away from Alzheimer’s. Fans might be concerned about the timing, but director Brooks assured fans that this was not a move to cash in on Wilder's death. In fact, this had apparently been planned for some time before the star’s death, so there is no fear of disrespecting the memory of Wilder. Go out, enjoy it, and celebrate his life.

Now for you people who have never heard of Young Frankenstein, and I accept the possibility there might be some people who haven't, here's the down low. Young Frankenstein is a comedy based on Mary Wollstonecraft Shelley’s classic Frankenstein story. But calling it a comedy seems such an understatement. It's one of the funniest films by one of America’s funniest directors. Now full disclosure: Blazing Saddles (which also stars Wilder) is my favorite Mel Brooks film. Young Frankenstein is a close second.

Peter Boyle and Gene Hackman in Young Frankenstein Credit Young Frankenstein

Peter Boyle and Gene Hackman in Young Frankenstein (1974)
TM and Copyright © 20th Century Fox Film Corp. All rights reserved. Courtesy: Everett Collection.

Ready for a roll in ze hay

The plot involves the infamous Dr. Frankenstein's heir, Dr. Frederick Frankenstein, returning to his father's castle. There, in classic horror movie style, he discovers the mad doctor's journals At first reluctant, he eventually falls to the hubris that doomed Dr. Frankenstein and creates his own monster. Cue the pissed off villagers! Lust, mayhem, and even a song and dance soon ensue, along with much laughter from the audience.

YOUNG FRANKENSTEIN, Teri Garr, 1974. TM and Copyright © 20th Century Fox Film Corp. All rights reserved. Courtesy: Everett Collection.

Terri Garr in Young Frankenstein (1974)
TM and Copyright © 20th Century Fox Film Corp. All rights reserved. Courtesy: Everett Collection.

What is it that makes Young Frankenstein so popular with horror fans? It's not so much a horror comedy, in my opinion, as a comedic spoof. Yet as hilarious as it is, as irreverent as it is, it never seems disrespectful toward the source material. It's not like it is making fun of the horror genre or it's fans. It's like we're all sitting around, laughing together. With all it's absurdities, the characters are loveable, flawed, and sympathetic - just like the characters in the original Universal classic.

Besides the comedic genius of Gene Wilder, the Young Frankenstein cast includes Teri Garr, Madelyn Kahn, Cloris Leachman, Marty Feldman, Gene Hackman, and Peter Boyle as the Creature. If you haven't seen Young Frankenstein, what are you waiting for? October 5th, that's what. Young Frankenstein is available now on DVD, and the usual outlets, but if you have waited this long why not experience it on the big screen? Check the Fathom Events website to see if it's playing near you. I'll be there, and I hope to see you there too!

Posted by Allen Alberson in COMING SOON, EVENTS, HORROR NEWS, 0 comments
Bill Moseley Joins Crepitus

Bill Moseley Joins Crepitus

By Dixielord

Crepitus poster photo credit Crepitus

Crepitus poster
Photo credit Crepitus

Well it looks like Sid Haig isn't the only reject that can slap on the clown make up. It looks like his co-star from House of 1000 Corpses and The Devils Rejects, Bill Moseley has joined the cast of Crepitus, as the titular killer clown himself. Crepitus is the latest killer clown movie to surface, following Eli Roth's Clown and the remake of Stephen King's It.

The plot of Crepitus revolves around 17 year old Elizabeth and her brother Julien. Their mother is an abusive alcoholic. Things go from bad to worse after the family moves into the home of their deceased grandfather. They they learn the dark secrets of their family's history and come face to face with an ancient force, the cannibalistic clown Crepitus.

Creepitus Indiegogo photo of Bill Moseley, photo credit Creepitus Indiegogo

Creepitus Indiegogo photo of Bill Moseley
Photo credit Crepitus

The Indiegogo page for Crepitus describes him as an ancient demon who subsists by feeding on children. Devouring children allows him to remain immortal, and he dresses as a clown to lure children in. The description sounds very similar to the demon in Clown, although the story looks to be different. Now with the addition of Moseley to the cast, they have some star power. And Bill Moseley is definitely someone who can play a demonic clown.

The name Crepitus is real word with two different real world meanings, both of which are cleverly played off in the film. In medical terminology, crepitus is the popping and crackling sound made by joints and bones for various reasons. In the crowd sourcing comments, it is mentioned that Crepitus' (the character) bones pop and creak with every movement.

The other meaning of Crepitus refers to a being, an ancient Roman deity. Crepitus in the film will be a ancient force playing on this meaning if the word. However, this deity doesn't have the same regal standing as Apollo, Venus, or Vulcan. Reportedly, Crepitus was the Roman god of flatulence. That's farts for those not familiar with the terminology. Which could be a totally different explanation for why he pops when he moves... yeah. It's thought Crepitus wasn't actually a being worshiped but was possibly a product of Christian satire. So blame Christianity for the first fart jokes.

I love Bill, but hopefully he's not passing gas in the film. What the hey, I'll see it anyway. Clowns are creepy, clowns can be terrifying, and it seems they are all over the news right now - from Eli Roth's Clown to It to sightings of creepy clowns around the country. I don't think we have hit the saturation point yet, and this film could ride high on the clown craze.

Crepitus, directed by Haynze Whitmore, also stars Lance Paul, Raiden Moore, and Caitlin Williams. If you want to support the film, you can do it here. Crepitus is set for a 2017 release.

Posted by Allen Alberson in CAST AND CREW NEWS, HORROR NEWS, 0 comments
COMING SOON: Rob Zombie’s 31 One Night Showing

COMING SOON: Rob Zombie’s 31 One Night Showing

By Dixielord

Cast of Rob Zombie's 31

Cast of Rob Zombie's 31

If you are a fan of Rob Zombie, then you probably can't wait to see his new film 31. If you hate him, then you probably can't wait to tell everyone how much you hate Rob Zombie's 31. Whatever side of the great zombie war you fall on, we now have a release date. It is a one night limited release but at least we know we have that opportunity to see Rob Zombie's 31 on the big screen.

Rob Zombie's 31 will see a one night, limited theatrical release on September 1, 2016, courtesy of Saban Films and as part of Fathom Events. While most would like to see a full theatrical release, at least it will get a day on the big screen. Hopefully a DVD and VoD release will follow soon after.

New one sheet for Rpb Zombie's 31 Photo Credit Rob Zombie's 31

New one sheet for Rob Zombie's 31
Photo Credit Rob Zombie's 31

Rob Zombie's 31 revolves around a group of carnival workers who are kidnapped on Halloween in 1976. The unluky group is forced to play a game called 31. They have to survive twelve hours in the deadly murder world, while being hunted by a sadistic group of killers, the heads.

After its debut release at the 2016 Sundance film festival, Rob Zombie's 31 got mixed reviews and currently has a 50% fresh rating on Rotten Tomatoes. And having a 50% Rotten Tomato rating is just perfect. It perfectly symbolizes the split in the horror community over a Zombie film.

I fall squarely on the side of Zombie fan, although I'm not a fan of every film (Halloween 2, gah), and will say some of the heat about him is justified. He does tend to throw Sheri Zombie into roles that might be handled better by more accomplished actresses. But his films are always (well almost, H2, again gah), and always bloody and uncompromising. Still there are those who simply love to throw hate at Rob, just to be hating.

In less than a month, the wait is over for all of us. At least those of us lucky enough to be within the limited release area. Fans will hopefully enjoy a bloody masterpiece in Rob Zombie's 31. For those who can’t stand it, September 1, 2016, will give them the chance to fulfill that not so old adage, “Haters gonna hate”.

Posted by Allen Alberson in COMING SOON, EVENTS, HORROR NEWS, SLASHERS AND BAD HUMANS, 0 comments
INTERVIEW: Mike Lombardo

INTERVIEW: Mike Lombardo

By Dixielord

 

Last week I has the pleasure of talking to Mike Lombardo, writer and director of the upcoming post apocalyptic holiday movie I'm Dreaming of a White Doomsday. It was a really fun talk more conversation than interview, and I hope you enjoy it.

 

 

House of Tortured Souls: Reel Splatter is known mostly for horror comedies, I have seen The Stall, but White Doomsday, seems to be a more serious film.

Mike Lombardo: Yes, it is a serious film. There's no comedy, well there's a few light moments, but it's not comedic at any point. We don’t play it for laughs ever.

 

HoTS: I was thinking it was completely humorous till I was just watching the trailer again and I caught the, “No food. No hope. Noel”. I don’t know how I missed that before.

ML: (laughs) It’s a little bit of grim humor in the trailer.

 

HoTS: It looks like it’s going to be a dark, grim movie.

ML: Yeah, I think that’s a pretty safe assumption. It’s pretty grim. Nihilistic is a good word for it.

 

HoTS: Nihilistic is a big word but I like that.

ML: (laughs)

 

HoTS: I see you have repeated the gas mask motif from Suburban Nightmare and The Stall.

ML: I have it tattooed on me as a matter of fact.

Poster art from I'm Dreaming of a White Doomsday by Director Mike Lombardo

Poster art from I'm Dreaming of a White Doomsday by director Mike Lombardo

 

HoTS: The gas mask is an unnerving, spooky look, where did that come from?

ML: The gas mask character that's all over the website, that's our logo, that's Dr. Chud. That was my character many years ago. Basically I've always been obsessed with gas masks and what they represent. It's very dehumanizing when you put a gas mask on someone. It almost instantly makes people uneasy. It speaks to paranoia, and I was just always obsessed with gas masks.

I found that actual mask, the reel splatter mascot at a flea market from a Viet Nam vet who owned a stall there. So I bought that and I had this character, trench coat, gas mask and a cardboard sign that said “The End is Near” and I started doing that in real life. Just wandering around town with that, just to fuck with people and see what would happen.

It's weird there’s never been a real mythology behind the character. We always talked about it, about different things he could be, but we never really did anything with it. He just started popping up in short stories, he's like an omen, he's always there, somewhere. Eventually as we moved into actual film stuff, making shorts, I picked that as the logo. Because I never considered Reel Splatter entirely horror, but it's also not entirely comedy . It's this weird, nasty surreal thing, and when people see the gas mask, their first reaction is “What the fuck?” and that’s exactly how I want them to react. I want them to say, “This is weird” and weird is the best way I can describe what I generally do.

Even the gas mask Santa, that was something I came up with in high school, so that's going way back. When I was in high school I had a project for graphics class, I forget exactly what it was supposed to be, I think it was some kind of instructional video or picture set. Which it turned into apocalyptic Christmas for some reason with me, because I had a real obsession with Santa Claus too. So I had this image of Santa in a gas mask that I plastered everywhere, and it just stayed with me for many, many years. Eventually the events surrounding this movie happened and it just worked. It was actually a short story I wrote in 2012, then the movie and it was a no brainer, we have to use that mask.

 

HoTS: It really caught my eye, it was kind of a “Holy Fuck” moment.

ML: (laughs) That's exactly what I was going for. Haha.

 

HoTS: That scene. I kept telling people this is going to be one fucked up movie.

ML: Well a lot of people think that character, that Santa is a slasher movie villain, but White Doomsday is not a slasher movie. So I'm curious what people think that character is associated with and is completely off base from what is really going on. I'm going to remain mum on the circumstances of those scenes, but it's not a slasher movie. So eliminate that from your minds. I'm not a fan of slasher movies.

 

HoTS: That's one of the things I have been pondering in my mind, and I wont ask you to divulge any secrets, but what is that Santa? Is it the mom dressing up to go out and kidnap babies.

ML: (Laughs)

 

HoTS: Or is it the actual Santa? I don't know, and I want to know so bad, but I don’t want anyone to tell me.

ML: Hopefully you won't be disappointed. A lot of people have been asking me what that is, because when Fangoria ran a story about our poster, that photograph, they plastered that all over the article. Everybody has been reposting that and asking what the fuck is this, and I'm just smiling to myself and it's like, “Just wait, you'll see”. (laughs)

 

HoTS: Do you think the slasher film is so ingrained in pop culture now, that when ever people see a mask, they automatically assume it's a slasher film?

ML: Absolutely, and when I was cutting the trailer, the producers were very hesitant, like, “Yeah, I don’t know if you want to use that, you're giving away too much, and people will get the wrong impression of the film”. I thought about it long and hard. I wanted the trailer to be as representative of this film as humanly possible. We had one version of the trailer that made it look like an apocalyptic action movie, and that's not this movie at all. I really thought it was important to show people that image, just to show, this isn’t a standard thing. I mean, I've been billing this to people as Miracle on 34th Street meets The Road, and I really don't know a better way to describe it than that. It's a slow burn, it's a depressing character piece. I feel it's more of a dark drama than a horror movie, but that's just me personally because I wrote the story. But I know people are going to think it's a slasher flick.

And we did kind of a retro style artwork for the poster. I wanted to do like an 80s horror paperback cover. Mark Schoenbach of Sadist Art Designs did that for us, he's the guy that did our The Stall poster as well. Those two things combined, people are definitely going to think it's a slasher film. You know what? Let them think that, hopefully when they watch the movie, they wont be disappointed that there's a story in there and not just a guy in a rubber mask hacking up teenagers.

 

HoTS: I see how people can make that leap from the poster, but to me, watching the trailer, I know you say The Road, but to me it reminds me of the last ten minutes or so of The Mist.

Spoiler

I know a lot of people hated that ending, but to me it was perfect.

ML: Yeah, I think that was a great ending. I'm a big fan of the bleak stuff.

 

HoTS: Me, too, but I have to be in a good mood to watch those films.

ML: (laughs) That's understandable.

Mike Lombardo is dreaming of a White Doomsday

Noel and Merry Doomsday from Mike Lombardo
Photo courtesy off Mike Lombardo

 

HoTS: When I come in from a hard night's work and need to chill, I turn on Family Guy. But if I'm in the right mood, I go for the bleak, depressing, dark films like A Serbian Film and Martyrs.

ML: Two of my favorite films of the last ten years, and they're absolutely beautifully made. What I like about those two movies they are incredibly dark, and ugly movies, but they never get to the level of exploitation. Even A Serbian Film, they show you just enough, and then they move on, they never revel in it. There's this really disturbing imagery, but it never becomes undisciplined.

 

HoTS: It's an extremely powerful film.

ML: Absolutely.

 

HoTS: I remember sitting in silence after watching both of those films.

ML: (laughs) I was just about to say that.

 

HoTS: What did I just see, what did I experience. Especially with Martyrs, that ending was perfect.

Spoiler

ML: For me, I think Martyrs is a harder film to watch. I know a lot of people think A Serbian Film is the more shocking of the two. The thing with A Serbian Film, you are introduced to these characters, a genuinely loving family, genuinely good people, that happen to be put into a terrible circumstance. There's light hearted moments, and there’s a build up, and then everything just plummets to hell. Martyrs starts down here (gestures with his hand as if a low level) and it just goes, it's never not horrible, there's not a single moment of that movie where you're smiling. It's just terrible all the time.

 

HoTS: The one time, when you start to smile, then Boom!

ML: Yeah, there’s that family scene for like two minutes, then Boom, home invasion. And I'm sitting there watching, and what really struck me about Martyrs, I was sitting there watching with my roommates and when the movie turned, when they finished Lucy’s story, I remember looking at my roommate and saying, “I have no fucking idea where this movie is going”, and there's another hour left. I have zero idea what's gonna happen and that hasn't happened in a decade. Then they just come out of nowhere and sucker punch you in the stomach. Here's a girl getting punched in the face for ten minutes. Enjoy.

 

HoTS: That was so brutal because it was so real.

ML: I'm getting chills just thinking about it. That movie just wrecked me.

 

HoTS: I kept waiting for the Hollywood moment, for her to grab her chain and choke out her captor, waiting for her to somehow escape, and it didn't happen. I finished the movie and said, “I loved this, but I'll never watch it again”.

ML: That’s the way I felt about it and A Serbian Film, and I've watched both a dozen time since. I remember after watching Martyrs, I had to go for a walk, I just had to get outside, that movie was so rough, and A Serbian Film was, too, but with A Serbian Film at least it had character arcs and a more cinematic approach to it. It definitely wasn't a Hollywood movie but it was a little more standard, a little easier to swallow, but the bleakness of Martyrs. I don't know if I've ever seen that topped. The only other films that have affected me like that were Sâlo and Cannibal Holocaust. Just raw, unflinching brutality, and ugliness, and they were all influences on me when I was doing White Doomsday. I'd like to think we don't pull any punches. We go for the sad whenever possible.

 

HoTS: At the risk of sounding like a very sick individual, I hope you don't pull any punches, I'm looking for a very dark, bleak, hopeless film.

ML: It's all those things, we had a little bit of a test screening of the rough cut at Scares That Care, to some of the people who were involved in the movie. The first ten minutes we were all talking, getting settled in, joking a little bit, by fifteen minutes in everyone had stopped talking, by twenty minutes I noticed there was dead silence, then someone said, “Someone make a joke, please”.

 

HoTS: Oh, you had them then, sounds promising.

ML: The back story of the movie is a very personal film. I wrote the story, in 2012 my mother was diagnosed with kidney failure, she was in the hospital in critical condition for about nine months. She has recovered since then, but she had interstitial nephritis, which caused her kidneys to only function at like three percent. They did not think that she was going to make it, and I was the go between for the hospital and my family, who were all in different states at the time. Everyone was calling me for updates all the time, and I basically had to try and downplay how bad things were. I didn't want to break down in front of my mom, and my family, so I was taking the brunt of it, and passing along the bad news. To say sane I started writing the story, which essentially boils down to watching a someone you care about fading away and you being powerless to do anything about it. So the hopelessness came from that, the story is dedicated to my mom and the movie is too. The character of the mother was influenced by my mom, and a lot of what you see is these characters, trying to shield the little boy from the reality of the situation. So no, it's not a happy movie.

 

HoTS: I like to think that movies like this, allow me to get the darkness out, helps me stay sane. I don’t know if that’s true for other fans and filmmakers of depressing, disturbing films. People do ask me all the time how can you watch films like this, and especially when I watched A Serbian Film and The Human Centipede, which I didn't find disturbing at all.

ML: No, not at all. Actually I didn't like the first one when I first saw it, because I had heard so much about it and I was thinking “this isn't the movie I heard it was going to be”. Watching it since, I realize it's a very, very good movie. It's almost a body horror movie more than anything else. It's more about domination and slavery, I don’t want to say psychological, because it is pretty visceral, but it's not a gross out, exploitation movie at all. The disturbing part of that movie was this man, breaking three people down into dogs basically. That's what bothered me about it.

Then the second one, was what everyone expected the first one to be. I'm very one the fence about the second one. I love the concept of it, that some one had seen the original one and then tried to reenact it. The movie is basically a giant “Fuck you” to censorship and the media claiming that people are going to mimic movies, which I think is absolute horseshit. I heard the premise and I thought, “Wow, this is going to be really intelligent”, because I didn't know if Tom Six was a really smart guy, kind of doing something nasty, or if he was just a sleaze king. Then I watched that movie and, ahhhh he's kind of just a sleaze king. Which there's nothing wrong with that, but I think he had a great opportunity to make a powerful commentary on horror films, and censorship of art, and he kind of botched it. I haven't seen the third one, but I heard the third one was miserable.

 

HoTS: It solidifies him as a sleaze king. There are some incredibly funny moments, but it is just so offensive, so gross. It's basically every derogatory word and insult you can call another human being is used. Every racial, sexist insult is thrown out over and over.

Okay, to move away from the doom and gloom a bit, let's talk about The Stall. For some reason I had the idea that was a zombie film, but I saw it earlier, and it's not.

ML: Oh no.

 

HoTS: I didn't want to bring it up in case zombies pop up in White Doomsday, but I'm so tired of zombies.

ML: No, no, that's another thing - I know some people are going to think it’s a zombie film and it's not.

 

HoTS: I just think the zombie story has been told. Let's find a new story to tell.

ML: Exactly.

 

HoTS: I did like Maggie with Arnold, but other than that.

ML: I didn’t see that but actually heard a lot of good things about that.

 

HoTS: It was pretty good. It was more of a story of the relationship between a father and a dying child than a traditional zombie movie.

ML: See, that's something that I would definitely enjoy, being that I love dying children obviously.

 

HoTS: (laughs)

ML: I think zombie films work best when the zombies are window dressing, a background to a different story. That's how I enjoy them anyway. I would definitely watch that.

 

HoTS: Back to The Stall. For some reason, I had the idea this was the story of a guy trapped in a bathroom stall during the zombie apocalypse, but it's not.

ML: The thing with that movie, we were working on The Stall about 2-3 years though various technical difficulties, shooting on weekends. We had to re-shoot a lot because the effects weren't working with the tentacles. But we were just kind of doing our thing, you know, making this Lovecraft movie, which was also very personal, about my job. That was like a dry run for something more serious. It's funny, the poster and the premise make people think it's going to be this big serious, gross out, B-movie and it's not, at least I hope people don't take it that way. It's about half and half.

 

HoTS: Honestly I was expecting turds. I'm glad there were no turds.

ML: Exactly. That was the big joke for me. We were presenting this movie as though it's going to be like a Troma movie, and it's not at all. It's pretty much straight Lovecraftian. It has a bleakness I was feeling at the time. Working in food service for fifteen years, trying to be a filmmaker on the side, it kind of takes its toll on you. Dying at work is my biggest fear, like one day I will realize I wasted my life doing something that I don't enjoy, while trying to support my passion on the side. The idea that I’m terrified to leave my comfort zone - which equates to a two by two bathroom stall in the movie - because there’s some horrible thing out there, that I'm not aware of yet, some awful external force. That when I get out there, I'll realize that my dreams are not good enough, and that I wont make it. That's what the whole bit is about. Or it's just about a guy trapped in a bathroom with a bunch of tentacles, and that's pretty cool too. However you want to watch it, that's fine.

 

HoTS: It was the most Lovecraftian references crammed into twelve minutes I have ever seen. You even worked in Erich Zann which is still my favorite Lovecraft short story.

ML: We had more on the radio broadcast but it gets cut out. That was one of my favorite, I'm trying to remember the others, I know there was DJ Brown Jenkins and Erich Zann. That was a lot of fun. I'm a huge Lovecraft geek, obviously.

So, I was working on this movie for two years, we release it, and our poster art was originally a restroom sign, with tentacles coming out of the side. That was our first poster, we had that for about a year. Then we did the alternate poster that's on the DD, of the guy kind of shrinking away from the tentacles, that looks like a big 70s or 80s VHS cover. So we had all that stuff out for awhile, and then the movie comes out. It's getting watched, stories posted all over the place, and then I start getting calls, about four months later to go on Netflix and look up The Stall. And I look, and there’s a movie with the same fucking poster as us, but it's zombie hands. It's the same premise, and I was like, “Are you fucking kidding me?” (laughs) I was so annoyed. Then I watched it, and if it was a good movie, I'd be totally cool with it, but it's an awful movie.

 

HoTS: I think that was what confused me. When I met you I asked you if The Stall was on Netflix because I remembered seeing it.

ML: I got that from a lot of people. Which really aggravated me, not saying they stole it, because people do come up with the same ideas all the time but it really grinded my gears because they had the same poster art. Their other poster was the restroom sign with zombie arms coming in from the side, so basically both their posters were damn near identical to ours, and it's essentially the same premise. But whereas I recognize that that movie has about thirteen minutes in it, they stretched it for an hour and a half (laughs). So it became very tiresome very quickly. Although I am a big fan of their first movie, Freak Out. It's about a guy who escapes a mental asylum and a bunch of horror fans find him. He not a violent criminal but they try and train him to be a slasher killer. It's low budget, but it's very funny. It's very low budget, but it's a fun, dumb movie, they were trying to make a Troma style B movie, and it's got some very entertaining moments in it. But The Stall, I was not so much a fan of. Maybe I’m biased, I don’t know.

 

HoTS: That does explain my confusion because when I watched it earlier I knew I had seen that cover before, but I don't think I ever watched the zombie version of The Stall. Because like I said, I really don’t watch new zombie films unless I'm bored out of my head and there’s nothing else that catches my interest.

ML: Yeah, and it sucks because I grew up with Night of the Living Dead and Dawn of the Dead. When I was a kid, I wore out my VHS copy of Dawn of the Dead. I used to rent it every week and watch the head explosion scene from the beginning, over and over again. I was obsessed with zombies and there was nothing else out there other than the Italian stuff, a spat of movies in the 80s and the Romero trilogy, there wasn't really any other zombie stuff that was too exciting. Then back in what, 2003 when Brian Keene published The Rising, the Dawn of the Deadremake came out and things kind of blew up again for zombies. I was like, this is the best time to be alive, there is zombie stuff everywhere. Then after about a year of that, it's, “Okay, I'm done”. That was ten years ago and it's still going (laughs).

 

HoTS: It is still going, There are three themes, that if I am cruising Amazon Prime or Netflix, that I just scoot right past it: that's zombies, found footage, or four friends going anywhere. I just pass.

ML: Yep, yeah. (laughs) Actually I just watched the Cabin Fever remake, speaking of four friends going somewhere. It's like, “Why do I do this to myself”? Horrid, horrid stuff.

 

HoTS: Like me. I will shit talk a movie, know it's going to be bad, and still end up seeing it.

ML: Oh, absolutely.

 

HoTS: I saw The Omen remake in the theater.

ML: I was there opening night.

 

HoTS: I saw The Omen remake in the theater while running a fever and fell asleep. I tell people I love the movie because it's the best sleep I got all week.

ML: I had to go to the ER right after seeing that. I found out I had two hernias.. I was in the theater and ran to the bathroom vomiting profusely. Everyone said I had the antichrist growing inside me. So that was my experience with The Omen - as if the movie wasn't bad enough.

 

HoTS: I think it just made everyone sick.

ML: (laughs) It really did. The devil was definitely in that film because no one seeing it had a good time.

 

HoTS: So where are you going now with White Doomsday? Festival circuit?

ML: Yes. Currently we are in post-production. We are starting to work on visual effects now, sound design, um color grading, and then I'm hoping to have the movie finished by Christmas. It would be great to have it out by Christmas. The thing is, it doesn't mean it will play by Christmas, because we are at the mercy of the film festival schedules. You submit a film to the festivals four months in advance, and you don’t know if you get accepted for two to three months. So we have to figure out which festival we would like to premiere at, and what the submission deadlines are, and all that kind of stuff. But I would love to have it out for Christmas. Then the film festival circuit, and try to find a distributor, and see what happens. If we can find a company to put it out, then the DVD will hopefully be widely available. If not we will access our options, maybe press our own DVDs like we did with The Stall and Suburban Holocaust, then hit the circuit, the festival and convention circuit on foot and bring the film to you. So we'll see.

 

HoTS: I will be looking for it.

ML: Thank you.

 

HoTS: Hopefully on physical media.

ML: Physical media is a big thing for me. We will probably do a VOD release down the road, but I hate not having a physical disc. I'm a collector. I am a huge, huge collector and I love extra features. I refuse to go out and buy a disc that has no extra features on it. This movie was a year and a half in the making, and I'm going to have so much behind the scenes it's obnoxious. So many crazy stories about how we made this movie with just paper clips and chewing gum, you know. So I'm hoping to get a nice supplemental package out there that VOD doesn't have.

 

HoTS: There's very little worse than opening up a DVD and special features are scene selection.

ML: Yeah. Or theatrical trailer. It's like, “Oh wow, that’s great”.

 

HoTS: I just watched the movie; now I can watch the trailer.

ML: Thanks, this is phenomenal. Interactive menus, that's my favorite, and subtitles for the hearing impaired.

 

HoTS: I love VOD because of the convenience, but I hate it because of the inconvenience, if that makes sense. It's so easy, but I’m at the mercy of whatever Netflix or Amazon allows me to watch.

ML: Absolutely, and from a filmmakers standpoint there are a lot of pitfalls. People think, “Oh, there’s no overhead”, because you don’t have to make discs. But they find ways to gouge you with putting it out there and you are also opening yourself up to a huge amount of piracy very easily. This is my first feature so I'm very leery of all that, but I guess I will find out soon enough.

 

HoTS: Piracy yeah. I think it's so easy from a fan’s stand point to say, “This is a big Hollywood director. They aren’t losing any money”, but I have seen Indie directors, who are having thousands if not tens of thousands of downloads, but they aren't actually selling shit.

ML: I was talking to a friend about effects, and he was giving me the run down for distribution on his first feature. They did a Kickstarter campaign and sent out early DVDs to the Kickstarter backers. He said by the time the film was released, the day it actually premiered on DVD and VOD, there were over 700 websites that had it for download already. He said ,“Well, we lost our shirts on that one”. It's so easy to justify, you just click on that link and you’re like, “I'm not really stealing”, but when you’re a filmmaker at this level, you are literally counting every download, counting single sales... I'm not trying to make a movie so I can get a solid gold pool, I want to be able to make another film. I fund this stuff with the money I make at the pizza shop. It's very difficult when people are pirating stuff.

 

HoTS: And people are getting so open about it.

ML: I just the other day saw someone ask where he can get the Alien series for free, and I said, “Well, you can buy them, and you should support the artist that made them”. I know the 6.99 it costs at Wal-Mart to get them is too great but...

 

HoTS: And you can do a VOD rental for under 3 bucks, I know I just shit talked VOD, but there’s really no good reason to pirate movies. I know you maybe cant afford to watch every movie you want to, but I can't afford a Lamborghini. I feel your pain. I can't get a gold plated pool. That’s life, and it's not an excuse to steal, but it's just so easy and there are realistically zero consequences.

ML: Nope, they aren't knocking down anyone’s door for piracy. I think also people take for granted the ability to get everything instantly. In the old days when you had to go to a video store and scour around for hours to find that movie, it had more value for you. It meant something because you had to hunt for it. Even in Napstar days, it took three days to download a MP3 of a song. That was a fucking accomplishment. You had to really want that song, or that jpeg of Jenny McCarthy. You really needed it or it just wasn't worth it.

And this goes beyond piracy to film appreciation in general. People will just go online and do a search of ten most disturbing films of all time and do a mass download in, like ten minutes, and finish watching them and it's, “Yeah, whatever”. It's disposable to them because they didn't have to really work, hunt, or research it. It doesn't mean anything to them. It's like junk food, and that's a shame, because you really aren't experiencing those films. Because those articles, those lists, they aren't giving you any historical context, they aren't telling you why these films are important. I feel like it's the best time for being a film fan, and it's the worst time, for those reasons. It's never been more accessible, but it's so disposable to everyone. It’s a real shame.

 

HoTS: To me, part of the magic was always digging through those dusty shelves looking for that gem.

ML: Exactly, just looking at that crazy cover and knowing that cover or that poster was lying to me but damn if I don't want it.

 

 

I want to thank Mike Lombardo for allowing us the time to chat with him. We will keep our eyes on I'm Dreaming of a White Doomsday.

Posted by Allen Alberson in COMING SOON, HORROR NEWS, INTERVIEWS, 0 comments
COMING SOON: Phantasm: Ravager (2016)

COMING SOON: Phantasm: Ravager (2016)

The Tall Man Is Coming
Just in Time for Halloween

Phantasm: Ravager

By Jonathan Patrick Hughes

Phantasm

Last weekend, news broke out like a bat out of hell. The latest and much anticipated sequel to Phantasm, known as Ravager will hit limited theaters on October 7, 2016  as well as VOD. The film was shot back in 2012 and 2013 and since had been going through difficulties trying to release the film, that is until Well Go USA decided to step up to the plate and help get this thing released to the fans that have been waiting for quite some time now. Phantasm: Ravager will once again star Michael Baldwin, Reggie Bannister, and, of course, The Tall Man himself, Angus Scrimm.

Phantasm - Angus Scrimm and the orb

Angus Scrimm as The Tall Man

Don Coscarelli who has been with the franchise since the dawn of Phantasm was quoted saying this In a recent interview:

The Phantasm films have been a guerrilla operation for decades now, totally outside of the studio system. We do them for the fans, and I think Ravager will definitely please them. In the past few years several studios have made offers to remake Phantasm with large budgets, but the fans were very vocal that they wanted the original cast to return and finish this iteration of the story with class. And for the first time there’s an extended sequence on the Tall Man’s home world. I know Phantasm fans will be as excited as I am to see it.

There are also some surprises thrown in that I promise will astonish long-time fans.

Being a long time fan of the series I am overly excited to finally witness the film with my own two eyes. However, with that being said, I don't have high hopes for the film considering it has been trying to get made since the late 90s and, since the film has ready since the middle of 2013, there has to be a reason why it took 3 years to release a film from a franchise every horror fan loves. We shall see.

Phantasm - Ravager posterIn other news, on September 24, 2016, the original Phantasm, which was made for $300 thousand and took in at the box office an amazing chunk of $12 million dollars, is coming back to cinemas meaning that we will be able to experience the film in a brand new restored version for the first time.

NOW THAT'S EXCITING AS BALLS!!!!!!!!!!

RIP Angus Scrimm, who passed away
at the age of 89 this past January.

Angus Scrimm and Reggie Bannister

Angus Scrimm and Reggie Bannister in Phantasm: Ravager

Posted by Jonathan Hughes in COMING SOON, HORROR NEWS, 0 comments
COMING SOON: Family Possessions (2016)

COMING SOON: Family Possessions (2016)

By Dixielord

Mark Patton, star of A Nightmare on Elm Street 2, heads back to horror this year in the new film Family Possessions. Director Tommy Faircloth and his Horse Creek Productions have enlisted Patton and genre favorite Felissa Rose (Sleepaway Camp) to join the cast of his latest film. Faircloth most recently directed the film Dollface, that did the festival circuit under the name, Dorchester's Revenge: The Return of Crinoline, before being tagged with a shorter name for its DVD and VoD release. Before Dollface, Faircloth directed Generation Ax, and the prequel to Dollface, Crinolinehead.

Mark Patton from Nightmare on Elm Street 2 and Family Possessions

Joining the more familiar names in the cast will be a host of talented younger actors, many of whom have starred in other Horse Creek Productions projects. Jason Vail Starred in Dollface, as well as Abraham Lincoln versus Zombies and the upcoming Valley of the Sasquatch. Along with Jason, Lizzie Mears, Leah Wiseman, and Andrew Wickum from Dollface are cast in Family Possessions. Morgan Monnig from the Horse Creek short The Cabin rounds out the film as Jason Vail's wife Sarah.

Felissa Rose from Sleepaway camp

Felissa Rose from Sleepaway Camp

The official synopsis describes Family Possessions as a paranormal slasher. It is the story of Racheal (played by Wiseman), a young girl who inherits her grandmother’s mansion. Since her family is struggling financially she moves them into the house. Once there, she starts having paranormal encounters, and learns a secret that her parents have been keeping from her.

 

Leah Wiseman of Family Possessions

Leah Wiseman of Family Possessions

Family Possessions will be all practical effects, with no CGI, which is unusual for a modern paranormal type film, but it's very refreshing. Come on, who out there isn't tired of the thing black wispy CGI ghosts and demons? Tony Rosen is the man in charge of those practical effects. Tony is perhaps best known as the creator of the Annabelle doll from the films Annabelle and The Conjuring. Tony also did the effects in the popular Indie film Pieces of Talent.

 

Jason Vail from Dollman and Family Possessions

Jason Vail from Dollface and Family Possessions

I became a fan of Horse Creek Productions when I caught Dollface at a film festival. It's a fun, bloody horror movie with some great moments and great laughs and is one of my favorite Indie films in recent years. I'm excited to see this new project. With Family Possessions, Faircloth promises a more serious film with less comedy than Dollface, which is great for those who don't care for horror comedies.

 

 

Lizzie Mears from Dollface and Family Possessions

Lizzie Mears from Dollface and Family Possessions

Family Possessions is in post production now and director Faircloth is hoping for a release sometime around October. The Indidegogo fundraising campaign is still open if anyone wants to chip in and support independent horror.

Posted by Allen Alberson in COMING SOON, HORROR NEWS, 3 comments
RELEASE UPDATE: Godzilla Resurgence (2016)

RELEASE UPDATE: Godzilla Resurgence (2016)

By Kev B.

Godzilla Resurgence Update 01Huge news about Godzilla Resurgence… But I’m gonna’ save the best for last! There was talk of a New World Cinemas distribution deal in the works, but it seems like that was a hoax to gain some free press off the name Godzilla. First they announced, or should I say alluded to the fact that they would be distributing Resurgence in American theaters in a post on their Facebook page that read:

“To all GODZILLA FANS! We are working hard to bring GODZILLA to every State! Patience my Friends... she is coming soon!”

They quickly backtracked when fans showed interest, with this post, calling it a misunderstanding:

"Hey Guys.

We want to clear something up for you as it is causing a lot of speculation.

New World Cinemas are NOT the distributors for the new Godzilla Film. The mistake was make because we said Godzilla coming soon. This was merely a post to promote Godzilla as we too are big fans.

We apologize for any confusion regarding this film.The Original post has been edited so it cannot cause anymore misunderstandings.

We accept that due to being busy in Cannes and preparing for out first annual Fright Fest Film Festival by NYCIFF we have neglected to notice the buzz on our Facebook page, however our admin team are back on track and will bring you all the latest news about New World Cinemas

We wish you all an amazing weekend.”

I’m not sure what part of “We are working hard to bring GODZILLA to every State!” I’m misunderstanding, but thanks for wasting our time and getting our hopes up New World. I hope you enjoyed your free press.

Godzilla Resurgence Update 02There is good news if you are a toy collector - there’s lots of good news. There is a lottery to get a new Resurgence figure from Banpresto. Bandai/Tamashii Nations, X-Plus, NECA, Diamond Select Toys, and Bandai America all have some cool new stuff coming out. But I hope your piggy bank is full because most of these new figures are not cheap! So, get your credit card ready and Google “Godzilla toys 2016”. And if you like Gojira's new look, the S.H. MonsterArts figure looks insane!

Godzilla Resurgence Update 03I’ve seen whole mess of complaints about how Toho is marketing the film and keeping us in suspense with only one trailer released in April to wet our appetites for the king of the monsters. I actually think they’ve kept us like salivating dogs in anticipation of any new images in a genius marketing plan that has us begging for more. Then, ten days before the theatrical release (in Japan) the Godzilla communities lit up with excitement… With 3 new 15 second T.V. spots and a full minute and a half trailer, we got another little tease at the awesomeness of the new Godzilla and the mind blowing effects this movie seems to be full of. And if you haven’t heard the rumors of a purple or violet colored nuclear/atomic breath, watch the new trailer to the very end . I guess we can say that those rumors are confirmed, for the most part.

In non Toho news, Legendary pictures' sequel to the 2014 American reboot Godzilla is on hold as Gareth Edwards is too busy with Star Wars and that seems to be pushing back all the other projects lined up for us here in the U.S.... Godzilla 2 (which is said to feature Rodan, Mothra, and King Ghidorah) is slated for release in March 2019, but that is subject to change. Kong: Skull Island has a tentative release date set for 2017, and Godzilla vs. Kong is expected for 2020.

Godzilla Resurgence Update 04Also sorta confirmed is the news that Godzilla Resurgence is a reboot to the Godzilla franchise, which makes sense as the definition of resurgence is: an increase or revival after a period of little activity, popularity, or occurrence. And now,the big breaking news! According to the most informed Godzilla blogger I know of - August Ragone: Toho announced their greatest global distribution of all time at a press conference on July 19, 2016. Resurgence has been sold to 100 territories, with more pending. The film will open in Taiwan on August 12, the Philippines on August 24, Hong Kong and Macao on August 25, and Thailand on September 8th. Asia, Africa, Europe, and North America may be announced shortly.

So it looks like we will get to see the king of the monsters on the big screen this summer after all (or at least this fall). Godzilla Resurgence opens in Japan July 29, 2016, written by Hideaki Anno, directed by Anno and Shinji Higuchi, and starring Hiroki Hasegawa, Yutaka Takenouchi, and Satomi Ishihara.

Godzilla Resurgence Update 05

Posted by Kevin Belyski in COMING SOON, HORROR NEWS, 1 comment
COMING SOON: Plank Face (2016)

COMING SOON: Plank Face (2016)

By Dixielord

I will be one of the first people to tell you that the horror genre is littered with far too many sub-par films. So it's really refreshing to see new filmmakers with a commitment to produce new horror films that are original, thought provoking, and dammit, just good, solid films. That's whats up with Bandit Motion Pictures, and they are readying their newest film Plank Face for release later this year.

Plank Face is coming from Bandit Motion Pictures

Plank Face is coming from Bandit Motion Pictures

Bandit Motion Pictures hasn't been around long, but it's quickly developing a great track record. The founders of Bandit, writer/director Scott Schrimer and producer/cinematographer Brian K. Williams, were already making waves before they formed their own production company. Schrimer's controversial Found was one of my favorite films of the last few years - and also one of the most disturbing – having been banned for a while in Australia and is still unavailable uncut in Britain. Williams has also developed a name and a following in Indie horror with films like Found, A Time to Kill (not the Sam Jackson one), Plank Face, and The Legend of Wasco.

The first film from Bandit Motion Pictures was the trippy, erotic Harvest Lake which starred the sexy Tristan Risk of Plank Face and American Mary fame. If you expected the duo to play it safe and release a conventional horror film as a follow up to Harvest Lake, Plank Face lays that fear to rest. There's not a lot out beyond the trailer and a couple of different posters, but that's all you need to know this will be another strange one.

From the official IMDb synopsis, Plank Face is the story of a man trapped by a feral family who are determined to transform him into one of their own. Once again eschewing the horror norm of having a female kidnapped as breeding stock. Still this film looks to be way more than that line reveals. Check out the trailer and judge for yourself. This isn't going to be your average slasher flick.

Found from Plank Face director Scott Schrimer

The creators of Plank Face don't do average horror as Found proved.

Plank Face is due to be released in toward the end of August, so it's not too long of a wait. You can even pre order now from the official pre -release crowd funding for Plank Face. It's the best way to guarantee that it's in your hands as soon as possible. It also helps the filmmakers because it takes money to make films. Seriously, and without big studio backing it can be a challenge. So do yourself a favor, check out Harvest Lake, check out Found or A Time to Kill, and then pre-order a copy of Plank Face.

Posted by Allen Alberson in COMING SOON, HORROR NEWS, 0 comments
COMING SOON: Fangoria Musick – The Horde Mixtape

COMING SOON: Fangoria Musick – The Horde Mixtape

By John Roisland
musick

Growing up as a young horror fan, one of the first publications I remember seeing that covered the genre was, of course, Fangoria. After being around for all these years and still holding strong, they have expanded and have since opened a music department aptly named Fangoria Musick.

So when April Bedan, manager of Fangoria Musick emailed me and asked if I'd be interested in mentioning their upcoming release, I was honored.

Fangoria Musick held an open call for any interested horror themed musicians to send in the best they had. What they ended up with is going to shatter your soul!

Fangoria Musick - The Horde Mixtape Flyer

Fangoria Musick presents THE HORDE MIXTAPE. After a long list of submissions, Fangoria Musick narrowed it down to 11 very fortunate groups that I'm sure had to sell their soul and sign the deal with blood. Fangoria has said this album will cover all different genres of horror music, so whether its dark ominous or head banging thrash, I'm looking forward to it!

The musicians on THE HORDE MIXTAPE are as follows:

Fangoria Musick - Red arrow right20SIX HUNDRED

Fangoria Musick - Red arrow rightCEMETERY HIGH

Fangoria Musick - Red arrow rightSURGERY HEAD

Fangoria Musick - Red arrow rightKARDIAC

Fangoria Musick - Red arrow rightTHE CHURCH OF ZANN

Fangoria Musick - Red arrow rightGEOFF BALL

Fangoria Musick - Red arrow rightBASTARD CITY

Fangoria Musick - Red arrow rightMOJAVE PHONE BOOTH

Fangoria Musick - Red arrow rightDOWD

Fangoria Musick - Red arrow rightTHE CHOKE

Fangoria Musick - Red arrow rightBLOODSHOT

Artwork for the album cover was done by Corey Jennings of KARDIAC who is also signed to the Fangoria Musick label and who also produced and edited THE MIXTAPE video promo. Obviously a busy guy!

Set to release on July 29, 2016, Digital Downloads will be available at FANGORIA.com, while physical copies will be available at FangoriaMusick.bigcartel.com.

I'm sure this release is going to be one to add to your personal library. I, for one, cant wait to get my hands on a copy.

So stay true to the horror genre, support Fangoria and Fangoria Muisck, both online and on their Facebook and Twitter social pages. And don't forget to order your copy of THE HORDE MIXTAPE or you'll suffer eternally!

Keep It Evil.

Posted by John Roisland in COMING SOON, HORROR NEWS, 0 comments
COMING SOON: The 7th Annual GWAR-B-Q

COMING SOON: The 7th Annual GWAR-B-Q

Feast With Gwar

By John Roisland

7th Annual GWAR-B-Q banner

House of Tortured Souls prides our selves on bringing you horror - from our universe and all others. That's why we're thrilled to announce that on August 20, 2016, legendary shock rock band Gwar returns to Hadad's Lake in Richmond, Virginia, for the 7th annual GWAR-B-Q!!

Gwar first hit the music scene in 1985 and have been shocking audiences and appalling both parents and censors with their violent, sexual, and blood-filled stage shows ever since. (I, personally, have been a fan from the start.)

On top of having a powerful and unique sound, Gwar has a stage show that is like no other stage show you will ever see. Combine A Serbian Film, The Evil Dead, The Rocky Horror Picture Show, and the Price Is Right into live stage theatrics with badass music and you have a show that has to be experienced to believed.

In addition to their extreme live shows, the band hosts what is appropriately called the GWAR-B-Q (as mentioned earlier). This will be the 7th year running of the mini festival and, just like the previous years, the festival has an all new line up, including Eye Hate God, Lamb of God, Against Me!, American Nightmare, Lagwagon, and many more still to be announced. Don't panic, though, because Gwar will be playing and torturing humans in the pit as usual.

Gwar logo - GWAR-B-Q

Gwar has been kind enough in these financially stressful times to help us out attendees by contacting Richmond hotels and securing the best rates possible. (I figure Gwar threatened to slay off if they didn't help out, but I can't confirm this.) So, for the hook-up, check out the GWAR-B-Q website.

Also, (and I found this to be extremely cool) the GWAR-B-Q website has a section where you sign up to help out at the event. It doesn't specify whether or not helping means you'll be hand feeding Beefcake the Mighty small children before his show or scrubbing his toilet after, but, hey, either way you'll get to say you were there!

If you're going to have a Gwar weekend in Richmond, VA, you must dine at GWARbar. (For those of you who don't know, Gwar have a restaurant/bar in Richmond at 217 W. Clay Street. GWARbar offers both meatfilled and meatless fare and all is inspired by the band! Michael Derks, AKA Balsak the Jaws of Death, has drawn upon his 30+ years of restaurant experience and is executive chef for the establishment. (This would be a must for me!)

John with Beefcake the Mighty and JiZMak da Gusha - GWAR-B-Q banner

Tickets for the GWAR-B-Q officially went on sale Friday, June 10, 2016. The gates open at 10:00 (yes, AM), and the first band goes on at 10:30, so get there early and prepare to become a slave to none other than Gwar!

Long Live Oderus!

Keep it Evil.

Posted by John Roisland in COMING SOON, EVENTS, HORROR NEWS, 0 comments

COMING SOON: Don’t Breathe (2016)

The Creators of Evil Dead Don't Want You to Breathe

By Jonathan Patrick Hughes

Don't Breathe

As a devoted horror fanatic, I am always looking for new films as well as new filmmakers. Whenever I see a new movie, I check out the credits and then do research on some of the names I have never heard of before to see what else they may have made either previously or coming soon. When I first saw the remake of Evil Dead, I was blown away. The team did it smart and took a familiar story and made a very different approach and that was the way to go about it. The name Fede Alvarez is a name everyone should be checking up on. This guy is fresh, new, and on the horizon.

Don't Breathe - Fede AlvarezIn 2009 writer/director Fede Alvarez made a five minute short film entitled Panic Attack. The film was posted on YouTube and was eventually seen by Sam Raimi and Rob Tapert, who are the creators of  the original Evil Dead (1981 ). Fede Alvarez was approached to write and direct the remake in 2013.  Well, they are all back and about to unleash their next picture as a team entitled Don't Breathe.

Don't Breathe - Stephen Lang and Dylan Minnette

Courtesy of Sony Pictures Entertainment

The synopsis is this: Rocky, a teenage delinquent living with neglectful parents, promises her younger sister to move away with her. Rocky begins looking for the right amount of cash to run away with in order to escape. When her boyfriend, Money, finds out, he convinces her to break into the home of a blind man who supposedly has a safe in the basement. With her friend, Alex, Rocky breaks in in the middle of the night, and they soon discover the blind man is hardly the easy mark they has thought. He is, in fact, really a serial killer with heightened hearing who hunts intruders in his house. After the blind man kills Money, Rocky and Alex outsmart him, but now the two must navigate themselves out of the locked apartment while being quiet enough to avoid him.

Don't Breathe

Courtesy of Sony Pictures Entertainment

Don't Breathe stars Dylan Minnette (Goosebumps, Let Me In, Prisoners), Jane Levy (Evil Dead, Fun Size), and Stephen Lang (Avatar, The Men Who Stare at Goats). The film has made the rounds in festivals and is getting quite the buzz, scoring a 78 at Rotten Tomatoes based on nine reviews giving it an average of 6.8 out of 10.

Reports are calling this film "a dose of Hitchcock on crack", as well as "a muscular exercise in brutal, relentless peril that should please genre fans from all over".

Don't Breathe - Alvarez giving direction

That alone intrigues me. Hitchcock seems to be one of the top five influential filmmakers. Whenever I personally read something that mentions Hitchcock, I never fail to see the name Hitchcock in bold lettering.

Screen Gems and Ghost House Pictures will release Don't Breathe in theaters on August 26, 2016, but you can watch the official trailer below and let House of Tortured Souls know what you think.

Posted by Jonathan Hughes in COMING SOON, HORROR NEWS, 0 comments

COMING SOON: Boggy Creek Monster

Boggy Creek Monster
The Truth Behind the Legend

By Woofer McWooferson

Boggy Creek MonsterThe Boggy Creek Monster will be prowling across the US soon. The feature-length documentary began filming on April 22, 2016 and is now in post-production. This is the third offering from Small Town Monsters, following Minerva Monster (2015) and Beast of Whitehall (2016).

Author and cryptozoologist Lyle Blackburn (The Beast of Boggy Creek: The True Story of the Fouke Monster) and Brandon Dalo (Beast of Whitehall) will be co-producing. Boggy Creek Monster will primarily focus on the true stories behind the 1972 horror classic The Legend of Boggy Creek.

Writer/director Seth Breedlove refers to the piece as the ultimate repository of information on the Fouke county monster. Thus, Boggy Creek Monster will also cover more recent Bigfoot sightings.

The Legend of Boggy Creek movie poster

The Legend of Boggy Creek movie poster.

Boggy Creek Monster held a Kickstarter for crowd-funding, meeting its first goal of $9,000 in only four days and raising $17,000 by the end of the campaign. Breedlove believes the campaign succeeded because of a growing interest in the mystery and a hunger for information. Breedlove also noted that Boggy Creek Monster will be Small Town Monsters’ biggest production yet, incorporating cinema-grade cameras, night-vision cameras, helicopters, and drones.

The genesis of the film lies in the sightings of the monster by residents in and around Boggy Creek and Fouke, Arkansas. Lyle Blackburn, who is a consultant in addition to producer, will appear in the film to discuss his research on the subject. Zac Palmisano is in charge of the cinematography, and Dalo will score the soundtrack in addition to co-producing.

On May 25, 2016, Small Town Monsters released the first teaser trailer, leaving fans and interested parties wanting more. Take a look and let House of Tortured Souls know what you think.

Those seeking more information can check the Boggy Creek Monster Facebook page or the Small Town Monsters website.

Posted by Woofer McWooferson in COMING SOON, HORROR NEWS, 0 comments