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Gruesome Twosome: An Exclusive on Chris Alexander’s Two Upcoming Features

Gruesome Twosome: An Exclusive on Chris Alexander’s Two Upcoming Features

Chris Alexander is no stranger to the horror genre and this year he has not one but two projects in the works. The massively talented former editor-in-chief of Fangoria Magazine stopped by to give me the skinny on his two latest projects and what fans can expect.

Chris Alexander - Space Vampire (2018)Space Vampire (2018)
Director: Chris Alexander; Writer: Ali Chappell; Star: Ali Chappel; Rating: UNK; Run Time: UNK; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: An alluring space alien falls to earth with the mission to drain women of their life energy making her unstoppable. This film wonderfully harkens back to surreal dreamscapes of Rollins with a dash of Hopper’s Lifeforce for good measure.

Chris has this to say about the project:

Space Vampire is my fifth feature and once more functions as a vessel for both my music and my obsessions with more dreamlike, psychological and experimental strains of horror cinema, specifically the personal, meandering works of Rollin, Franco, and Herzog. Rollin especially, with his fixation on tragic female vampires. This picture takes its title nod from Colin Wilson’s novel The Space Vampires, which was, of course, adapted for the screen as Tobe Hooper’s Lifeforce but the movie itself is more informed by films like Under the Skin and the opening stretches of The Man Who Fell from Earth. I love the idea of following unnatural characters lost in familiar landscapes, almost child-like and driven by whatever addiction they are chained to. I make these movies for me and all my movies are – for better or worse – interconnected by theme, mood, style, sound.

And when asked what stage it’s in, he added:

I’m still editing. Its very abstract. But I am getting the “feel” of it….finding the rhythm.

Chris Alexander - Underneath An Anthology of Terror (2018)Underneath: An Anthology of Terror (2018)
Directors: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Writers: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Stars: Brent Baird, Nicholas Koy Santillo, Nichole Kawalez, Ali Chappell, Colin Bailey, Rebecca Kilburn, Tammy Stewart, Mike McMurran, Joshua Kuchma; Rating: UNK; Run Time: 95 min; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: In the vein of Creepshow and the more recent VHS series comes Underneath an anthology featuring five exciting voices in the horror genre.

I always love a good horror anthology and Chris, along with other talents – including Andre Becker, Cory Ivanchuk, and John Nicol, are sure to conjure up some fun and scares. Chris had this to say:

Underneath is the new anthology feature from my good friend and colleague John Nicol. Similar tastes in more abstract cinema. So when he asked me to contribute a segment I agreed. My short is really about how we have perverted our connection to the natural world with endless distraction and illusion. It’s about a woman becoming undone by the fixation on finding “nature”. She eventually regresses fully to an animal state. So, in the context of the short, it is a happy ending! Unsure what John will be doing release wise with Underneath but Space Vampire is the second film from my Castle Films imprint that I operate with filmmaker David DeCoteau, creating more artful and expressive micro-budget genre films.

I for one am very excited for both of these films and will be eagerly awaiting them later this year. Of course, I like to give a huge thank you to Chris Alexander for taking the time to talk to chat about his amazing new projects.


Posted by Mike Vaughn in COMING SOON, HORROR NEWS, STAFF PICKS, 0 comments
MOVIE REVIEW (RETRO): Revisiting Creepshow (1982), Pt. 3

MOVIE REVIEW (RETRO): Revisiting Creepshow (1982), Pt. 3

REVISITING CREEPSHOW

Part 3: You Lunk Head!

Hello there kiddies! Thanks for stopping by and welcome to the third installment of my monstrous multi-part series! A repulsive and revolting retrospect to that fiendish fright-fest, Creepshow...
In the last two installments, I discussed the film's background, its impact upon its release, the intro of the film and the first story, "Father's Day". Now let's get into the second story, "The Lonesome Death of Jordy Verrill".Creepshow-Jordy Verrill-01 / Fair use doctrine.
This story begins with a crash. A meteor lands in a run down farm in rural Maine. The owner of the farm is Jordy Verrill, played by the writer of the film and horror master himself Stephen King. Jordy is portrayed as being quite unintelligent and makes terrible decisions. He comes to the conclusion that the meteor would be worth a pretty penny, which his small mind views as $200, at the local university. When Jordy touches the meteor, it burns his fingertips, so he decides to cool it off by pouring some water on it. This breaks the meteor in half, revealing a white liquid inside. Jordy thinks the meteor will be worth significantly less now that it is broken, but decides to try anyway. He picks up the meteor pieces after pouring the liquid that sat inside into the ground and places them in a bucket. Hours later, while watching TV and drinking beer, Jordy looks at the fingertips he had burnt on the meteor and sees a type of green moss growing from them. He runs to the phone to call the doctor, but imagines that the doctor will cut his fingers off and hangs up. He then realizes that he had been periodically sucking on those fingers all night. He sticks his tongue out at the bathroom mirror and sees it is covered in the same green moss. From here, things escalate quickly as the farm and Jordy himself are being overrun by foliage growing at an incredible rate.
Creepshow-Jordy Verrill-02 / Fair use doctrine.This story was adapted from the Stephen King short story "Weeds" published in Cavalier Magazine in 1976. Since then, it's been very difficult to find and has never been published in any of King's short story collection books. The short story is similar but does carry differences. One main difference is the tone. Jordy Verrill is not very intelligent, but it is played straight, whereas in the film it seems to be played at a goofy level, almost cartoonish. The short story shows that the weeds possess a form of sentience as Jordy begins hearing them communicate in his head and also make suggestions to him, like taking a cold bath to relieve his itching for example. He also doesn't imagine himself talking to his father in the mirror, I think this was the film's way of addressing the weeds talking in his head and his contrasting thoughts about the bath making it worse.
This story seems to be an homage to H. P. Lovecraft's "Colour Out of Space", in which a meteor of an unknown color lands on a remote farm and begins to change the foliage and the family living there. It can also be seen as a jab at the isolationist and lonely lifestyle of being a farmer as Jordy seems to have little exposure to life outside the farm. You may even see this as he struggles with the thought of calling the doctor for help. But, I don't think this was intentional. Another story that may have inspired King is a true one. In 1961, a man in North Carolina purchased a single square of linoleum from a neighbor to fill in a missing piece on his floor. Soon after, his wife began suffering from acute respiratory ailments. When he removed the piece of linoleum, he discovered a mass of mold had grown underneath. They cleaned it with all kinds of chemicals, but it wasn't long before the mold had grown on the walls and furniture. Eventually, most of the home was covered in gray, hairy mold. Although, this is similar to Weeds, there is no confirmation that King had ever heard of this.
This segment of the film definitely stands out for its goofy acting and cartoonish sound effects. It's the only story in the film played for laughs. This was on purpose. Romero had told King to play Jordy like Wile E. Coyote, the way he looks when he goes off a cliff. In this aspect, King doesn't disappoint. Some may call his acting hammy, but I think it suits the character perfectly. King also had an allergic reaction to the makeup he wore and had to take medication just to make it bearable. One can only imagine how difficult it would be for one to act under such circumstances.

Creepshow-Jordy Verrill-03 / Fair use doctrine.In conclusion, this is one of my favorite stories, mainly because it evokes the hopelessness of a Lovecraftian cosmic horror. From the second the meteor landed on Jordy's farm, he was doomed. It's also a very good example of Stephen King's earlier works, when he wore his inspirations on his sleeve. The end is also something I enjoy very much, we hear the news on the radio proclaim that serious rainfall is on the way and we see the foliage has reached the highway and is making its way towards Castle Rock, Portland, and Boston. Will the entire country eventually be covered in weeds? It would appear so.

Well, the weeds in my backyard are telling me to end part 3 of my retrospective. In any case, I hope you lunk heads can hold your breath a long time, at least until my next installment, where I take a look at the next creepy tale, "Something To Tide You Over"...
Posted by Alf Benny in MOVIE REVIEWS, REVIEWS, 0 comments
TRIBUTE: George A. Romero (6 of ?)

TRIBUTE: George A. Romero (6 of ?)

My Moment With George A. Romero

Like many doing this tribute, I didn't know Mr. Romero on a personal level, but, like many - if not all, I feel like I did because of how deeply his work has touched me and, indeed, changed my life. There are certain movies I can remember vividly the first time I've seen them and George's seminal Night of the Living Dead was certainly one of them. One faithless evening I was at the mall with some school friends (I was in middle school at the time) and I of course found myself scouring the video store. The iconic image of Kyra as the pint-sized zombie on the cover beckoned me and soon I was in its undead clutches. After popping in the clunky VHS in my machine I stood in awe of the black and white nightmare and ninety odd minutes later I was a lifelong fan. What struck me was how stark and nihilistic it was, something I had seldom seen before. And I still consider the ending a milestone in not only the genre but of all cinema.
Of course, after that I raced to my local mom and pop rental shop to pick up Dawn of the Dead, Day of the Dead, Creepshow and later lesser known but brilliant stuff like Martin, The Crazies, etc. I couldn't get enough. It was when I attended a Monster Mania Con when I got to meet the zombie king in the flesh and boy was I nervous. I decided I wanted to give something back so I created a sketch of George's portrait popping up out of a cemetery with a few brain munching zombies. I framed it and waited in line, all while trying to keep my cool. We met and I had some posters and prints signed and with shaking hands I presented the legend with my modest tribute to his body of work. He seemed utterly taken back in a good way and I always like to think he displayed it in his home.
Yes, I didn't know George as a friend, we didn't share long talks about important things like life and love but the shadow of his work has always followed me and the iconic images he produced continues to have a last impact on me not only as a film buff but as a person as well. We will miss you, Mr. Romero, and we take comfort in knowing you left us a legacy that, like your zombies, will never die.
Posted by Mike Vaughn in EDITORIALS, TRIBUTE, 0 comments
TRIBUTE: George A. Romero (5 of ?)

TRIBUTE: George A. Romero (5 of ?)

Remembering George A. Romero

With the passing of George A. Romero this week many of us are mourning the loss of one of the true legends of the horror industry. Although he is viewed as the father of the modern zombie film, I feel that it's important to keep in mind some of the other influences he had both inside the horror industry as well as outside.
As we all know, he is almost single-handedly responsible for the modern zombie. Everything from The Walking Dead graphic novels and the TV series, the Resident Evil franchise (both the games and the films), and even books like The Zombie Survival Guide all owe a debt of gratitude to Mr. Romero, as his take on the undead have helped to shape all these.
His sphere of influence spreads far beyond zombies, though. Some of his best work was with the writing of Stephen King. Everyone knows that the works of King are notoriously difficult to translate to film. His take on King's The Dark Half made the story compelling and interesting while remaining very true to the source material. Many people consider it to be one of the most faithful King adaptations ever put to film.
His directing skill was always spot on and appropriate to the type of film he was making. His use of unique lighting and camera angles on Creepshow differed from most other films and made it feel like a comic book come to life. It also helped teach young impressionable fans such as myself that horror could be artistic, beautifully lit, ironic, and fun.
Although many people consider Bruiser to be his worst film, I believe that it proves that he wasn't just a great director but a masterful storyteller. Weaving a very bleak story with depth and heart about a man struggling with life and identity. Making the viewer feel compassion for the man and the monster while also creating a stark, uncomfortable world.
Don't even get me started on the genius and magic behind the film Martin. I could talk about that one for hours.
So much more than just the "Godfather of zombies", George A. Romero was a true visionary who will be missed but whose influence will live on for generations.
Posted by Richard Francis in EDITORIALS, TRIBUTE, 0 comments
TRIBUTE: GEORGE A. ROMERO (1 of ?)

TRIBUTE: GEORGE A. ROMERO (1 of ?)

Remembering George A. Romero

George A. Romero, as many of you know by now, passed on Sunday, July 16, asleep in his own bed. Romero had a small but aggressive bout with cancer, but that is said not to be the cause of his death. Romero was 77.
When one thinks of zombies these days, sadly, most think of The Walking Dead and believe this to be the greatest zombie representation in film (or TV). Not to take anything away from the abundance of talent that goes into making TWD, but if you were to ask its main man Greg Nicotero who he himself was inspired by (as well as any true horror and or zombie fan) and who is the master and father of the modern zombie, you'll get the same answer from them all. That name would be legendary filmmaker George A. Romero.
George A. Romero was born in New York City in 1940. After graduating school, George made many short film and did some commercial work as well. He and friends formed IMAGE TEN PRODUCTIONS where they all chipped in about $10,000.00 each to produce and direct a black and white horror film that became an instant horror classic and a legend among all zombie film to ever be made: Night of the Living Dead (1968).
Romero went on to write, direct, produce, and even act in more than a combined 78 films. Films titles such as The Crazies (2010/1972), Diary of the Dead (2007), Night of the Living Dead 3D (2006), Land of the Dead (2004), Creepshow (1982), Dawn of the Dead (1978), and many more.
George A. Romero was always known for his trademark thick rimmed black frame glasses and safari vest. But, more so, was always known for being a warmhearted man who always cared and took the time for his fans. I personally wasn't fortunate enough to have met Romero at any of the conventions that he had attended as a celebrity guest, but I always heard from those who did that he was a very personable and kind man.
The legendary horror/zombie films that Romero made in his lifetime were inspiring to future filmmakers and loved by audiences across the globe. Romero's Night of the Living Dead became the standard for all other zombie films. All, in some way, seemed to be compared to that of Romero, but none ever seem to make the same impact. While Romero's films were always full of great gore, blood, and BRAINS(!!!!), the films always had great stories. They were always driven by characters whose main goal was to survive among the dead for their life. And it always worked!
Mr. Romero, you have been inspiring, admired, respected, loved, and now, most of all, missed.
On behalf of myself, John Roisland, founder and CEO of House of Tortured Souls, thank you, sir, for all the memories you have given to all of us.
Keep It Evil.
Posted by John Roisland in EDITORIALS, TRIBUTE, 0 comments
MOVIE REVIEW (RETRO): Revisiting Creepshow (1982), Pt. 2

MOVIE REVIEW (RETRO): Revisiting Creepshow (1982), Pt. 2

REVISITING CREEPSHOW

Part 2: I Want My Cake

Hello there kiddies! Thanks for stopping by and welcome to the second installment of my monstrous multi-part series! A repulsive and revolting retrospect to that fiendish fright-fest, Creepshow...
In the last installment, I discussed the ins and outs of the film's background, its impact upon its release, and the intro of the film. Now, let us take a look at the first story in this anthology, aptly named, "Father's Day".
This tale centers around the affluent and boorish Grantham family as they gather at their patriarch's home on Father's Day seven years after his death. Aunt Sylvia (Carrie Nye (The Screaming Skull, Too Scared To Scream)), Richard (Warner Shook (Knightriders)), Cass (Elizabeth Regan), and Cass' husband Hank Blaine (Ed Harris (The Abyss, Needful Things)) are waiting for Sylvia's Aunt Bedelia (Viveca Lindfors (Exorcist III, The Hand)) to arrive. Creepshow-Father's Day-Father's Day cake / Fair use doctrine.In the meantime, they begin to tell Hank the story of how Aunt Bedelia killed her own father, Nathan, played by Jon Lormer (Twilight Zone, Star Trek), on Father's Day, years after he had her fiance murdered in a "hunting accident". Aunt Bedelia, now an alcoholic and consumed with guilt, arrives and visits her father's grave. After getting the event off of her chest, her father's decayed corpse rises from the grave to exact his revenge. He strangles Bedelia and shortly begins murdering the rest of the family, all the while asking for his Father's Day cake.
This story is one of the best examples of a Tales From The Crypt story. Usually, someone kills another person and that person will eventually rise from the grave to exact their revenge. Although, most of the times in these tales, the previously dead would have been killed for an unjust cause. In this story, that is debatable. The Grantham family is not seen as the shining example of morality, but the family patriarch, Nathan, is surely the worst of them all. After having Bedelia's fiance killed, he is left in her care. He nags and nags about his Father's day cake as she is seen to be emotionally distraught. It's difficult to blame her for her actions, but one can say that murdering him can not be justified. As pleasing as it is to see a bad person receive their comeuppance, in general, revenge leads to more revenge. Nathan's reanimated corpse also kills the maid, Mrs. Danvers. Where some may see her as being innocent in all of this, she was witness to his murder and did nothing about it. This could make her an accomplice in some people's eyes. The only character killed that one could say was wholly innocent was Hank. I guess a vengeful animated corpse cares not for the innocent. In the end, this is a shining example of karma.
I've seen many reviews say that it is the weakest story and others say that it should have been left out. I personally feel it is a great way to start the film and give us a taste of what is in store for us. Some of the imagery is outstanding. Who could forget the scene of Sylvia's head on a platter, topped with icing and candles, and Nathan proudly proclaiming, "It's Father's Day and I got my cake. Happy Father's Day!", while Richard and Cass look on in stark terror? Hell, someone even made an action figure of this scene recently. Nathan's reanimated corpse, played by John Amplas (Day of The Dead) looks amazing. The make-up effects were done by the legendary Tom Savini (Dawn of The Dead, Maniac). One other thing that sticks out to me about Nathan's reanimated corpse is his voice. I can never get tired of hearing that ghoulish sound, it's quite terrifying. All of the actors do a great job as well, especially Viveca Lindfors. Despite her strong Swedish accent, she delivers a powerful monologue. She asked George A. Romero if she could improvise the scene. She channeled her anger over her rocky relationships with her own father and her ex-husband. The product is a realistic and emotionally-charged performance. One more thing I truly love in this story is small, but has stuck with me since I was a child. When Richard and Cass encounter Nathan at the end, Richard let's out a gasping "Oh my god!" which is quite unique. We're used to hearing people scream or just gasp in horror films, but Warner Shook decided to recite his line while inhaling. This strikes me as a very authentic reaction to seeing something so horrifying.
Creepshow-Father's Day-Aunt Bedelia / Fair use doctrine.This isn't to say this story doesn't have its downfalls. The flashback scene of Nathan nagging Bedelia for his cake is quite hammy and goofy. This could have been on purpose, perhaps Romero felt that this is how the family sees the event as they are relating it to Hank. It does retract a bit from the overall feel of the story and otherwise great performances. Another scene that isn't very good is Hank's death. He falls into the hole that was Nathan's grave and sees Bedelia's corpse. Nathan's obelisk-like tomb then slowly starts inching fotward, threatening to fall onto Hank. It seems like Hank has no sense of urgency here and just lays there staring at the tomb for seconds on end. Nothing is holding him in place. In the comic book, we see that Bedelia's lifeless corpse has rolled on top of him and he struggles to get it off of him. This slows his escape long enough for the tomb to fall onto him and crush him. Why Romero chose to portray it the way he did in the film is beyond me. Since the comic book was based on the original script, I feel King had written this into the screenplay. It's very odd and a bit comical, you just end up screaming at the screen, "Get up, you fool!"
Stephen King wrote this story specifically for this film and as I stated before, I think he wrote this as a pastiche of the general Tales From The Crypt story. He may have had some inspiration from James Joyce's book, Finnegan's Wake. In this story, the titular character falls from a ladder and dies. He is then revived when someone accidentally spills whiskey on his corpse. In Father's Day, Nathan is revived directly after Bedelia accidentally spills her whiskey at Nathan's grave. This idea originally came from an old Dublin street ballad and the Gaelic word for whiskey translates to "water of life".
This was Ed Harris' fourth role. The year before this film, Ed Harris had the starring role in Romero's previous film, Knightriders. Later in 1993, he went on to play the main character, Alan Pangborn, in the film adaptation of the novel, Needful Things. But, beyond these connections, I don't think I need to tell you how well his career has gone since his appearance in Creepshow.
Ed Harris in Creepshow / Fair use doctrine.
One more thing of note to mention is the murder weapon. Creepshow-Father's Day-ashtray / Fair use doctrine.In the flashback sequence, we see that Bedelia kills Nathan by bashing him over the head with a marble ashtray. This ashtray can be seen in every story in this film, even in the wraparound story. Maybe, you can watch the film again and make a game out of spotting each of its appearances. No, I'm not going to spoil it for you! Where's the fun in that?
Well, that concludes part 2 of my retrospect and I've suddenly got myself a hankering for some cake. How about you? In any case, don't be a nunk head and join me next time as I take a look at the next spooky story, "The Lonesome Death of Jordy Verril..."
Posted by Alf Benny in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW (RETRO): Revisiting Creepshow (1982), Pt. 1

MOVIE REVIEW (RETRO): Revisiting Creepshow (1982), Pt. 1

REVISITING CREEPSHOW

Part I: That's Why God Made Fathers


Hello there, kiddies! Thanks for stopping by and welcome to my monstrous multi-part series! A repulsive and revolting retrospect to that fiendish fright-fest, Creepshow...

When I was a kid, Saturdays were a special day relegated to staring at my television all day long. The mornings were full of cartoons. Late morning to early afternoon, we watched wrestling, 70s kung-fu, or giant monster films. But, later in the day came the horror movies. This was the best time to be glued to that screen. One of my favorite films, which they ran quite often, was Creepshow. I was too young to remember this film’s theatrical release, but I can imagine that the combination of George A. Romero and Stephen King was enough to make most horror fans' hearts thump erratically. In fact, this was one of the first horror films I can remember watching, along with Psycho and Night of The Living Dead. It was also one of the films that jump started my love for Stephen King and soon afterwards I was begging my mother to buy me one of his books. She purchased Night Shift (an anthology of short stories) from a flea market for 50 cents.

As an obsessive fan of horror and comic books, this was the perfect film for me. It brought together two of my favorite things that, at the time, was not easy for a young boy to find. To Romero and King, it was an homage to the comic books they loved as kids, EC horror comics like Tales From The Crypt, The Vault of Horror, and The Haunt of Fear. Comic books were all but exclusively about superheroes by the time I was old enough to enjoy them and I didn't even know that horror-themed comic books had ever existed. In fact, by the time the Tales From The Crypt television series first aired, I thought they were ripping off Creepshow! Boy was I wrong.

The year was 1982 and Warner Brothers was trying to decide when was the best time to release this strangely-toned R-rated film. Summer is usually the time most people go to the movies, but horror films do better closer to Halloween. They knew they couldn't release it before October 31st as the Halloween film series was dominating ticket sales for their last two releases. Michael Myers was becoming a household name and Creepshow would definitely be overshadowed by it. In an unusual move, they decided to give it a limited summer release in the Boston area. They gave it a four-week trial run, and it was met with great sales and high praise. Upon hearing that Halloween III: Season of The Witch would not feature Michael Myers, much to the lament of the fans of the series, they predicted that tickets sales for the film would dry up quickly. They were correct. Creepshow was released in theaters worldwide on November 12, 1982. It grossed well over $5 million in its opening weekend and knocked First Blood off of the number one spot. The first and only George A. Romero film to open at number one at the weekend box office. By the end of its run, the film grossed over $21 million in the US, becoming Warner Brothers’ biggest horror hit of the year.

Creepshow consists of five terrifying tales written by Stephen King. This is the only time George A. Romero directed a film that he didn't write. Three stories were written specifically for the film, while the other two were adaptations of short stories previously released in magazines. Most of the tales follow the stereotypical Tales of The Crypt formula. Someone commits a horrific act and it eventually comes back to haunt them, usually in the form of a murdered individual returning from the dead with a horrifying visage. Karma...

The film begins with a wraparound story about a boy who loves to read horror comics, but his father sees it as trash and refuses to allow his son to read it. I think this is an ever relevant topic, especially to 80s kids who listened to Heavy Metal and played Dungeons & Dragons. There was a huge push back against them at the time as they were thought to be teaching kids Satanism. To Romero and King, this was a callback to the similar attack on comic books in the 50s, which led to the self-regulating organization, Comics Code Authority and eventually the fall of horror comics.

The Creepshow comic book props and artwork seen in this story and the rest of the film were drawn and inked by Jack Kamen, a legendary artist in a variety of genres for EC Comics. He also drew the comic book cover-style movie poster. Originally, King wanted Graham Ingels (famous for his work on The Haunt of Fear and Tales from The Crypt) for the artwork. If you've ever read King’s non-fiction book about horror in film, radio, print, and comics, Danse Macabre, or the short story, The Boogeyman, then you know Stephen King thinks highly of Ingels' artwork. Unfortunately, Ingels was not interested. So, William M. Gaines (publisher and co-editor of EC Comics) recommended Kamen.

Playing the father Stan in this story is a non-mustachioed Tom Atkins (The Fog, Escape From New York, Night of the Creeps), who also starred in Halloween III which was released two weeks prior and was in direct competition. He also worked with Romero later on in Two Evil Eyes and Bruiser. Playing the horror comic reading son, Billy, is Stephen King's eldest son, Joseph King, who eventually grew up to become a best-selling author in his own right, under the pseudonym, Joe Hill (Horns, The Fireman). During a break, Stephen took Joe out to McDonald's, he had the make-up crew put scars and cuts and bruises on Joe as a joke. After leaving the drive-thru, the girl working the register called the police. Stephen had to explain to the police that they were making a movie and it was all a gag.

The scene ends with Stan smacking Billy for talking back and then throwing the comic in the trash. Afterwards, Billy is visited by The Creep, hovering outside his window heralding the upcoming horrors. Billy smiles at The Creep, knowing full-well that his revenge against his strict father is at hand. Although it is quite an evil notion, and should not be seen as good, this is an emotion most children have felt at one point. A concept that we can all relate to. This is followed by an animated intro with drawn images of all of the stories encompassing the film. I also loved this as a kid and I would be lying if I said, I didn't love it now.

Well, that concludes part one of my retrospect. I hope you enjoyed it. Join me next time kiddies, when we take a look at the first terrifying tale of the bunch — Father's Day...

Posted by Alf Benny in MOVIE REVIEWS, REVIEWS, 1 comment
COMING SOON: 10/31/16 (2017)

COMING SOON: 10/31/16 (2017)


By John Roisland


Red Letter Entertainment, Inc. brings you the directorial debut from Rocky Gray (composer of The Barn, Killing Floor 2),two time Grammy winning musician and former drummer for Evanescence.

A new horror anthology in the vein of V/H/S/ and Creepshow
brings an ensemble cast together to spin twisted tales of the macabre. The film is Executive Produced by P.J. Starks, creator of the critically acclaimed Volumes of Blood franchise.


Story line:
A video tape given to a group of teens by a sinister trick or treater turns Halloween night into a living nightmare.

The film stars Jordan Phipps, Greg Fallon, Samantha Anderson, Taylor Aulbach, Darius White, Micah Patterson, Kirby Gocke, Star McCann, and Alivea Lafavor.

So when can we expect too see the finished project? Good question! 10/31/16 is set to be released around August 2017.

When Rocky and I first met, i knew he was the drummer for Evanescence, I also knew he was a huge horror fan, it was because that, that i pursued Rocky to join the staff of House of Tortured Souls. And what an addition he has been, graphics for the website, logo images, and last but by no means least - the opening and closing music for our podcast House of Tortured Souls Live. All of which we have had many compliments over, and we thank you, Rocky!!

I was in awe of the work Rocky had been doing with scores and soundtracks, but when he first mentioned to me about him making his own film, the upcoming 10/31/16, I’m pretty sure my reply text to him was, “FUUUCK YEA!!!!! Keep me posted. I’d be honored to support and help you out any way I can!”

When Rocky told me he had sent me the trailer and press release for 10/31/16, I was thrilled and couldn't wait to get home and check it out ! As most of you know, I am a huge fan of horror anthologies, so when Rocky mentioned that's what his film was, I was super stoked!

Be sure to check out 10/31/16 online:



Keep your eyes on 10/31/16 and on Houseoftorturedsouls.com for updates on the film and keep your ears open to House of Tortured Souls Live for the podcast with Rocky Gray.

A horror fan living the dream, give 'em hell, Rocky!

Keep It Evil...

Posted by John Roisland in HORROR NEWS, 1 comment
My IDOL George Romero Finally Gets a Hollywood Star!

My IDOL George Romero Finally Gets a Hollywood Star!

They're Coming for You, George...
(And it's about time!)

Star of the Dead

By Tammie Parker

George Romero - Night of the Living DeadGeorge Romero made zombies famous in Night of the Living Dead and redefined the genre while doing so. But not only did he direct the movie, he also helped write it. The man is a zombie genius! Almost all of us learned how zombies walk, move, moan, and what they look like (Hint: Not so good.)  from this movie. How real the movie looked (especially for the time period) made it truly disturbing to many viewers, and the concept of using radio broadcasting to report on what was happening was beyond creative. Lest we forget, Romero also encouraged the actors to perform with conviction, to bring realism to the drama, as evidenced with Barbara's nervousness and getting the shakes and Ben's slap to bring her back to reality, or the doomed family in the basement who, nevertheless, remain steadfast in their resolve to remain n the basement and to keep the others out, He made us feel for these people, and that made it all the more frightening.

 

Dawn George RomeroGeorge later blessed us with more to the story - Dawn of the Dead (1978),

 

 

 George RomeroDay of the Dead (1985),

 

 

 

zombies-georgeromaro-landofthedeadLand of the Dead (2005), Diary of the Dead (2007), Survival of the Dead (2009), and a work in progress Origins (a prequel). Thanks, George!

 

This, of course, has made so many zombie fans (myself included) obsessed with Mr. Romero!

Zombies with George Romero

 George RomeroHell, look here! Even the zombies love him!

 

 

 

zombies-georgeromaro-blackopsSome big fans include the creators of Call of Duty: Black Ops- Zombie map, Call of the Dead

 

horrormovies-silenceofthelambs-georgeromarocameoAnd director Jonathon Demme gave him a cameo in Silence of the Lambs!!Did you notice him?

 

Crazies George RomeroBy no means is Romero just for the zombie lover of course, He loves horror in general. He directed the original The Crazies, and the cult vampire movie Martin, and how about the Monkey Shines, huh? Pretty weird stuff, George! He even directed the commercial for the video game Resident Evil 2

George has also worked with Stephen King.

Stephen King and George RomeroThey created the comic book throwback movie Creepshow.

 

 

 

horrormovie-thedarkhalfAnd Romero also directed The Dark Half - boy, were the sparrows flying.

 

 

 

 

 

 

During his 50 years in the film industry, he has written, produced, and directed many films and even had a television show called Tales from the Darkside (Rumor has it that Joe Hill, Stephen King's son, will be working on a new version of Tales... yet another King tie). So why did it take so long for him to get a star?

zombies-georgeromaro-creepyglow

 

 

Posted by Tammie Parker in HORROR HEROES, HORROR NEWS, IN THE SPOTLIGHT, 0 comments