Forest Whitaker

10/07 – 1993: BODY SNATCHERS

 

 

 

Of the approximately half-dozen remakes there have been, since director DON SIEGEL first terrified the world with INVASION OF THE BODY SNATCHERS, based on Jack Finney’s timeless sci-fi terror tale, two standout versions are, for me, the smartest of the bunch. The first is PHILIP KAUFMAN’S dark satirizing of the San Francisco “self-awareness” scene back in 1978, and BODY SNATCHERS, the often-unsung version directed by genre favorite ABEL FERRARA (MS. .45, KING OF NEW YORK, FEAR CITY, BAD LIEUTENANT).  Ferrara’s ferocious, take-no-prisoners sensibility and dark sense of humor was a glove-like fit for an adaptation worked on by no less than five writers, which included STUART GORDON, DENNIS PAOLI and LARRY COHEN.

The oft-told story was still very flexible in terms of where it could be set and how it reflected the times in which it was being re-told. And what better place to set a story about assimilation, blind compliance and loss of identity, than on an ARMY BASE? Brilliant.

 

 

 

 

 

GABRIELLE ANWAR (SCENT OF A WOMAN) plays Marti Malone, the oldest daughter of the Malone family, along with dad Steve (TERRY KINNEY of HBO’S OZ), and little brother Andy (REILLY MURPHY).

As good as everyone is in the cast, though, the must-see performance of the film comes from…MEG TILLY as mom, Carol Malone. Yeah, the same Meg Tilly you knew from THE BIG CHILL is here to deliver a “bigger chill” of a totally different kind, with a monologue that’s as chilling as any pivotal “possession” scene in the other versions, including the original.

Filming at an actual base as well as the surrounding areas in Selma, Alabama, Ferrara and DP BOJAN BAZELLI (PUMPKINHEAD) were able to infuse this version of Finney’s story with the same sharp sense of dread and paranoia that is inherent in the other successful versions.

  

Other interested parties who become involved in the nightmarish events that begin to engulf both the soldiers on base and civilians alike, include characters played by BILLY WIRTH (THE LOST BOYS), CHRISTINE ELISE, (CHILD’S PLAY 2), R. LEE ERMEY (FULL METAL JACKET) and FOREST WHITAKER (THE CRYING GAME, A RAGE IN HARLEM).

There’s so much more I want to say about this ‘hidden’ gem, but once again, it’s one of those cases where the less I spoil for you, the better it will be if you’re seeing it for the first time. In fact, try doing a ‘double’ with this and the Kaufman version!

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Seven – 10/07/18

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Seven – 10/07/18

10/07 – 1993: BODY SNATCHERS

 

 

 

Of the approximately half-dozen remakes there have been, since director DON SIEGEL first terrified the world with INVASION OF THE BODY SNATCHERS, based on Jack Finney’s timeless sci-fi terror tale, two standout versions are, for me, the smartest of the bunch. The first is PHILIP KAUFMAN’S dark satirizing of the San Francisco “self-awareness” scene back in 1978, and BODY SNATCHERS, the often-unsung version directed by genre favorite ABEL FERRARA (MS. .45, KING OF NEW YORK, FEAR CITY, BAD LIEUTENANT).  Ferrara’s ferocious, take-no-prisoners sensibility and dark sense of humor was a glove-like fit for an adaptation worked on by no less than five writers, which included STUART GORDON, DENNIS PAOLI and LARRY COHEN.

The oft-told story was still very flexible in terms of where it could be set and how it reflected the times in which it was being re-told. And what better place to set a story about assimilation, blind compliance and loss of identity, than on an ARMY BASE? Brilliant.

 

 

 

 

 

GABRIELLE ANWAR (SCENT OF A WOMAN) plays Marti Malone, the oldest daughter of the Malone family, along with dad Steve (TERRY KINNEY of HBO’S OZ), and little brother Andy (REILLY MURPHY).

As good as everyone is in the cast, though, the must-see performance of the film comes from…MEG TILLY as mom, Carol Malone. Yeah, the same Meg Tilly you knew from THE BIG CHILL is here to deliver a “bigger chill” of a totally different kind, with a monologue that’s as chilling as any pivotal “possession” scene in the other versions, including the original.

Filming at an actual base as well as the surrounding areas in Selma, Alabama, Ferrara and DP BOJAN BAZELLI (PUMPKINHEAD) were able to infuse this version of Finney’s story with the same sharp sense of dread and paranoia that is inherent in the other successful versions.

  

Other interested parties who become involved in the nightmarish events that begin to engulf both the soldiers on base and civilians alike, include characters played by BILLY WIRTH (THE LOST BOYS), CHRISTINE ELISE, (CHILD’S PLAY 2), R. LEE ERMEY (FULL METAL JACKET) and FOREST WHITAKER (THE CRYING GAME, A RAGE IN HARLEM).

There’s so much more I want to say about this ‘hidden’ gem, but once again, it’s one of those cases where the less I spoil for you, the better it will be if you’re seeing it for the first time. In fact, try doing a ‘double’ with this and the Kaufman version!


Posted by Samuel Glass in EDITORIALS, FAMILY HORROR, FEATURED CONTENT, HALLOWEEN, SCI-FI HORROR, THRILLER, TRIBUTE, 0 comments
MOVIE REVIEW: How It Ends (2018)

MOVIE REVIEW: How It Ends (2018)

I have this nightmare about being separated from my loved ones who live thousands of miles away, by a sudden, catastrophic event. I’m pretty certain that my lack of survival skills and penchant for staying indoors at all time will do me in, and I would not survive the drive across country to save them from the perils of whatever is happening.

This brings us to How It Ends, a new Netflix Original written by Brooks McLaren and directed by David M. Rosenthal. It starts out innocent enough, introducing us to a young couple, Will Younger, played by Theo James of Divergent fame, and Samantha Sutherland, portrayed by The Vampire Diaries’ Kat Graham. In flashbacks, we know they are eagerly awaiting the birth of their first baby, but the big event at hand at this time, is Will’s dinner with Samantha’s parents in Chicago, by himself, while Samantha stays home in Seattle. “Just don’t bring up, the boat,” warns Samantha as Will prepares to leave on his trip.

How It Ends / IMDB

Dinner goes off how one would imagine, and we soon see Will in a video chat with Samantha. Suddenly there’s static, and the call is lost. This catapults both Will, and Samantha’s dad, Tom Sutherland (Forest Whitaker as amazing as always), into Tom’s silver Cadillac, and they set off in a race against time to Seattle to rescue Samantha from whatever is happening.

How It Ends / IMDB

And that’s all we learn. It’s ‘whatever is happening’. While the film isn’t without a few scares and some drama, there is little to no development of any kind outside of the characters. And that’s not even a lot of development either. We are introduced to a young, Native American woman, Ricki (Grace Dove from The Revenant) who fixes their car after an altercation with two deer and a questionable cop, and agrees to accompany the two men on their trip for $2,000 in exchange for car maintenance. But after a pretty dramatic incident involving stolen gas cans and a fire, Ricki takes off and is never referenced again. It’s the undeveloped moments like this that hold How It Ends back.

How It Ends / IMDB

There are some cool car maneuvers and some fun shooting with fantastic cinematography. However, none of that can save How It Ends from imploding on itself. It’s a fast watch that doesn’t feel the almost two hours it runs, but I would have gladly watched a longer film if it promised to not leave me thinking, ‘WTF?’

Posted by Alan Smithee in FAMILY HORROR, MOVIE REVIEWS, REVIEWS, 0 comments