horror movie

COMING SOON: Eli Roth’s Death Wish (2017)

COMING SOON: Eli Roth’s Death Wish (2017)

Director: Eli Roth; Writers: Joe Carnahan (screenplay), Brian Garfield (novel), Dean Georgaris (screenplay), Eli Roth (screenplay) ; Stars: Bruce Willis, Vincent D’Onofrio, Elisabeth Shue ; Rating: No info; Run Time: No info; Genre: Action/Horror; Country: USA; Language: English; Year: 2017
A mild-mannered father is transformed into a killing machine after his family is torn apart by a violent act.
Eli Roth / Image: Jeff Vespa courtesy WireImageHorror director Eli Roth (Cabin Fever, Hostel, The Green Inferno) has announced he has directed a remake of the 1974 revenge classic Death Wish. The film boasts a stellar casting including action star Bruce Willis (Die Hard, Looper) in the lead, character actor Vincent D’Onofrio (Full Metal Jacket, Jurassic World), and 80s mainstay Elizabeth Shue (Cocktail, Leaving Las Vegas) just to name a few. So far the film is slated to be released November 22nd of this year and will be released by MGM/Annapurna Pictures.
Charles Bronson - Death Wish / Fair use doctrine.As you might recall, the original 1974 film starred screen icon Charles Bronson playing a mild-mannered father pushed to his limits and out for revenge. Based on the 1972 novel by Brian Garfield, the film was a mega hit and spawned other successful sequels. I am very curious to see how Mr. Roth will tackle this subject but I think its safe to say it will be wall to wall blood and guts. The remake has been a long time coming, having been in development since the early 2000s. Originally, Taken star Liam Neeson was to star with Smokin’ Aces director Joe Carnahan at the helm. Only time will tell if the wait and hype will be worth it.
Eli Roth / Image: Jeff Vespa courtesy WireImage
Posted by Mike Vaughn in Categories, COMING SOON, 0 comments
SATURDAY NIGHT SHOCKER: The Amityville Horror, Part 2

SATURDAY NIGHT SHOCKER: The Amityville Horror, Part 2

Part two of a special two-part Saturday Night Shocker: The Amityville Horror

On November 13th, 1974, Butch DeFeo arrived Henry’s Bar, saying he was locked out of his house and couldn’t get back in or get in touch with anyone in his family. He and several friends went back to the house and Butch broke a window to get inside. He found his parents and younger brothers and sisters all shot to death in their beds.
The authorities arrived. The bodies were taken away and the police tried to console the distraught Butch. He said he would do anything he could to help and speculated that he thought a man named Louis Falini was responsible. Butch said Falini, who supposedly had ties to the mob, had a falling out with Ronald and was heard threatening the DeFeo family. Butch went to the police station, mostly for his own protection, while the police continued to analyze the crime scene. The longer Butch was questioned, the more inconsistencies crept up in his story. Finally, he confessed to killing his family.
Fair use doctrine.
Eric Walter (Inset: Danny Lutz)
Then Butch started changing his story. He said that Louis Falini and others came into the house and made him watch as they shot his family. After that, he said he and some friends, including Bobby Kelske, had been caught by Ronald searching for his stash of money. One of Butch’s friends shot his father and then killed the rest of the family to cover it up. Another version of the story had Butch and Dawn planning to kill the family together. Butch shot Ronald and Dawn shot Louise; Butch left the house, came back to find that Dawn had killed the children and he killed her in a fit of rage. Butch’s relatives also tried to intervene, saying the confession had been coerced by police brutality and that his rights had been violated when he was denied the legal counsel of a family friend who was a lawyer.
Butch DeFeo’s trial for the murder of his six family members began in October of 1975. His lawyer, William Weber, tenaciously pursued an insanity defense. He claimed Butch heard voices and that those voices eventually made him kill his family, even manifesting as a pair of black hands that gave him the gun. Howard Zolan, the psychiatrist who examined Butch, claimed that he had an antisocial personality disorder but did know what he was doing and was legally competent. There was also testimony from cellmates and guards where Butch was being held who heard him say he killed his family and say that he knew how to feign insanity well enough to be acquitted.
Ronald “Butch” DeFeo Jr. was found guilty of six counts of murder on November 21st, 1975. He was sentenced to life in prison.
After the loss in court, William Weber contacted acquaintances George and Kathy Lutz. They had a few glasses of wine and discussed things like the Lutz’s interest in the occult and transcendental meditation. They concocted a plan that started when the couple bought the DeFeo house and has never really ended.
After they fled the house, George and Kathy Lutz contacted Laura Didio, a reporter from a local news station, with their story and she put them in touch with paranormal investigators Ed and Lorraine Warren. The Warrens did a walk-through of the house with several people from a psychical research institute and claimed to feel negative supernatural energies due to the property’s history. They said the land had been used by the Shinnecock Indians as an asylum for their ill and insane. The house had also been owned by a man named John Ketchum, a practicing warlock who fled persecution in the Salem Witch Trials. The Warrens alleged that Butch practiced black magic, which may have turned him into a conduit for the spirits that possessed him and made him murder his family. Butch backs up the claims in his letters to Long Island-based medium Jackie Barrett, mentioning that he attended more than one black mass when he was a teenager.
George and Kathy contacted author Jay Anson, who turned their story into his book The Amityville Horror. The book and subsequent movie, starring Jame Brolin and Margot Kidder, were wildly successful. As William Weber had hoped, his plan did generate some attention for Butch but didn’t get his sentence reexamined and he couldn’t even profit from the media franchise. Instead of monetary compensation, Butch had notoriety inside prison as well as outside. He wrote to Jackie Barrett that he fought off an attack from the “Son of Sam” killer David Berkowitz when he and Berkowitz were in the same correctional facility and that he was also approached by people who bribed him to kill Berkowitz.
He was interviewed by renowned paranormal researcher Hans Holzer. Holzer reiterated the Warren’s story about possession and spirits of Native Americans tied to the property. He wrote a book based on the DeFeo family and their murder, the basis for the movie Amityville 2: The Possession. Holzer’s book was a fairly accurate portrayal of the malicious and domineering father and subservient mother who couldn’t remove her children from the abusive environment. He even included the incident where Butch pointed a rifle to his father’s head to make him stop beating his mother. Holzer took a huge liberty with the story, however, when he added the element of incest between the two oldest siblings. Butch has said his sister was his co-conspirator or that she committed some of the murders on her own but insists that they never had an incestuous relationship.
The Lutzes didn’t deny any of what they said happened to them in the house, despite William Weber’s claim that it was a story they fabricated together. The Lutzes sued Weber, as well as Paul Hoffman, who was originally going to write the book about the haunting, and others for invasion of privacy and mental distress. The claims were all dismissed for lack of evidence but George and Kathy never wavered in their accounts of things like unexplained loud noises and doors being ripped off the hinges. Neighbors report never hearing the noises George mentioned and the next owners of the house, the Cromartys, said that all of the doors had their original hardware and they never encountered anything supernatural. Nevertheless, George and Kathy Lutz believed their story so strongly they were able to take polygraph tests that showed no evidence of lying. Despite telling Laura Didio that he “didn’t want publicity,” George Lutz would introduce himself as “the Amityville guy.” George and Kathy went on a year-long promotional tour and left Danny in a monastery school where, in his 2012 documentary My Amityville Horror, Danny says the priests tried to perform exorcisms on him because they thought he was possessed by evil spirits.
Daniel Lutz comes off as abrasive and troubled. The documentary shows him going to therapy but being defensive when talking to his therapist. Her asks her about the most traumatic thing she’s ever experienced to gauge whether she can understand what he has been through. He insists that everything happened just as it did in his parents’ book.
Daniel’s dislike of George Lutz is evident whenever he mentions his stepfather. The strained family relationships didn’t withstand the publicity of the Amityville horror; Danny left home in his teens and George and Kathy divorced in the early 80s, which he says was the best thing his mother ever did. Daniel’s siblings declined to be interviewed and he doesn’t mention them. Despite the turbulence the claims of the haunting brought to his childhood, he interacts amiably with Laura Didio and Lorraine Warren when filmed with them in the documentary. Lorraine suggests leading Daniel and the film crew in a prayer over religious artifact she has on a necklace. Daniel beholds the article reverently but reacts with hostility upon finding out that one of the crew members present isn’t actually a believer. At the end of the documentary, the director asks if Daniel was ever approached about taking a lie detector test. He says, angrily and indignantly, that many people have suggested that but doesn’t say if he took one. The implication is that, unlike his parents, he doesn’t know if he would pass a polygraph.
The story of “America’s most famous haunting” is built on a foundation of lies and omissions of truth. The specters were abusive and selfish parents. The witnesses are people with reputations to protect. The restless spirits are the memories of the deceased and the troubled people still struggling with the legacy of 112 Ocean Avenue.
Fair use doctrine.
Ronald Joseph “Butch” DeFeo Jr.
Posted by Laura James in Categories, SATURDAY NIGHT SHOCKER, 0 comments
REBOOT NEWS: Escape From New York

REBOOT NEWS: Escape From New York

In 1981 a movie hit the big screen that changed my life: John Carpenter’s Escape From New York. I was nine years old and living at the time in Woodstock, New York, and my dad took me to a drive-in theater showing Scanners, John Carpenter’s The Fog, and Carpenter’s Escape From New York. We arrived and parked with only a few minutes left in Scanners… Then I was introduced to a double feature of John Carpenter, who immediately became – and has remained – my all time favorite film director. The Fogscared the shit out of me, as it still does. After a brief intermission the main event hit the screen.
1997. New York City is a walled maximum security prison. Breaking out is impossible. Breaking in is insane.
This movie opened a part of my mind that I never new was there. Snake Plissken was my hero, and Adrienne Barbeau would never soon leave my mind!
A remake of Escape From New York has been in talks over the past few years. As always, the mere mention a remake sparks a seemingly endless series of debates on the pros and cons of remakes in general. I’m not getting into a giant battle over remakes or, as some are now called reboots. Some films that are remade are pretty damn good, some would have been better left as a thought, and nothing more. But certain films, certain iconic and classic films, need to be left alone, and Escape From New York is one of them.
It was first mentioned a few years back that Gerard Butler was to play the lead role of Snake Plissken originated by Kurt Russell… Nope, not gonna happen. Now, I’m not saying that I haven’t enjoyed some of Butler’s roles, but he is NOT Snake Plissken! The way Hollywood is, honestly, I’m surprised I haven’t heard The Rock’s or Vin Diesel’s name added to the mix to just glamorize (or, in my opinion, bastardize) a film, just for money, but the roles haven’t been filled yet, so I guess I should just shut the hell up.
Now, a few years later, we haven’t heard much more talk about this for a while, and out of the blue, I catch wind that Robert Rodriguez has signed on to sit in the director’s chair and that, apparently will be bringing us a prequel. It’s also rumored that John Carpenter himself is going to be lending a big hand and having quite a bit of say so on the film as executive producer. That makes me happy.
Rodriguez is a very talented director who has a style of his own and who has brought us a lot of great films that I have highly enjoyed, such as Sin City, Planet Terror, hell I even liked a few of the Spy Kids films. I don’t doubt the man’s talent, not at all. What I do question is his ability to draw you into a story like Carpenter did. The ability to actually make you feel as if you were in the streets of New York, running for your life, feeling your heart thundering as time runs out, and without any CGI. Can you deliver that, Mr. Rodriguez? I certainly hope so. You are stepping into HUGE shoes to fill, my friend.
I had originally wanted to write this and do nothing but cuss and point fingers. However, I do have high hopes for this film. The original is my personal second favorite film of all time. I guess I’m nervous as to what the new film may do to what I hold so dearly as I do the original. So I’ll save up all my cussing for remake of The American Werewolf in London.
Keep It Evil…
Posted by John Roisland in Categories, HORROR NEWS, 0 comments
MOVIE REVIEW: THE BARN (2015)

MOVIE REVIEW: THE BARN (2015)

The Barn, a 2015 Indie horror film written and directed by Justin Seaman and brought to you by the good people of Nevermore Film Productions, will definitely bring a nostalgic smile to your face!
The Barn tells the tale of three supernatural entities that are brought back to life by trick-or-treaters who knock on the doors of a small town barn that has a haunted past. The Barn opens on a town gathering where the local clergyman is kicking off the local annual Halloween hootenanny in 1959. A young boy and girl swap glances during the introduction and quickly take off for the taboo barn after the Hootenanny opening speech. They stand back from the barn door, daring each other to trick-or-treat. At last, paying no mind to the warnings of the clergyman, the young girl takes off her Halloween mask and knocks on the barn door, yelling, “Trick or treat!” only to swiftly meet her demise.
And so the story begins…30 years later.
We are quickly introduced to a group of high school seniors who loves Halloween, lead by Sam, in the group who lives and breathes for Halloween, as Halloween 1989 approaches. Sam truly believes in all of its glory, spirits, and the tradition of trick-or-treating. After reluctantly deciding this would be their final Halloween, the group elects to make their mark in an elaborate plan to collect record amounts of candy, trick all who offer no treats, and finish the night at the perfect Halloween concert. Ultimately they decide to test the local Halloween legend of the ritual that summons the spirits of Halloween. Will the Halloween spirits will be raised or will the group make the concert?
The Barn is a fun movie – a lot of fun! I’ve got to admit that I really didn’t know what to expect at first. I love – actually, I absolutely adore – Halloween-based films so much so that I can be very hard to please with them. It’s a heavy cross that I bear to love something so much and yet be so judgmental. Pretty much from the get-go, however, I was sucked in with The Barn. It deals a lot with Halloween folklore and tradition, both of which utterly fascinate me, and the film immediately put me in the Halloween spirit. And that’s the true test of a Halloween-based film.
The movie itself is set in 1989, from the attire to the lingo used in the film. Hell, even down to the score/music for The Barn, offered up by musician, director (10/31/16) and co-producer of The Barn, Rocky Gray. Even the gratuitous topless girl during a make-out scene (the breasts got their own credit) to the special effects, blood, and gore used during the film is like taking a giant step back in time…but in a very good way! And, I must say, that adding two small roles in the film, played by Ari Lehman and Linnea Quigley, was a great enhancement to the 80s feel and a great touch overall to the film itself.
I must give props to director Justin Seaman for not only having directed The Barn but also having starred as the lead evil Halloween spirit. Justin puts you so in touch with his vision for the film, that you’ll be humming the music to Miami Vice while looking for your parachute pants and “Frankie says Relax” t-shirt after the movie. I’ve seen a lot of retro films (mostly bad because they just cant seem to pull it off), and The Barn is one that succeeds on any level!
If you’re looking for something that’s fun, a good time, not too dark, and not too serious, but still a serious horror film, I highly suggest that you check out The Barn. Go ahead and do yourself a favor. Step on over to The Barn official website and pick up your own DVD ‘cause it is definitely worth it!
Keep it Evil…
Posted by John Roisland in MOVIE REVIEWS, 0 comments
MOVIE REVIEW: Contracted: Phase II (2015)

MOVIE REVIEW: Contracted: Phase II (2015)

CONTRACTED: PHASE II (2015)

Director: Josh Forbes
Writer: Craig Walendziak
Stars: Matt Mercer, Marianna Palka
For those of you who have seen 2013’s Contracted and enjoyed the film which, I personally did, you’re in luck because Contracted: Phase II starts off at the exact minute that the original ended. I like that it picked up exactly where you left off – there are no holes, there are no gaps, and no wondering whatever happened to this person and that person… It’s a continuation and, in my opinion, one at its best. And considering that the films were both written and directed by completely different people from the original, I was pleasantly surprised at the outcome.
Some of the same cast for the most part are present, there are obviously some new faces thrown in there because a lot of the people from the first one are dead, but are referenced to periodically to keep the story consistent. The movie unfortunately does drag little bit here and there, but then again, the original film wasn’t exactly a fast-paced action horror film either.
Contracted: Phase II, definitely continues with the same feel and emotion. It does definitely stay true to itself and isn’t blown out of proportion as so many sequels sadly are. The thing that I like so much about these two movies is in my opinion its original as hell!! I mean seriously, where else have you seen zombies that are contracted from a necrophiliac!
Overall, Contracted: Phase II is a good movie. It’s got a couple of decent little gory almost squirmish kind of parts in the film but doesn’t feel the need to have to over do it, and I appreciated that quality. I felt for this movie because it was a perfect balance.
My only gripe with the film, and this is not a spoiler, but in the first one, the disease is originated by a perv in a morgue who is banging dead chicks. In the sequel, there was a purpose for that. I didn’t really care for it. I thought that just having a corpse fucker gave it a twisted edge on its own, but that’s not to say that it took away from the story either.
Contracted: Phase II is now on NETFLIX . If you’re in the mood for a horror movie that isn’t over the top , and not a splatter-fest or a extreme gore but is story-driven, then I think you’ll like this. I definitely think it’s worth a watch.
Keep It Evil…
Posted by John Roisland in MOVIE REVIEWS, 0 comments
WiHM: A Matter of Respect

WiHM: A Matter of Respect

February in my life is a pretty active month. Not only is it the shortest month of the year, we also get to celebrate my birthday, my sons birthday, and geographically this is supposed to be the month where we get the most snowfall and I happen to love snow! But this is also a very special time of year for horror fans as it is Women in Horror Month. As a writer for House of Tortured Souls, I could very easily pick one name of a well-deserved list of actresses and give you a couple of highlights of her career and a quick biography, but as the founder and CEO of House of Tortured Souls, I feel it is my responsibility – and my honor – to generalize the importance of the celebration of Women in Horror Month itself.
From the beginning of horror films women always played a much more important role that people actually give credit for. In the earlier days of horror cinema, the women usually portrayed poor and defenseless women who were attacked by a creature of the night. Usually helpless and seemingly brainless, they almost never spoke back or acted to defend themselves, reflecting society’s view of women at the time.
Through the years, however, the female role and presence on screen became larger as women’s roles in society changed. And as their roles changed, the characters (and even names of the actresses) became iconic, ultimately being being dubbed Screen Queens. At first, these roles were primarily in slasher films, where often attractive buxom young ladies let loose with glass shattering screams while being attacked and murdered – usually topless during a shower or bedroom scene. You always remembered the scene and the face.
As the popularity of the Scream Queens grew, so did the role of women in horror – on screen and off. Female leads became stronger on screen, and women who watched these films were inspired to go into horror. In fact, these immense changes in the way that women were portrayed in horror soon inspired women to branch into other areas of horror cinema. Women no longer went only for on screen roles but also for behind the scenes roles as writers, directors, producers, makeup artists, and virtually ever other aspect of horror filmmaking.
Now, in 2017, many Scream Queens who first started in the industry at a young age are being honored by lifetime achievement awards, and those who stay behind the camera are making groundbreaking films, shorts, and TV shows.
Scream Queens will always have a place in horror cinema, but there’s another change in the on screen female characters in the horror industry. Women have gone from solely being the victim to sometimes being the killer. Along with the other changes in the industry, horror films have again changed up the role of women characters. The tables have turned, and horror movies will never be the same. As for the women in the industry are concerned, from film to TV and all aspects involved, the female presence is very strong and very welcomed.
It’s nice to see these talented women getting their notoriety and respect.
As I sit back and reflect, many names cross my mind, names that helped lay the foundations for what has been built and for what is yet to come. Some of these names are:
These are but a few the iconic women in horror cinema! All of these women have, in one way or another, brought a part of them to the silver screen and made a huge impact on not only me, but also on the world of horror fans.
I’m very proud to be an avid horror fan, and I’m doubly proud to be a supporter of the Women in Horror Month.
You have a lot to be proud of, ladies! Much respect!!
Keep It Evil…
Posted by John Roisland in Categories, EDITORIALS, 0 comments
MOVIE REVIEW: Tales of Halloween (2015)

MOVIE REVIEW: Tales of Halloween (2015)

Tales From Halloween … I have so many mixed feelings on this film. Tales From Halloween is a compilation of ten short stories all woven into one Halloween night.
The film, at first watch, I must admit, was a huge disappointment. I have been wanting to see Tales From Halloween since I first heard of it, so my expectations were really hopeful. For some reason, it first felt like I was watching a made for TV movie. I thought the special effects were extremely low grade and the music was even quirky. I am the biggest fan of the Halloween season and always make it a point to watch any movie based around it. So, sorry to say, I wasn’t a happy trick-or-treater!
As the movie went on, I tried to put my disappointment aside and give it more of a shot. As I did, my frown became more of a smirk. I started to see the campy and almost comedic side to Tales From Halloween. In my opinion, the movie isn’t a horror/comedy, but it does have you a campy B movie horror feel.
The film opens with the narration of a local radio disk jockey as the camera pans over a small town. The DJ, who is talking about Halloween and the witching hour, is none other than the sultry voice of movie legend ADRIENNE BARBEAU, and it set the mood for the film. The short stories range from legends of sweet tooth killers, aliens, neighbors fighting over the best yard decorating, children’s revenge, and what would Halloween be without a killer jack-o-lantern.
The film does host a very impressive list of names to the cast, Barbeau, being one, obviously, the lovely Caroline Williams (Texas Chainsaw Massacre 2, Contracted), Greg Grunberg (Heroes, Star Wars: The Force Awakens), Barry Bostwick (The Rocky Horror Picture Show, Spin City (TV series)), Tiffany Shepis (12 Monkeys (TV series), The Night Watchmen), Lin Shaye (Insidious 1+2, Theres Something About Mary), Barbara Crampton (Re-Animator, We Are Still Here, You’re Next), Pollyanna McIntosh (The Woman, Filth) Pat Healy (Compliance, Cheap Thrills, Carnage Park) and a small appearance by legendary director John Landis ( The Blues Brothers, An American Werewolf In London) Now with a list like this, you would be expecting one of the best horror films ever, but sadly it isn’t. To be honest, most of the names on this list have relatively small parts.
In keeping up with recent director compilation films (The ABCs of Death 1 and 2) and other Halloween films (Trick Or Treat), Tales From Halloween falls a bit short. Enjoyable for a non-serious horror film night – or a fun watch with friends.
Sorry, guys, but this is one where I loved the cover art for more than the film.
Keep It Evil…
Posted by John Roisland in MOVIE REVIEWS, 0 comments
MOVIE REVIEW: Incarnate (2016)

MOVIE REVIEW: Incarnate (2016)

Incarnate is a movie. I saw it. I’m tempted to end it here, but that wouldn’t be fair to anyone. Except maybe the people responsible for making Incarnate. Well, I should probably start with what I liked about the film. That’s fair, right? Well, then, for the good parts: It was dark, slick, with a compelling and visually pleasing female lead front and center. Wait, that’s not Incarnate! That’s my mother fucking diet Coke-filled Rogue One cup I got at the concession stand! And that’s the best thing about Incarnate.
Hello? Is this my agent? You’re fired!
Oh shit, bra, you being hard on that movie. Yes, I am. I would say I hated it but that’s such a small unassuming word. If Incarnate were a puppy, I would have it put down. I would record the process and post it to the Internet as a warning for other puppies. By now, you are probably wondering what brought on this attack of obvious hyperbole. There were many things. Many things which all amount to one base thing. The film was lazy, and it insults its audience.
Well, shit. I guess winter did come.
The plot as it were, a person (Aaron Eckhart) is able to enter the mind of possessed people. He does this to force the demon out. He heard about a kid possessed. The church comes knocking.
“U exorcise dat kid”
“No I not gonna exorcise dat kid”
“Y U no Exorcise dat kid?”
“Cause I haz sads for my dead family”
“Demon in dat kid killz your family”
“Ok I exorcise dat kid”
It’s all cliché. It’s all formula. Paint by numbers and to hell with Bob Ross.
Aaron Eckhart is trying his hardest to look and sound like Sean Bean. Seriously, the first time I saw him, after the opening they stole from Inception, I said, “Damn he looks just like Sean Bean. Shit that means hes gonna die”. Guess what happens ***spoiler alert*** he dies deader than Ned Stark. Seriously if the Sean Bean foreshadowing wasn’t enough, Incarnate goes out of its way, over and over and over to let you know he’s going to die. So all suspense about your main character is gone.
Incarnate sucks. Here’s a kitten.
But I decided to give it a chance. Knowing the ending of a movie doesn’t necessarily ruin it for me. I mean I knew Liberty Valance was gonna die, but I still loved that film. It’s in the damn title. So, onward.
I pride myself in not being an overly picky viewer. Hell, look at my reviews. But here is a little thing that bugged the shit out of me. Mostly because there was no reason for it. The little kid possessed by a demon is asked its name. It goes though this evil sounding litany, some of which – names and timeline – struck me odd, but oh well – until… “After the deluge, when the angels took human women, my name was Passion”.
Now, I am paraphrasing a little, maybe, but the key part, “after the deluge”… No. Seriously, no. What the fuck – no. Did you actually research this or just hear somewhere “Hey, dude, the bible says angels raped women”. Fucking lame ass shit; read a goddammed bible. The deluge, aka the flood, happened after the angels came upon human women and children were born to them. In the Apocrypha, Book of Jubilees, I think, it’s even stated that the deluge was caused specifically to cleanse the earth of this ungodly offspring.
Now you are possibly saying “That’s such a small thing. Is it really important?” It’s important because it works just as well if you say it right. “Before the deluge”. But the writers are either to lazy to research at all, to dumb to understand, or just don’t give a shit because they think fans wont notice. Well, I noticed and as much as I tried to ignore it, I was bothered during the entire film. Did I mishear it? Maybe they meant this. It bothered me. On its own, that would have been a small itch, an annoyance, but it’s part of a whole.
Nit pick number two. The hero has to go into a dimension inside the child’s mind to evict the demon. He wont use the word exorcise because he hates the church. GRRRR church. Sean Bean, Aaron Eckhart hates you. Well, in this dimension, we are told over and over that time stands still. Yet you have to get out in eight minutes or you die, or something. But……if time stands still it doesn’t matter how long you are inside. Time stopped, remember? Yet we have the faux suspense of seeing clocks and counters, and people rushing and, chill out, he got forever, time be standing still, y’all.
The film ends with what seems like fifteen solid minutes of fake out after fake out, and each false ending you know is a fake out, you know it’s a “twist”, and you know what’s coming next. Every fucking twist is telegraphed or just so obvious that you feel like you must have stolen a copy of the script.
So what do we have? Predictable and utterly preposterous plot (lifted from Inception), lazy writers, over dramatic acting, CGI eyes on the demons, and no scares at all. Not a single fucking jump or even twitch in the whole film. Incarnate is boring, and manages to be both confusing and predictable at the same time. The characters do completely illogical, irresponsible, and ignorant things for no reason.

Incarnate Works on the Theory That Horror Fans Are Dumb and Will Watch Anything

I felt insulted as a viewer and as a fan of horror films. I feel dirty for paying money to see this. Please give me my money back. I feel like I gave my PayPal password to a Russian porn bot, and she laughed at me online. I knew this movie wouldn’t be good. Knew that going in. It had the look of suck. But I convinced myself it go. And I did want to get one of those sweet Rogue One cups. But I didn’t expect to hate it this much. At least I got my cup, and it is sweet.
Incarnate stars Aaron Eckhart (Batman: The Dark Knight), David Mazouz (Gotham), Clarice van Houten, and some other people. Brad Peyton (San Andreas) directed. See it at your own risk.
1 dimly burning Christmas star out of 10
Posted by Allen Alberson in MOVIE REVIEWS, 0 comments
COMING SOON: 10/31/16 (2017)

COMING SOON: 10/31/16 (2017)

By John Roisland
Red Letter Entertainment, Inc. brings you the directorial debut from Rocky Gray (composer of The Barn, Killing Floor 2),two time Grammy winning musician and former drummer for Evanescence.
A new horror anthology in the vein of V/H/S/ and Creepshow
brings an ensemble cast together to spin twisted tales of the macabre. The film is Executive Produced by P.J. Starks, creator of the critically acclaimed Volumes of Blood franchise.

Story line:
A video tape given to a group of teens by a sinister trick or treater turns Halloween night into a living nightmare.
The film stars Jordan Phipps, Greg Fallon, Samantha Anderson, Taylor Aulbach, Darius White, Micah Patterson, Kirby Gocke, Star McCann, and Alivea Lafavor.
So when can we expect too see the finished project? Good question! 10/31/16 is set to be released around August 2017.
When Rocky and I first met, i knew he was the drummer for Evanescence, I also knew he was a huge horror fan, it was because that, that i pursued Rocky to join the staff of House of Tortured Souls. And what an addition he has been, graphics for the website, logo images, and last but by no means least – the opening and closing music for our podcast House of Tortured Souls Live. All of which we have had many compliments over, and we thank you, Rocky!!
I was in awe of the work Rocky had been doing with scores and soundtracks, but when he first mentioned to me about him making his own film, the upcoming 10/31/16, I’m pretty sure my reply text to him was, “FUUUCK YEA!!!!! Keep me posted. I’d be honored to support and help you out any way I can!”
When Rocky told me he had sent me the trailer and press release for 10/31/16, I was thrilled and couldn’t wait to get home and check it out ! As most of you know, I am a huge fan of horror anthologies, so when Rocky mentioned that’s what his film was, I was super stoked!
Be sure to check out 10/31/16 online:
Keep your eyes on 10/31/16 and on Houseoftorturedsouls.com for updates on the film and keep your ears open to House of Tortured Souls Live for the podcast with Rocky Gray.
A horror fan living the dream, give ’em hell, Rocky!
Keep It Evil…
Posted by John Roisland in COMING SOON, HORROR NEWS, 1 comment
MOVIE REVIEW: Afflicted (2013)

MOVIE REVIEW: Afflicted (2013)

By John Roisland
2013 brought Afflicted to us, a vampire film like I promise you’ve never seen before. The story is of two life long friends who embark on a journey of a lifetime when they fly to Europe and travel across the world, Afflicted follows the friends as they videotape and upload all experiences to the online world.
After what appears to be a night of would be romance gone wrong, with one of the friends bringing a young lady he meets in a European bar to his hotel room, he is found unconscious bloodied, and beaten. Soon our young friend finds himself starting to feel ill while simultaneously realizing that he has acquired almost superhuman powers. He is now incredibly strong and has the ability to run 40-50 miles per hour, scale the outside of buildings, and jump from rooftop to rooftop. The downside to this, as I mentioned, is that our friend is also becoming extremely ill and learning of certain things that he is now craving and desiring. Blood. The taste of blood. It is here where our character goes into his downward spiral both physically and mentally.
His journey to find the answers of what he has become, a vampire, which he can only trace back to his one night of pleasure with the woman he brought home from the bar, is compelling.
While Afflicted does bear more than a passing resemblance to American Werewolf in London (two Americans traveling across country while attacked by a monster of some sort), it is a darker and more serious film. Filmed on location in Europe, at moments Afflicted seems to drag a little bit, but it more than makes up for it with details and story line.
The two main actors, Derek Lee and Clif Prowse, are not only the leads in the movie but are also both writers and directors of the film. And Derek’s acting is spot on, sorry Clif. I’m not going to give away any spoilers or the ending, but I will just leave you with… a person has to do what a person has to do to survive, right? SEE THIS MOVIE!
Keep it Evil…
Posted by John Roisland in MOVIE REVIEWS, 0 comments
DUAL MOVIE REVIEW: Satanic (2016)

DUAL MOVIE REVIEW: Satanic (2016)

EDITOR’s NOTE: As I was reviewing some articles for publication, I noticed that both John Roisland and Dixielord had both reviewed the same Netflix movie: Satanic. What’s more, both of them felt the same as I did. Therefore, House of Tortured Souls presents our first ever dual review. Enjoy!
By John Roisland
SATANIC is a 2016 film about four friends who get messed up with the devil. Or that would be the nice way of putting it.
First, I must say, I do enjoy movies about the occult and dark magic, so when i saw the title of this film, I thought, ‘Wow, pretty balls move to go right for the throat’ . You’ve gotta have a solid winner and know what you’re doing to use a major or strong word for your title. For example, The Exorcist , Titanic, and, hell, even Gremlins used their bold titles, and they owned them. Sadly enough, Satanic did not.
The story begins with the four friends stopping into a occult store while in LA only to piss off an employee and get chased out. The four follow the store employee home after he gets off work and find the center of what appears to be a ritual killing of a young woman.
After being seen and chased away from the property, they run into the should have been sacrificed girl the next day at a coffee shop. They hang out and talk to her, eventually inviting her back to their hotel, where they drink some beers and talk occult until the girl apparently curses them after she paints a Penatgram on the wall and then slits her own throat.
With this now supposed Satanic curse on them, weird things start to happen around as well as to our four bumbling idiots. I’m sorry, I’m usually not one to tear up on a film, and I have seen much worse. The film from the get go has a made for television feel, almost like your watching a series. The movie itself really doesn’t go anywhere, and its a shame because it really could have. It had a lot of potential.
There was at the very end one of those, “Oh yea, huh,” moments and that was about it. The acting was god awful and had a few decent special F/X in it. It just felt like they were rushed almost. Like they had the ideas, but forgot to add a few.
So this, now playing on Netflix streaming, was unfortunately one that I had hoped would have been much better, but was merely something to kill time with. And this, from the producers of The Walking Dead, sorry guys.
Keep It Evil…
By Dixielord
Satanic Panic was all the rage when I was a teenager. It seemed there was always reports of mutilated pets, and graveyard gatherings. Now we know that for the most part the Satanic Panic was just urban legends blown out of proportion. Still, that’s no reason we can’t make films about them. Ti West delved into Satanic Panic with The House of the Devil, and just this year we went old school satanic with The Witch. Now the new film Satanic explores satanism as an evil force while using the panic years as a device to drive the film.
Be careful of looking for doors, you might find one – Satanic
Satanic, which stars Sarah Hyland (Modern Family) and is directed by Jeffrey Hunt (The Vampire Diaries) is the story of four friends on their way to Coachella, who decide to make a detour to visit sites involved in the Satanic Panic, including the Manson murders. Always looking for a new thrill the visit a magic store and follow the cashier home, hoping to witness a magic ceremony. They stumble upon what they believe to be a human sacrifice. They interrupt the ritual, which any good horror movie fan can tell you, isn’t a smart thing to do. Attempting to help the young girl, they get more than they bargained for and the fun quickly turns into fear. They follow the girl down a path that leads straight to hell, or at least a reasonable facsimile.
I found myself enjoying the film throughout most of the early part of the movie. Alice, played by Sophie Dalah, is suitably creepy and any time shes on screen it’s fun to watch. There isn’t a whole lot new to the story but it is executed fairly well. There’s only one real gory scene, but its very bloody and comes out of nowhere. The fact that up till then the film is pretty bloodless makes it more shocking and builds up expectations that the last half of the film will be a monster.
Satanic
Some Satanic spoilers ahead!
And that’s where Satanic fumbles. Instead of building on the insanity of the hotel room scene it dials it back. There’s still an intensity, but it always falls flat, and we go back to it being a bloodless film. Instead of seeing our four teens picked off one by one in a gruesome manner, they just disappear. It becomes repetitive, and well, you just know each time whats about to happen.
The scene in the hotel room held out such great promise, not just with the gore, but with the dialogue. With talk of doors, and the labyrinth beyond, you are almost expecting cenobites or at least something really esoteric and horrifying. Sadly Satanic doesn’t deliver on this. Alice says “Hell is a beautiful confusion, and there’s pain”. It’s a great line, but I just felt let down with the final revelation of what hell actually was.
These teens don’t take the Satanic Panic seriously
There’s a lot wrong with Satanic, but it is still watchable. I think with a better ending it could have been a really good little film. But it is what it is, and what it is, is just meh.it’s a good for a rental or a boring day, Netflix rental, but I wouldn’t purchase it. A generous 5 out of 10 stars.
Posted by Woofer McWooferson in DUAL REVIEW, MOVIE REVIEWS, 0 comments
MOVIE REVIEW: Sweet Home (2015)

MOVIE REVIEW: Sweet Home (2015)

By John Roisland
Sweet Home is a 2015 release I caught on the endless wall on Netflix. One would think there’s nothing more romantic than a quiet house to yourself, candlelit dinner for two, in order to celebrate one’s birthday… or so one would think.
Sweet Home is a story of the young realtor who decides the old, abandoned, and soon to be condemned apartment building that she is inspecting would be the perfect spot for a romantic evening. She quickly plans to take her boyfriend to the building for a little alone time and birthday candlelight dinner since neither of them can get their roommates out for the evening.
Our young protagonist blindfolds her boyfriend, brings him to the secret location, and then removes the blindfold to reveal the area she has decorated with a throw rug, candles, and a feliz cumpleanos banner.
The evening goes well for the smiling and laughing couple until they exit their apartment and spot three thugs wearing ski masks walking down the hall. As it turns out, the masked figures had just murdered an elderly man who was holding out and refusing to leave the building. Scared, the young couple tries hiding and, of course, make noise and are found out. It then becomes a game of cat-and-mouse. Through accidents and slips during chasing, two of the thugs are eliminated. The third, while trying to punch a hole through a peep hole, gets his hand stuck. Thinking quickly, the young couple inside tie his wrist to a fixture in the apartment and take off.
The third, stuck in the door, uses his cell phone to contact someone obviously very very important. He apologizes profusely for having called and interrupted his evening and asks him to send help.
Moments later a car pulls up and out steps a large man wearing a hooded raincoat and rain boots who enters and chains the door locked from the inside. There is now no escaping from the cleaner! I am here till you this man is straight from Hell with a heart that is cold as ice. A true professional with all the tools of the trade, and not afraid to use them at all.
Watching the young couple from this point on became pretty exciting due to the fast-paced and downright gritty action. I have to admit that there were a couple of unexpected curve balls, and I was pleasantly surprised. Adding the deeply dark character of the cleaner really added an entirely new feel to the film.
I recommend Sweet Home as I was pleasantly surprised and really enjoyed it. The only thing that caught me was trying to figure out where the film was really taking place. The woman had a French accent, the old man that was murdered spoke Spanish, her boyfriend is British, and the three thugs sounded Canadian. Other than that, it was a good movie, , so check out.
Keep It Evil…
Posted by John Roisland in MOVIE REVIEWS, 0 comments
MOVIE REVIEW: Chaos A.D. (2016)

MOVIE REVIEW: Chaos A.D. (2016)

By Alex Murphy
Chaos A.D. is the newest film from Chris Woods, the man behind The Sleaze Box, the studio responsible for such films as Amerikan Holokaust and Skumbagz. Woods’ films have a trashy, pocket money vibe. They could’ve come out of a wadded up flyer on the floor of a public bathroom. Down in Tampa, FL, The Sleaze Box has its own version of John Waters’ Dreamland. The films are peppered with the usual faces and locations, often the homes of the actors and producers. These people are friends with each other in their personal lives, and their natural chemistry shows on camera. Chaos A.D. boasts a cast that’s like an underground MagnoliaBob Glazier, Ashley Lynn Caputo, Joel D. Wynkoop, Lisa Marie Kart, Sean Donohue, and the list goes on.
The first half hour introduces a variety of characters whose lives eventually intersect on a Halloween night. We meet a sorta-wholesome brother and sister, a woman who kills her abusive husband, and a local politician with an addiction to prostitutes. These misfits find themselves together in a dungeon, kidnapped by a group of sadistic cannibals led by a pirate TV broadcaster named Bytch. Most of what follows is straight up torture porn of the Tampa variety. Gore aficionados take note. The rest of the world might not have an easier time swallowing it, but maybe that’s part of the allure of underground horror.
There’s a verve and maybe even a desperation to this kind of filmmaking, and Woods’ films display everything that’s fun and bright-eyed about the subgenre. This film opens with a shot of a plastic pumpkin on a countertop. That could be a metaphor for the movie – a plastic pumpkin, never meant to be taken seriously, but emblematic of a certain type of living. Kind of like a plastic pink flamingo. The opening image in a film should set up some sort of thematic purpose for the story being told, and this image works nicely.
The makeup effects by Picardo Limbo never look like plastic limbs drenched in ketchup. There’s a meaty quality to the many entrails spilled. This is bubbling, gristly gore, with plenty of what I’m confident are real animal parts. The lighting in the dungeon sequences is mostly harsh reds, greens, and blues, over scenes that depict rape, torture, dismemberment, a crown of thorns, a gun in the crotch, and much more. The soundtrack is eclectic, with droning synthesizer in one scene and horror strings in the next. The film is a grab-bag of kitsch, movie homages, and staples of the underground genre. The camerawork seems to be influenced by giallo films and SOV gore flicks, showing the kills in exact precision.
Chaos A.D. was well-received at its premiere this past summer at Slaughter in Syracuse. It should appease any fans of American Guinea Pig (another Tampa film) who are looking for something a little less self-serious, an X-rated Roger Corman. A worthy follow-up to Death-scort Service, the last collaboration between The Sleaze Box and Gatorblade Films.
Follow the film’s Facebook page for details on its release.
Posted by Alex Murphy in MOVIE REVIEWS, 0 comments
MOVIE REVIEW: Baskin (2015)

MOVIE REVIEW: Baskin (2015)

By John Roisland
2015 brought us the Turkish horror film Baskin. From first hearing about Baskin – reading what little information was being given out – to finally trailers of the movie when first announced, I knew I had to see this film! Baskin had been talked about as the be-all end-all of all horror films. It was claiming to be as one of the scariest and the goriest films to have been made.
I was beyond thrilled when our little friends over at Netflix decided to actually put something worthwhile and relatively new to their horror section. Baskin begins with five Turkish police men who, after dining at a small, dark, and dismal cafe, drive their police van through what seems to be the darkest and creepiest of back roads. While traveling and singing (yes, I guess Turkish men sing love songs to each other), a call comes across the radio from another police vehicle in distress. The location is right up the road, so they respond and immediately hightail it to the location. While en route, they hit what they thought looked like a naked man who ran into the street causing them to run off the road and into a ravine. No one is seriously injured, so on foot they go back to the road where there’s no body and no visible evidence that anything was hit.
They soon run upon a family with a small campfire. The family eventually gives directions to the location that the police seek, but warns them not to go. Before leaving, the officers note that the family had buckets full of frogs… Hundreds of frogs.
The cops walk through the woods and make their way to the location, which is a rather large old decrepit building of some kind. They find the empty police car that had radioed for help, lights still flashing. As they slowly enter the building, friends, THIS is where things start to get good! Until this point, the movie was moving kind of slowly, but it still kept the viewer’s interest. The things that the police officers run into and witness inside are visions straight from Hell – tortured bodies, cannibalism, and blood everywhere.
It seems that the building is some sort of portal or or threshold, if you will, through one of the gates of Hell. When our five enforcers enter, things quickly get bloody for our law fighters. Unfortunately, it didn’t quite live up to my expectations. I did enjoy the film as it moved fairly quickly, yet I wish the build up had been stretched out a bit longer. It seems they took all that time and built it up, they would have rid it out a bit more.
The scenery/set they used for Hell i thought was perfectly designed, much of a dungeon feel to it. The film is subtitled, and I do not know if there is a dub version. I think dubbing takes away from the film. The special effects were good, the overall story was good, and it was an overall solid horror film. It is a dark and twisted film where the director’s vision is projected perfectly, but it falls short because of all the media hype that it got upon its release – particularly reports claiming it was the ultimate horror film. It’s not, by far, but it’s still an enjoyable flick. I’m always up for a good foreign horror film, so I do recommend you check it out and give it a shot. At least it was fairly original… and that alone to me is worth a watch!
Posted by John Roisland in Categories, MOVIE REVIEWS, 0 comments
HoTS LIVE : MITCHELL ALTIERI

HoTS LIVE : MITCHELL ALTIERI

By John Roisland/Allen Alberson

Hello, boys and girls, and welcome to yet another great addition of House of Tortured Souls Live with special guest Mitchell Altieri! That’s right. On this exciting pre-recorded episode, John and Allen welcome special guest writer-director Mitchell Altieri. Mitchell fills everyone in as he discusses the new upcoming horror comedy The Night Watchmen, starring Ken Arnold, Dan Deluca and Kevin Jiggetts that is holding its big screen premier next Thursday, 11/17/16. He also talks about his past movies such as The Hamiltons and The Violent Kind . Along with all this, Mitchell Altieri also talks with us about the pros and cons of independent vs high-end Hollywood production films.
Mitchell Altieri on House of Tortured Souls Live
On this week’s episode of House of Tortured Souls LIve, John and Allen also discuss the upcoming remake of legendary horror film An American Werewolf in London as Max Landis, son of the original director, is now behind the camera. Your horror-fic hosts give mention on our artist of the month Corey Newman as well as welcome our newest member to the staff of House of Tortured Souls, Laura James who will be bringing us true horror in American history.
House of Tortured Souls Live also takes a moment congratulate the winners of our first annual Scary Story Contest. We also touch base on House of tortured Souls own Rocky Gray with his upcoming horror anthology film 10/31/16, as well as give you a sneak peek at our upcoming guests on House of Tortured Souls Live.
So give a listen and as always,
Keep It Evil…
Posted by John Roisland in Podcast, 0 comments
MOVIE REVIEW: (S)AINT NICK (2016)

MOVIE REVIEW: (S)AINT NICK (2016)

By John Roisland
(S)AINT NICK, written and directed by Jonathan Patrick Hughes, newcomer Hughes brings you his own dark vision of holiday cheer. Yes, Halloween (sadly) enough is over. It’s time to take down all the fake spider webs and pack up the Styrofoam tombstones till next October. Christmas season, like it or not, is now upon us, and Hughes’s vision of welcoming it, well, it’s one that has to be seen.
The story focuses on Ashley and her younger brother Billy, siblings who now live with their stepfather Horace after an untimely car accident took their mother’s life, and Matthew’s wish to Santa on Christmas Eve. This is (S)AINT NICK, though, so his wish isn’t for a new Xbox or a new iPhone but something much more personal. Little Billy wants Horace’s head under the Christmas tree.Horace, the stepfather, is a drunken, dirty, disgusting, pig of a man who mentally, emotionally and possibly, though it’s never actually mentioned, physically abuses his stepchildren. But I have got to give credit where credit due. The actor playing Horace, John Seese tops any actors portrayed I’ve seen in many years when it comes to portraying his role. When I watched his acting I honestly compared it to David Hess’s character Krug Stillo from The Last House on the Left, a performance which was near stomach-turning on the screen. He’s definitely the guy you love to hate. Dirty, scummy and perverted all makes for a jolly good time.
Upon first watching (S)AINT NICK, I noticed the quality of the film and was pleasantly surprised. It was evident even from the opening credits that this wasn’t a normal, run-of-the mill handheld camera filmed in someone’s basement with bad, echoing sound and credits that somebody threw together with a cheap program from their computer. What Hughes does bring you is a full-fledged film, great quality in both audio and video. The sound is crystal clear – not muffled and no echo. The acting is surprisingly good, and even the special effect makeup were pretty much on point. Hell, even the score (music) in (S)AINT NICK was good.BASIC TEXT BLOCK
Did I mention that Hughes crammed all of this and more into a 28 minute movie that doesn’t leave you feeling like it was rushed? (S)AINT NICK is a short film that is going to be included in a Christmas horror anthology called 12 SLAYS OF CHRISTMAS which is being produced by Tony Newton and will be a VOD and DVD release.
If this is a sample of what the Christmas season has to bring us, well, being a horror fan, all I can say is bring it! Jonathan Patrick Hughes, you did well, sir. I would easily rank (S)AINT NICK as a classic in the Christmas horror subgenre!
What Hughes gives you is far from a newcomer’s final product. Be proud, Mr. Hughes, (S)AINT NICK is a winner.
Keep It Evil…
Posted by John Roisland in MOVIE REVIEWS, 0 comments
EXCLUSIVE MOVIE REVIEW: Rob Zombie’s 31

EXCLUSIVE MOVIE REVIEW: Rob Zombie’s 31

By Jonathan Patrick Hughes

Rob Zombie - Fair use doctrine.

Rob Zombie

Most films by Rob Zombie are like a mixed batch of coffee flavors. Some we love, some we loathe, and some are just okay. With that being said, I was highly eager to check out his new film to see if what he promised was delivered. 31_TheaterSpecial thanks goes out to Fathom Events for having this one night screening.

Love him or hate him, but we at least must appreciate the fact that Rob Zombie is one of the hardest working men in the industry. When he isn’t behind the camera, he is recording an album and when he isn’t recording an album, he is touring the world.

Rob Zombie's 31 poster 01 - Fair use doctrine.His latest film, 31, was the first film to raise money by using a crowdfunding site, which he got a bad rap for from people stating, “He is a sell out” and ” His movies suck, which is why he needs to do it this way, rather than having a studio back him up because he is a horrible filmmaker”. Well, as you all can see, he was still very successful at achieving a nice sized budget to make the film he wanted to make for hardcore fans, and that’s exactly what he did.

Rob Zombie's 31 04 - The 31 crew

The 31 crew
L-R: Harry, Jonathan, Sydney, Leeana

I was fortunate enough to be one of the few people to check out 31 with longtime friends/co workers, Leeana, Harry, and Sydney, and I am really glad I did.

The film takes place on Halloween, 1976, and we are introduced to five carnies who are traveling to their next stop. Let’s just say they don’t make it as they planned. Instead, they are kidnapped and taken to a factory where they are forced to play a game of 31. The rules are simple. Survive the night for 12 hours and, if you have to kill by doing so, then that’s what needs to be done. We are treated to some of the most crazy lunatics I have ever witnessed on screen, and it made me want to see more of them. Some are more likeable than others, but they all did the job they were supposed to do.

From the opening segment I was hooked. We are introduced to Doom Head who is played by Richard Blake (Halloween II (2009)) He is a soulless human being with some of the most powerful dialogue ever written by Zombie himself. His opening monologue sets the mood and it sums up what Rob Zombie has in store for the audience.

Rob Zombie's 31 01 - Fair use doctrine.

Roscoe and Charly

The film delivers a very appealing cast, from the goodies to the baddies, and all the performances are on par which made the film even more enjoyable. I did not once feel that any character was lacking or overstepping their boundaries or their welcome. In every scene, each character, nails it, and you can’t help but enjoy them and are pleased by the things they say and do while they last.

This is very rare in a Rob Zombie film since he likes to come up with many characters that may or may not be needed in a given film. Some just seem to be there to fill up space even though they don’t serve a purpose. Not here.

Rob Zombie's 31 - Schizo-Head and Psycho Head - Fair use doctrine.

Dueling clowns?

31 has some of the best editing in any Rob Zombie film. One scene in particular deals with two clowns with chainsaws in two different rooms, and the way that scene was cut may very well be my favorite scene in any Rob Zombie movie. The tension was high and the bloodletting is unstoppable.

Rob Zombie's 31 poster 02 - Fair use doctrine.31 is nothing more than a rusty chainsaw blade to the Adam’s apple, and it delivers on every level. I was in awe from start to finish. With that being said, I felt like 31 was The Devil’s Rejects meets a psycho twisted carnage circus of terror.

Posted by Woofer McWooferson in EXCLUSIVE, MOVIE REVIEWS, 0 comments
COMING SOON: RAPT 2016 (Indie short)

COMING SOON: RAPT 2016 (Indie short)

By John Roisland

RAPT-Poster-218x300

If there’s one film you need to keep an eye out for, it’s Rapt. More and more lately, the independent movie scene is on the move and growing larger everyday. There’s so much hidden talent out there and, unfortunately, there’re still a lot of movie and horror film fans that are leery about putting down their hard-earned cash for a DVD that doesn’t have a major movie label on the DVD box, a huge name in the cast, or a great soundtrack.

Well, I’m here to introduce to you a short film that I think you will all enjoy. The film is called Rapt and is brought to you and filmed on location and by some great people in New Jersey. The story is that of a disgruntled, down on his luck, independent horror film director (Russell Hackett) giving his debut film a viewing at a small but extremely cool local film house where they do film testing. Sadly, the audience’s response to the director’s film is less than comforting as not only do people criticize it, but many even walk out. This throws the filmmaker into a downward spiral, his depression now fueling his rage at rejection. One by one he hunts the movie goers who were less than kind to his film with an eye to make all of them the leads in his next horror film. No makeup or SFX are needed for the cast as he brutally slays all of them on camera.

When Rapt co-writer and star of the film Russell Hackett asked me a few weeks ago if I would consider viewing and giving my thoughts on the film, I responded that I’d be honored to do so. I’m very glad that I did as one highlight of the film for me was getting to see faces of online friends that I have not yet personally met, such as Deana Demko, Todd Staruch, and Russell Hackett, who gave a very impressive performance as Filmmaker.

12310536_10208014129297030_1832838868256629080_nThe film was co-written by Russell Hackett and Jerry Janda (Painkiller) and directed by Thomas Ryan (writer and executive producer Day 9). Keep an eye on Ryan because he is on the move and has an eye for the camera that really makes you feel his vision.

The film itself runs just under 40 minutes, but don’t mistake a short run time for lack of quality. Rapt is a good, solid film that possesses everything you would want and expect from a quality film. It has realistic dialogue and believable acting, which are complemented by clever use of lighting and excellent sound. And, might I add, it has a great score to boot!

Rapt is a refreshing and original film brought to you by DocHack Productions and Theater of Terror (that director Thomas Ryan founded). I highly recommend you check out Rapt online and hop on over and give their Facebook page a like. Be a true horror fan, and help support the independent movie scene!

Russell, thank you for the opportunity!

Keep It Evil.

Posted by John Roisland in COMING SOON, MOVIE REVIEWS, 0 comments
EDITORIAL – VICTOR SALVA CAN GO STRAIGHT TO HELL

EDITORIAL – VICTOR SALVA CAN GO STRAIGHT TO HELL

victor-salva-loves-terrorizing-semi-naked-youths-1413417352391

By Nick Durham

Hear that sound? Listen carefully and closely? You hear it yet? That’s the sound of the FUCK VICTOR SALVA TRAIN. Don’t worry if you don’t hear it right away, that train’s never late. Anyway, before we hop on this train, I just want to say right here and now that the opinions I’m about to express do not constitute the opinions of my colleagues in The House of Tortured Souls as a whole. These are my own personal opinions, and I’m damn sure not afraid to voice them as loudly as I can in regards to this piece of trash.

With all that out of the way, let’s get right down to it: Victor Salva is a reprehensible human being that has no right to work in the film industry. Why is that you ask? Well, in case you didn’t know, Salva is a convicted pedophile. Dixielord touched on it a little bit already in his column discussing the troubles going on with the long-gestating Jeepers Creepers 3, but back in the late 80s during the filming of his debut Clownhouse, Salva molested his 12-year old star, and recorded the act. He was subsequently arrested, and convicted for the crime, as well as for the shitload of kiddie porn that was discovered in his possession. He would only go on to serve 15 months in prison.

Now how does a convicted pedophile continue to manage to make films? Well, Salva just so happens to be one of Francis Ford Coppola’s golden children. That’s right, Francis Ford motherfucking Coppola, the legendary director of The Godfather and Apocalypse Now was a sort of mentor to Salva, and even helped finance a few of his films, as well as put the good word around about him to various studios in Hollywood. That’s how Salva managed to secure the directing job for the mid-90s sentimental shit-fest Powder. Ironically enough, it was during the marketing push for that film that Salva’s victim had come out and news of Salva’s past became more widely known. Needless to say, people started to distance themselves from Salva.

Fast forward a few years later, Coppola would put the good word in for Salva again, and we got Jeepers Creepers. What wasn’t expected though is how much of a surprise hit the film became at the box-office. All of the sudden, Salva’s past wasn’t a big deal; the film made a shitload of money, and spawned a sequel a couple of years later. That made a shitload of money too, and it seemed like this was going to be the beginning of a never-ending franchise…birthed by a pederast. That however did not happen…yet.

The point I’m trying to make here is that Victor Salva should not be making films, he should be rotting in jail. There are few things I feel truly angry about, but this is one of them. He ruined a child’s life and only served a little over a year plus in prison for it? Get the fuck out of here. Pedophiles don’t change; there’s no rehabilitation program for them and there’s not a switch that just gets turned off and all of the sudden they’re not into kids anymore. He shouldn’t be walking the streets, let alone making films.

Now I know you’re probably thinking What about Roman Polanski and Woody Allen? They’re perverts too! Well, I don’t disagree with you one bit. Hell, Polanski can’t even set foot in America, but I digress. I’m not putting one over the other here, and I don’t support the work of Polanski or Allen either: all three of these guys are different scents of the same turd as far as I’m concerned.

To wrap things up, Salva and his work shouldn’t be supported. His crimes shouldn’t be forgotten or swept under the rug either. That kid sure can’t forget what happened to him can he? Why should Salva get to continue making movies? He shouldn’t at all, whether it be another Jeepers Creepers movie or anything else. And for anyone that looks past what he is and focuses on his film work and supports it with their wallets…well, you’re not much better than he is in my eyes.

But hey, this is all just my opinion and mine alone. You can agree with me or totally disagree with me, that’s all well and good. That being said, if you’re the kind of person that thinks Salva’s past should be swept under the rug…well, take this however you may, but fuck on right off.

Posted by Nick Durham in EDITORIALS, 1 comment
Harvest Lake Review

Harvest Lake Review

By Dixielord

Today it seems all too common to take the easy way out in horror films. Especially with low budget films. So many filmmakers go for the cookie cutter zombie or masked killer film. Sure, there are standouts, but mostly it seems it’s just more of the same. Well, I can guarantee you wont feel that way about Harvest Lake. Love it or hate it, I think you will agree it is anything other than the usual.

Ellie Church from Harvest Lake
Ellie Church in Harvest Lake

Director Scott Schirmer took the masked serial killer in all new directions with his last film Found. With Harvest Lake, Schirmer and producer/ photographer Brian Williams take the creature feature where it’s never been before, and along the way explores every orifice. It was billed as an “erotic creature feature”, and that’s about as close to on point as you can get, although I would say it touches heavily on the body horror genre as well.

American Mary‘s Tristan Risk headlines the cast of Harvest Lake, along with Ellie Church (Headless), Jason Crowe, and Dan Nye.The plot concerns four friends who pack it off to a remote cabin to celebrate a birthday. The friends go out fully intending to drink and sex it up. Along the way they pick up a stranger and invite him back for festivities. Things start to go a bit strange when they encounter a mysterious plant. The plant, complete with pods (that look a lot like xenomorph eggs), tentacle like appendages, and fruit that look like misshapen breasts, exerts a strange pull over the campers, as one after another they fall under its spell. What few inhibitions the group had melt away, leading to more debauchery before finally discovering the alien (?) source of the infestation.

 

plant sex in Harvest Lake
This almost happened.

Harvest Lake is a highly sexually charged movie. When a film starts out with male and female full frontal nudity, you know you are in for a raunchy ride. And there is a lot of sex and nudity in Harvest Lake. A lot. There are at least four sex scenes in the film before the big finale, which of course involves sex. Get it? There’s sex in this here film, so don’t blame me if your prudish ass gets offended.

Some of the sex is fairly explicit, but it never feels gratuitous. It’s an important part of the film, instrumental in the story being told. Harvest Lake also has one of the more explicit same gender love scenes between two men. It’s brave of a film maker to go there, and I really hope we have grown enough as a culture to accept this and not be offended. There is also quite a bit of nudity from pretty much every member of the cast, male and female. But once again, none of it, with the possible exception of the opening scene, feels gratuitous. It’s there for a reason.

In a recent coming soon article, I likened Harvest Lake to 80s science fiction films like Breeders and Inseminoid, due to the buzz I was hearing. After actually seeing the film, however, it’s much closer to Cronenberg’s Shivers with a little of the 70s Invasion of the Body Snatchers thrown in. There is a scene between Ellie Church and Tristan Risk that visually is very similar to one in Shivers between Barbara Steele and Susan Petrie. Besides the visual similarity, the whole concept of a parasite, for lack of a better word, invading you, by contact, kissing, or love making, and releasing your primal desires is the basic story line of Shivers. But unlike Shivers, this is a wholly alien force versus a scientifically created virus.

But Harvest Lake isn’t just a carbon copy of Shivers. It’s its own film, more of a true science fiction horror and without the obvious social commentary of Shivers. This is a film about a presumably alien force coming to earth, to basically get its pods off. There is no real gore and very little violence, which also sets it apart from Cronenberg’s classic. The little critter here seems more interested in sex than violence or perversion. Although there are hints that he might have a more sinister fate awaiting our campers once he gets his jollies.

As I mentioned earlier, this isn’t cookie cutter horror. I dare you to say you have ever seen anything quite like this, even a Cronenberg film. What other horror film are you going to see Tristan Risk in a bikini, on hands and knees, ass up in the air about to perform fellatio on an alien pod? Yeah that happened, and I’ll never complain about Tristan with her ass in the air. Never. But it’s a surreal scene, a situation that’s echoed in different situations, and poses, by the other cast members. One by one the friends are seduced or outright raped by the creature in the lake. There’s a scene between it and Ellie Church that will make Lovecraft fans quiver. I dont want to spoil it, but the weirdness doesn’t stop, and neither does the sex, until the credits roll.

Tristan Risk from American Mary and Harvest Lake
Tristan Risk from American Mary and Harvest Lake

The surreal visuals are driven home and lent more power by the haunting, eerie and driving score. It’s both beautiful and unnerving at the same time. Do yourself a favor and listen to this on good speakers with the sound up. It helps keep you on edge throughout the film.

And let’s be competently honest, who the hell wouldn’t enjoy watching Little Ms Risk and Ellie Church run around in very small bikinis for almost an entire movie? Not to be left out, there are some bare asses for the ladies and guys who prefer the guys. Special bonus points for being the only movie I have ever seen to reference the chimp raping a frog video…sharing that video made me lots of friends online…memories.

Harvest Lake orgy
And this totally happened in Harvest Lake.

There’s really not a lot that I disliked about Harvest Lake. Gore fans may be turned off by its lack of bloody mayhem, but seriously you can catch that shit anywhere. And the same gender sex may turn off some folks, but really, 21st century y’all. Grow the fuck up. We have all drooled over naked ladies and lesbian scenes over the years, so chill. If all you want is masked killers, zombies or paranormal bumps in the night, Harvest Lake probably isn’t for you. But if you want an erotic and trippy ass visual experience, then you NEED to see Harvest Lake. True story bro.

Posted by Allen Alberson in MOVIE REVIEWS, 1 comment