Horror

ESSEN-77 media releases the promo video/trailer for director Stephen Nemeth’s Black Friday.

The promo video/trailer is a prequel ultrashort that segues into a montage of images from the 17-minute short film. The film is already being celebrated by critics, journalists, film historians and those who look for cutting-edge experiences with teeth.

Stephen Nemeth (camera, American Guinea Pig: Bloodshock) wrote, produced, photographed, directed, composed/ performed the score and created the special effects. Nemeth also appears in a cameo as the Devil’s Advocate in the prequel ultrashort portion of the promo video/trailer. Black Friday promises to pose questions instead of answers and challenges the audiences to think for themselves about the extreme behaviors onscreen.

Stephen Nemeth was camera/second cinematographer for American Guinea Pig: Bloodshock, the second installment of the American reboot of the famous Japanese extreme horror franchise, the Guinea Pig series, and created the Behind the Scenes of Bloodshock feature-length documentary on the three-disc collectors’ edition release from Unearthed Films. In 2013, Nemeth directed the Locus series of metaphysical stalker thriller shorts and the home invading/domestic violence short Deathlust (2014). Recently he wrote, directed, and shot the music video for Chris Sullivan’s “By The Light Of Radio”, a nostalgic throwback to a simpler magical time where the radio tuner dial illuminated the bedrooms of youngsters exposing them to the sounds of 70s and 80s rock and roll artists like Tom Petty and Bruce Springsteen.

He also currently appears onscreen with Ally Sheedy (The Breakfast Club) and Peter Hedges ( novelist/ screenwriter, What’s Eating Gilbert Grape?) in Little Sister, streaming on Netflix and available on Blu-Ray from Kino/Lorber.

Keep an eye out for Stephen Nemeth’s Black Friday, and let House of Tortured Souls know what you think.

Stephen Nemeth's Black Friday (2018)

About Stephen Nemeth’s Black Friday

About Stephen Nemeth’s Black Friday

ESSEN-77 media releases the promo video/trailer for director Stephen Nemeth’s Black Friday.

The promo video/trailer is a prequel ultrashort that segues into a montage of images from the 17-minute short film. The film is already being celebrated by critics, journalists, film historians and those who look for cutting-edge experiences with teeth.

Stephen Nemeth (camera, American Guinea Pig: Bloodshock) wrote, produced, photographed, directed, composed/ performed the score and created the special effects. Nemeth also appears in a cameo as the Devil’s Advocate in the prequel ultrashort portion of the promo video/trailer. Black Friday promises to pose questions instead of answers and challenges the audiences to think for themselves about the extreme behaviors onscreen.

Stephen Nemeth was camera/second cinematographer for American Guinea Pig: Bloodshock, the second installment of the American reboot of the famous Japanese extreme horror franchise, the Guinea Pig series, and created the Behind the Scenes of Bloodshock feature-length documentary on the three-disc collectors’ edition release from Unearthed Films. In 2013, Nemeth directed the Locus series of metaphysical stalker thriller shorts and the home invading/domestic violence short Deathlust (2014). Recently he wrote, directed, and shot the music video for Chris Sullivan’s “By The Light Of Radio”, a nostalgic throwback to a simpler magical time where the radio tuner dial illuminated the bedrooms of youngsters exposing them to the sounds of 70s and 80s rock and roll artists like Tom Petty and Bruce Springsteen.

He also currently appears onscreen with Ally Sheedy (The Breakfast Club) and Peter Hedges ( novelist/ screenwriter, What’s Eating Gilbert Grape?) in Little Sister, streaming on Netflix and available on Blu-Ray from Kino/Lorber.

Keep an eye out for Stephen Nemeth’s Black Friday, and let House of Tortured Souls know what you think.

Stephen Nemeth's Black Friday (2018)


Posted by Michelle MIDI Sayles in HORROR NEWS, PRESS RELEASE, 0 comments
INTERVIEW – HoTS EXCLUSIVE: Phil Stevens

INTERVIEW – HoTS EXCLUSIVE: Phil Stevens

Phil Stevens' Flowers (2015) posterI recently had the pleasure of seeing Flowers by Phil Stevens. It was such an amazing and beautiful film that I decided to reach out to the director and tell him how much I enjoyed it. To my surprise, Phil Stevens turned out to be one of the nicest, coolest, down to earth guys. I was delighted to learn of his plans to make a sequel to Flowers, simply called Flowers 02. He also graciously agreed to do this interview and give us an exclusive look at his new project.

Phil Stevens Interview

House of Tortured Souls: First off, let me just say that I’m a huge fan of Flowers and really excited to talk to you about your latest project. What type of film can we expect? Do you think it will be more extreme or more artistic than the last?
Phil Stevens: Extreme is too broad a category, I mean of course yes it will be extreme but it’s more of a survival horror where everyone is being attacked by something. I actually didn’t think I was making an extreme film when I made Flowers. I thought the complete opposite. When Flowers came out, I thought people were going to be like, “Here’s this guy with his artsy movie called Flowers“. It turned out to be this surreal horror that people seemed to really enjoy. The last word I ever expected to read describing my film was “beautiful”, but it seems to come up in every single review about the movie.
PS: In Flowers, the house itself was the enemy almost. But in Flowers 02, not only is it the house, but there are entities in all the rooms –sometimes more than one. It’s all leading to this grand finale involving the killer and all his misdeeds. We’ll get a backstory and more of a look at his life. There will be new rooms with new themes and sort of a past, present, and future look at the killer. My favorite movie of all time is Day of the Dead, and I always wanted to make a zombie film, but I wanted to do it in my own way. Finally, in this we get to do that, and it’s so fun.

HoTS: That all sounds awesome! Why did you choose Indie and underground filmmaking rather than mainstream?
PS: I spent most of my life drawing and painting. I started drawing my own comics, and then I discovered the Beta-max camera and started making films for myself. Drawing is my first love, I don’t want a career in filmmaking; I see it as a hobby, a really expensive hobby. I’m a fan of Indie films myself and knew that it was only natural that I would go that route. I think that everyone who makes movies would like to think that one day they’ll go to Hollywood and make a big epic movie with a budget. That’s the real dream having a budget.

Phil Stevens' Flowers (2015) title card

HoTS: I understand that for an Indie director, getting funding is always an issue. You’ve started a crowdfunding campaign, correct? Maybe you could tell our readers a bit about that and how they can contribute.
PS: Crowdfunding is a big deal because you’re giving us the means to make a movie that we otherwise would not be able to make. It’s been tougher to get funding in the last few years because either fans don’t know about it or they’ve been screwed over in the past by other directors.
PS: My job is making and selling art. I’m actually on disability from an accident that happened when I was 10. I fell out of a tree, and now I have soft neurological brain damage so I can’t have a regular 9-5 job. I spend a lot of time drawing and painting and doing commissions. I grew up with severe agoraphobia, crowds give me severe anxiety, which is another reason making movies is so important to me because it gives me a chance to work in a group environment while doing something I love.
PS: Here is the link to the Flowers 02 crowdfunding campaign. Even a 5$ contribution will get you some really cool exclusive swag!
HoTS: So how does one get a piece of your artwork?
PS: My Facebook page Manomatul Art or my website Insomnia Collectibles, and I’m also on deviant art.
HoTS: All of the actors/actresses in Flowers were amazing. Will we see any familiar faces in the sequel?
PS: Yes! You actually will see some returning Flowers in a subplot of Flowers 02. Absolutely. You’re going to see some of them, but I can’t reveal who yet.
HoTS: It’s my understanding you used your home in the first film… what was that like?
PS: Using my own home to make Flowers was a blessing and an absolute nightmare. We scouted a lot of warehouses, and they were all in really bad neighborhoods. We just didn’t feel safe having our equipment there. We decided the next best thing and the safest thing was our house. I hated it, there was so much debris and equipment everywhere. My wife (Colette Kenny Mckenna) and I lived an entire summer in that. I actually spent my 30th birthday inside the dining room set, it was surreal. Some of my friends I hadn’t seen in a while would come over and a say, “This is absolutely insane. What are you doing?” My wife and I both ended up with really bad respiratory infections from the room with all the gouged out drywall. We were constantly breathing it in for three months, and we got really sick.

Phil Stevens' Flowers (2015) writing on the wall

HoTS: Do you do your own practical fx?
PS: Yes, I used to more but with Flowers, it was an all hands on deck kind of thing and my wife and I did months of fx testing. We found some great local talent. My wife, Krystle Fitch, and Anastasia Blue did the fx and also acted in the movie.
HoTS: Do you have a dream location if money were no object?
PS: Actually yeah, I don’t know where that location is but I know what it looks like. The whole reason I wanted to make Flowers 02 was it’s supposed to fund my next film, Paradise, which is the serial killer’s hell kind of. I want it to involve a lot of ocean and beach sequences, stuff you don’t tend to see in an underground film. I’ve been working on it for three years, and it’s probably going to be my swan song film. The first film is purgatory, the next is hell, and the last one is paradise. That will be the last movie I do, and Flowers 02 is the way to get there.
HoTS: Do you have any directors who inspire you?
PS: I’m inspired by Shin’ya Tsukamoto (Tetsuo: The Iron Man). I’m a huge, huge fan of Asian cinema in general, so Takashi Miike (Audition) obviously and Kim Ki-duk (The Isle). What inspires me about Kim Ki-duk is that he doesn’t use many words, and his main characters don’t talk but everyone around them always does. I love all things artistic, I loved Andrey Iskanovs’ Nails so much. I also like Akira Kurosawa, his movies are beautiful; the cinematography is incredible and his movies top movies that are made to this day. A lot of my inspiration comes from Asian cinema.
HoTS: I just want to take this opportunity again to thank you and say what a fun time I’ve had talking with you today. I wish you the best of luck with Flowers 02 and can’t wait to see it.
PS: Thank you. I had fun today, too!

Flowers 02 Crowdfunding on the Web

Check out the fundraiser video on contributing to Flowers 02. Then click the link below to donate!

Phil Stevens on the Web

Posted by Candace Stone in EXCLUSIVE, HORROR NEWS, INTERVIEWS, STAFF PICKS, 0 comments
MOVIE REVIEW: Phil Stevens’ Lung II (2016) [SPOILERS]

MOVIE REVIEW: Phil Stevens’ Lung II (2016) [SPOILERS]

Lung II by Phil Stevens was one of the weirdest little indie films I’ve ever seen with a Lynch/Cronenberg vibe throughout. I really enjoyed it.

A follow up to Flowers, Lung II was a continuation of the same theme. Phil Stevens said that “after the trauma of making Flowers, it was something he needed to do for therapeutic reasons”. The film is in black and white (I’m hoping a color version exists somewhere in the underground) and like Flowers has no dialogue. It’s also a dreamy artistic vision except for a lot more bizarre. Flowers was a cathartic pilgrimage through purgatory for the female murder victims of a serial killer and Lung II was the killer’s slow journey into insanity.

Throughout the film, we follow a serial killer (played by Stevens himself) as he slowly awakens and comes to realize what he’s done through flashbacks and the discovery of a body trail. During his travels, he comes across no shortage of corpses and weird Freudian Lynch monsters.

Spoiler Alert Nosferatu

Lung II works its way backward going from body to body. It starts out in what appears to be a psych ward with a naked dude (Phil Stevens) on the floor. If you’ve ever had the urge to see Phil Stevens naked here’s your chance ladies and gentlemen! He sort of fumbles out into the woods where he comes across his future self, disposing of bodies. He continues to stumble along from gory crime scene to crime scene sometimes finding bodies sometimes finding these bizarre blobby sex monsters. My personal favorite is the half dick half vag monster that he finger-bangs until it sprays blood. In a few scenes, he pulls glass out of various cuts and you might be thinking what’s the deal with the glass? Don’t worry; all will become clear soon. I found the part where he was pulling glass out of his foot particularly uncomfortable, but I kind of have an anti-foot fetish and can’t stand foot injuries.

After a hard day of self-realization, the last stop or last flashback is at his own home. He arrives home after a long day at work (presumably) to find his wife in bed with another woman, he loses his shit and kills them both with a baseball bat before he has a chance to consider consequences. Something in him snaps while he’s sitting there sniffing their panties. He tries to commit suicide by dropping a tv on his head (this is where the glass comes from!) but fails and from this point on he loses his humanity piece by piece.

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
The Best of Miike: Gozu (2003)

The Best of Miike: Gozu (2003)

For my Best of Takashi Miike series, I’m going to start with Gozu. I want to say it’s my favorite film of his, but I’m not sure that it’s even possible to have just one favorite with him. Every time I think I have it nailed down, I watch another one of his films and think, ‘no this is my favorite’. And then the next film I think the same thing.

Gozu’s original Japanese title Gokudo Kyofu dai-gekijo:Gozu translates to Yakuza Horror Theatre; Cows Head. There is no shortage of bizarre cow and milk-related scenarios in this one and as the cover of the film suggests, there is, in fact, a man in tightie whities with a gigantic cow head and a rather large and slimy tongue. I honestly could have watched an entire movie about the cow head dude but unfortunately, he only got about a minute of screen time. In that sense the film was misleading but it was bang on in the bizarre department.

Takasi Miike's Gozu (2003)

The film starts out by introducing us to Ozaki (Show Aikawa), a Yakuza member that has seemingly developed some sort of dementia, believing that small animals and inanimate objects etc. are trained Yakuza killers. Minami (Kimika Yoshino) is asked to take his Yakuza brother Ozaki on a little trip and kill him before he causes further embarrassment. During the trip, they hit a little bump in the road while driving and Ozaki is killed. A panicked Minami heads into a restaurant to seek help and when he returns to his car, Ozaki’s body is missing. After searching all day for the body and still coming up empty, Minami ends up at the Masakazu Inn, a sort of Japanese version of Motel Hell. The Inn is run by a brother and sister with a whole host of their own issues, and it’s from this point on that describing the film becomes an exercise in futility. The events that follow can’t be put into words. I will tell you that you can expect to see sexual misconduct involving a lactating old woman, a séance, a talking pussy, an awkward sex scene between brothers and the piece de resistance: the graphic birth of a grown man from a tiny 100-pound Japanese woman.

All of Miike’s films have an identifiable style and can tend to be on the slow side. Gozu is no exception, it requires patience and a love of film. Miike won’t be rushed while telling his story because perfection takes time.

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, STAFF PICKS, TRIBUTE, 0 comments
MOVIE REVIEW: Savageland (2015)

MOVIE REVIEW: Savageland (2015)

Zombie movies are never really about zombies. At least the good ones aren’t. There’s always some social or political message being conveyed, and Savageland is no exception. At its heart, it’s more of a social statement about immigration and bigotry than a horror film, but we’re going to overlook the message and focus on the horror.

Savageland presents itself as a documentary about a small southwestern town that is virtually wiped out overnight. The story follows a photographer accused of mass murder and is told and illustrated by the pictures he took on the night in question.

The use of still photography adds a certain creepy element to the film, which probably couldn’t have been achieved if they had gone with the found footage format. In addition, the pictures themselves are quite eerie and haunting. Another benefit of using photos as opposed to film is that there is no poorly done CGI that seems to be rampant in the lower budget horror films.

Savageland (2015)The documentary style leaves a bit to be desired as it feels a bit more polished than it probably should, and the story starts out a bit confusing. However, once it gets rolling, it’s a pretty solid film, and the still photos are not overused, which leaves the viewer wanting to see more.

My only real issue with Savageland is that several characters are over the top caricatures of Southern rednecks and “bleeding heart liberals”. Now, I’m sure that people like that really exist, but both of those tropes are vastly overused, in my opinion.

I recommend Savageland to anyone looking for something a little different in the horror genre. If you like the found footage films, you’ll probably find Savageland worth watching, as it falls along those lines. If you don’t like the found footage films, you might still enjoy it, as there isn’t much in the “shaky cam” department.

Posted by Richard Francis in MOVIE REVIEWS, REVIEWS, ZOMBIES, 0 comments
MOVIE REVIEW (RETRO): Love me Deadly (1973)

MOVIE REVIEW (RETRO): Love me Deadly (1973)

Love Me Deadly (1972) / Fair use doctrine.Love Me Deadly is a bewildering film as I’m pretty sure it shouldn’t exist, but it does anyway. Lindsay Finch (Mary Charlotte Wilcox) has style, beauty, and money, but behind all that perfection lies a dark secret. Because instead of having any hot hunk she wants, she prefers them cold and dead. Soon she becomes mixed up with a crazy cult that is also interested in the loving dead. Take an early ’70s melodrama, mix in some hammy acting, throw in some half-baked horror elements and a light sprinkle of sleazy necrophilia and you have the makings of something…surprisingly unremarkable in every way.

Love Me Deadly (1972) / Fair use doctrine.

Love Me Deadly has everything an epic so-bad-it’s-good outing should have; however, not even the terrible credit music can prepare you for this incredibly unwatchable celluloid mish-mash. Basically what you have is a dime store soap opera that for some baffling reason makes a half-assed attempt at the sleaze/horror genre. It’s like all the pieces are right there, but they just do not fit together. The film, as suggested by the title, explores necrophilia, a subject that is guaranteed to make you squirm… Except, of course, for this movie, because the material is handled with kid gloves for whatever reason. And this is really where the film lost me because why even bother going that route if you can’t deliver something disturbing and edgy? And maybe worst of all, fellow bad cinema junkies, it’s so painfully dull it will have you bored stiff. (Sorry couldn’t resist the bad pun.) I will give the film some credit for having a few nice twisted touches, but sadly it’s not nearly enough to save the film from collapsing into itself. I’m not even sure who this film is supposed to be aimed towards as it’s too strange to be a straight-up drama, yet it lacks the punch to even really be considered a horror/exploitation film. I so wanted to like this movie, but it is really lacking in virtually every department — from the wooden acting to the lazy and often times overdrawn plot (which is also pretty predictable).

Love Me Deadly better left on the shelf along with your Stretch Armstrong doll and your bell-bottom pants. Truly for the brave hardcore trash fan, but you might as well just watch Nekromantik instead.

Love Me Deadly (1972) / Fair use doctrine.

For more help exploring some little-seen oddities, my fiends, check out my new book The Ultimate Guide to Strange Cinema, and let me know what you think.

The Ultimate Guide to Strange Cinema (2017) by Mike "Gorehound" Vaughn

Posted by Mike Vaughn in MOVIE REVIEWS, REVIEWS, 0 comments
MUSIC: Sinister Fate – Blood Pact (2016)

MUSIC: Sinister Fate – Blood Pact (2016)

Horror rock is still kickin’ these days. For the longest time, it was all I ever knew and by far the most fun subgenre of punk and metal. Nothing was off limits in horror rock, and what made it more of a fun time than most other genres was the actual all-inclusiveness of everyone. Not saying other genres/subs don’t. You go to a hardcore, metal or OG punk show, you’ll see 90% white males…even though we don’t hate…that’s what’s there…the other 10% is scattered among women as well as other ethnicities so with horror rock/punk how it differs is a wide rainbow of a crowd as well as on stage. Did you know there are also Christian horror punk bands? That’s…odd. Yes, it is; however, it’s a testament (no pun intended) to how this particular subgenre is pretty open to anything. I guess no more odd than Christian black metal now that I think about it, but we’ll discuss that later.

The Chicago-area band Sinister Fate came to us with their album BLOOD PACT. I didn’t listen to the album at first; I did a little research on the band and watched some videos. My first impression was far from what I normally get from horror bands. Their videos are very reminiscent of the 90s style Gwar videos. Ya know, handheld shaky camera, choppy editing, Tromaesque splatter effects. So I instantly fell in love with this style. I also was impressed that there are female participants in the band. Again, this is rare for a lot of other genres but in horror rock, it’s very normal.

What really sealed this band for me was the guitarist. This chick really wails on this thing. Her playing is absolutely amazing, from just riffs down to solos. She really takes it and shows what’s up with guitar playing.

The music begins and this is definitely horror rock. BLOOD PACT is just an EP-style, 6-track short album. However, it gives you what you need to know about this band. The album as a whole is executed beautifully. I can say that if you’re a fan of any horror business, then this is a band to definitely check out.
Sinister Fate - Blood Pact
Track by Track (not in order as they appear on the album):

  • The Monster Within: This track is like a solid break down style track, a lot of palm muting and kind of a slower pace. However, it gets the point across on what the song’s feel is all about. Lyrically very dark, and a nice look into the writer’s head, that guitar solo though…Just listen and enjoy this.
  • Trust/Obey: Another slower, heavier/slow paced track. Vocally reminiscent of older Frankenstein Drag Queens, lyrically super intense and “demanding”…yeah we’ll say demanding. Very catchy and fun.
  • Decay: Starts out very spooky sounding musically, almost like they’re going for an epic battle in a back alley. Not like “Beat It” style, but more like A Clockwork Orange vs. The Warriors type of battle. Then carries on in the same fashion, maybe my imagination just sees images too much I don’t know, but this is what I get from it.
  • Kill the Pain: I don’t care, I love this guitarist. This track is pretty straightforward, I listen to lyrics and wonder if there’s more of a personal meaning behind them or if someone is just trying to fit the genre. However, it sounds very personal and has the same feeling through the music.
  • Six Feet Under the Big Top: Oh circus style and creepy on the intro, then some crunchy heavy stuff happening. A very cool number that, tells a fun story of murder and mayhem
  • Sympathy from the Devil: A more upbeat almost poppy tone with this song, and catchy as all hell, If you’re going to listen to this band then listen to this song first.

Overall, BLOOD PACT is great to listen to, the band as a whole are all talented and know their stuff very well. About the album: It runs together from track to track a lot of them being so similar it’s hard to tell them apart musically and vocally. By this I mean, musically it’s the same arrangement, not the same notes and so forth but the same blueprint for each track. Vocally flows the same way, same influx like before a chorus and so forth notes carried out, blah blah musical mumbo jumbo. This works well for some bands, and if it works don’t fix it, is the common consensus. However, I can see a lot more coming from this band maybe some faster tunes and a bit of a change in arrangement from track to track. This would really send this band into outer space and put them up there in the horror world.

Sinister Fate - band

Posted by Schock in MUSIC REVIEWS, REVIEWS, 0 comments
EXTREME SCENE: Last House on Dead End Street (1977)

EXTREME SCENE: Last House on Dead End Street (1977)

Sometimes as horror lovers, especially extreme cinema fans, we have to dig deep and look to the past to find what we’re looking for. The 70s were a great decade for horror and exploitation movies, and I find a lot of hidden gems there.

Last House on Dead End Street (1977) is more of an exploitation film than anything else but it’s also subtly extreme cinema. It was made by film students who, after making it, were so ashamed they didn’t want their names attached to it. It really has something to offend everyone – I love that about it. The whole thing watches like a softcore porn combined with an arthouse and a grindhouse film.

Last House on Dead End Street is about Terry, a man newly released from prison for a drug charge, who wants to get back at society. He sets out to create a snuff film, “something really different”. At a party, Terry meets Jim Palmer, a pornography director, and his gay friend and film executive Steve, and they agree to team up to make a movie. During the party, Jim’s wife comes down donning blackface and gets whipped repeatedly while delighted partygoers watch and cheer, “Harder! Harder!” For some reason, Terry decides that the other two are taking credit for his masterpiece. After raping Jim’s wife, Terry Kidnaps her, another female porn star, Jim, and Steve to star in his snuff film.

The last 20 minutes or so is where it really breaks loose. The four victims are tied up and removed to be killed one by one. The whole sequence is a pulsing, whispering, echoing, eerie, flashing look into madness. The slowness of the kills and almost graceful movement alongside the pulsing music make it hauntingly beautiful as well as disturbing.

Jim’s wife gets the worst of it;, Terry and his film crew slowly slice her face, taunt her and remove her legs. By the end when they cut open her abdomen and remove her insides, she doesn’t flinch, unblinking and resigned to her fate, her silence far more disturbing than if she were screaming.

This movie makes an educated effort in offending by either showing or implying:

  • Animal slaughter
  • Beastiality
  • A graphic sex scene between horses
  • Blackface
  • Rape
  • Homophobia
  • Torture
  • Branding a human
  • Mutilation
and so much more…

I can’t claim that all extremists will love Last House on Dead End Street, but it’s worth their consideration.

Posted by Candace Stone in GORE, MOVIE REVIEWS, 0 comments
Joe Becker-Monster

Joe Becker-Monster

Another artist of the underground world got with us and wanted us to hear what they have to offer. Remember in my last review I stated that the underground is home to me, so I love seeing new faces and hearing new and original works.

A fellow by the name of Joe Becker got with us here at House of Tortured Souls with an album Monster that he described as Death Rock. This is an honest description and I respect that, I’d call it something like mind fuckery rock…and here is why.

The album as a whole is well produced musically, not a lot of vocal singing, but plenty of vocal dialog and storytelling over an accompanying musical background like a narrative. Joe’s way of interpreting what he’s got going on is like listening to the thoughts of an asylum inmate’s thoughts or better yet, what this inmate did to get where he is.

Each track is like a tale of a different victim and how they either asked to be murdered or just how this absolute insane person took it upon themselves to give the victim a release from life. Going into this being told it was death rock. I was expecting something with a lot of synthesizer, deep Peter Steele style vocals and a lot of vampiric sex. However, I was surprised at what I did here. As I said, each track is slightly different from the next on the tales told within them.

A few pointers to note: where Mr. Becker does sing or attempt to do so, it was a bit off key from the music and that very well could have been the intent. If not the intent, then this did not work out as planned. I feel like this record is fine how it is with the narrative style of vocalizing the poetic, goth, yet murderous lyrics. However, if singing is something you want to achieve on a record..for anyone..find that note you’re on and match your voice to it. I am NO singing vocalist…I yell fast and violently. However, when I do make my attempts at singing I hit that first note on the guitar and find it in my voice before carrying on.

Overall this is a great album to listen to if you really want to fuck someone up…keep it low in the background while friends are over just to fuck with their heads a bit. They will hear music and be like, “okay, whatever”, then dude starts in on his vocal track and it will subliminally mess them up, probably cause a nightmare or three. Another option, any one of these tracks will be good to send as a single (oh..oh showing what time period I’m from, yo) to basically say “I hate you, and this will happen if you contact me again”.

I highly recommend listening to this record at least once even if just for curiosity. It’s not something I’d recommend for driving, jamming out to or if you’re suicidal or a sociopath. For fun and “horror on tape” kinda deal, then definitely have a go at it.

Posted by Schock in MUSIC REVIEWS, 1 comment
WiHM: Lori Lethin

WiHM: Lori Lethin

Lori Lethin in Bloody Birthday (1981)Lori Lethin, I suspect, is not a name known to a lot of horror fans; however, I think it’s high time we celebrate her brief but interesting career. Like most actors, Lori got her start doing guest spots and in a short amount of time was on everything from Charlie’s Angels and The Dukes of Hazard as well as the infamous After School Special turned short film The Wave, based on a horrifying real-life experiment in an American High School. It was in The Wave were she began to flex her dramatic muscles, but it would be Bloody Birthday released at the height of the slasher craze which would provide her most memorable role. It’s clear from the start that Lethin exudes a natural charm and embodied the perfect girl next door, and the perfect final girl. It was this sweet, innocent demeanor that played well against the three murderous kids in Bloody Birthday and a deformed man in The Prey.

Lori Lethin in The Prey (1984)But her range wasn’t limited to just episodic television or horror and she turned in a great performance in the now cult classic The Day After, a highly unnerving depiction of nuclear fallout at the height of the Cold War. She continued to do guest spots throughout the 80s, and she once again went back to her queen scream roots in the meta-horror film Return to Horror High (1987), a film most notable for starring a relatively unknown George Clooney. Again Lethin stretches her talents by not only playing multiple characters in the film within a film by playing against heavyweights like Alex Rocco. She would only do one other film and a few more guest spots before retiring from acting.

Lori Lethin in The Day After (1983)After bowing out of the limelight, she worked hard to earn her degree in clinical psychology and works with recovering addicts. Though her filmography isn’t huge, the films she did appear in are better because of her and you can’t deny she had a way of lighting up a screen. So let’s raise a toast to this unsung scream queen and truly Lori Lethin can have her cake and this time eat it too!
Lori Lethin in Bloody Birthday (1981)

Posted by Mike Vaughn in EDITORIALS, TRIBUTE, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #27 – The Love Swallows

WiHM9 Blood Drive, PSA #27 – The Love Swallows

Good evening and happy twenty-seventh PSA of Women in Horror Month, and House of Tortured Souls is proud to present the nxt entry in this year’s Women in Horror Month Blood Drive.

Tonight’s PSA comes from Nicole McClure.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the awesome twenty-seventh Blood Drive PSA of Women in Horror Month:

The Love Swallows

By Nicole McClure

ABOUT THE ARTIST:

Nicole McClure is a writer, director, editor, colorist, and VFX artist. A woman of many talents, Nicole’s body of work is as diverse as she is. Regardless of what position she holds on a production, her work always elevates the pieces to a whole new level.
A two time WiHM Massive Blood drive director before this with her partner, Aramis Sartorio, the two have a hilarious, often shocking, and blood fantastic take on horror to get you in the mood to donate blood.

Cast:

Megan Duffy
Matt Mercer
Aramis Sartorio

Crew:

Production Design………George Hale
Gaffer………Miles Kittrege………
Photography by………Nate Liquor
Pony Gold
Nicole McClure

Special Thanks:

Matt Suchesi
Kaeli Quick
Michael Snyder
Sebastian Love
Mylissa Ftizsimmons
Blame Mercury
Jen & Sylvia Soska

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #26 – NerdGirls

WiHM9 Blood Drive, PSA #26 – NerdGirls

Tonight’s PSA comes from Adam Marcus, Debra Sullivan, and Bryan Sexton.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the awesome twenty-sixth Blood Drive PSA of Women in Horror Month:

NerdGirls

By Adam Marcus, Debra Sullivan, & Bryan Sexton

ADAM MARCUS
TINKER, TAILOR, SOLDIER, SPY,
WRITER, DIRECTOR, CO-PRODUCER GUY:

A native of New York and Connecticut (a feat in itself), at 11, Adam was a PA on his first studio movie. At 13 he was apprentice editing for Columbia Pictures. At 15, he created the Westport Theatreworks Theatrical Company, directing and producing over 50 shows in 7 years. At NYU he won Best Picture in for his film, “…so you like this girl”. At 21, Adam set up his first feature film at Disney and less than a year later he had been hired to write and direct New Line Cinema’s “Jason Goes to Hell: The Final Friday”. At 23 he was the youngest director ever hired by a major studio to write and direct a feature film. He then turned his attention to writing and he and writing partner </ strong>Debra Sullivan, wrote scripts for Paramount (the adaptation of James Patterson’s “Virgin”), Fox (the original “Black Autumn”), and Lionsgate (the box office #1 “Texas Chainsaw 3D”).
In 1995 Adam created the Skeleton Crew TheatreWorks where to this day he trains some of the most talented actors in the industry. This troupe has been the backbone of Adam’s theatrical and cinematic casts.
In 1998 Adam directed the indie comedy, “Let It Snow” starring Bernadette Peters. The film was a critical and festival darling at AFI’s LAIFF (where it won several awards), Sundance, New York/Avignon, the Deauville festival in France among many others. At the same time Adam sold several TV series to Kevin Bright Productions, Imagine Television, NBC, Fox and The WB. Adam then directed the Sony Pictures feature film, “Conspiracy”, which he co-wrote with Sullivan. Starring Val Kilmer, Jennifer Esposito, and Gary Cole. The latest Marcus/Sullivan project written by the duo, is “Momentum”, starring Olga Kurylenko, James Purefoy and Morgan Freeman.
Recently episodes of Adam’s web series, Connected was the winner for best short subject at three separate festivals.
He and Sullivan have recently partnered with long time producer Bryan S. Sexton to form Skeleton Crew Productions. They already have several films slated for release next year and 2 new television series slated for mid- 2018.
As a director Adam has three new films in the pipeline, “The Plantation”, “The Harvest” and “Dread”.
“Secret Santa” is a return to the genre Adam loves dearly. He’s so thrilled to be back, knee deep in blood and madness!

ADAM MARCUS STATEMENT – WiHM BLOOD DRIVE

When I was in film school at NYU, there were two films that would change my idea of artful storytelling. The first was Katherine Bigalow’s “Near Dark”. It was a dark, scary, romantic adrenaline rush. As a young man I was not accustomed to seeing a film this kick-ass made by a woman. A woman who not only gave James Cameron a run for his money when it came to action but was far more interested in the connection between it’s characters than the average horror movie. It knocked my socks off. Then I saw Luc Besson’s “La Femme Nikita”. It was a mash-up of all the things I loved about French Cinema and American Movies. At it’s center was the story of a lost young woman who is as bad an anti-hero as you’ll find. But you love her. She is a murderer who is trained to use her pathological talents for the “government”. We’ve seen this story a thousand times and it’s always a bit ham-fisted. Why does this one work? Because it is the story of a woman and the complications of being a woman used by a world of men for their purposes, that’s why! She goes from being owned by the male-constructed system to owning herself. And it was written and directed by a man. It showed me that a man can tell stories about strong, kick-ass women that still get to be feminine. And that was it… I was hooked.
Since then, I have struggled to do the impossible in Hollywood… tell stories about strong women. For twenty-five years I have tirelessly written movies about women, in every genre. Many of those scripts have been bought, but only a few have even been made. Most sit on shelves in studio offices.
Before it was chic to make stories about women, I wanted to.
No, I yearned to. Every time I’d sit down with my brilliant partner, Debra, and come up with a new story, the response from our representatives was always, “For the love of all that’s holy, can’t you please write something with a male protagonist”? That’s something they don’t teach in film school, or in three day seminars on writing movies… if you want a movie to get made, write about men.
Well… fuck that! Seriously. Fuck that!
A couple of years ago, Debra and I wrote a project based on a wonderful novel our company optioned named, Nightspinners. It was the story of twin sisters who can speak to each other telepathically. Again, it’s about ownership of one’s identity. It’s about strong women. One heroic and one psychotic. But both will not and can not be ignored. When we went searching for our director, I said, “It has to be a woman. This is story that should be told by a woman”. We started making a list but our list got tossed out the window when we found out that Jen and Sylvia Soska were repped at our same agency. After much hemming and hawing (“they’ve seen every twin story out there”) they sent them the script. Twenty-four hours later we received a two line response, “Fuck yeah we’ll do Nightspinners! Cause it’s fucking awesome”! Thus began the beautiful friendship between the Twisted Twins and Skeleton Crew.
When the Soskas came to Debra and me to create something for WiHM, we could not have said, “YES” faster. We got to work immediately on hatching our PSA. Enter the NERDGIRLS!
NerdGirls is a film series that Debra and I created over a year ago. It’s about a young woman, Alex, who since childhood has been obsessed with what she was always told was “Boy Stuff”. Comics, Kung-Fu Movies, Superheroes. Her best friend in grade school, a super-serious tom boy, Maxine, even used to beat up the boys in school who taunted Alex for playing with Giant Robots rather than dolls. When Alex was eight, her father left the family and she blamed herself, thinking she was a bad daughter and not “girly” enough. So she abandoned and threw out everything she loved. Her comics and toys and worse of all… Maxine. 15 years later, Alex’s life is a mess. She’s forced herself to be what society thinks of as a “girl”, all the while still daydreaming of comic books and obsessively sketching on anything she can. On the day that she is robbed at her day job, finds her boyfriend in bed with another… man, and is kicked out of her apartment, she stumbles upon a shop selling the same GIANT ROBOT she abandoned years ago. She rushes into the store to find… Maxine is running the place! Rekindling their friendship, Alex finds a new home and the real adventure of her NerdGirl life is about to begin.
Our WiHM PSA is a horror episode of NerdGirls. It’s about the snakepit that is Blind Dating and the power of friendship and ass-kicking femininity! Oh, and did I mention there’s lot of blood?
I’m so excited to be a part of this year’s Blood Drive and WiHM! Not just as a man who loves stories about women, but as a human being who loves stories about all of us!

DEBRA SULLIVAN:

Debra is an actress/writer/producer. As an actress, over the years, she has appeared in countless plays, films, television shows and commercials. This 2nd generation Los Angelino has played lead roles in comedies, dramas and musicals. In television, she has had lead and/or recurring roles on “Criminal Minds”, “Private Practice”, “Big Love”, “ER”, “Days of Our Lives” and “Cold Case”, as well as many others. Some of her favorite films roles include, “Conspiracy” with Val Kilmer, “Let It Snow” (a Sundance Winner) with Bernadette Peters, “Bring It On, All or Nothing” with Hayden Panetierre, and “Brewster’s Millions” with the late Richard Pryor and John Candy. Recently, she starred opposite Steve Guttenberg in the film, “Lookin’ Up”.
When not acting, she and her husband/partner, Adam Marcus have written over 50 screenplays, including, “Conspiracy”, “Momentum”, “Texas Chainsaw 3D” and “The Plantation”. Their latest script, “Secret Santa” is a film she not only performs in but co-wrote and co-produced with Marcus and their producing partner, Bryan S. Sexton.
“Secret Santa”, a scathing “horromedy”, is burning up the festival circuit right now and is the first feature out of the gate for the trio’s newly formed production company, Skeleton Crew Productions.
Creating Skeleton Crew with Marcus and Sexton has been one of the most rewarding aspects of her career in the business. The company is committed to making entertainment, at all budget levels while giving opportunities to those who haven’t had their “breaks” yet or to work in the field of the business they’ve always wanted to. They currently have several films and television shows in the pipeline, the majority of which have strong female protagonists, something Marcus and Sullivan have always specialized in.
You can follow Debra on Twitter and Instagram @debsullivanm, and on Facebook as Debra Sullivan.

DEBRA SULLIVAN, ARTISTIC STATEMENT:

I am so excited to be a part of this year’s Women in Horror Month Blood Drive. As a woman in the industry and one who has done the majority of her work in the horror genre, I am honored to support the talented and ever amazing Soska Sisters in this annual event.
While we had a lot of fun making our film, our true heart was in the message we’re helping to send out to the world, the importance of donating blood. When you donate, you save lives, period. In these unpredictable times we live in, with more and more things happening, we have to stick together and be there for each other. The horror community has always been a source of people who care. So let’s care together. Go out and donate. You’ll be blessed that you did.
Let the blood-letting begin!!!

Cast & Crew:

The Nerd Girls
Anna Sondall………Alex Travalian
Paris Wise………Kit Kapinski
Michelle Allaire………Mickey Montgomery
Debra Sullivan………Mrs. Virginia Summerbottom
Mesa Kronhaus………Maxine Kotzwinkle
Kristin Wall………Georgia Washington
Ryan Leigh………Seaton Pickles

The Vampires
Scott Maguire………Cassian
Sassan Saffari………Derek
Rissa Kilar………Chantal The Vampire Queen
Nigel Lawes………Abatu The Gatekeeper
Darren Dupree Washington………Baka The Guardian
Jerusalem Girma………D.J. Cyrus
Joshua Kwak………Chiang-Shih
Erika Lane Enggren………Kali
Russ Ferri………Amon
Charlit Dae………Balam The Protector
Ed Nathan………Mecate Cacus The Protector
Pat Destro………Evanora The Vile
Petra Areskoug………Agate
Nick Barajas-Torres………Deumus
Gabriel Fiorindo Bellotti………Cherufe
Glennthomas Camba………Forneus
Melissa Corkern………Eris
Kate Enggren………Gatrea
Gilbert Feliciano………Kappas
CJ Feldbau………Azazel
Scott Fleetwood………Gremony
Troy Fromin………Halphas
Timothy D. Harris………Malphas
Mitch Narito………Marax
Breann Johnson………Hecate
Jeff Karr………Orobas
Gabi Mayorga………Salome
Daryn O’Patry………Moloch
Candace Quirk………Cerys
Jon Daniel Schwartz………Uvall
Anna Yosin………Onodine

Adam Marcus………Director/Co-Writer/Editor/Co-Producer
Debra Sullivan………Co-Writer/Co-Producer
Bryan S. Sexton………Producer
Fidencio Casas………D.P.
Freddy John James………Stunt Coordinator
Timothy D.G. Eilers………Composer/Vfx
Joshua Kwak………First A.D.
Chris Gonzaga………Gaffer
Gregg Furuoka………A.C.
Jorge Ramos………Key Grip
Kristy Munden………Wrangler

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #25 – Kirby, A Hero

WiHM9 Blood Drive, PSA #25 – Kirby, A Hero

Morning, Souls! It’s the twenty-fifth morning of Women in Horror Month, and House of Tortured Souls is proud to present the twenty-fourth entry in this year’s Women in Horror Month Blood Drive.

The twenty-fifth PSA comes from the devilicious mind of Nicholas Burman-Vince.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the brilliant twenty-fifth Blood Drive PSA of Women in Horror Month:

Kirby, A Hero

By Nicholas Burman-Vince

DIRECTOR’S STATEMENT:

When I was 19, I had major reconstructive surgery on my face and during the operation half the blood in my body was replaced via transfusion. For years I thought that was an extraordinary amount, but through the my involvement with the Soskas Blood Drive PSA, I’ve learned this is common – which help put into perspective just how urgent the need for blood donations is. Particularly as surgery isn’t the main use for donated blood. In the UK 67% is used to treat medical conditions including anaemia, cancer and blood disorders. So, people regularly need blood to survive.
I particularly like the current promotion by blood.co.uk #Date2Donate, encouraging people to donate with a friend or family member. What could be more romantic. Getting to know if your partner has a phobia about needles and helping to save someone’s life?

Cast & Crew:

Nicholas Vince – Writer and Director

Nicholas Vince played The Chatterer Cenobite in Clive Barker’s Hellraiser & Hellbound: Hellraiser II and Kinski in Barker’s Nightbreed. In 2016 he was awarded the London Horror Society Award for Outstanding Contribution to UK Independent Horror. He is Patron of the London Horror Festival.

His first short film as writer and director, The Night Whispered, screened at festivals in the US, UK, and France and is now available on Reelhouse.org. His second film, Your Appraisal, is on its festival run and a third, Necessary Evils, will be part of the horror anthology feature film For We Are Many, from Hex Media.

He still acts and recently starred in The Offer, with others from the Hellraiser films. He also stars in the independent feature film, Hollower (dir. MJ Dixon), and numerous short films including the award-winning Mindless (dir. Katie Bonham).

He hosts the weekly YouTube show Chattering with Nicholas Vince, where he interviews independent film makers and actors.

His two collections of short stories, What Monsters Do (rated 5*) and Other People’s Darkness are both available on amazon sites. His short story ‘Prayers of Desire‘, a new origin story for The Chatterer was published in Hellraiser: Anthology – Volume 2 by Seraphim Inc.

Holly Boyden – Rebekah

Recent graduate of the Royal Central School of Speech and Drama, Holly Boyden previously studies at Goldsmith’s College, University of London and the National Youth Theatre of Great Britain.

She is known for The Night Whispered, @MovieGeek and One In A Million.

She is a trained dancer, specialising in Classical Ballet and Ballroom and Latin American. She speaks fluent Spanish.

Dawson James – Kirby

Film maker, actor, cinematographer, performance capture artist and photographer Dawson James, is known for Scale Down, Ophelia, The Night Whispered and his science fiction short, HUD, which is on its festival run. Later this year he stars in Burying the Mother in Law

He is the creator of the young YouTube channel, Fluffy Dog.

Patrick E. Fagan – Composer

Patrick graduated from The University of West Scotland in 2002 with a BA Honours degree in Commercial Music. Since then, Patrick has worked in many roles within the music industry from music management to event organisation and is now currently working as a music teacher.

After many years performing in various bands, Patrick decided to move into creating music specifically aimed at film, TV and Media.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #23 – Surprise Egg!

WiHM9 Blood Drive, PSA #23 – Surprise Egg!

Morning, Souls! It’s the twenty-third PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

This PSA comes from Hannah Neurotica.

From the official Press Release:

Nine years ago, this next artist decided to change February forever with the very first Women in Horror Month. The founder of WiHM, Hannah Forman, has been growing this event, this celebration, this unity for nine years before it was in vogue to support female artists in the industry.
Without WIHM, our first film wouldn’t have gotten its first two screenings which became life changing events for us. I’ve watched her work tirelessly every year to promote people’s work and raise awareness about artists across the globe in the past, present, and setting up for the future.
I’m over-joyed that she was able to be a part of these 9th Annual WiHM Massive Blood Drive PSAs. Bless you for everything you’ve done, Hannah. Love you to bits!

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the incredible twenty-third Blood Drive PSA of Women in Horror Month:

Surprise Egg

By Hannah Neurotica

Credits:

Claymation

Hannah Neurotica




Music

33 Music Boxes
Public Domain

MINI BIO:

Hannah Neurotica is the founder of Women in Horror Month, the Ax Wound Film Festival, and published the world’s first known print feminist horror publication, Ax Wound ‘Zine. She is a mixed media artist, writer, and experimental filmmaker whose appeared in Newsweek, The GuardianComplex.com, Rue Morgue, Bitch, NPR, CBC Radio, and other pop culture media. She has been invited to speak or moderate a panels at events such as Geek Girl Con, Horror Rama, and Horrible Imaginings.
From event organizing to creative projects, Hannah’s passion is rooted in educating and empowering women to share their stories in all artistic forms, while simultaneously creating new spaces/opportunities to amplify what they have to say.

ARTIST’S STATEMENT:

I am honored to be part of this massive blood drive undertaking. My father passed away right before the first WiHM in 2010 and it was especially meaningful when Jen and Sylvia Soska told me they wanted to start encouraging people to donate with horror/gore themed blood donation PSAs. I’d just watched my dad get bags of blood from people I will never be able to thank but whom I am grateful for everyday. All you have to do is make an appointment, sit in a chair, and then you get a cookie. Being a hero has never been easier! Please consider taking that brave step and share that good red stuff in your veins.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #22 – It’s In You To Give

WiHM9 Blood Drive, PSA #22 – It’s In You To Give

Evening, Souls! It’s the twenty-second PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

This PSA comes from Ama Lea.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the amazing twenty-first Blood Drive PSA of Women in Horror Month:

It’s In You To Give

By Ama Lea

Cast & Crew:

Actors

Lara Jean Mummert
Colton Wheeler




Writer/Director

Ama Lea

Cinematographer

Diego Madrigal

Editor

Eric Thirteen

Special FX

Sheila Mia Seifi

VFS

Adam Lima

MINI BIO:

Ama Lea grew up in Stephen King Country- Bangor, Maine where she naturally had an inclination to the horror genre from a very early age. She spent her youth making films on old Camcorders, editing between VCRs and taking pictures in cemeteries.
After High School Ama moved to Boston where she majored in editorial photography at New England School of photography. She was Valedictorian of her graduating class. Soon after which she attended grad school at Brooks Institute in Santa Barbara, California where she majored in Fashion Photography and Film Studies. She was again, Valedictorian. After college she went on to become a celebrity photographer for many top magazines such as Inked, AP, Revolver, Zink and many more. She worked within the horror industry shooting a fine art photo exhibit entitled The Bloody Best which included portraits of legends in the horror industry which lead to her accepting the position as photographer for Fangoria Magazine where she had the honor of shooting the likes of Roger Corman, Wes Craven, and many more. She went on to create Year of Fear, a sexy parody horror calendar company that releases products annually. Meanwhile she kept her toe in film making by writing and directing several shorts and participating in ABC’s of Death 2.5 for Alamo Drafthouse as well as just finishing a huge festival season with her award winning short film, From Hell She Rises.
Ama is currently working for various publications as an editorial and celebrity photographer.

ARTIST’S STATEMENT:


When asked to be a part of the Soska’s annual blood drive, I was honored! It’s a great cause that’s been a tradition for women in horror and the Soska’s for years. I began to think about the theme…”be a hero.” Obviously capes and tights come to mind first but breaking it down to something even more simple. A hero in your life every day. To me, there is something so heroic about giving your all to another person. So many men have zero idea how to really be a great partner and furthermore, a great lover. To me the ability to give unselfishly to another person is heroic and it’s the same as giving blood. The simple act of donating blood can help save lives. Nearly 4.5 million patients need a blood transfusion a year in the US and Canada alone and only 10% of the population donates per year. If we could increase that number by even 1% the blood deficit in America would disappear. This is a call to arms for the horror community. It’s in all of us to give!

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #21 – Just A Prick

WiHM9 Blood Drive, PSA #21 – Just A Prick

Early morning, Souls! It’s the twenty-second day of Women in Horror Month, and House of Tortured Souls is proud to present the twenty-first entry in this year’s Women in Horror Month Blood Drive.

I’d like apologize personally for the delay on this release to Tonjia Atomic & Mi Chelle Nessk. I am having technical difficulties as well as issues with one of my fangs…
–Woofer McWooferson Source: Internet / Fair use doctrine.

From the Official Press Release comes this introduction:

I’ve known Tonjia Atomic for many years and I am very happy to announce her and Mi Chelle Nessk’s next instalment for the Women in Horror Month Massive Blood Drive PSAs.
These two are incredibly talented directors, multi-talented artists, and astonishingly hard-working professionals. I don’t want to give away anything about their PSA, so just keep an eye out for cameos and lots of other fun (I guess grown up) stuff. Not 18A, but it gets pretty murdery.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the powerful twenty-first Blood Drive PSA of Women in Horror Month:

Just A Prick

By Tonjia Atomic & Mi Chelle Nessk

Cast:

Westin Halvorson – Christopher James Phillips
Tristan Risk – Hailey Vesper
Michelle Nessk – Zee Monsta
Jackey Raye Neyman Jones – Pamela Knickknacks
James Grixoni – Johnathan the Lonely
Tonija Atomic – Cam Date Blair
Rachel Jackson – Audrey Swinging Electra
Hiromi Cota – Gurgling Man
Benjamin Barton – Bear Double
Ygal Kaufman – Zee Monsta’s Victim

Extras:

Christina Lynn Hendricks
Benjamin Barton
Ygal Kaufman
Heather Geer
Britt Byrtus
James Mahoney
Evan Christopher

Writers/Directors

Michelle Nessk
Tonjia Atomic

Producers

Gloomy Sunday Productions
Roux-ga-roux




Executive Producers

D Kirkness
James Mahoney
@ThuNiCo

Associate Producers

Vicki Woods
Angie Faro
Jimmy Weinholz
Charity Becker
Linda Kay
Gary Washington
Shannon Devine
Chrystal Doucette

Sound

Jeff Morales

DP

Conn Buckley

Editor, 2nd AD

James Mahoney

1st AD

Nadine L’Esperance

3rd AD

Angie Faro

1st AC

Britt Byrtus

Audio Editor

Ken Webster

Score

Bryce Kain & Michelle Nessk

Color Correction

Dave Patterson

MUA

Christina Pezzo

Grip

Ygal Kaufman

Key MUA, Wardrobe, Styling, SFX, Assistant Editor, Casting Producer, Art Director

Michelle Nessk

Wardrobe Assistant, Casting Producer, 2nd Art Director

Tonija Atomic

Lighting

Nick Shargas

Hair

Heather Geer

Art Poster Illustrators

Mark McKenna
Cesar Feliciano

Blood Logo Graphic Designer

Christal VanEtten

Production Assistants

Christopher Barnes
Rachel Jackson
Benjamin Barton
Heather Geer
Evan Christopher

SPECIAL THANKS

Kevin Van Walk
Chrystal Doucette
Joshua Phenicie
Joe Sherlock
Women in Horror
Twisted Twins Productions
Blue Mouse Theatre
Crypticon Seattle
PromoteHorror.com

Sponsors

Digital Soaps
Shannon Devine’s Illustrated Stories
Value Village
Sinful Audio

TONJIA ATIMIC’S BIO:

Tonjia Atomic is an award-winning filmmaker, actress, musician, and writer. Her films include Plain Devil and Walking to Linas. Her writing has been featured in several online and print magazines. She’s in the bands Duet To-It, Huh-Uh, and Filthy Issue. Her most recent film, Manos Returns, is the sequel to the 1965 cult film Manos: The Hands of Fate.

TONJIA ATOMIC’S STATEMENT:

It means a lot to me to be a part of the Women in Horror Month blood drive PSAs. As an anemic I am unable to give blood. Participating in the PSAs is a way for me to be able to contribute something by encouraging others to donate blood. I’m proud to be a part of this group of talented filmmakers. What better way than horror to remind us that we all bleed? After all, it’s in you to give.

MICHELLE NESSKS’ BIO:

Michelle Nessk is an award-winning indie horror filmmaker, dancer, musician, and artist out of the Pacific Northwest. Best known for their well-regarded & controversial first full feature film: O. Unilateralis, as well as the annual showcase series Horrors of the PNW. The showcase has premiered at Crypticon Seattle every year for the last five years, where Michelle plays horror host Zee Monsta. Much of Michelle’s work is laced with social commentary regarding rape culture and is often connected to charities and non-profits that focus on domestic abuse survivor advocacy. Their band ANU performs at various horror and sci-fi festivals in the Pacific Northwest. Michelle is the owner of production company Gloomy Sunday Productions and the horror publication The Blood Shed.

MICHELLE NESSKS’ STATEMENT:

I’m so grateful to have gotten to participate in the 2018 Women in Horror Massive Blood Drive PSA. I don’t give blood, I take it. Because I’m severely anemic, I depend upon the generosity of others to give in order to survive. This project has not only given me the opportunity to work with the incredible Tonjia Atomic (who also happens to be anemic), but to truly show my gratitude to all the heroes who open their veins to save lives. Thank you so much for letting us be part of this.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #20 – Blood Bride

WiHM9 Blood Drive, PSA #20 – Blood Bride

Hallo, hallo, hallo, Souls! It’s the twentieth PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Michelle Romano.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the wicked twentieth Blood Drive PSA of Women in Horror Month:

Blood Bride

By Michelle Romano

RESUME HERE

MINI BIO:

Originally from Boston Massachusetts, Michelle Romano is an award winning Actress and Producer. Making her Directorial debut with this year’s Massive Blood Drive Campaign, “BLOOD BRIDE” stars Jennifer Jostyn (“House of 1000 Corpses”), Robert Catrini (“Jack Reacher: Never Go Back”), Heather Grace Hancock (“Wicked City”), Sarah French (“The Night Watchmen”), Renee Dorian (“The Funhouse Massacre”), Alice Ko (“Exposed”), and Corey Tourigny (“My Uncle John is a Zombie”). In the past, Romano joined forces with Patricia Chica in producing two of her PSA blood drive segments. She is thrilled to have this opportunity to direct her own this year!
Romano and Tourigny (writer of “BLOOD BRIDE”) produced this film in Los Angeles. “I am beyond humbled and thankful to all of the people who donated their time to this project, and to everyone who trusted me to direct them in this film. This whole process has been a dream come true for me, and I hope that there will be many more to come!”
Romano serves as an honorary board member for several Women Empowerment campaigns and strives to motivate and empower women in any way that she can. Her annual Roman Media Hollywood event (February), champions Women in Film and Diversity in Entertainment.
Romano is currently in pre-production on several feature film projects with her company, Roman Media.

ARTIST’S STATEMENT:

It is an absolute honor to be a part of the Women in Horror Massive Blood Drive Campaign. We are raising awareness for such an important cause, and what better way to spread this message, than by doing it while making horror movies!?” In the words of Jen and Sylvia Soska, “If we can inspire even a few people to start donating, what a difference that would make in the World.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #19 – The Red Death

WiHM9 Blood Drive, PSA #19 – The Red Death

Howling good evening, Souls! It’s the nineteenth PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Mary Rangel.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the wicked nineteenth Blood Drive PSA of Women in Horror Month:

The Red Death

By Mary Rangel

MINI BIO:

Mary Rangel is a young filmmaker from Southern California whose passion for the Horror genre spans throughout her work in the Haunt and Film industries. Alongside her team of amazing friends and boyfriend who share the same passion for the genre and to bring scary stories to life, she has written and directed a total of five short Horror films, including the latest, The Red Death, for WIHM Blood Drive PSA’s 2018. She is involved in many Horror/Sci-Fi projects in many roles including Hellevator Seasons 1 & 2, John Carpenter’s Utopian Façade Music Video, Into The Black short film, Mystic Cosmic Patrol, amongst many others.
The Red Death is a short horror film inspired by The Masque of the Red Death by Edgar Allan Poe. This is Mary’s favorite Poe tale and The Red Death is one of her favorite symbols in the genre. With that, it seems a perfect match to UNLEASH a tale of The Red Death imbued with witchcraft, cults, an Elizabeth Bathory inspired villain named Theda played by Sara Raftery and Rachael Tucker, terror, Love for the Horror genre and with the message to encourage people to donate blood. It is truly a wonderfully Sanguine Nightmare. The main team of production for the project consists of Mary Rangel (Writer/Director), Timothy Dennison (Producer), Natalie Molina (Script Supervisor/1st AD), Jenn Langley (Key Makeup/SPFX Artist), and Christopher Blake Hannan (Melodies of the Macabre Composer).
With an amazing cast including but not limited to Olivia Grace Morales as the lead/protagonist Pamela and Daisy Hydar as The Red Death, together they conquer the evil that is Theda. Hope you enjoy the story this team created together with the passion for the genre, have a wonderfully spooky time. Thank you and be sure to donate blood this month and save lives.

ARTIST’S STATEMENT:

There’s a certain magic that binds us Horror Fans together. Women in Horror Month is not only the time to appreciate the Scream Queens, Monster Makers, Haunters, and Filmmakers who contribute so much to our favorite Films, TV shows, Haunts, and much more within our favorite Genre. They do it with Passion, Skill, and Love for Horror and for the Things that Go Bump in the Night. Also, during Women In Horror Month, is the time we band together to bring light in our dark world the way we know best… by creating art within the Horror genre.
That is why my team and I am proud, excited and beyond grateful to be apart of The Twisted Twins’ Women in Horror Month Blood Drive PSAs as a Director for 2018. Blood is NECESSARY for us to live. Hospitals are always in need for blood, ESPECIALLY, during time of crisis. I was taught growing up, that donating blood is important to help others in need and save lives. With that, I have always loved the Saw Franchise’s campaign for blood donations in the past; Horror is such a perfect platform to encourage people to donate. There are SO MANY creative ways to do so. The Soskas have their amazing annual Blood Drive PSAs, bringing the Horror Community together, inspiring people to save lives by donating blood. Every year, they are always wonderfully sanguine and spooky.
This year we join the Soskas for the WIHM Blood Drive PSAs by creating The Red Death, which is inspired by The Masque of the Red Death by Edgar Allan Poe, the film by Roger Corman, and Lon Chaney’s portrayal of Erik as The Red Death in Phantom of the Opera. We give the tale a sanguine and wicked twist by bringing The Red Death plague to our time period and the story revolves around how people react and the choices they make with the pressure of death looming all around them. With the theme of, “Be a Hero”, for this year’s PSAs, even though there is ‘darkness and decay’ surrounding the characters… one can still rise above the evil that is festering out of desperation. I am beyond happy for you to watch our interpretation of the story and having The Red Death to be apart of the message to encourage Horror fans and viewers to donate blood. To have the amazing opportunity to create this PSA with friends who share the love and passion for the genre made the experience even better. It would not exist without the hard work and talent of the amazing people of the cast and crew. Be sure to Donate Blood TODAY, because Sara Raftery as Theda informs us in the PSA, ‘blood will save us all.’ Thank you for reading and watching. And have a wonderfully spooky day.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #18 – Saviour

WiHM9 Blood Drive, PSA #18 – Saviour

Good evening, Souls! It’s the eighteenth PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Paddy Murphy.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the killer eighteenth Blood Drive PSA of Women in Horror Month:

Saviour

By Paddy Murphy

MINI BIO:

Paddy Murphy is an Irish film-maker known for his short films Cuppa, Retribution and The Sad Ones as well as the feature film, The Three Don’ts. Paddy comes to film with a background in video game development having spent years as the CEO of Ireland’s largest independent indigenous development company, Open Emotion Studios. Paddy is currently developing shorts for a variety of anthology feature films including Hex Media’s For We Are Many anthology, as well as starting work on his second feature film. Paddy co founded Celtic Badger Media with Barry Fahy, Aaron Walsh and Brian Clancy in 2016 and has been developing projects there ever since.

ARTIST’S STATEMENT:

When I required surgery in 2010 for the removal of an anomaly in my body, one of my biggest concerns was that my blood type was rare… AB Positive to be precise. So if anything happened to me, there may not be sufficient blood available. Due to this, I made a commitment to give blood whenever I could, to ensure that others with my blood type would never be stuck for a bit of plasma. Whether your blood type is rare or normal, please donate regularly to ensure that people will always have a fighting chance of surviving the worst. Thank you. And massive thanks to the Soska Sisters for this fantastic movement, which encourages the bloodletting in a fun, artistic way!
The other reason this event is so important is that it supports and empowers women in horror. This movement is super important, especially in the wake of the numerous assaults against women in the industry continue to come to light.
Highlighting powerful female directors, actors and crew is essential in making the environment more tolerant and less toxic and is the only way this industry can progress forward.

CAST & CREW:

Writer/Director: Paddy Murphy
Producers: Paddy Murphy, Barry Fahy.
Editor & DOP: Barry Fahy.
Music: Evan Murphy.
Production Designer: Kathy Murphy
Assistant Director & Casting: Courtney Mckeon.
BTS Stills: Stephen Tubridy.
BTS Video & DIT: Aaron Walsh.
SFX Makeup & Creature Design: Bekki Tubridy.
SFX Assistant: Shona McMahon.
Sound Op: Luke O Doherty.
Sound Mix: Paddy Murphy.
Assistant Camera: Andrew Moore.
Colour Grade: Barry Fahy

Starring:
Noelle Clarke
Aoife Meade
Rob Moran

Special Thanks: Jen and Sylvia Soska

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM & Black History Month: R. Shanae Williams

WiHM & Black History Month: R. Shanae Williams

For Women in Horror Month and Black History Month, I’ll be taking a look at black women in the horror genre. First up is the amazingly talented filmmaker R. Shanea Williams. A Richmond, VA, native, Williams holds a BA in English from the University of Virginia and an MFA in dramatic writing, focusing on screenwriting, from NYU. Williams, who now lives in Queens, New York, has produced two haunting short films, one about mental illness and the other about sleep paralysis, that pull no punches, and both are available at the Vimeo links below.

The first, Contamination, is a 2013 film about Jade a (expertly played by Cherise Boothe), a young woman in self-imposed exile in her apartment because of crippling germophobia – the pathological fear of contamination and germs. As with most germophobes, Jade has developed obsessive-compulsive disorder (OCD) and allows only her aunt into her home to bring food and other necessities. The film relies heavily on the believability of Boothe’s performance, and she makes it more than believable. She also makes it real, and the viewer suffers alongside her as she deals with the possibility of contamination from the outside world. Contamination is beautifully shot although everything takes place in Jade’s apartment by necessity; it’s her entire universe. In addition, the use of a heartbeat overlay to reflect Jade’s terror is extremely effective as are the visual effects that depict her perception of things as altered by her fear. Indeed, I found myself holding my breath a few times as Jade’s fear was palpable. I would love to see Contamination made into a feature-length film.

Cherie Boothe in Contamination (2013) from R. Shanea Williams

Cherie Boothe in Contamination (2013) from R. Shanea Williams

As with Contamination, Paralysis is shot almost entirely in one setting – the protagonist’s apartment, but unlike Contamination, there are signs that what is happening to Jessica may be real. Recently divorced Jessica (superbly played by Nia Fairweather) has moved into a new apartment. Her father worries about her and her sleep patterns as she has been having issues since her mother died when Jessica was only 10. We later learn that her sleep issues are so intense that she stayed married to avoid sleeping alone. As Paralysis progresses, we are given hints that what we see happening may have paranormal underpinnings, but the end is ambiguous and leaves one wanting to see it again to look for clues.

Nia Fairweather in Paralysis (2015) from R. Shanea Williams

Nia Fairweather in Paralysis (2015) from R. Shanea Williams

Williams, who was a quarterfinalist in the 2007 Slamdance Screenwriting Competition and one of top five screenplay finalists in the Urbanworld Film Festival Screenwriting Competition in 2011, has just been named a recipient of the Tribeca CHANEL Women’s Program THROUGH HER LENS along with Nikyatu Jusu. They will receive a full production grant for a film they co-wrote entitled Suicide by Sunlight, the tale of a day-walking Black vampire who is protected by her melanin from the sunlight but finds it difficult to control her bloodlust when a new woman is brought around her estranged twin daughters.

Paula Weinstein, R. Shanea Williams, Nikyatu Jusu, Mira Nair, and Rachel Weisz at THROUGH HER LENS / Image: Tribeca

Paula Weinstein, R. Shanea Williams, Nikyatu Jusu, Mira Nair, and Rachel Weisz at THROUGH HER LENS / Image: Tribeca

From TribecaFilm.com:

Jusu is an award-winning Sierra Leonean-American filmmaker. Her screenplay Free the Town participated in the Sundance Institute’s inaugural Diverse Writers Workshop and was selected for both the 2013 Durban Film Mart and Film Independent’s Fast Track. Her short film Flowers won the HBO short film award and is her third film acquired by HBO.
Williams attended NYU’s Tisch School of the Arts Dramatic Writing Program and earned her MFA in 2008. Upon graduation, she was honored with the Venable Herndon Graduate Screenwriting Award for Excellence. Partnering with producer Anthony Davis, she wrote and directed two award-winning short films Contamination (2013) and Paralysis (2015). Williams currently resides in Queens, New York.
R. Shanea Williams and Nikyatu Jusu / Image: Tribeca

R. Shanea Williams and Nikyatu Jusu at THROUGH HER LENS / Image: Tribeca

Posted by Woofer McWooferson in STAFF PICKS, WOMEN IN HORROR, 0 comments