Twice As Far
By Nicole Robinson
The end of last night’s episode of The Walking Dead saw Daryl reunited with his crossbow at the cost of Denise when a burned Dwight returned and shot her through the eye during her pep talk to Daryl and Rosita. Denise, being one of the valuable assets that Alexandria had, will be sorely missed as the only doctor in the community. Her training as a psychologist also could have been helpful in the war against a Negan that is undoubtedly coming - something that her death will escalate once Rick finds out it was Dwight and The Saviors that are responsible.
Olivia counts the pantry stock, Father Gabriel patrols the grounds, and Eugene and Sasha stand watch at the gates while Morgan practices with his ninja stick. Carol smokes her cigarette. These day to day activities of Alexandria give the illusion that Rick and friends are safe in their community, safe behind the walls and closed doors that provide protection.
Daryl checks out his bike, stolen with his crossbow earlier this season by one of those strangers he tried to help in the burnt woods.
“I should have killed him,” he tells Carol over a smoke. He is right. He should have, and this mistake will come back to haunt him later.
Eugene’s intelligence has always been his best weapon, and this episode proved exactly why. Eugene knows how to make bullets, and bullets are more valuable than the guns that shoot them. After all, guns are no good without bullets. Out with Abraham, the two find a metal shop that will allow Eugene to get to work. A very proud Abraham sings Eugene’s praises before being interrupted by a metal head walker. Eugene calls dibs, and Abe steps back.
The walker has been coated in metal, so when Eugene tries to machete it, his knife just bounces off the walker's chrome dome. Eugene gets pinned and is unable to reach a weapon causing Abe to step in and save him. An insulted Eugene chastises Abraham, who reminds him that thinking, not killing, is his best skill. Eugene responds by dismissing Abraham, stating “your services are no longer required”, and Abraham storms out while telling Eugene he can find his own way home.
Denise drags Daryl and Rosita outside the safety of the walls to search an apothecary for medicines that could be useful to the community. If it’s more apothecary than boutique, she reasons, it’ll have drugs. Having to abandon the truck after running into a fallen tree blocking the road, Denise tries to convince Daryl to take the tracks because it is the most direct route. He refuses.
The pharmacy is still locked when the three arrive, so all the meds are still safe and sound. While Daryl and Rosita clean out the place, Denise find a baby shoe in a sink full of blood in the back and reflects that perhaps she was not as ready as she thought. On the way back she tells Daryl the story of her twin brother, older by six minutes. She describes him as brave and angry, reminding Daryl of his own brother, Merle.
At this point, the episode seems more like filler. Aside from the realization that Eugene is able to make bullets, this episode was fairly sleepy.
After Denise risks her life for a can of soda and vomits on her glasses, Daryl yells at her in a very big brother sort of way for doing so. She stands up to him, yelling “I have training in this sh**!” She brought him because he reminds her of her brother and makes her feel safe. She should have gone with Tara and told her she loves her. She brought Rosita because she is inspired by her strength. In short, she is tired of being afraid to survive. She is sick of the fact she is not out in the world trying to live, and to live you have to take chances.
Suddenly an arrow pierces Denise through the eye. A group of Saviors come out of the woods and they have Eugene. Daryl looks at the man who stole his bike and crossbow. His face is burnt now, and he introduces himself as Dwight. Daryl was right; he should have killed him when he had the chance. The arrow came from Daryl’s crossbow, but Denise wasn’t the one he was aiming for. Dwight wants to be let into Daryl’s complex, and wants to be allowed to take whatever and whoever they want. If his demands are not met, they will kill Eugene, then Rosita, and then Daryl.
Eugene takes one for the team, grabbing a mouthful of Dwight’s manhood after spotting Abraham hiding behind some barrels, apparently having been following Eugene. He surprises the group and starts shooting. Rosita gets the guns, and Daryl slashes a neck before he starts shooting. Gunfire erupts and walkers descend causing Dwight to call for the Saviors to fall back. Eugene is shot in the crossfire. The three carry him back to Alexandria. Luckily he was only grazed, and the antibiotics will likely save his life. Abraham apologizes for doubting his abilities and says, “You know how to bite a d*ck – and I mean that in the nicest way possible.”
Daryl retrieves Denise’s body, and buries her in their graveyard while holding a vanity keychain she took from the store. It reads "Dennis", which was her twin brother's name. Carol joins him and they dig mostly in silence. She sees what the audience sees as well. This one is going to have a lasting effect.
“You were right,” Carol says. “I knew it when you said it.”
In a last tragic twist, Carol leaves Alexandria, leaving behind only a letter for Tobin to find that says she can’t face another threat and she cannot kill anymore. This letter is addressed to the community as a whole:
I love you all, and I would have to kill for you. I can’t; I won’t. I can’t love anyone because I can’t kill for anyone anymore. I am going like I always should have. Don’t come after me, please.
This is not the last of Carol no doubt. Someone will go after her despite her request not too, likely Daryl. The death of Denise will have a resounding effect of Alexandria now that the only doctor is dead. When Tara returns from her supply run with Heath to find her having been killed, her reaction is going to reopen this wound for Daryl. She came to him for protection and she died as result of mistakes. Not killing Dwight has come back on him in the worst way possible, and that kind of guilt is hard to live with. It clouds judgment and leads to careless mistakes. Daryl may actually end up getting himself killed despite his good intentions.
By Nick Durham
Heavy metal up your fucking ass. That’s what Deathgasm promises, and holy mother of fucking shit, that’s what Deathgasm delivers on. A delirious, New Zealand-birthed film revolving around metal, demons, and hysterical gross out moments, this film is a total fucking treat, and that’s saying it lightly. Fifteen minutes into this movie, I knew I stumbled upon something special.
Deathgasm revolves around Brodie (Milo Cawthorne): an abandoned teenage metal head that is stuck living with some fairly conservative family members that don’t approve of his dress style, taste in music, or penchant for playing some blistering licks on his guitar (it should go without saying that I totally relate to this kid, but I digress). Anyway, Brodie meets local troublemaker and fellow metal head Zakk (James Blake), and of course they decide to start their own band. Before you know it, they inadvertently summon up an ancient evil that begins taking demonic possession of the local townfolk. What results is some of the most hilariously amazing scenes you’ll see in a horror flick around today.
Nearly everything about Deathgasm is wondrous. The film’s screenplay and scenes are peppered throughout with various metal-flavored in-jokes and nods to the metal genre. Combined with the pitch-black comedic moments and even more nods to 80s horror flicks (this film owes a lot to Evil Dead and Demons), you won’t be able to do much else other than love this fucking film. The film’s makeup and gore effects, and especially the soundtrack, are totally fucking killer.
Now for as much as I love Deathgasm, it isn’t perfect. In fact, it falls just short of being an all-time classic, albeit just barely. The bro relationship between Brodie and Zakk, and the love triangle with the super fine Medina (Kimberly Crossman), doesn’t get as much depth served to it as I would’ve liked. That and sometimes the film’s pacing is sometimes all over the place. All of that aside, this is a fucking great time.
All in all, if you’re a longtime fan of metal music, you owe it to yourself to see Deathgasm. Even if you’re not into metal music, you’ll find a lot to admire here regardless if anything like Evil Dead or Demons is up your alley. If you don’t get even a smidge of enjoyment out of this, I think something may be wrong with you, and we just can’t be friends.
By Kev B.
In a world overrun with found footage films and remakes full of computer generated special effects, it’s not often I actually look forward to a new release, but I am seriously psyched for the new heavy metal splatter flick Deathgasm. It’s been described as “Brutal as fuck”, and I really hope it lives up to my unusually high expectations.
According to the synopsis in the press kit for Deathgasm at the official site:
High School is Hell! Metal-thrashing Brodie is an outcast in a sea of jocks and cheerleaders until he meets a kindred spirit in fellow metalhead Zakk. After starting their own band, Brodie and Zakk’s resentment of the suburban wasteland leads them to a mysterious piece of sheet music said to grant ultimate power to whoever plays it. But the music also summons an ancient evil entity known as Aeloth the Blind One, who threatens to tear apart existence itself. Their classmates and family become inhabited by demonic forces, tearing out their own eyes and turning into psychotic murderers... And this is only the beginning!
It’s up to Brodie, Zakk, and their group of friends to stop a force of pure evil from devouring all of mankind.
A blood-soaked and hilarious horror comedy, Deathgasm features an amazing original soundtrack of fist-banging metal and practical effects to satisfy metalheads and splatter fans alike. Deathgasm will gush bodily fluids, rain limbs, and tickle your funny bone, before tearing it out and giving you a stiff beating with it.
In an interview with metalinjection.net, writer/director Jason Lei Howden was asked to think of one sentence that would get readers excited about seeing Deathgasm. His reply:
If you took a baby, got it really stoned, made it listen to Skinless on repeat while an endless stream of horror movies played on a shitty old VHS player, feeding it only pizza, beer, and disapproval, then after a couple of decades it would end up making Deathgasm (Please don’t do that to an actual baby, you sick bastards).
He sounds like a man after my own heart, and has an impressive list of influences too. Citing fellow New Zealander Peter Jackson's Bad Taste as the first horror film he ever saw and Cannibal Corpse as the first metal band he ever heard, it sounds like his head and heart are in the right place to have created a new midnight movie masterpiece. He worked for Jackson's special effects company WETA Digital for six years but says the effects for Deathgasm are not CGI and the film is soaked in gallons of blood in an homage to gore fests like Dead Alive and Dead By Dawn.
With a sequel (Deathgasm II: Live Undead) already in the works, this semi-auto biographical coming of age story drenched in blood and guts is poised to become an instant splatstick classic. It looks like a good old “save the world and get the girl” kind of flick, dripping with gore, a nice dose of humor, and a soundtrack filled with some serious black and death metal. The countdown has begun. Coming to VOD and select theaters in the US on October 2, 2015.
By Nick Durham
Has it really been 20 years since Tales from the Crypt: Demon Knight first came out? It's hard to believe that it's really been that damn long. It's even harder to believe that Tales from the Crypt has been off the air for almost that long as well. With all that in mind, Tales from the Crypt has always held a special place in my heart. The TV show itself was basically my own personal introduction to horror in my youth, and while I still enjoy Demon Knight to this very day, it's the film's soundtrack that has resonated with me even more so than the actual film.
Like how the show was an introduction of sorts for me to the horror realm, the soundtrack to Demon Knight was an introduction for me to metal music that wasn't somehow related to Ozzy Osbourne or Metallica. This was the first time that I can remember hearing Pantera, Ministry, Megadeth, and others that would continue to resonate with me as I got older, and helped mold my love of the metal genre. Even though most of the tracks featured here are from previously released material from their respective artists, they all manage to fit the atmosphere not only of the film, but of the comic book horror lunacy of Tales from the Crypt as a whole.
Opening track "Cemetery Gates" is a classic single from Pantera's "Cowboys from Hell", only here we get an edited take on it that shaves about a minute and a half off the run time. Ministry's "Tonight We Murder" is lovely, while Machine Head's "My Misery" seems to be an original track provided for the film. Megadeth's "Diadems" sounds like a B-side from the "Rust in Peace"/"Symphony of Destruction" era, and Melvins provides "Instant Larry", which is pretty damn kicking.
The legendary Henry Rollins is here with Rollins Band (who else would he be with?) providing "Fall Guy", which isn't really anything special in all honesty, but Biohazard's "Beaten" and Sepultura's "Policia" more than make up for it and make me want to smash my head into a wall in a good way. Filter is here with the only song they're known for besides that fucking annoying ass "take my picture" song from the end of the century, with "Hey Man, Nice Shot", which may be about Kurt Cobain or Bud Dwyer. Take your pick. Finally the soundtrack ends with the lone hip-hop track here, "1-800-SUICIDE" by Gravediggaz. I've never been into hip-hop too much, but this song is wonderful. Not to mention the fact that I can still recite the whole thing word for word to this day.
In closing, the Demon Knight soundtrack may appear to be nothing special at first glance, but for those that were around when all this originally hit, it will hold a special place in your heart. I still listen to many of the songs featured here to this very day, and because of this soundtrack, it helped me discover so much wonderful music as the years would go on. Maybe I'm talking it up a bit more than what it's worth because of the sake of nostalgia, but I can't help myself. It was special to me then, and it's special to me now. Check it out if you never have before.