Music review

MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

Redneck Nosferatu — (Self-Titled)

Good Ass Studios

  • 1. Momma
  • 2. Love & A .45
  • 3. Papa Kills Babies
  • 4. Father Curtis
  • 5. Son Of 100 Maniacs
  • 6. Dead Girls
  • 7. Children Shouldn’t Play With Dead Things
  • 8. Silver Bullet
  • 9. Stalker
  • 10. Otis
A majority of the bands in my collection come from random purchases. Generally if a band pops up on my Facebook feed, and they have physical albums for sale, I’ll buy for the sake of collecting. I love supporting the small time bands and even if they don’t end up being an act I fall in love with, they earn a spot in my collection. Sometimes though, I find a band that completely floors me and that’s the case when I opened my copy of the Redneck Nosferatu self-titled debut album. Hailing from Tulsa, OK, this self-proclaimed “killbilly trash punk” quintet combines crusty punk rock with metal and layers it all under an air of backwoods horror. Consisting of guitarists and vocalists Clovis and Rowdy Riter, bassist and vocalist Lola and drummer D-Bone, they produced a 10 track album fit for hardcore and horror fans alike.
With the opening track, “Momma”, the listener is treated to an audio sample setting the mood and tone for the remainder of the disc. Edmund Kemper’s confession about beheading is mother is heard over a backing track of dripping water, muffled cries. and inhuman moans. The 83 second introduction lays the groundwork for the no-frills, in-your-face sludgefest that you’re about to endure during the next 23 minutes. The first song on the album, “Love & a .45” tears in and delivers in less than 2 minutes. What made this group immediately interesting was the gnarled female vocals that brought to mind groups like Circle Takes The Square. With the crack of a beer “Papa Kills Babies”, the album’s third track, kicks off. Distorted vocals shout “they don’t go in the woods at night” over an aggressive thrash rhythm. The vocals jump between belched barks and strained screams creating a sense of menace.
The album continues with “Father Curtis”, chugging along on a crust punk beat, breaking the cycle and adding another layer to the band and album. “Son Of 100 Maniacs” is one of the discs strongest offerings. With back and forth vocals, a fast beat and unsettling overall tone, the song pounds away and builds up to an ending of sporadic guitar squeals and static noise fading out pleasantly, all in 93 seconds time.
Starting the album’s second half is the album’s most easily digestible track for newcomers, “Dead Girls”. Starting on an acoustic guitar riff the band crafts a spooky atmosphere before kicking everything into gear. The lead vocals are delivered with less of a snarl but more than enough attitude. The bass, drum, and spoons breakdown in the track shows off that the groups roots and influences stand in other places besides punk and metal. “Children Shouldn’t Play With Dead Things” is easily my favorite song on the album. The guitar tone over such a driving riff with the vocals spewed out in a steady stream, this track plays like a theme song to a killing spree conducted by backwoods cannibals high on meth. This is a song coated in total chaos and energy and one of the album’s longest entries.
Silver Bullet” ramps up the energy considerably as the group delivers an anthem style head-banger primed to fire up any pit. The verses build up in intensity until chorus rushes in like a welcome release. Rounding out the album are the tracks “Stalker” and “Otis”. “Stalker” plays out as a sludgy metal track with an enticing vocal performance, which initially reminded me of Daniel Hell (Dr. Hell), and holds the title as the disc longest play at 3:10. Modest and moving, “Stalker” keeps the anxious and claustrophobic tone of the record moving along before “Otis” closes everything out. Starting out with a Black Sabbath intro and the “Frailty” movie quote, the album’s grimy metal ending continues. The chant of “I got bored with the Lord, now I’m skating for Satan” drives home where this band hails from and what they’re about, a preachy punk piece that wraps everything together.
Running about 23 minutes total, the album offers little to dislike though the high points sometimes feel rushed along. Overall, this is an incredible debut by a band that, perhaps literally, crawled out of the woodwork and I’m really looking forward to what follows. Dark, grimy and aggressive, Redneck Nosferatu have left their mark on the neck of the horror genre.
Follow Redneck Nosferatu on their Facebook.
Or pick up a copy of the self-titled album from their Website.
Redneck Nosferatu / Fair use doctrine.
Posted by Dom Calzola in Categories, MUSIC REVIEWS, STAFF PICKS, 0 comments

House of Tortured Souls Live Welcomes Billy Pon

With Special Guest Billy Pon

By John Roisland, Stephanie Roisland, and Allen (Dixielord) Alberson

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During the Billy Pon interview about a minute and a half of audio was garbled, and some bits lost. It was either cut the entire section, leave it or try and piece it together and possibly lose or misinterpret the questions and response so I decided to leave it as is. Apologies to Billy Pon.

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Hello and welcome to Episode III of House of Tortured Souls Live! This week we discuss the sneak preview release of what has become the most anticipated horror film of 2016. We could be talking about, the one and only, love him or hate him…Rob Zombie’s 31. House of Tortured Souls own Jonathan Patrick Hughes was there to check out the release on the big screen as well as give you his thoughts in his written review online at www.houseoftorturedsouls.com. We discuss the return of American Horror Story 6 being brought back the Fox network September 14th, with the return of Lady Gaga. The Misfits reunion with confirmed legendary drummer (SLAYER/ SUICIDAL TENDENCIES) Dave Lombardo will begin at Riot Fest. House of Tortured Souls pays tribute to and remembers comedic actor Gene Wilder who starred in such great films as Mel Brooks’ Young Frankenstien and Blazing Saddles, and who all know was the real Willy Wonka. . The House of Tortured Souls takes a moment to also celebrate the birthday of Asian horror Master Takashi Miike. In the studio for Episode III co-founder of House of tortured Souls Stephanie Roisland> joined us and gets you up to date on Fangoria Music release of The Horde mixtapes. House of tortured Souls is also proud to announce that one of our own, Rocky Gray is currently directing his own horror Anthology entitled 10/31/ 16 and Allen Alberson also gives us an in-depth look at the problems with distribution in film making as he discusses lost movies that have never made it. The House of Tortured Souls Live was also honored with our first in studio guest for Episode III, director of Dolll Boy and Circus of the Dead, Mr. Billy Pon aka Bloody Bill, who discusses the making of Circus of the Dead , problems with distribution companies, his own Haunted House in his home land of Texas all that while we try to get Allen a Pepsi!

Keep It Evil.

Posted by John Roisland in Podcast, 0 comments