Music review

Horror rock is still kickin’ these days. For the longest time, it was all I ever knew and by far the most fun subgenre of punk and metal. Nothing was off limits in horror rock, and what made it more of a fun time than most other genres was the actual all-inclusiveness of everyone. Not saying other genres/subs don’t. You go to a hardcore, metal or OG punk show, you’ll see 90% white males…even though we don’t hate…that’s what’s there…the other 10% is scattered among women as well as other ethnicities so with horror rock/punk how it differs is a wide rainbow of a crowd as well as on stage. Did you know there are also Christian horror punk bands? That’s…odd. Yes, it is; however, it’s a testament (no pun intended) to how this particular subgenre is pretty open to anything. I guess no more odd than Christian black metal now that I think about it, but we’ll discuss that later.

The Chicago-area band Sinister Fate came to us with their album BLOOD PACT. I didn’t listen to the album at first; I did a little research on the band and watched some videos. My first impression was far from what I normally get from horror bands. Their videos are very reminiscent of the 90s style Gwar videos. Ya know, handheld shaky camera, choppy editing, Tromaesque splatter effects. So I instantly fell in love with this style. I also was impressed that there are female participants in the band. Again, this is rare for a lot of other genres but in horror rock, it’s very normal.

What really sealed this band for me was the guitarist. This chick really wails on this thing. Her playing is absolutely amazing, from just riffs down to solos. She really takes it and shows what’s up with guitar playing.

The music begins and this is definitely horror rock. BLOOD PACT is just an EP-style, 6-track short album. However, it gives you what you need to know about this band. The album as a whole is executed beautifully. I can say that if you’re a fan of any horror business, then this is a band to definitely check out.
Sinister Fate - Blood Pact
Track by Track (not in order as they appear on the album):

  • The Monster Within: This track is like a solid break down style track, a lot of palm muting and kind of a slower pace. However, it gets the point across on what the song’s feel is all about. Lyrically very dark, and a nice look into the writer’s head, that guitar solo though…Just listen and enjoy this.
  • Trust/Obey: Another slower, heavier/slow paced track. Vocally reminiscent of older Frankenstein Drag Queens, lyrically super intense and “demanding”…yeah we’ll say demanding. Very catchy and fun.
  • Decay: Starts out very spooky sounding musically, almost like they’re going for an epic battle in a back alley. Not like “Beat It” style, but more like A Clockwork Orange vs. The Warriors type of battle. Then carries on in the same fashion, maybe my imagination just sees images too much I don’t know, but this is what I get from it.
  • Kill the Pain: I don’t care, I love this guitarist. This track is pretty straightforward, I listen to lyrics and wonder if there’s more of a personal meaning behind them or if someone is just trying to fit the genre. However, it sounds very personal and has the same feeling through the music.
  • Six Feet Under the Big Top: Oh circus style and creepy on the intro, then some crunchy heavy stuff happening. A very cool number that, tells a fun story of murder and mayhem
  • Sympathy from the Devil: A more upbeat almost poppy tone with this song, and catchy as all hell, If you’re going to listen to this band then listen to this song first.

Overall, BLOOD PACT is great to listen to, the band as a whole are all talented and know their stuff very well. About the album: It runs together from track to track a lot of them being so similar it’s hard to tell them apart musically and vocally. By this I mean, musically it’s the same arrangement, not the same notes and so forth but the same blueprint for each track. Vocally flows the same way, same influx like before a chorus and so forth notes carried out, blah blah musical mumbo jumbo. This works well for some bands, and if it works don’t fix it, is the common consensus. However, I can see a lot more coming from this band maybe some faster tunes and a bit of a change in arrangement from track to track. This would really send this band into outer space and put them up there in the horror world.

Sinister Fate - band

MUSIC: Sinister Fate – Blood Pact (2016)

MUSIC: Sinister Fate – Blood Pact (2016)

Horror rock is still kickin’ these days. For the longest time, it was all I ever knew and by far the most fun subgenre of punk and metal. Nothing was off limits in horror rock, and what made it more of a fun time than most other genres was the actual all-inclusiveness of everyone. Not saying other genres/subs don’t. You go to a hardcore, metal or OG punk show, you’ll see 90% white males…even though we don’t hate…that’s what’s there…the other 10% is scattered among women as well as other ethnicities so with horror rock/punk how it differs is a wide rainbow of a crowd as well as on stage. Did you know there are also Christian horror punk bands? That’s…odd. Yes, it is; however, it’s a testament (no pun intended) to how this particular subgenre is pretty open to anything. I guess no more odd than Christian black metal now that I think about it, but we’ll discuss that later.

The Chicago-area band Sinister Fate came to us with their album BLOOD PACT. I didn’t listen to the album at first; I did a little research on the band and watched some videos. My first impression was far from what I normally get from horror bands. Their videos are very reminiscent of the 90s style Gwar videos. Ya know, handheld shaky camera, choppy editing, Tromaesque splatter effects. So I instantly fell in love with this style. I also was impressed that there are female participants in the band. Again, this is rare for a lot of other genres but in horror rock, it’s very normal.

What really sealed this band for me was the guitarist. This chick really wails on this thing. Her playing is absolutely amazing, from just riffs down to solos. She really takes it and shows what’s up with guitar playing.

The music begins and this is definitely horror rock. BLOOD PACT is just an EP-style, 6-track short album. However, it gives you what you need to know about this band. The album as a whole is executed beautifully. I can say that if you’re a fan of any horror business, then this is a band to definitely check out.
Sinister Fate - Blood Pact
Track by Track (not in order as they appear on the album):

  • The Monster Within: This track is like a solid break down style track, a lot of palm muting and kind of a slower pace. However, it gets the point across on what the song’s feel is all about. Lyrically very dark, and a nice look into the writer’s head, that guitar solo though…Just listen and enjoy this.
  • Trust/Obey: Another slower, heavier/slow paced track. Vocally reminiscent of older Frankenstein Drag Queens, lyrically super intense and “demanding”…yeah we’ll say demanding. Very catchy and fun.
  • Decay: Starts out very spooky sounding musically, almost like they’re going for an epic battle in a back alley. Not like “Beat It” style, but more like A Clockwork Orange vs. The Warriors type of battle. Then carries on in the same fashion, maybe my imagination just sees images too much I don’t know, but this is what I get from it.
  • Kill the Pain: I don’t care, I love this guitarist. This track is pretty straightforward, I listen to lyrics and wonder if there’s more of a personal meaning behind them or if someone is just trying to fit the genre. However, it sounds very personal and has the same feeling through the music.
  • Six Feet Under the Big Top: Oh circus style and creepy on the intro, then some crunchy heavy stuff happening. A very cool number that, tells a fun story of murder and mayhem
  • Sympathy from the Devil: A more upbeat almost poppy tone with this song, and catchy as all hell, If you’re going to listen to this band then listen to this song first.

Overall, BLOOD PACT is great to listen to, the band as a whole are all talented and know their stuff very well. About the album: It runs together from track to track a lot of them being so similar it’s hard to tell them apart musically and vocally. By this I mean, musically it’s the same arrangement, not the same notes and so forth but the same blueprint for each track. Vocally flows the same way, same influx like before a chorus and so forth notes carried out, blah blah musical mumbo jumbo. This works well for some bands, and if it works don’t fix it, is the common consensus. However, I can see a lot more coming from this band maybe some faster tunes and a bit of a change in arrangement from track to track. This would really send this band into outer space and put them up there in the horror world.

Sinister Fate - band


Posted by Schock in MUSIC REVIEWS, REVIEWS, 0 comments
Joe Becker-Monster

Joe Becker-Monster

Another artist of the underground world got with us and wanted us to hear what they have to offer. Remember in my last review I stated that the underground is home to me, so I love seeing new faces and hearing new and original works.

A fellow by the name of Joe Becker got with us here at House of Tortured Souls with an album Monster that he described as Death Rock. This is an honest description and I respect that, I’d call it something like mind fuckery rock…and here is why.

The album as a whole is well produced musically, not a lot of vocal singing, but plenty of vocal dialog and storytelling over an accompanying musical background like a narrative. Joe’s way of interpreting what he’s got going on is like listening to the thoughts of an asylum inmate’s thoughts or better yet, what this inmate did to get where he is.

Each track is like a tale of a different victim and how they either asked to be murdered or just how this absolute insane person took it upon themselves to give the victim a release from life. Going into this being told it was death rock. I was expecting something with a lot of synthesizer, deep Peter Steele style vocals and a lot of vampiric sex. However, I was surprised at what I did here. As I said, each track is slightly different from the next on the tales told within them.

A few pointers to note: where Mr. Becker does sing or attempt to do so, it was a bit off key from the music and that very well could have been the intent. If not the intent, then this did not work out as planned. I feel like this record is fine how it is with the narrative style of vocalizing the poetic, goth, yet murderous lyrics. However, if singing is something you want to achieve on a record..for anyone..find that note you’re on and match your voice to it. I am NO singing vocalist…I yell fast and violently. However, when I do make my attempts at singing I hit that first note on the guitar and find it in my voice before carrying on.

Overall this is a great album to listen to if you really want to fuck someone up…keep it low in the background while friends are over just to fuck with their heads a bit. They will hear music and be like, “okay, whatever”, then dude starts in on his vocal track and it will subliminally mess them up, probably cause a nightmare or three. Another option, any one of these tracks will be good to send as a single (oh..oh showing what time period I’m from, yo) to basically say “I hate you, and this will happen if you contact me again”.

I highly recommend listening to this record at least once even if just for curiosity. It’s not something I’d recommend for driving, jamming out to or if you’re suicidal or a sociopath. For fun and “horror on tape” kinda deal, then definitely have a go at it.

Posted by Schock in MUSIC REVIEWS, 1 comment
MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

Redneck Nosferatu — (Self-Titled)

Good Ass Studios

  • 1. Momma
  • 2. Love & A .45
  • 3. Papa Kills Babies
  • 4. Father Curtis
  • 5. Son Of 100 Maniacs
  • 6. Dead Girls
  • 7. Children Shouldn't Play With Dead Things
  • 8. Silver Bullet
  • 9. Stalker
  • 10. Otis
A majority of the bands in my collection come from random purchases. Generally if a band pops up on my Facebook feed, and they have physical albums for sale, I’ll buy for the sake of collecting. I love supporting the small time bands and even if they don’t end up being an act I fall in love with, they earn a spot in my collection. Sometimes though, I find a band that completely floors me and that’s the case when I opened my copy of the Redneck Nosferatu self-titled debut album. Hailing from Tulsa, OK, this self-proclaimed “killbilly trash punk” quintet combines crusty punk rock with metal and layers it all under an air of backwoods horror. Consisting of guitarists and vocalists Clovis and Rowdy Riter, bassist and vocalist Lola and drummer D-Bone, they produced a 10 track album fit for hardcore and horror fans alike.
With the opening track, “Momma”, the listener is treated to an audio sample setting the mood and tone for the remainder of the disc. Edmund Kemper’s confession about beheading is mother is heard over a backing track of dripping water, muffled cries. and inhuman moans. The 83 second introduction lays the groundwork for the no-frills, in-your-face sludgefest that you’re about to endure during the next 23 minutes. The first song on the album, “Love & a .45” tears in and delivers in less than 2 minutes. What made this group immediately interesting was the gnarled female vocals that brought to mind groups like Circle Takes The Square. With the crack of a beer “Papa Kills Babies”, the album’s third track, kicks off. Distorted vocals shout “they don’t go in the woods at night” over an aggressive thrash rhythm. The vocals jump between belched barks and strained screams creating a sense of menace.
The album continues with “Father Curtis”, chugging along on a crust punk beat, breaking the cycle and adding another layer to the band and album. “Son Of 100 Maniacs” is one of the discs strongest offerings. With back and forth vocals, a fast beat and unsettling overall tone, the song pounds away and builds up to an ending of sporadic guitar squeals and static noise fading out pleasantly, all in 93 seconds time.
Starting the album’s second half is the album's most easily digestible track for newcomers, “Dead Girls”. Starting on an acoustic guitar riff the band crafts a spooky atmosphere before kicking everything into gear. The lead vocals are delivered with less of a snarl but more than enough attitude. The bass, drum, and spoons breakdown in the track shows off that the groups roots and influences stand in other places besides punk and metal. “Children Shouldn’t Play With Dead Things” is easily my favorite song on the album. The guitar tone over such a driving riff with the vocals spewed out in a steady stream, this track plays like a theme song to a killing spree conducted by backwoods cannibals high on meth. This is a song coated in total chaos and energy and one of the album’s longest entries.
Silver Bullet” ramps up the energy considerably as the group delivers an anthem style head-banger primed to fire up any pit. The verses build up in intensity until chorus rushes in like a welcome release. Rounding out the album are the tracks “Stalker” and “Otis”. “Stalker” plays out as a sludgy metal track with an enticing vocal performance, which initially reminded me of Daniel Hell (Dr. Hell), and holds the title as the disc longest play at 3:10. Modest and moving, “Stalker” keeps the anxious and claustrophobic tone of the record moving along before “Otis” closes everything out. Starting out with a Black Sabbath intro and the “Frailty” movie quote, the album's grimy metal ending continues. The chant of “I got bored with the Lord, now I’m skating for Satan” drives home where this band hails from and what they’re about, a preachy punk piece that wraps everything together.
Running about 23 minutes total, the album offers little to dislike though the high points sometimes feel rushed along. Overall, this is an incredible debut by a band that, perhaps literally, crawled out of the woodwork and I’m really looking forward to what follows. Dark, grimy and aggressive, Redneck Nosferatu have left their mark on the neck of the horror genre.
Follow Redneck Nosferatu on their Facebook.
Or pick up a copy of the self-titled album from their Website.
Redneck Nosferatu / Fair use doctrine.
Posted by Dom Calzola in MUSIC REVIEWS, REVIEWS, STAFF PICKS, 0 comments

House of Tortured Souls Live Welcomes Billy Pon

With Special Guest Billy Pon

By John Roisland, Stephanie Roisland, and Allen (Dixielord) Alberson

&npsp;

During the Billy Pon interview about a minute and a half of audio was garbled, and some bits lost. It was either cut the entire section, leave it or try and piece it together and possibly lose or misinterpret the questions and response so I decided to leave it as is. Apologies to Billy Pon.

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Hello and welcome to Episode III of House of Tortured Souls Live! This week we discuss the sneak preview release of what has become the most anticipated horror film of 2016. We could be talking about, the one and only, love him or hate him...Rob Zombie's 31. House of Tortured Souls own Jonathan Patrick Hughes was there to check out the release on the big screen as well as give you his thoughts in his written review online at www.houseoftorturedsouls.com. We discuss the return of American Horror Story 6 being brought back the Fox network September 14th, with the return of Lady Gaga. The Misfits reunion with confirmed legendary drummer (SLAYER/ SUICIDAL TENDENCIES) Dave Lombardo will begin at Riot Fest. House of Tortured Souls pays tribute to and remembers comedic actor Gene Wilder who starred in such great films as Mel Brooks' Young Frankenstien and Blazing Saddles, and who all know was the real Willy Wonka. . The House of Tortured Souls takes a moment to also celebrate the birthday of Asian horror Master Takashi Miike. In the studio for Episode III co-founder of House of tortured Souls Stephanie Roisland> joined us and gets you up to date on Fangoria Music release of The Horde mixtapes. House of tortured Souls is also proud to announce that one of our own, Rocky Gray is currently directing his own horror Anthology entitled 10/31/ 16 and Allen Alberson also gives us an in-depth look at the problems with distribution in film making as he discusses lost movies that have never made it. The House of Tortured Souls Live was also honored with our first in studio guest for Episode III, director of Dolll Boy and Circus of the Dead, Mr. Billy Pon aka Bloody Bill, who discusses the making of Circus of the Dead , problems with distribution companies, his own Haunted House in his home land of Texas all that while we try to get Allen a Pepsi!

Keep It Evil.

Posted by John Roisland in PODCAST, 0 comments