Music review

JXV Ritual Album Art, courtesy of JXV

I’m no stranger to the world of underground metal, punk and hardcore. When I listened to and reviewed the last JXV record (formerly known as Jason X Voorhees) record Horror Edge, I was excited by that album. You can view that review here: Jason X Voorhees: Horror Edge.

With the sophomore and, sad to say, final album for JXV, I was not only excited to hear it, but Rikk reached out during the recording process. I was honored to be able to throw out opinions and just hear what was going on during the production of the album.

This new record Ritual has really got me thinking that there is hope for the underground music world after all. There are some better-known acts out there touring and playing festivals, which is fine and ultra cool, but we can’t forget that some festivals are specific to particular areas. Those of us whom cannot get to them have to rely on the underground local scene to get us by. JXV, hailing from San Diego, California, is far from local for me, but for their area and for music lovers in general, they’re worth seeking out. This is a hardcore band that has 98 members…okay, six members, but they really complement each other perfectly with each vocal style betwixt the two vocalists as well as having two guitarists, bass, and drums. Each person compliments the other perfectly. Ritual, truly shows how they take from each other and throw it in the recipe for a perfect blend of every influence.

The album opens up with a title track “Ritual”, with a super ominous and creepy tone that sets the pace for the whole record, even some keys up in this to give that overall ultra horror sound. Track number two we get into “Trick x Treat”, which the band recently released as a single accompanied by a music video (see below). This song definitely is a perfect way to introduce everyone to what they’re getting into. This track alone gives us metal, hardcore, and horror punk. Literally, everything you need for a good song, right here. I’ve been telling everyone I come across; “This song, “Trick x Treat”, is the perfect song”. So if you’re going to get into this band, this song is out right now and the video below will give you the taste of perfection. Slide from this into “False Patriots”. My damn god this track also. I don’t know how to get into this except, if you’re a metal fan and like to slam hard, this is the shit right here.

The following track is “Devil’s Night”, a gang-style Hardcore/Horror Punk number with a lot of spooky to it but also gives us some upbeat vibe. The track features vxDEDxv, a fellow straight edge rapper. I think this track will make you all very happy as well. Then we have “Bath Salt Zombies”. I’m not sucking dick here because JXV and myself are in this horror edge game. I am actually truly passionate about this album. We all know, even if we are homies, I’ll tell you if it isn’t good, but this song is probably my favorite on this whole album. Punk as fuck and fast break your neck thrashin’ shit, another track featuring a straight edge rapper SE Frank. The last three songs are pretty awesome, too. “Living Dead” is pure PUNK ROCK with two minutes of circle pit action. “From the Plague We Come to an End” — solid black metal meshed with beatdown hardcore like goddamn..what are they doing? The mix of genres is insane yet put in these songs with perfection. Finally, the last track, “Noose”, is a great way to end the album. JXV gives us the hardcore breakdown for most of the song and signs off beautifully.

I know I said it four million times, but this record is solid from start to finish — heavy, fast, and diverse with the different genres that are portrayed in each song. I strongly believe if you’re more a fan of any metal, punk, or hardcore, this album will please you and may spawn some interest in whatever isn’t your main listening pleasure. Each member really shined through on this album, and the influence is there in each song.

Unfortunately, JXV has decided to call it quits after this record, life gets in the way of art sometimes, and unfortunately, that is the case here. I’ll say this though: this band has not only been great colleagues in the horror, straight edge and music areas of life for myself and many others. They have been great friends as well. We all share the same passions for music and life, and I’m honored that I’ve had the chance to befriend this group and hear their music — music that has PROVEN it’s not just, “Hey we’re a hardcore band”. No, this is a band that has taken every inch of what they love and placed it into this record and has shown that the underground still has acts out there that need to be heard. In true DIY fashion, this band has set out to prove something even if they didn’t know they were doing it. I wish them all the best of luck on future endeavors and I know if they each put the type of heart and soul that this record has then whatever they do it’ll be just as amazing.

RITUAL Will be released July 6, 2018, SO BE READY TO GET THIS ALBUM! YOU WILL NEED THIS IN YOUR COLLECTION! Please check out JXV on bandcamp as well as Optimist/Pessimist Records all of which can be found at the end of the interview with Rikk R’ Treat, drummer of JXV.

JXV Ritual Band Photo : Courtesy of JXV

House of Tortured Souls: When you guys started JXV what was the intent, or sound that you were going for with the band?
Rikk: When I originally came up with the idea for JXV, I had just discovered The Jasons, and although I enjoy them, at the moment I wanted to find something heavier in the horror scene. I also watched Freddy vs Jason that night and realized that JASONxVOORHEES would be a rad heavy straight edge band name…sometime after that I began writing our first song “Immortality Rates”. Oddly enough, at the time I wanted the band to sound like early Aiden, My Chemical Romance, and Atreyu — horror punk based but a bit more aggressive. Obviously, that didn’t exactly happen. After Drink Blood Not Booze came out, Callen, Devon, and I began looking for committed band members. Once Lalo joined/ we wrote the music for lyrics I had written for a song called “HxC” (“Human Centipede”) and then began to work on other songs off of our album Horror Edge. We had troubles with our original bassist but eventually got Jacob on bass, who has been involved in the band since before we released Horror Edge. After over a year of playing as a five-piece, we added out second guitarist, Yako, who helped us get to where we are now sonically. As a six-piece, we have been able to add more “beef” to our old songs and push ourselves to write heavier songs for the new record.
HoTS: Horror Edge was a great album. Did you find it hard trying to market the music and style within the horror punk scene?
Rikk: Thank you. I think overall JXV has been hard to market. Horror punks don’t always get the heavy vocals, and hardcore or metalcore kids don’t understand the horror part. Unfortunately, I’ve often heard about how incoherent we are, but I never understood that because to us it all makes sense together. Sure, surf and death metal don’t mix often, but why not experiment?
HoTS: Your influences are vast across the board. Does the rest of the band share these common influences?
Rikk: As you can hear in our music, our influences vary quite a bit. I think we all overlap in certain places but not in other spots. If you knew our specific influences you’d be able to tell which songs were written by whom on Ritual.
HoTS: This album Ritual is produced perfectly. How long did it take to record this album?
Rikk: We began recording drums in November and finished all mixing and mastering in early June. So quite a while. This was mainly because we hadn’t finished writing all tracks when we started recording, and we all had very different schedules to work around to get into the studio.
HoTS: Was there any clashing of ideas when writing/recording the record?
Rikk: I wouldn’t say there were major clashes while writing, however, it has been more difficult for us to write music off the cuff as a “jam”. A good portion of our music has usually been written and structured before we meet to hash it out with instruments. The songs that were more free-form usually took the longest but, regardless, still came out great.
HoTS: The collaborations with fellow straight edge rappers. How did this come to pass and did you feel this was a bold move within the genre of horror/hardcore?
Rikk: A number of us have always loved nu-metal bands like Linkin Park and Korn. A lot of us also really love hip-hop. I have a lot of respect and love for my edge brothers SE Frank and vxDEDxv, who have both been big supporters of JXV. I had been in talks with them about working on something together, so all it took was finding the right songs they could fit on. As far as the particular genre, I rarely hear rap involved in horror, but traditional hardcore and hip-hop seem to flow together often so it just made sense to us.
HoTS: The song “Trick x Treat” is the single you chose to release. Why is that?
Rikk: “Trick x Treat” was the second song written for this record. I was very inspired by it to draw some artwork, so it was in part because I put a lot of work into the cover art. Once the whole record was written, it ended up being the track that mixed both the heaviness that half the album has with the campy horror that the other half has. So it’s a good representation of the full record.
HoTS: How did you guys find the balance when writing? By this I mean, each track is blended perfectly with punk, hardcore, metal, even rap/hip-hop.
Rikk: We didn’t really think much about the balance of sounds; we just wrote and structured what made sense to us. One may likely argue that none of the album is balanced at all, but to each his own, right?
HoTS: What spawned the idea to call it quits after this final show in July?
Rikk: As mentioned earlier, it is hard to match schedules in a six-person band. For some of us, it also just seemed like time to shift focus on other things. It’s been great working together with my bandmates, and I love them all, but we have to be sensitive to the needs of each member – even if that means we aren’t going to be playing anymore.
HoTS: What’s on the plate for each of you after the finale?
Rikk: Most of us have projects in the works. Once they are finalized or official we’ll share more! From what I know Yako, Devon, and Jake are each hoping to start heavy bands, respectively. Lalo has plans to start an indie project and I will be continuing to play in The Writhers for the rest of the year. As of right now, Callen does not have any musical plans, but when he does we will be supportive of his goals.
HoTS: Anything you want to share with the readers? Words of wisdom?
Rikk: In the immortal words of Bill and Ted, “Be excellent to each other.” We in JXV have always appreciated all and any support we have been given and will continue to be grateful well after we’re done. Also please be on the lookout for our album Ritual to be released in July!
HoTS: Even as homies within the scene of edge, horror, hardcore. Being a musician myself we together have made our music with a heavier tone and yet still pimped hard to a scene that doesn’t really have a lot of bands that dare try D/C tuning or metal vocals, so sharing all this with you all and being hardgore/horror edge brothers has been a true honor. I want to say thank you for everything you have done with Optimist/Pessimist records, and for sharing JXV with the world. Believe it or not, you guys’ music has inspired me to just keep doing what I do, and I’m positive once people hear Ritual they’re going to want more, and if you’re not playing out. They’ll have to make their own music, so the inspiration is definitely there and going to spawn a new generation of horror music.
Rikk: Thanks, man, I really appreciate everything you’ve done for us. You have been a huge help and your support has been a motivation to keep going. I don’t mind if people don’t go out and spawn new horror music – however, I do really hope people will listen to the album and try to understand our vision.

“Trick x Treat” video:

EXCLUSIVE: Review of Ritual by JXV & Interview with Rikk R’Treat

EXCLUSIVE: Review of Ritual by JXV & Interview with Rikk R’Treat

JXV Ritual Album Art, courtesy of JXV

I’m no stranger to the world of underground metal, punk and hardcore. When I listened to and reviewed the last JXV record (formerly known as Jason X Voorhees) record Horror Edge, I was excited by that album. You can view that review here: Jason X Voorhees: Horror Edge.

With the sophomore and, sad to say, final album for JXV, I was not only excited to hear it, but Rikk reached out during the recording process. I was honored to be able to throw out opinions and just hear what was going on during the production of the album.

This new record Ritual has really got me thinking that there is hope for the underground music world after all. There are some better-known acts out there touring and playing festivals, which is fine and ultra cool, but we can’t forget that some festivals are specific to particular areas. Those of us whom cannot get to them have to rely on the underground local scene to get us by. JXV, hailing from San Diego, California, is far from local for me, but for their area and for music lovers in general, they’re worth seeking out. This is a hardcore band that has 98 members…okay, six members, but they really complement each other perfectly with each vocal style betwixt the two vocalists as well as having two guitarists, bass, and drums. Each person compliments the other perfectly. Ritual, truly shows how they take from each other and throw it in the recipe for a perfect blend of every influence.

The album opens up with a title track “Ritual”, with a super ominous and creepy tone that sets the pace for the whole record, even some keys up in this to give that overall ultra horror sound. Track number two we get into “Trick x Treat”, which the band recently released as a single accompanied by a music video (see below). This song definitely is a perfect way to introduce everyone to what they’re getting into. This track alone gives us metal, hardcore, and horror punk. Literally, everything you need for a good song, right here. I’ve been telling everyone I come across; “This song, “Trick x Treat”, is the perfect song”. So if you’re going to get into this band, this song is out right now and the video below will give you the taste of perfection. Slide from this into “False Patriots”. My damn god this track also. I don’t know how to get into this except, if you’re a metal fan and like to slam hard, this is the shit right here.

The following track is “Devil’s Night”, a gang-style Hardcore/Horror Punk number with a lot of spooky to it but also gives us some upbeat vibe. The track features vxDEDxv, a fellow straight edge rapper. I think this track will make you all very happy as well. Then we have “Bath Salt Zombies”. I’m not sucking dick here because JXV and myself are in this horror edge game. I am actually truly passionate about this album. We all know, even if we are homies, I’ll tell you if it isn’t good, but this song is probably my favorite on this whole album. Punk as fuck and fast break your neck thrashin’ shit, another track featuring a straight edge rapper SE Frank. The last three songs are pretty awesome, too. “Living Dead” is pure PUNK ROCK with two minutes of circle pit action. “From the Plague We Come to an End” — solid black metal meshed with beatdown hardcore like goddamn..what are they doing? The mix of genres is insane yet put in these songs with perfection. Finally, the last track, “Noose”, is a great way to end the album. JXV gives us the hardcore breakdown for most of the song and signs off beautifully.

I know I said it four million times, but this record is solid from start to finish — heavy, fast, and diverse with the different genres that are portrayed in each song. I strongly believe if you’re more a fan of any metal, punk, or hardcore, this album will please you and may spawn some interest in whatever isn’t your main listening pleasure. Each member really shined through on this album, and the influence is there in each song.

Unfortunately, JXV has decided to call it quits after this record, life gets in the way of art sometimes, and unfortunately, that is the case here. I’ll say this though: this band has not only been great colleagues in the horror, straight edge and music areas of life for myself and many others. They have been great friends as well. We all share the same passions for music and life, and I’m honored that I’ve had the chance to befriend this group and hear their music — music that has PROVEN it’s not just, “Hey we’re a hardcore band”. No, this is a band that has taken every inch of what they love and placed it into this record and has shown that the underground still has acts out there that need to be heard. In true DIY fashion, this band has set out to prove something even if they didn’t know they were doing it. I wish them all the best of luck on future endeavors and I know if they each put the type of heart and soul that this record has then whatever they do it’ll be just as amazing.

RITUAL Will be released July 6, 2018, SO BE READY TO GET THIS ALBUM! YOU WILL NEED THIS IN YOUR COLLECTION! Please check out JXV on bandcamp as well as Optimist/Pessimist Records all of which can be found at the end of the interview with Rikk R’ Treat, drummer of JXV.

JXV Ritual Band Photo : Courtesy of JXV

House of Tortured Souls: When you guys started JXV what was the intent, or sound that you were going for with the band?
Rikk: When I originally came up with the idea for JXV, I had just discovered The Jasons, and although I enjoy them, at the moment I wanted to find something heavier in the horror scene. I also watched Freddy vs Jason that night and realized that JASONxVOORHEES would be a rad heavy straight edge band name…sometime after that I began writing our first song “Immortality Rates”. Oddly enough, at the time I wanted the band to sound like early Aiden, My Chemical Romance, and Atreyu — horror punk based but a bit more aggressive. Obviously, that didn’t exactly happen. After Drink Blood Not Booze came out, Callen, Devon, and I began looking for committed band members. Once Lalo joined/ we wrote the music for lyrics I had written for a song called “HxC” (“Human Centipede”) and then began to work on other songs off of our album Horror Edge. We had troubles with our original bassist but eventually got Jacob on bass, who has been involved in the band since before we released Horror Edge. After over a year of playing as a five-piece, we added out second guitarist, Yako, who helped us get to where we are now sonically. As a six-piece, we have been able to add more “beef” to our old songs and push ourselves to write heavier songs for the new record.
HoTS: Horror Edge was a great album. Did you find it hard trying to market the music and style within the horror punk scene?
Rikk: Thank you. I think overall JXV has been hard to market. Horror punks don’t always get the heavy vocals, and hardcore or metalcore kids don’t understand the horror part. Unfortunately, I’ve often heard about how incoherent we are, but I never understood that because to us it all makes sense together. Sure, surf and death metal don’t mix often, but why not experiment?
HoTS: Your influences are vast across the board. Does the rest of the band share these common influences?
Rikk: As you can hear in our music, our influences vary quite a bit. I think we all overlap in certain places but not in other spots. If you knew our specific influences you’d be able to tell which songs were written by whom on Ritual.
HoTS: This album Ritual is produced perfectly. How long did it take to record this album?
Rikk: We began recording drums in November and finished all mixing and mastering in early June. So quite a while. This was mainly because we hadn’t finished writing all tracks when we started recording, and we all had very different schedules to work around to get into the studio.
HoTS: Was there any clashing of ideas when writing/recording the record?
Rikk: I wouldn’t say there were major clashes while writing, however, it has been more difficult for us to write music off the cuff as a “jam”. A good portion of our music has usually been written and structured before we meet to hash it out with instruments. The songs that were more free-form usually took the longest but, regardless, still came out great.
HoTS: The collaborations with fellow straight edge rappers. How did this come to pass and did you feel this was a bold move within the genre of horror/hardcore?
Rikk: A number of us have always loved nu-metal bands like Linkin Park and Korn. A lot of us also really love hip-hop. I have a lot of respect and love for my edge brothers SE Frank and vxDEDxv, who have both been big supporters of JXV. I had been in talks with them about working on something together, so all it took was finding the right songs they could fit on. As far as the particular genre, I rarely hear rap involved in horror, but traditional hardcore and hip-hop seem to flow together often so it just made sense to us.
HoTS: The song “Trick x Treat” is the single you chose to release. Why is that?
Rikk: “Trick x Treat” was the second song written for this record. I was very inspired by it to draw some artwork, so it was in part because I put a lot of work into the cover art. Once the whole record was written, it ended up being the track that mixed both the heaviness that half the album has with the campy horror that the other half has. So it’s a good representation of the full record.
HoTS: How did you guys find the balance when writing? By this I mean, each track is blended perfectly with punk, hardcore, metal, even rap/hip-hop.
Rikk: We didn’t really think much about the balance of sounds; we just wrote and structured what made sense to us. One may likely argue that none of the album is balanced at all, but to each his own, right?
HoTS: What spawned the idea to call it quits after this final show in July?
Rikk: As mentioned earlier, it is hard to match schedules in a six-person band. For some of us, it also just seemed like time to shift focus on other things. It’s been great working together with my bandmates, and I love them all, but we have to be sensitive to the needs of each member – even if that means we aren’t going to be playing anymore.
HoTS: What’s on the plate for each of you after the finale?
Rikk: Most of us have projects in the works. Once they are finalized or official we’ll share more! From what I know Yako, Devon, and Jake are each hoping to start heavy bands, respectively. Lalo has plans to start an indie project and I will be continuing to play in The Writhers for the rest of the year. As of right now, Callen does not have any musical plans, but when he does we will be supportive of his goals.
HoTS: Anything you want to share with the readers? Words of wisdom?
Rikk: In the immortal words of Bill and Ted, “Be excellent to each other.” We in JXV have always appreciated all and any support we have been given and will continue to be grateful well after we’re done. Also please be on the lookout for our album Ritual to be released in July!
HoTS: Even as homies within the scene of edge, horror, hardcore. Being a musician myself we together have made our music with a heavier tone and yet still pimped hard to a scene that doesn’t really have a lot of bands that dare try D/C tuning or metal vocals, so sharing all this with you all and being hardgore/horror edge brothers has been a true honor. I want to say thank you for everything you have done with Optimist/Pessimist records, and for sharing JXV with the world. Believe it or not, you guys’ music has inspired me to just keep doing what I do, and I’m positive once people hear Ritual they’re going to want more, and if you’re not playing out. They’ll have to make their own music, so the inspiration is definitely there and going to spawn a new generation of horror music.
Rikk: Thanks, man, I really appreciate everything you’ve done for us. You have been a huge help and your support has been a motivation to keep going. I don’t mind if people don’t go out and spawn new horror music – however, I do really hope people will listen to the album and try to understand our vision.

“Trick x Treat” video:



Posted by Schock in Categories, INTERVIEWS, MUSIC REVIEWS, REVIEWS, VIDEOS, 0 comments
MUSIC: Sinister Fate – Blood Pact (2016)

MUSIC: Sinister Fate – Blood Pact (2016)

Horror rock is still kickin’ these days. For the longest time, it was all I ever knew and by far the most fun subgenre of punk and metal. Nothing was off limits in horror rock, and what made it more of a fun time than most other genres was the actual all-inclusiveness of everyone. Not saying other genres/subs don’t. You go to a hardcore, metal or OG punk show, you’ll see 90% white males…even though we don’t hate…that’s what’s there…the other 10% is scattered among women as well as other ethnicities so with horror rock/punk how it differs is a wide rainbow of a crowd as well as on stage. Did you know there are also Christian horror punk bands? That’s…odd. Yes, it is; however, it’s a testament (no pun intended) to how this particular subgenre is pretty open to anything. I guess no more odd than Christian black metal now that I think about it, but we’ll discuss that later.

The Chicago-area band Sinister Fate came to us with their album BLOOD PACT. I didn’t listen to the album at first; I did a little research on the band and watched some videos. My first impression was far from what I normally get from horror bands. Their videos are very reminiscent of the 90s style Gwar videos. Ya know, handheld shaky camera, choppy editing, Tromaesque splatter effects. So I instantly fell in love with this style. I also was impressed that there are female participants in the band. Again, this is rare for a lot of other genres but in horror rock, it’s very normal.

What really sealed this band for me was the guitarist. This chick really wails on this thing. Her playing is absolutely amazing, from just riffs down to solos. She really takes it and shows what’s up with guitar playing.

The music begins and this is definitely horror rock. BLOOD PACT is just an EP-style, 6-track short album. However, it gives you what you need to know about this band. The album as a whole is executed beautifully. I can say that if you’re a fan of any horror business, then this is a band to definitely check out.
Sinister Fate - Blood Pact
Track by Track (not in order as they appear on the album):

  • The Monster Within: This track is like a solid break down style track, a lot of palm muting and kind of a slower pace. However, it gets the point across on what the song’s feel is all about. Lyrically very dark, and a nice look into the writer’s head, that guitar solo though…Just listen and enjoy this.
  • Trust/Obey: Another slower, heavier/slow paced track. Vocally reminiscent of older Frankenstein Drag Queens, lyrically super intense and “demanding”…yeah we’ll say demanding. Very catchy and fun.
  • Decay: Starts out very spooky sounding musically, almost like they’re going for an epic battle in a back alley. Not like “Beat It” style, but more like A Clockwork Orange vs. The Warriors type of battle. Then carries on in the same fashion, maybe my imagination just sees images too much I don’t know, but this is what I get from it.
  • Kill the Pain: I don’t care, I love this guitarist. This track is pretty straightforward, I listen to lyrics and wonder if there’s more of a personal meaning behind them or if someone is just trying to fit the genre. However, it sounds very personal and has the same feeling through the music.
  • Six Feet Under the Big Top: Oh circus style and creepy on the intro, then some crunchy heavy stuff happening. A very cool number that, tells a fun story of murder and mayhem
  • Sympathy from the Devil: A more upbeat almost poppy tone with this song, and catchy as all hell, If you’re going to listen to this band then listen to this song first.

Overall, BLOOD PACT is great to listen to, the band as a whole are all talented and know their stuff very well. About the album: It runs together from track to track a lot of them being so similar it’s hard to tell them apart musically and vocally. By this I mean, musically it’s the same arrangement, not the same notes and so forth but the same blueprint for each track. Vocally flows the same way, same influx like before a chorus and so forth notes carried out, blah blah musical mumbo jumbo. This works well for some bands, and if it works don’t fix it, is the common consensus. However, I can see a lot more coming from this band maybe some faster tunes and a bit of a change in arrangement from track to track. This would really send this band into outer space and put them up there in the horror world.

Sinister Fate - band

Posted by Schock in MUSIC REVIEWS, REVIEWS, 0 comments
Joe Becker-Monster

Joe Becker-Monster

Another artist of the underground world got with us and wanted us to hear what they have to offer. Remember in my last review I stated that the underground is home to me, so I love seeing new faces and hearing new and original works.

A fellow by the name of Joe Becker got with us here at House of Tortured Souls with an album Monster that he described as Death Rock. This is an honest description and I respect that, I’d call it something like mind fuckery rock…and here is why.

The album as a whole is well produced musically, not a lot of vocal singing, but plenty of vocal dialog and storytelling over an accompanying musical background like a narrative. Joe’s way of interpreting what he’s got going on is like listening to the thoughts of an asylum inmate’s thoughts or better yet, what this inmate did to get where he is.

Each track is like a tale of a different victim and how they either asked to be murdered or just how this absolute insane person took it upon themselves to give the victim a release from life. Going into this being told it was death rock. I was expecting something with a lot of synthesizer, deep Peter Steele style vocals and a lot of vampiric sex. However, I was surprised at what I did here. As I said, each track is slightly different from the next on the tales told within them.

A few pointers to note: where Mr. Becker does sing or attempt to do so, it was a bit off key from the music and that very well could have been the intent. If not the intent, then this did not work out as planned. I feel like this record is fine how it is with the narrative style of vocalizing the poetic, goth, yet murderous lyrics. However, if singing is something you want to achieve on a record..for anyone..find that note you’re on and match your voice to it. I am NO singing vocalist…I yell fast and violently. However, when I do make my attempts at singing I hit that first note on the guitar and find it in my voice before carrying on.

Overall this is a great album to listen to if you really want to fuck someone up…keep it low in the background while friends are over just to fuck with their heads a bit. They will hear music and be like, “okay, whatever”, then dude starts in on his vocal track and it will subliminally mess them up, probably cause a nightmare or three. Another option, any one of these tracks will be good to send as a single (oh..oh showing what time period I’m from, yo) to basically say “I hate you, and this will happen if you contact me again”.

I highly recommend listening to this record at least once even if just for curiosity. It’s not something I’d recommend for driving, jamming out to or if you’re suicidal or a sociopath. For fun and “horror on tape” kinda deal, then definitely have a go at it.

Posted by Schock in MUSIC REVIEWS, 1 comment
MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

Redneck Nosferatu — (Self-Titled)

Good Ass Studios

  • 1. Momma
  • 2. Love & A .45
  • 3. Papa Kills Babies
  • 4. Father Curtis
  • 5. Son Of 100 Maniacs
  • 6. Dead Girls
  • 7. Children Shouldn't Play With Dead Things
  • 8. Silver Bullet
  • 9. Stalker
  • 10. Otis
A majority of the bands in my collection come from random purchases. Generally if a band pops up on my Facebook feed, and they have physical albums for sale, I’ll buy for the sake of collecting. I love supporting the small time bands and even if they don’t end up being an act I fall in love with, they earn a spot in my collection. Sometimes though, I find a band that completely floors me and that’s the case when I opened my copy of the Redneck Nosferatu self-titled debut album. Hailing from Tulsa, OK, this self-proclaimed “killbilly trash punk” quintet combines crusty punk rock with metal and layers it all under an air of backwoods horror. Consisting of guitarists and vocalists Clovis and Rowdy Riter, bassist and vocalist Lola and drummer D-Bone, they produced a 10 track album fit for hardcore and horror fans alike.
With the opening track, “Momma”, the listener is treated to an audio sample setting the mood and tone for the remainder of the disc. Edmund Kemper’s confession about beheading is mother is heard over a backing track of dripping water, muffled cries. and inhuman moans. The 83 second introduction lays the groundwork for the no-frills, in-your-face sludgefest that you’re about to endure during the next 23 minutes. The first song on the album, “Love & a .45” tears in and delivers in less than 2 minutes. What made this group immediately interesting was the gnarled female vocals that brought to mind groups like Circle Takes The Square. With the crack of a beer “Papa Kills Babies”, the album’s third track, kicks off. Distorted vocals shout “they don’t go in the woods at night” over an aggressive thrash rhythm. The vocals jump between belched barks and strained screams creating a sense of menace.
The album continues with “Father Curtis”, chugging along on a crust punk beat, breaking the cycle and adding another layer to the band and album. “Son Of 100 Maniacs” is one of the discs strongest offerings. With back and forth vocals, a fast beat and unsettling overall tone, the song pounds away and builds up to an ending of sporadic guitar squeals and static noise fading out pleasantly, all in 93 seconds time.
Starting the album’s second half is the album's most easily digestible track for newcomers, “Dead Girls”. Starting on an acoustic guitar riff the band crafts a spooky atmosphere before kicking everything into gear. The lead vocals are delivered with less of a snarl but more than enough attitude. The bass, drum, and spoons breakdown in the track shows off that the groups roots and influences stand in other places besides punk and metal. “Children Shouldn’t Play With Dead Things” is easily my favorite song on the album. The guitar tone over such a driving riff with the vocals spewed out in a steady stream, this track plays like a theme song to a killing spree conducted by backwoods cannibals high on meth. This is a song coated in total chaos and energy and one of the album’s longest entries.
Silver Bullet” ramps up the energy considerably as the group delivers an anthem style head-banger primed to fire up any pit. The verses build up in intensity until chorus rushes in like a welcome release. Rounding out the album are the tracks “Stalker” and “Otis”. “Stalker” plays out as a sludgy metal track with an enticing vocal performance, which initially reminded me of Daniel Hell (Dr. Hell), and holds the title as the disc longest play at 3:10. Modest and moving, “Stalker” keeps the anxious and claustrophobic tone of the record moving along before “Otis” closes everything out. Starting out with a Black Sabbath intro and the “Frailty” movie quote, the album's grimy metal ending continues. The chant of “I got bored with the Lord, now I’m skating for Satan” drives home where this band hails from and what they’re about, a preachy punk piece that wraps everything together.
Running about 23 minutes total, the album offers little to dislike though the high points sometimes feel rushed along. Overall, this is an incredible debut by a band that, perhaps literally, crawled out of the woodwork and I’m really looking forward to what follows. Dark, grimy and aggressive, Redneck Nosferatu have left their mark on the neck of the horror genre.
Follow Redneck Nosferatu on their Facebook.
Or pick up a copy of the self-titled album from their Website.
Redneck Nosferatu / Fair use doctrine.
Posted by Dom Calzola in MUSIC REVIEWS, REVIEWS, STAFF PICKS, 0 comments

House of Tortured Souls Live Welcomes Billy Pon

With Special Guest Billy Pon

By John Roisland, Stephanie Roisland, and Allen (Dixielord) Alberson

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During the Billy Pon interview about a minute and a half of audio was garbled, and some bits lost. It was either cut the entire section, leave it or try and piece it together and possibly lose or misinterpret the questions and response so I decided to leave it as is. Apologies to Billy Pon.

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Hello and welcome to Episode III of House of Tortured Souls Live! This week we discuss the sneak preview release of what has become the most anticipated horror film of 2016. We could be talking about, the one and only, love him or hate him...Rob Zombie's 31. House of Tortured Souls own Jonathan Patrick Hughes was there to check out the release on the big screen as well as give you his thoughts in his written review online at www.houseoftorturedsouls.com. We discuss the return of American Horror Story 6 being brought back the Fox network September 14th, with the return of Lady Gaga. The Misfits reunion with confirmed legendary drummer (SLAYER/ SUICIDAL TENDENCIES) Dave Lombardo will begin at Riot Fest. House of Tortured Souls pays tribute to and remembers comedic actor Gene Wilder who starred in such great films as Mel Brooks' Young Frankenstien and Blazing Saddles, and who all know was the real Willy Wonka. . The House of Tortured Souls takes a moment to also celebrate the birthday of Asian horror Master Takashi Miike. In the studio for Episode III co-founder of House of tortured Souls Stephanie Roisland> joined us and gets you up to date on Fangoria Music release of The Horde mixtapes. House of tortured Souls is also proud to announce that one of our own, Rocky Gray is currently directing his own horror Anthology entitled 10/31/ 16 and Allen Alberson also gives us an in-depth look at the problems with distribution in film making as he discusses lost movies that have never made it. The House of Tortured Souls Live was also honored with our first in studio guest for Episode III, director of Dolll Boy and Circus of the Dead, Mr. Billy Pon aka Bloody Bill, who discusses the making of Circus of the Dead , problems with distribution companies, his own Haunted House in his home land of Texas all that while we try to get Allen a Pepsi!

Keep It Evil.

Posted by John Roisland in PODCAST, 0 comments