My Master Satan: 3 Tales of Drug Fueled Violence

Dakota Bailey is a Colorado filmmaker who began with a simple goal: to create movies he himself would want to watch. Since 2015, Bailey has created some short films and has currently put the finishing touches on his third feature The Acid Sorcerer. This is a revisit of Bailey’s films My Master Satan and American Scumbags. It also features a preview review for The Acid Sorcerer.

MY MASTER SATAN:
3 TALES OF DRUG FUELED VIOLENCE
(2016)

My Master Satan - DVD coverThis film was shot between March 2015 and April 2016. It is an independent product of R.A. Productions and primarily its writer, director, producer, and actor is Dakota Bailey.
This is an anthology horror film that features three interconnected tales revolving around serial killer/druggie Alister (Dakota Bailey) and his equally demented serial killer friends, Woody, Charlie, Bubba, and Dealin’ Dick, which takes the viewer deep into a seedy underworld of crime, drugs, and murder.
In the first tale, Bubba (Matt Marshall) enlists Alister’s help to exhume the corpse of his deceased unfaithful wife who he murdered. Afterward, the two of them decide to take some LSD resulting in an acid trip where they briefly see Satan.
In the second tale, Alister and his twisted friend Charlie (Brian Knapp) go out for a night of deviance and committing crimes, such as home invasions and murder.
Finally, in the third and final tale, Alister and Bubba go on a quest for more LSD, meeting their serial killer friend Woody and committing violent acts along the way, and finally having the ultimate ritualistic acid trip that once again brings them face to face with Satan himself.
Firstly, a big thank you to Dakota Bailey for sharing this film with me upon release. I was honoured when I was asked to review it and honestly getting an email from “MY MASTER SATAN” was quite surprising to say the least (at 9am on a Sunday morning).
As already stated, they are stories laced with drugs, violence, and ultimately murder. Each character has his own evil dance with the devil and wrestles with good and bad within the film. We see these men decline into drug induced madness, we watch as people die to feed their addictions and new lust for death, and we recoil when we witness the acid trips that guide them to Satan.
The biggest Satan scene, shot in a style reminiscent of an Andy Warhol crazed moment, was a truly inspiring choice. It felt like a bizarre and very maniacal acid trip. The deaths themselves were well filmed and clearly considerate of a technique I love – “Less is Best”. We didn’t need to see each piece of the deaths graphically. A simple blood splatter, a pillow on a face, or even a well used camera angle was much more effective.
I noticed the sound quality was sketchy in parts (and I must point out I had been warned prior to viewing). This did hinder some parts, where I felt the dialogue really drove the scene and is one thing perhaps the filmmakers can work on. There were some magnificently shot scenes throughout. Whether it was a simple shot of the cemetery or the pick axe being dragged. A shadowy silhouette digging, and primarily the driving/outdoor scenes.
The aggressively enjoyable thrash metal that interjects in between scenes fits in well with the gritty and unseemly atmosphere throughout the themes of this 70 minute film. We feel the harsh reality of an insane life on drugs and the desperation for escape from the depressing wheel of life (in a low socio-economic area).
These three stories seemed so well connected and the small passages, injected within the scenes, was very well thought out. I liked the stop start motion that was used to introduce each character, giving us a moment to process who we’re meeting within their first scene. This helped with following the story and characters (due to the sound issues).
All in all a great effort by all involved.

AMERICAN SCUMBAGS (2016)

American Scumbags - DVD CoverThis review is about the latest offering from My Master Satan: 3 Tales of Drug Fueled Violence creator Dakota Bailey for R.A. Productions. Yet again (like with My Master Satan), we are introduced to an interesting collective of characters, who each have their own story to tell within the intertwining plot.
This time our focus is on the stories of Johnny (Dakota Bailey) , Billy (Darien Fawkes), Chester (Fred Epstein) , Wheelin’ Deals (L.B.), Lucifer (Nick Benning), Angel (Bianca Valentino), The Ex (Katy Katzar), The Boyfriend (Bill Chafer), Teddy (V.B.), and Chester’s victim (Laura Ray).
This time around Dakota Bailey showcases some awesome punk songs from the Welsh Punk band Pizzatramp. Using their songs “Ciggy Butt Brain, Scumbag Boogie” and “Taxi Cunts Fuck Off”, Bailey uses them to help gel the scenes of American Scumbags together. I checked out a few more tidbits about Pizzatramp and will say their style, spirit, and attitude is indicative of the punk world and its legion of fans.
The stories within American Scumbags that jump out at the viewer are the dynamic drug dealings of Chester (a lowly dealer with axes to grind all over his patch), Johnny (an addict and Chester’s hired gun for drugs in payment), and Lucifer (a jovial prankster who is determined not to pay what he owes); the exploits of Billy (a violent man who is hell bent on punishing his ex), his ex, and her new boyfriend; and, lastly, the tale of homeless veteran Wheelin’ Deals and his strange interactions with pedophile Teddy.
The standout performance for me was Darien Fawkes as Billy. He was such a natural on screen that I despised and was repulsed by some of his aggression and actions. This is a great indication of Fawkes natural prowess on screen and an ability to be immersed in his character.
Bailey as Johnny omits his usual deep voiced, fearful rogue as he does what he must to satisfy his lust for Heroin. Chester was a fun character and you will either love or hate Epstein’s ability to switch from playful to ill-tempered with such ease. Lucifer had me chuckling with one rather fecal scene, but well done to Nick Benning for bringing that air of jovial disruption to the scumbags’ demises.
Each character was grounded in believable portrayals, and we feel like we are watching a story of love gone sour, drug fueled mayhem, and perversion at its prime. Congratulations on improving the sound quality this time around and making the majority of the film much more fluid and easy to hear. The shots again (yes, even those involving urination) were all well thought out and yet again the less is best approach was well used to produce some of the best violence on screen.
I will say if Cannibal Holocaust’s infamous turtle scene leaves one squeamish, perhaps avoid the scene involving the road kill bunny – I was extremely relieved to read “No animals or people were harmed in the making of this film” as I was taken off guard by that scene myself.
Congratulations, Dakota Bailey and his team, on a well-developed second film.

THE ACID SORCERER (2017)

The Acid Sorcerer - posterThe Acid Sorcerer is a dark and nihilistic horror film that borders between fiction and reality. The film introduces the viewer to a serial killer, a drug addicted couple, a sadistic drug dealer, a cross dressing snuff filmmaker and a prostitute who has HIV. The characters embrace their inner darkness, struggle with morality, come to terms with their mortality, and ultimately meet their demise.
This is Dakota Bailey’s third feature film and it is evident that he is truly growing as an artist.
This time around we are treated visually to some kaleidoscopic imagery of drug addicts on benders at their most intense, characters both rich and raw, and a story laced with lost souls.
First up we meet Smoke, a serial killer guided by evil, played impressively by Dakota Bailey (who also wrote and directed the film). Bailey stumbles through convincingly and, as he is ultimately guided by the evil reaper like character called Loach, we take pity on his misdeeds.
We also meet Vermina (played by Natasha Morgan), a pregnant meth addict, and her concerned partner Crawdad (played by Darien Fawkes– who had a dual role as Loach as well). Each offers up a vulnerability, that keeps the film’s moral compass pointing throughout.
Eyevin is a cruel dealer (played very well by the ever enjoyable Brian Knapp) who convincingly is just all about business. And Ecstasy (played well by Selena Velveteen) is a HIV infected hooker, who meets a tragic demise. Nikki, is a cross dresser with darker desires (played brilliantly by Nick Benning). Nikki was sweet and convincing, yet still deranged and maniacal. I loved Benning’s ability to switch between personas and immerse wholly in his character.
Shot gloriously in black and white, it helps accent the darkness within the shadows and pockets of light which our characters inhabit. The double exposed colourful imagery of the ‘acid trips’ is mind-blowing and offers insight into the madness and mayhem within each character’s life.

All of Dakota Bailey’s films are available at R.A. Productions Store Envy site, except The Acid Sorcerer.
To order The Acid Sorcerer, Bailey has an Indiegogo campaign, with extras for fans to purchase with it ahead of its August 2017 release.
Dakota Bailey: A Retrospective Review of His Three Feature Films

Dakota Bailey: A Retrospective Review of His Three Feature Films

Dakota Bailey is a Colorado filmmaker who began with a simple goal: to create movies he himself would want to watch. Since 2015, Bailey has created some short films and has currently put the finishing touches on his third feature The Acid Sorcerer. This is a revisit of Bailey's films My Master Satan and American Scumbags. It also features a preview review for The Acid Sorcerer.

MY MASTER SATAN:
3 TALES OF DRUG FUELED VIOLENCE
(2016)

My Master Satan - DVD coverThis film was shot between March 2015 and April 2016. It is an independent product of R.A. Productions and primarily its writer, director, producer, and actor is Dakota Bailey.
This is an anthology horror film that features three interconnected tales revolving around serial killer/druggie Alister (Dakota Bailey) and his equally demented serial killer friends, Woody, Charlie, Bubba, and Dealin' Dick, which takes the viewer deep into a seedy underworld of crime, drugs, and murder.
In the first tale, Bubba (Matt Marshall) enlists Alister's help to exhume the corpse of his deceased unfaithful wife who he murdered. Afterward, the two of them decide to take some LSD resulting in an acid trip where they briefly see Satan.
In the second tale, Alister and his twisted friend Charlie (Brian Knapp) go out for a night of deviance and committing crimes, such as home invasions and murder.
Finally, in the third and final tale, Alister and Bubba go on a quest for more LSD, meeting their serial killer friend Woody and committing violent acts along the way, and finally having the ultimate ritualistic acid trip that once again brings them face to face with Satan himself.
Firstly, a big thank you to Dakota Bailey for sharing this film with me upon release. I was honoured when I was asked to review it and honestly getting an email from “MY MASTER SATAN” was quite surprising to say the least (at 9am on a Sunday morning).
As already stated, they are stories laced with drugs, violence, and ultimately murder. Each character has his own evil dance with the devil and wrestles with good and bad within the film. We see these men decline into drug induced madness, we watch as people die to feed their addictions and new lust for death, and we recoil when we witness the acid trips that guide them to Satan.
The biggest Satan scene, shot in a style reminiscent of an Andy Warhol crazed moment, was a truly inspiring choice. It felt like a bizarre and very maniacal acid trip. The deaths themselves were well filmed and clearly considerate of a technique I love – “Less is Best”. We didn’t need to see each piece of the deaths graphically. A simple blood splatter, a pillow on a face, or even a well used camera angle was much more effective.
I noticed the sound quality was sketchy in parts (and I must point out I had been warned prior to viewing). This did hinder some parts, where I felt the dialogue really drove the scene and is one thing perhaps the filmmakers can work on. There were some magnificently shot scenes throughout. Whether it was a simple shot of the cemetery or the pick axe being dragged. A shadowy silhouette digging, and primarily the driving/outdoor scenes.
The aggressively enjoyable thrash metal that interjects in between scenes fits in well with the gritty and unseemly atmosphere throughout the themes of this 70 minute film. We feel the harsh reality of an insane life on drugs and the desperation for escape from the depressing wheel of life (in a low socio-economic area).
These three stories seemed so well connected and the small passages, injected within the scenes, was very well thought out. I liked the stop start motion that was used to introduce each character, giving us a moment to process who we’re meeting within their first scene. This helped with following the story and characters (due to the sound issues).
All in all a great effort by all involved.

AMERICAN SCUMBAGS (2016)

American Scumbags - DVD CoverThis review is about the latest offering from My Master Satan: 3 Tales of Drug Fueled Violence creator Dakota Bailey for R.A. Productions. Yet again (like with My Master Satan), we are introduced to an interesting collective of characters, who each have their own story to tell within the intertwining plot.
This time our focus is on the stories of Johnny (Dakota Bailey) , Billy (Darien Fawkes), Chester (Fred Epstein) , Wheelin’ Deals (L.B.), Lucifer (Nick Benning), Angel (Bianca Valentino), The Ex (Katy Katzar), The Boyfriend (Bill Chafer), Teddy (V.B.), and Chester’s victim (Laura Ray).
This time around Dakota Bailey showcases some awesome punk songs from the Welsh Punk band Pizzatramp. Using their songs “Ciggy Butt Brain, Scumbag Boogie” and “Taxi Cunts Fuck Off”, Bailey uses them to help gel the scenes of American Scumbags together. I checked out a few more tidbits about Pizzatramp and will say their style, spirit, and attitude is indicative of the punk world and its legion of fans.
The stories within American Scumbags that jump out at the viewer are the dynamic drug dealings of Chester (a lowly dealer with axes to grind all over his patch), Johnny (an addict and Chester’s hired gun for drugs in payment), and Lucifer (a jovial prankster who is determined not to pay what he owes); the exploits of Billy (a violent man who is hell bent on punishing his ex), his ex, and her new boyfriend; and, lastly, the tale of homeless veteran Wheelin’ Deals and his strange interactions with pedophile Teddy.
The standout performance for me was Darien Fawkes as Billy. He was such a natural on screen that I despised and was repulsed by some of his aggression and actions. This is a great indication of Fawkes natural prowess on screen and an ability to be immersed in his character.
Bailey as Johnny omits his usual deep voiced, fearful rogue as he does what he must to satisfy his lust for Heroin. Chester was a fun character and you will either love or hate Epstein’s ability to switch from playful to ill-tempered with such ease. Lucifer had me chuckling with one rather fecal scene, but well done to Nick Benning for bringing that air of jovial disruption to the scumbags’ demises.
Each character was grounded in believable portrayals, and we feel like we are watching a story of love gone sour, drug fueled mayhem, and perversion at its prime. Congratulations on improving the sound quality this time around and making the majority of the film much more fluid and easy to hear. The shots again (yes, even those involving urination) were all well thought out and yet again the less is best approach was well used to produce some of the best violence on screen.
I will say if Cannibal Holocaust’s infamous turtle scene leaves one squeamish, perhaps avoid the scene involving the road kill bunny - I was extremely relieved to read “No animals or people were harmed in the making of this film” as I was taken off guard by that scene myself.
Congratulations, Dakota Bailey and his team, on a well-developed second film.

THE ACID SORCERER (2017)

The Acid Sorcerer - posterThe Acid Sorcerer is a dark and nihilistic horror film that borders between fiction and reality. The film introduces the viewer to a serial killer, a drug addicted couple, a sadistic drug dealer, a cross dressing snuff filmmaker and a prostitute who has HIV. The characters embrace their inner darkness, struggle with morality, come to terms with their mortality, and ultimately meet their demise.
This is Dakota Bailey's third feature film and it is evident that he is truly growing as an artist.
This time around we are treated visually to some kaleidoscopic imagery of drug addicts on benders at their most intense, characters both rich and raw, and a story laced with lost souls.
First up we meet Smoke, a serial killer guided by evil, played impressively by Dakota Bailey (who also wrote and directed the film). Bailey stumbles through convincingly and, as he is ultimately guided by the evil reaper like character called Loach, we take pity on his misdeeds.
We also meet Vermina (played by Natasha Morgan), a pregnant meth addict, and her concerned partner Crawdad (played by Darien Fawkes- who had a dual role as Loach as well). Each offers up a vulnerability, that keeps the film’s moral compass pointing throughout.
Eyevin is a cruel dealer (played very well by the ever enjoyable Brian Knapp) who convincingly is just all about business. And Ecstasy (played well by Selena Velveteen) is a HIV infected hooker, who meets a tragic demise. Nikki, is a cross dresser with darker desires (played brilliantly by Nick Benning). Nikki was sweet and convincing, yet still deranged and maniacal. I loved Benning's ability to switch between personas and immerse wholly in his character.
Shot gloriously in black and white, it helps accent the darkness within the shadows and pockets of light which our characters inhabit. The double exposed colourful imagery of the 'acid trips' is mind-blowing and offers insight into the madness and mayhem within each character’s life.

All of Dakota Bailey's films are available at R.A. Productions Store Envy site, except The Acid Sorcerer.
To order The Acid Sorcerer, Bailey has an Indiegogo campaign, with extras for fans to purchase with it ahead of its August 2017 release.
Posted by Michelle MIDI Sayles in MOVIE REVIEWS, REVIEWS, 0 comments