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MOVIE REVIEW: Flowers (2015)

MOVIE REVIEW: Flowers (2015)

FlowersIn Phil Stevens’ Flowers, we are introduced to a beautifully surreal and intensely disturbed film revolving around six dead women who wake up in a crawl space under their killer’s house. With this film, Stevens has developed a unique style bent on haunting the viewer from beginning to end. Interestingly, there is no dialogue, the film’s story is delivered primarily through visuals and the haunting music that accompanies the various atrocities being committed. In a sense, what I could gather from the film was that these women were forced to confront what happened to them so that they could move on.

The women are each referred to as flowers while the killer is known as The Exile and we get to relive the atrocities that they were put through in an extremely surreal way. In truth, the film tells the entire story in a very abstract and what some might say is an unconventional method, but I think that’s what makes this film so successful in being so disturbing. Anyone can tell a fucked up story with dialogue because the dialogue adds to the intensity and can build plot. The lack of dialogue is completely made up for with the amount of emotion seen in each of the flower’s faces, not to mention the different reactions they have to where they ultimately find themselves.

FlowersNow, reviewing it based on what I see is rather lackluster and honestly not a very successful approach. What I will say is Flowers has taken the grotesque, the disturbed, and especially the blood and gore of intense violence and it has created a work of art. Watching the film, one can see how methodical Stevens was with every single shot in getting his work across. From the scenes of shit-covered walls, floors, and ceilings to the moments when a flower begins to undo the sutures across her chest, every image is beautiful in its grotesquery. That is largely why I have not attempted to state much of what happens in the film, it’s not a film of words but of pictures brought together to create one large work of art.

FlowersIf you have a strong stomach, I cannot recommend this film enough, Stevens’ artistic style is something that will make you watch Flowers again and again. Not to mention the fantastic acting and you have a work of art that will never go stale. Flowers is available through Unearthed Films in DVD or through their new streaming service on Vimeo. In addition, Phil Stevens is raising funds right now for Flowers 2, and I cannot encourage everyone who loves horror enough to contribute.Flowers

Hey, Souls, check out the fundraiser video on contributing to Flowers 02, and then click the link below to donate! You’ll be glad you did.

MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014) [SPOILERS]

MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014) [SPOILERS]

In Stephen Biro’s firsStephen Biro's American Guinea Pig: Bouquet of Guts and Gore (2014)t film, American Guinea Pig: Bouquet of Guts and Gore, we are introduced to a gorehound’s wet dream. Drawing a decent amount of inspiration from Hideshi Hino’s original Guinea Pig film, Flower of Flesh and Blood, Biro adds onto what was already a rather fucked up concept by adding a second victim and providing more of a plot that has some heavy religious connotations. In addition, instead of a single cameraman, we are given multiple perspectives examining all of the mutilation and gore up close. Filmed with an 80s style in mind, we see the cameramen using small, handheld VHS recorders and have to change film at various points.

Spoiler Alert Nosferatu

Stephen Biro's American Guinea Pig: Bouquet of Guts and Gore (2014)Set in a warehouse, we watch as this group of sadists and filmmakers go through a near-ritualistic approach in dismembering the two women. The main antagonist is known as “The Actor” and it is job to perpetrate all of the various acts of violence while the cameramen watch on and film every gory detail. To start though, the victims are drugged so that they don’t feel any of the pain from the mutilation. Add to that, before any limb is lopped off, tourniquets are applied to ensure that neither woman bleeds out. The deaths are slow and methodically calculated to say the least. Having recently watched Flower of Flesh and Blood, the parallels in this film are incredible down to the last detail. Implements similar to what Hino used are used by “The Actor” as well.

Stephen Biro's American Guinea Pig: Bouquet of Guts and Gore (2014)So to not spoil all the wonderful scenes of gore, it felt apt to just mention a few of the brutal moments that made the sadist in me dance. From running a straight razor across one victim’s eye to sawing the mouth and jaw in half so that the mouth hangs open limply, Biro has written something uniquely brutal that I think every gorehound will enjoy! I especially liked the use of a box cutter to slice an incision on the skin around one victim’s arm. This then progressed to “The Actor” peeling the skin down off the woman’s arm. That scene is a helluva toe curler and it is done spectacularly well. All of the special effects are well done and none of the gore feels staged or superficial.
If you’re a gorehound seeking some delightful moments of evisceration, disembowelment, and even a scene of cannibalism. I highly recommend watching American Guinea Pig: Bouquet of Guts and Gore if you love a good gory, pseudo-snuff film. The film can be purchased directly from Unearthed Films.

American Guinea Pig: Bouquet of Guts and Gore (2014)

American Guinea Pig: Sacrifice (2017)

American Guinea Pig: Sacrifice (2017)

SacrificeIn American Guinea Pig: Sacrifice, we see the fourth film in the American Guinea Pig series from Unearthed Films. Produced by Domiziano Cristopharo and directed by Poison Rouge, we are introduced to Daniel (Roberto Scorza) a very psychologically scarred individual who has returned to his childhood home. As the film progresses, we are introduced to harsh self-mutilations and torture, which Daniel inflicts upon himself. Deeply disturbed, we see that Daniel has multiple scars from past woundings that he has given himself. Further, we find out that this latest instance is Daniel’s attempt at a sort of self-enlightenment with the hope being that his sacrifice will bring the goddess Ishtar to guide him.

To say that Sacrifice is unsettling would be an understatement, but its disturbing nature will keep you completely engrossed until the film’s ending. Going into the bathroom in his childhood home, Daniel unpacks Sacrificea couple of white candles and a number of metal implements, which is my only complaint in that we don’t get to see him use all of them. For an American Guinea Pig film, I must say that Daniel’s self-mutilation starts off rather tame with some deep slashes across his wrist that he ties off with a cable tie. After this, things get a whole lot darker and a whole lot more brutal. Daniel’s next implement is a razor blade that he uses to carve a marking into his forehead. From there, he takes out a power drill, first testing it upon his inner thigh and then using it upon his forehead where he had carved the marking. With this scene, we even get to hear as the drill crunches through his skull some.Sacrifice

I can’t really do the film justice telling the plot because there are so many psychological factors going on and even a stream of consciousness from Daniel during everything. Daniel goes from wanting to perform this big sacrifice for Ishtar as the book states to the revelation that he has made a big mistake. Near the end of the film was the particularly toe-curling moment for me when Daniel sounds himself (usually involves slipping a very thin piece of wire into one’s urethra to create pleasure) with a Phillips head screwdriver. The film is unabashed in its no-holds-barred approach to showing everything. Nothing in this film is ever implied or mentioned in speaking; it is shown in all of its intense brutality.

SacrificeOverall, I rather enjoyed Sacrifice and think that Poison Rouge has made an incredible film with numerous psychological and emotional levels. I highly recommend Sacrifice to anyone who is into gory flicks involving lots of torture and some rather dark moments deep inside the psyche of a man who is heavily disturbed.

There is still no word from Unearthed Films as to when it will be released, but I will make sure to keep all informed as I learn more!

American Guinea Pig: The Song of Solomon

American Guinea Pig: The Song of Solomon

The Song of SolomonRecently, I was given the honor and pleasure of being given a screening copy for Stephen Biro’s much-anticipated film The Song of Solomon. Another film in the American Guinea Pig series, I would say that it is Biro’s best film yet, and it is one of the best films that Unearthed Films has made to this date. Written, directed, and produced by Biro, he has given us an intensely dark, realistic, and thoroughly researched exorcism film.

The film begins with Mary Catan’s father waving a knife around and talking at her. It turns out that Mary has been spreading rumors that her father molested her and murdered his own father, even though neither of these statements is true. However, regardless of their validity, her father takes the knife and slashes his throat wide open and then pulls his tongue out through the gash. All of this happens within the first few minutes of the film so very quickly you will realize that Biro isn’t messing around. With that first scene, he has encapsulated the intensity and brutality to come throughout the rest of the film, but I won’t be sharing many gory details because spoilers piss me off.The Song of Solomon
Portraying Mary, the demon-possessed girl, and also portraying the demon, Jessica Cameron has brought the character to life in a very real way. It certainly helps that Biro wrote a fantastic script and screenplay as well. As the film progresses, we get to watch as different priests encounter the demon, and this certainly doesn’t end well for any of them. Interestingly, Biro has given each priest some fatal flaw/sin that distinguishes them from the others. From a child molester to an ex-soldier to even a priest who lost an exorcism and therefore lost his soul, we get to see a variety of people confront and attempt to banish the demon.

One scene that certainly stuck out to me involved the demon causing Mary to regurgitate her intestines up onto the bed in front of Father Corbin (Gene Palubicki) and then consuming them all shortly thereafter. With the cinematography, we are given a complete view of the grotesquery and also see the visceral reaction that such an act draws from Father Corbin. Certainly, not the most brutal or disturbing scene of the film, but it was rather memorable and some scenes are more prone to spoiling some of the plot’s surprises and twists.The Song of Solomon
As I said before, I think The Song of Solomon is Biro’s best film to date. I’ve already watched it a couple of times because there are so many levels to it that one viewing cannot do the film justice. In fact, as I watch it over and over, I’ve developed an even greater appreciation for the film and what Biro has achieved in an exorcism film that I would say is up there with The Exorcist, and in this critic’s opinion better than The Exorcist. There is no word on a release date yet for the hard copy, but I will certainly be purchasing it to add to my collection so that I might enjoy it in future years. Not to mention that I have gone through the largely coveted screener many times, watching it just on a computer monitor! When Unearthed Films makes The Song of Solomon available to purchase, I cannot recommend enough that it is one to buy, and if you’re lucky enough to see it on the big screen somewhere, then I envy you!

The Song of Solomon

Movie Review: Red Krokodil

Movie Review: Red Krokodil

In Domiziano Cristopharo’s film Red Krokodil, the viewer observes a man (played by Brock Madson) wrestle with an addiction to the incredibly detrimental drug krokodil. Now, krokodil is a desomorphine and is made through a process similar to the process to make meth and is made up of codeine, hydrochloric acid, and red phosphorus to name a few. It received the name krokodil for the effects that it has upon the user, particularly at the injection sites where one’s skin turns green and takes on a scaly hue. Add to that an effect similar to necrotizing of the flesh and severe internal damage, and krokodil is one of the more lethal drugs in the world.

With these facts in mind, I shall dive into the beautiful and haunting world of Red Krokodil. Set in a post-nuclear city in Russia, the viewer is introduced to Madson’s character from the outset and the first impression of him is rather tragic because you find him with his hands, elbows, and knees wrapped in bandages and he is dressed in some rather ratty underwear. Long unkempt hair and what is certainly rather questionable hygiene and we are introduced to someone in the brutal throes of drug addiction. As the film progresses, we get to experience this man’s hallucinations and at points his personal self-loathing. The entire film undergoes a constant narration with Madson’s voice talking about why he does what he does, even though he even comments at one point that he wishes that he would stop with the injections of krokodil.

Madson lying in bed in Red Krokodil (2012)One thing to take note of in this film is Domiziano Cristopharo’s phenomenal direction and cinematography in showing both the visual damage that krokodil has done to this man and in how through the cinematography, Cristopharo shows the internal damage that this drug exacts upon the mind. From hallucinations to even a lucid scene where Madson has a very intimate interaction with himself whilst in bed, we see his mind deteriorate at a pace that is both equal and even worse than his physical deterioration. The physical damage that krokodil did to the body is shown in an unflinchingly fearless manner. As the film progresses and this deterioration becomes more and more obvious, the man unwraps the bandages from his body and picks away at the flesh as it just falls off. Even skin peels away as if it was just an extra layer of clothing.

Madson prepping for the Injection in Red Krokodil (2012)Just like those layers of skin and flesh, this is a very full-bodied film with a multiplicity of layers that demand one give the film multiple viewings. I am still processing everything I saw in the film and I am doing my best to avoid spoilers so that readers might go and see the film without knowing how the story unfolds. I can happily say that I will rewatch this film again and again. Gratefully, I’ve had the pleasure to converse with Domiziano Cristopharo directly concerning Red Krokodil and how it came to be! Discussing the film directly with Cristopharo he informed me that at the time, he was not happy in life and decided to quit filmmaking. Instead, he harnessed those feelings and began a trilogy signifying a journey from light to sadness and solitude. Red Krokodil is the purgatory aspect of his trilogy with Dark Waves being the paradise and Doll Syndrome being the hell. In addition, he informed me of how instead of quitting filming, he just needed a change in how he made films. For 8 months, Cristopharo couldn’t find an actor until Brock Madson came along, who after one sees the film can recognize is the perfect choice for the role.

In addition, it turned out that Madson had wrestled with drug addiction in the form of meth. So for them both, along with this being a journey, as Cristopharo put it, it was a way for them to exorcise their demons. Overall, I highly recommend this film, and give it 5 out of 5 stars!

Red Krokodil can be purchased on Blu-Ray and DVD from Unearthed Films!

Brock Madson in Red Krokodil (2012)

Atroz: A Look Inside One of the Most Disturbed Films in History [SPOILERS]

Atroz: A Look Inside One of the Most Disturbed Films in History [SPOILERS]

Translated into English, atroz means atrocious, and that is exactly what we get out of Lex Ortega’s film Atroz. Set in Mexico and beginning with the police arresting two men who while driving drunk ran over a girl and killed her, one of the officers finds a camcorder. The film switches to found footage of the two men stalking a transvestite prostitute. It needs to be noted here that this film pulls no punches whatsoever. You quickly find out watching the footage these two deviants created that they are both incredibly hateful. Once they can get her alone, they knock her out and take her to a storage unit where they begin to torture her.

Atroz (2015)This is where I began to realize that this film wasn’t joking with its title being Atrocious. First, the men brutally beat this woman to the point that her face is just an unrecognizable mess of blood and gore. Whilst plenty of films have brutal beatings, Ortega takes it to a much more personal level by strapping the camera to the wrist of the man beating the prostitute. It will certainly make your stomach curl some when you see and hear the impact of the punches. Pausing at points, the men make sure to wipe the blood off the camera so that they can continue clearly filming every punch.

Atroz (2015)The sadism of these two deviants takes another turn when one of them takes out a pocket knife and slashes open one of the transvestite’s breasts pulling what seems to be silicone out of it. Certainly a nice toe-curler and, one might say, unique. Of course their depravity knows no bounds and to further torment the woman, one man unzips his pants and urinates over the open gash where her breast once was. While part of me wishes that I could say that this is the most extreme and fucked up that this film gets, I would be completely wrong.

Before continuing on, I must say that I found the approach that Ortega used to tell his story rather refreshing. After the camcorder is found, the film switches between the footage that the police continue to find throughout their investigation back to the present to show us how the police are handling the two deviants in question. Apparently, after the first tape, the police decided to treat these individuals like they had treated their victim, and the police begin to torture the two criminals.

Atroz (2015)Fast forward a bit and we hit the point that I think raises it to be one of the most extreme films to date. Finding another videotape, we watch as a father assaults his teenage son for being a homosexual. This quickly escalates to the father throwing his son down on the bed and anally raping him in front of his wife and daughter. At this point, after a few minutes of this act of sodomy, the footage skips to another point where the son has recovered and to say he’s angry would be an understatement. Beating his father and holding him at gunpoint, the son forces his mother to wear a strap-on dildo that is wrapped in barbed wire. The cinematography gets interesting at this point as we get to experience this boy force his mother to sodomize his father to death. The reason that I say it gets interesting is the point of view is switched to the strap-on as it begins to tear through the father’s anal and rectal cavities.

Atroz (2015)

There are certainly other atrocities to be seen in Atroz, but for me to reveal all of them to you, the reader, would be an injustice if you ever do decide to take the plunge and watch this film. As a fan of the extreme, I must say that Atroz shocked, disgusted, and even outraged me at points. The brutality alone certainly earns it the adage of being the goriest film in Mexico. Due to all of the things I mentioned, I would probably be remiss if I did not warn anyone who desires to view Atroz that it is not a film that you will quickly forget. In fact, it will ingrain itself upon your mind and soul. All of that having been said though, IF you have the stomach for it, watch it and let me know what you think. I’ll certainly be viewing it again!

Atroz will be released on Blu-Ray and DVD this week on February 13th and can be purchased from Unearthed Films.

Jessica Cameron’s Truth or Dare (2013)

Jessica Cameron’s Truth or Dare (2013)

Jessica Cameron’s Truth or Dare

Looking for something you may have missed over the past few years? Trying to find those lost titles to add to your DVD collection? Then have I got a film title for you…Truth or Dare. This wonderfully twisted and often gory Indie horror film was written by, directed by, and stars the always lovely Jessica Cameron.

Released through Ms. Cameron’s own Small Town Girl Productions, Truth or Dare focuses around a group of young adults who have found stardom and fame of its own kind by hosting a YouTube channel show called — you guessed it — Truth or DareTruth or Dare is an Internet-based reality show wherein each week the group plays the old game we all grew up playing but on a much more grown up and dangerous level. “How ?” you ask. Okay. For example, the film starts off with the group on a beach where actress Jessica Cameron picks dare and has to shoot fellow gamer Tony, played by Brandon Van Vilet, in the face with a handgun. Not quite how I played when I was young. Nevertheless, with stunts like this, the ratings for the show soar! Now you get the gist of how they play their rendition of Truth or Dare.

While interviewing on a local TV talk show, the group are confronted with questions by a member of the audience who seems to be a bit too eager and intense and is bounced out the door on his ass. But that’s not the last we see of our greasy little fanboy…

We next see our group in a basement getting ready to shoot another episode when in from behind the plastic tarps walks in our fanboy, played by Ryan Kiser who gives a stellar performance as Derik B. Smith. Smith, a fanboy stalker if you will, knows every -single- hidden inch of our new stars’ past and uses it against all of them to play his version of Truth or Dare, and of course, streams it all live on the web.

Smith’s version of Truth or Dare is basically the same as the group’s: You pick truth or dare, and you answer or act out whatever is asked of you 100%. The one small difference is that Smith’s dares are real! From the bullet in the gun to the blade on the knife to questions that can ruin or change lives, all of it is real. There’s no acting and no stunts, so many rounds end in death.

Jessica Cameron brought to the screen something that permeates today’s world — uploaded video, the more shocking and violent the better. Cameron brought plenty of that in Truth or Dare, including a few dares that are surprising if not shocking, to say the least!

If you haven’t seen this gem of an Indie horror film, you must. It will not disappoint! Jessica, great job all around with this one, and thank you for the screener. I can’t wait to see what you have in store for me next!

On a side note, be sure to keep an eye out for Jessica starring in Stephen Biro’s The Song of Solomon, an American Guinea Pig Film Series release from Unearthed Films, coming in March, 2018. You’re not going to want to miss it!

Happy early birthday, Jessica!!

Be sure to follow and support Jessica Cameron!

Keep It Evil…

Posted by John Roisland in MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, 0 comments
FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

Set for January 23, 2018, Unearthed Films’ CEO Stephen Biro contacted House of Tortured Souls with a digital press kit for the DVD/Blu-ray release of Red Krokodil.

According to the press release, here’s what we can expect:

Red Krokodil is the story of one man (played by Brock Madson), addicted to the mind-numbing drug Krokodil. He finds himself alone in a post-nuclear city similar to Chernobyl. His physical decay, caused by the massive intake of drugs, is mirrored by his inner world, as reality mixes with hallucinations.
The decomposition of the flesh caused by Krokodil is severe in its graphic, yet slow destruction, madness, and desperation are rampant as one man’s addiction to the drug runs out of control.
Director, Domiziano Christopharo depicts a psychological condition that brings a total detachment from oneself and from the surrounding world, Red Krokodil is a dark trip, with no way out.

Domiziano Christopharo is an Italian independent film director known for having worked with various notable filmmakers in the past, including Ruggero Deodato (Cannibal Holocaust), Frank Laloggia (Lady In White), and Carlo De Mejo (City of Living Dead).

Christopharo is also known for his ongoing work to try and revive the erotic horror genre, familiar to many fans of the Giallo movement as well as fans of filmmakers such as Fellini and Argento – often having reviewers drawing comparisons with the two filmmakers and his own work.

Christopharo’s body of work includes House of Flesh Mannequins (2008), The Museum of Wonders (2009), Hyde’s Secret Nightmare (2010), Shock – My Abstraction of Death (2011), HP Lovecraft: Two Left Arms (2012), Doll Syndrome (2014), and much more.

Many have characterized Christopharo’s work as being pornographic in nature, but he prefers to respond with a quote from Picasso:

Art is never chaste and we should keep her away from pure ignorants. If it were chaste, it wouldn’t be art at all.

So far reviews have been favorable for the film’s release with Steven Paul from Beneath The Undergound calling it a film in which “you will know that you have truly experienced something special”, Barbara Tourette from Dark Veins saying “Brock Madson’s performance is a mirror of the psychic and physical consequences caused by Krokodil”, and Seth Poulin from Celluloid Terror defining it as having a “powerful message…that is open to personal interpretation and what you take the film for is exactly what it is”.

To nab your copy, visit the Unearthed Films Official Web Site.

Red Krokodil (2012)

MOVIE REVIEW: Dreaming Purple Neon (2016)

MOVIE REVIEW: Dreaming Purple Neon (2016)

Dreaming Purple Neon is a 2016 independent horror film by Extreme Entertainment and released by Unearthed Films. It was both written and directed by Todd Sheets, who has also brought us such goodies as Spirits (2014) and Bone Hill Road (2017).  Dreaming Purple Neon is a pure 100% Indie horror B flick at it finest!

The basis of the story is that Purple Neon, a beautiful glowing drug, turns its users into demonic creatures that follow the word of High Demoness, Abaddon. She, in turn, uses her now-demon slaves to brutally kill and take over the world.


When a drug dealer’s stash goes missing at the hands of his new office girl, he and his thug trace her down at a dentist office building where she’s meeting a friend to go out for the night. After the doors are locked, however, it’s more than just drug dealer revenge. The entire building is locked down and being taken over by the cult of Abaddon in order to use a young girl, one of the dentist’s patients, as a vessel to conjure Abaddon into the living. This is where things get fun — from a naked seance to a bitch with horns for nipples, shit just got real!

When Dreaming Purple Neon starts, it looks like it’s going to be a bad Indie film, but it turns into a bloodbath! Todd Sheets was able to physically take what I’m going to call the normal, the everyday life on film, and perfectly mesh it with what I will call the underworld. You are transported visually through the chaos as it spreads through the film till you are completely submerged into a world of blood-soaked violence. Sheets’ use of color schemes throughout the film is brilliant but yet not overdone.

From the start of the film, I really wasn’t expecting much out of the kill scenes. Boy, was I wrong! Todd Sheets gives audiences full-on, over-the-top, blood-spewing death! Cannibalism, murder, possession, power drills and Gene Simmons — what more could you want!

Dreaming Purple Neon delivered in many ways and is a mind trip of a great Indie horror film. I can’t wait to see what Todd Sheets brings us next!


Keep It Evil.

Posted by John Roisland in MOVIE REVIEWS, SATANIC/DEMONIC, 0 comments
MOVIE REVIEW: Flowers (2015)

MOVIE REVIEW: Flowers (2015)

By Travis Love


Directed by Phil Stevens and released on October 27, 2015, by Unearthed Films, Flowers is an Arthouse horror film that delves into the grim tale of six women who awaken disoriented and unaware of how they've arrived in this state of surreal, dream-esque purgatory, until they discover they've all suffered the same grisly fate at the hands of the same demented aggressor. Abandon all hope ye who awaken under a porch surrounded by body filled Glad trash bags.

Watching Flowers and trying to convey to someone what it is, is the equivalent of trying to explain how Pornhub works to a blind man. He really doesn't understand what you mean because he's never experienced it before for himself (unfortunately braille Pornhub never caught on...sorry Stevie Wonder). The film is as dark and depressing as it is morbidly fascinating and eerily beautiful, with equal aspects macabre and performance art combing to create one of the most truly genuinely unique cinema experiences you could ever hope for.

The fact that there is no dialog in the film allows you to immerse yourself fully in the imagery, taking in every minute detail of the scenery. The scenes piece together almost like Dante Alighieri's Inferno, with each character feeling like they're in their own circle of hell. Each character transitions to a different person and tale as they crawl from underneath the porch, to under the house, to the bathroom through a hole in the floor and so on. Past events with the victims are tied to Polaroids that they either awaken with, or discover during their venturing through the house. Each picture triggers a memory for each character that holds some barring on their life before and their personal encounter with the antagonist.

As far as gore goes, Flowers even delivers artistically in that regard as well, with scenes that run the gamut of twisted and perverted (fondling the intestines of a disemboweled victim before warming up her dead body like a gas station burrito necrophilia style) to ethereal and metaphorical (a victim discovering she's hollow on the inside and begins stuffing what she believes are her internal organs inside the open cavity, but to the outside perspective she's only stuffing her gaping hole with earth and worms). Morbid imagery has never looked so enthralling and engaging.

In conclusion, Flowers achieves what so many films set out to do, it establishes its originality and individuality proudly in leaps and bounds and sets a precedent that films can be artistically beautiful and engaging while at the same time brooding and aberrant. Do yourself a favor and let Flowers put something hauntingly beautiful inside you...and possibly some fingers as well.

Rating: 8/10


Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments

MOVIE REVIEW: Visceral: Between the Ropes of Madness (2012)

By Travis Love

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Directed by Felipe Eluti and released March 24, 2015 by Unearthed Films, Visceral: Between the Ropes of Madness is a descent into depravity as a washed up boxer finds himself at the mercy of an unimaginable evil that lives in his psyche. As his torture escalates at the hands of this female visage, his grip on reality slowly spirals into madness and he seeks out victims to inhumanely torture at the request of his mentor in torture, the nameless female figure. When a man has lost it all, what is left but the raw carnal need to inflict pain on those that he stumbles upon?

Story wise the movie keeps you disoriented by shuffling from past, middle, and present with only head and facial hair as a signifier that any amount of time has passed. One minute you start off in the beginning as The Boxer is furiously training, and then the movie interjects snippets of morbid visions of a bleeding duct taped victim strung from the ceiling. The film definitely keeps you on your toes without allowing you a structured timeline, but with The Boxer losing his grip on sanity, it helps to symbolize his decent into darkness.

The moments between The Boxer and his female tormentor at no point feel like they're just a mental fabrication. They feel unbelievably real and, for that reason, straddle the line of reality and believability. The method by which she tortures him is a twisted, morbid spin on the whole mistress/slave dominatrix BDSM fetishism, and much of the film finds bondage in general via ropes showcased very attentively as The Boxer intricately ties complex knots with great care, binding his victims before mercilessly torturing them.

The torment that the Boxer unleashes on his victims is, at times, anywhere between savagely brutal and mentally cruel. During one scene he binds a female victim to another male victim and after murdering the male victim, leaves him bound to the still alive female to decompose, her face pressed firmly against his corpse. The majority of the torture scenes are sadistic and callous, with eyes being cut out and the open wound being used for sexual gratification in an intense boundary pushing scene that is both disturbing and mesmerizing.

In conclusion, Visceral: Between the Ropes of Madness is an absolute exercise in extremes balanced with the morbid beauty of the fetish culture of bondage. For viewers who seek out extreme horror regularly, this film delivers every bit of the gruesome, morally absent violence that you could ever want. This film is the equivalent of a Mexican cartel decapitation video fisting 50 Shades of Grey, and you will never be the same afterwards.

Rating: 7/10

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments

MOVIE REVIEW: Revenge Is Her Middle Name (2011)

By Travis Love


Directed by Anthony Matthews and released in 2015 on Unearthed Films Revenge is Her Middle Name tells the story of a calculative downtrodden hooker named Kat, who has plans of changing her life for the better by any means necessary. Unfortunately for Kat, her pimp doesn't hand out a severance package or 4-Ho-1k to hos that betray him. What follows is an unbridled ride full of twists and turns and a few tricks pulled by the whore with a bloodlust for gore.

The plot line is as follows:
1.) Kat discovers that after countless tries she's finally become pregnant with the assistance of her dope fiend boyfriend.
2.) They formulate a plan to rob Kat's pimp to keep themselves in drugs, upon robbing her pimp Kat backstabs her boyfriend and bolts for a better life.
3.) Her pimp catches up to Kat after a some time and his posse has an all-you-can-rape buffet leaving Kat broken, bleeding, and childless.
4.) Kat begins to hunt down each member of her pimp's posse and dishes out her gruesome revenge Costco bulk style leading to her eventual main target...her pimp.

Have you ever wondered what it would be like if the gritty depression of Combat Shock and the unmerciful brutality of I Spit On Your Grave hooked up, and bumped genitals on a soiled mattress in a seedy alleyway? Well this movie is totally the bastard love child of that hump session in the best way possible! Every bit as dirty as it is bloody, the film leaves you feeling tainted by its unbelievable filthy sexiness, but begs you not to use protection so that you can enjoy the feeling (oh and you will!).

If anything can be said of 'Revenge is Her Middle Name' it's that it wins the hearts of Revenge film aficionados like a hooker shooting ping pong balls out of her ham wallet at a bachelor party, it makes you stare at it in awe and bewilderment. The story is filled with unapologetic risqué dialog that is every bit as enjoyable as the violence. During the rape scene you feel the tension building to the boiling point that will eventually explode into a tidal wave of epic revenge!

Anthony Matthews is definitely a talent to watch as his writing finds something often missing in indie cinema, actual plot twists. So many times during the film it directs you to one conclusion but immediately finds betrayal or hidden facts that don't come into play until later..or sometimes until the very end of the film. It's amazing when a film doesn't just give you all facts in a linear fashion, but leaves surprises and story arks to keep you on your toes.

The violence unleashed upon Kat's transgressors is completely bloody and cathartic as she dispatches her own brand of twisted justice. Sometimes dehumanizing and humiliating her victims before slitting their throats cold and void of any emotion but rage. The glory hole scene alone will have you covering your mouth in the grandest "Holy fucking shit!" moment ever. Horror nerd boners will be bountiful upon watching this film.

In conclusion Revenge is Her Middle Name has to be hands down one of my personal favorites to be released this year. If revenge films are your jam then you owe it to yourself to find this film and love it to death like that hamster you wouldn't quit petting in grade school. To quote Kat's pimp, "Blood and semen will spray in a frenzy of revenge", and I loved every minute of it!

Rating: 9/10


Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Creeper (2012)

MOVIE REVIEW: Creeper (2012)

By Travis Love


Directed by Matthew Gunnoe and released in 2015 by Unearthed Films, Creeper finds a group of women fed up with skeezy Internet pervs heavy breathing over them like an eight dollar beach raft, so they decide to teach one of their unlucky admirers a lesson through physical degradation. But when humiliation goes too far, who is really the victim?

The beginning of the film starts off in full gear as a girl wakes up in a metal dog crate completely naked and disoriented. As she tries to regain her senses, a zip line attached to the cage pulls taut across the lake where the crate is banked. It rapidly pulls her under the water as she screams bloody murder. Welcome to What-the-fucksville; population: You.

As you come to find out, the series of events that lead to this scene are as follows:

1) Buxom, clothing-impaired typical slasher victims tire of Internet pervs and create a plan to find one special perv and punish him thoroughly (cue Jerry).
2) Humiliating Jerry is no longer cutting it, so the plan turns to ridding the world of Jerry and his 1980s youth pastor haircut via good ol' fashioned murdering.
3) Murder of Jerry is botched worse than a home abortion, and now Jerry is loose and ready to do more than just watch (perhaps with pants still off though).
4) Torture traps and mind games galore, survival of the fittest (or with the girls being nude the majority of the film, it's more like survival of the tittest).

As far as Jerry's revenge, some of the torture lacks the real impact that you'd be expecting, so many times you think that something gruesome has happened beforehand (i.e. decapitated head in a box), but are quickly let down by reality (the head is still attached to the victim who is only covered in blood and buried up to her neck and very much alive). The traps set are mostly explosives or Jerry driving after them in a jeep like a psycho designated driver during beach week. The kills are handled by the same CGI-kill-blood-splatter on the camera effect which leaves a good bit to be desired in the gore department. All in all, it had good ideas but relied too heavily on "Let's explode stuff with a CGI grenade effect!". Shoving a victim’s face into a canned chili fueled shit bucket (latrine) shouldn't have been a highlight (commendable though).

In conclusion, the acting in Creeper is pretty solid for an Indie horror, and the dialog and cat-and-mouse appeal are highly enjoyable. Unfortunately, the torture and actual revenge didn't deliver quite like the opening scene promised. If the imagery would've been as gruesome as the tension that built throughout the movie, this movie would've been perfect, but like a hand job from an amputee...it just wasn't there.

Score: 4/10


Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014)

MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014)

By Travis Love


Writer and director: Stephen Biro
Starring: Ashley Lynn Caputo, Caitlyn Daily, and Lilly Dickenson

Since the making of Stephen Biro's American Guinea Pig: Bouquet of Guts and Gore was announced, there has been a clamoring to see this film. After watching it for the first time, I wonder: is it warranted? Emphatically so. This film isn't just cinematic viewing, it's an exercise in testing personal thresholds regarding how much the viewer can actually stomach and still continue watching. American Guinea Pig: Bouquet of Guts and Gore will test your limits.

The grainy and gritty feel blurs the lines of believability and causing you to reassure yourself, "It's just a movie. This isn't real", but no matter how much you tell yourself that, it has the uncanny ability to allow a little shred of doubt to seep in. The torture is cathartic, unbridled, and animalistic, and at no time do you feel what you're watching is anything other than an obligation to take a life deemed worthy of this "attention".

Orders are barked from masked men filming, shouting their directions like circus trainers would to an animal that without direction would lash out uncontrollably. The imagery you're privy to is nothing short of grotesque and demented, and the FX are so lifelike that you easily become sucked into the atrocities that unfold.

This film firmly places its foot down defiantly, and its claim is simple: You will watch everything we have to show you. If you feel sickened, then you receive no sympathy. You have only yourself to blame. American Guinea Pig: Bouquet of Guts and Gore unapologetically captures your attention and holds it prisoner the entire duration of the film, and I, for one, can only show my gratitude to Stephen Biro and everyone involved for doing so. Thank you, Mr. Biro.

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments