“Unearthed Films”

We want to hear your thoughts!

MOVIE REVIEW: American Guinea Pig: Sacrifice (2017)

MOVIE REVIEW: American Guinea Pig: Sacrifice (2017)

American Guinea Pig: Sacrifice is the debut film by Italian director Poison Rouge and the fourth installment in the series. It was produced by Domiziano Cristopharo (Red Krokodil) and released by Unearthed Films.

You would have trouble discerning that this was Rouge’s first film because it’s artfully shot, well researched and beautifully made. Take a look at the trailer before we continue.

American Guinea Pig: Sacrifice follows a young man named Daniel (Roberto Scorza) who returns to his childhood home where a trauma took place. We are not given the details of the incident that happened, but we can guess by Daniels’s emotional and physical scars that it was tragic and took its toll on his psyche. Daniel’s body is covered with self-harm scars and he hears voices. Throughout the film, he speaks in his mind to the Goddess Ishtar (Flora Giannattasio) of personal sacrifices and an end to the pain.

At the beginning of the film, Daniel goes into the bathroom with a backpack, he lights thre white candles unpacks some tools and goes to town on himself.

This is where the film earns it’s Guinea Pig status; it has all the violence and brutality that you would expect and hope for. He starts by cutting a huge vagina-like gash in his hand, and while he’s licking it, you see flashes of cunnilingus being performed. He moves on to trepanning or boring holes into his skull. I was reminded of Andrey Iskanov’s Nails at this part (I wonder if Rogue is also a fan?) He then violently removes a toenail, and I confess I suffered through this part. Nails and compound fractures get me every time! He moves on to extreme penis mutilation by inserting a screwdriver into his urethra. I commend the FX team on the most realistic looking penis prosthetic ever used in both the mutilation and castration scene. In the end, he finally eviscerates himself in the bathtub and bleeds out. After he recedes under the surface of the bloody water, Ishtar emerges.

On the surface, American Guinea Pig: Sacrifice may just seem like a tight little torture/body horror, but I believe it’s much more than that. I feel that the Goddess Ishtar was well researched and even the casting was done intentionally to line up with her mythos. Scorza has a very androgynous quality to him and ends up transforming into a woman. Ishtar is said to have transformed men into women and is associated with androgynous people and hermaphrodites, and Daniel carves an eight-pointed star — a symbol of Ishtar — into his forehead. Both the flashbacks and his death are in water also associated with Ishtar. I love a film that knows its shit and hides Easter eggs throughout.

For this excellent film and incredible debut 5/5 shocks

Pre-order your copy of American Guinea Pig: Sacrifice at Unearthed Films today!



Posted by Candace Stone in GORE OR EXTREME HORROR, MOVIE REVIEWS, REVIEWS, 0 comments
Jessica Cameron’s Truth or Dare (2013)

Jessica Cameron’s Truth or Dare (2013)

Jessica Cameron’s Truth or Dare

Looking for something you may have missed over the past few years? Trying to find those lost titles to add to your DVD collection? Then have I got a film title for you…Truth or Dare. This wonderfully twisted and often gory Indie horror film was written by, directed by, and stars the always lovely Jessica Cameron.

Released through Ms. Cameron’s own Small Town Girl Productions, Truth or Dare focuses around a group of young adults who have found stardom and fame of its own kind by hosting a YouTube channel show called — you guessed it — Truth or DareTruth or Dare is an Internet-based reality show wherein each week the group plays the old game we all grew up playing but on a much more grown up and dangerous level. “How ?” you ask. Okay. For example, the film starts off with the group on a beach where actress Jessica Cameron picks dare and has to shoot fellow gamer Tony, played by Brandon Van Vilet, in the face with a handgun. Not quite how I played when I was young. Nevertheless, with stunts like this, the ratings for the show soar! Now you get the gist of how they play their rendition of Truth or Dare.

While interviewing on a local TV talk show, the group are confronted with questions by a member of the audience who seems to be a bit too eager and intense and is bounced out the door on his ass. But that’s not the last we see of our greasy little fanboy…

We next see our group in a basement getting ready to shoot another episode when in from behind the plastic tarps walks in our fanboy, played by Ryan Kiser who gives a stellar performance as Derik B. Smith. Smith, a fanboy stalker if you will, knows every -single- hidden inch of our new stars’ past and uses it against all of them to play his version of Truth or Dare, and of course, streams it all live on the web.

Smith’s version of Truth or Dare is basically the same as the group’s: You pick truth or dare, and you answer or act out whatever is asked of you 100%. The one small difference is that Smith’s dares are real! From the bullet in the gun to the blade on the knife to questions that can ruin or change lives, all of it is real. There’s no acting and no stunts, so many rounds end in death.

Jessica Cameron brought to the screen something that permeates today’s world — uploaded video, the more shocking and violent the better. Cameron brought plenty of that in Truth or Dare, including a few dares that are surprising if not shocking, to say the least!

If you haven’t seen this gem of an Indie horror film, you must. It will not disappoint! Jessica, great job all around with this one, and thank you for the screener. I can’t wait to see what you have in store for me next!

On a side note, be sure to keep an eye out for Jessica starring in Stephen Biro’s The Song of Solomon, an American Guinea Pig Film Series release from Unearthed Films, coming in March, 2018. You’re not going to want to miss it!

Happy early birthday, Jessica!!

Be sure to follow and support Jessica Cameron!

Keep It Evil…

Posted by John Roisland in MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, 0 comments
FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

Set for January 23, 2018, Unearthed Films’ CEO Stephen Biro contacted House of Tortured Souls with a digital press kit for the DVD/Blu-ray release of Red Krokodil.

According to the press release, here’s what we can expect:

Red Krokodil is the story of one man (played by Brock Madson), addicted to the mind-numbing drug Krokodil. He finds himself alone in a post-nuclear city similar to Chernobyl. His physical decay, caused by the massive intake of drugs, is mirrored by his inner world, as reality mixes with hallucinations.
The decomposition of the flesh caused by Krokodil is severe in its graphic, yet slow destruction, madness, and desperation are rampant as one man’s addiction to the drug runs out of control.
Director, Domiziano Christopharo depicts a psychological condition that brings a total detachment from oneself and from the surrounding world, Red Krokodil is a dark trip, with no way out.

Domiziano Christopharo is an Italian independent film director known for having worked with various notable filmmakers in the past, including Ruggero Deodato (Cannibal Holocaust), Frank Laloggia (Lady In White), and Carlo De Mejo (City of Living Dead).

Christopharo is also known for his ongoing work to try and revive the erotic horror genre, familiar to many fans of the Giallo movement as well as fans of filmmakers such as Fellini and Argento – often having reviewers drawing comparisons with the two filmmakers and his own work.

Christopharo’s body of work includes House of Flesh Mannequins (2008), The Museum of Wonders (2009), Hyde’s Secret Nightmare (2010), Shock – My Abstraction of Death (2011), HP Lovecraft: Two Left Arms (2012), Doll Syndrome (2014), and much more.

Many have characterized Christopharo’s work as being pornographic in nature, but he prefers to respond with a quote from Picasso:

Art is never chaste and we should keep her away from pure ignorants. If it were chaste, it wouldn’t be art at all.

So far reviews have been favorable for the film’s release with Steven Paul from Beneath The Undergound calling it a film in which “you will know that you have truly experienced something special”, Barbara Tourette from Dark Veins saying “Brock Madson’s performance is a mirror of the psychic and physical consequences caused by Krokodil”, and Seth Poulin from Celluloid Terror defining it as having a “powerful message…that is open to personal interpretation and what you take the film for is exactly what it is”.

To nab your copy, visit the Unearthed Films Official Web Site.

Red Krokodil (2012)

Posted by Michelle MIDI Sayles in COMING SOON, EXCLUSIVE, HORROR NEWS, SLASHERS AND BAD HUMANS, 0 comments
MOVIE REVIEW: Dreaming Purple Neon (2016)

MOVIE REVIEW: Dreaming Purple Neon (2016)

Dreaming Purple Neon is a 2016 independent horror film by Extreme Entertainment and released by Unearthed Films. It was both written and directed by Todd Sheets, who has also brought us such goodies as Spirits (2014) and Bone Hill Road (2017).  Dreaming Purple Neon is a pure 100% Indie horror B flick at it finest!

The basis of the story is that Purple Neon, a beautiful glowing drug, turns its users into demonic creatures that follow the word of High Demoness, Abaddon. She, in turn, uses her now-demon slaves to brutally kill and take over the world.

 

When a drug dealer’s stash goes missing at the hands of his new office girl, he and his thug trace her down at a dentist office building where she’s meeting a friend to go out for the night. After the doors are locked, however, it’s more than just drug dealer revenge. The entire building is locked down and being taken over by the cult of Abaddon in order to use a young girl, one of the dentist’s patients, as a vessel to conjure Abaddon into the living. This is where things get fun — from a naked seance to a bitch with horns for nipples, shit just got real!

When Dreaming Purple Neon starts, it looks like it’s going to be a bad Indie film, but it turns into a bloodbath! Todd Sheets was able to physically take what I’m going to call the normal, the everyday life on film, and perfectly mesh it with what I will call the underworld. You are transported visually through the chaos as it spreads through the film till you are completely submerged into a world of blood-soaked violence. Sheets’ use of color schemes throughout the film is brilliant but yet not overdone.

From the start of the film, I really wasn’t expecting much out of the kill scenes. Boy, was I wrong! Todd Sheets gives audiences full-on, over-the-top, blood-spewing death! Cannibalism, murder, possession, power drills and Gene Simmons — what more could you want!

Dreaming Purple Neon delivered in many ways and is a mind trip of a great Indie horror film. I can’t wait to see what Todd Sheets brings us next!

 

Keep It Evil.

Posted by John Roisland in MOVIE REVIEWS, SATANIC/DEMONIC, 0 comments
MOVIE REVIEW: Flowers (2015)

MOVIE REVIEW: Flowers (2015)

By Travis Love

Flowers

Directed by Phil Stevens and released on October 27, 2015, by Unearthed Films, Flowers is an Arthouse horror film that delves into the grim tale of six women who awaken disoriented and unaware of how they've arrived in this state of surreal, dream-esque purgatory, until they discover they've all suffered the same grisly fate at the hands of the same demented aggressor. Abandon all hope ye who awaken under a porch surrounded by body filled Glad trash bags.

Watching Flowers and trying to convey to someone what it is, is the equivalent of trying to explain how Pornhub works to a blind man. He really doesn't understand what you mean because he's never experienced it before for himself (unfortunately braille Pornhub never caught on...sorry Stevie Wonder). The film is as dark and depressing as it is morbidly fascinating and eerily beautiful, with equal aspects macabre and performance art combing to create one of the most truly genuinely unique cinema experiences you could ever hope for.

The fact that there is no dialog in the film allows you to immerse yourself fully in the imagery, taking in every minute detail of the scenery. The scenes piece together almost like Dante Alighieri's Inferno, with each character feeling like they're in their own circle of hell. Each character transitions to a different person and tale as they crawl from underneath the porch, to under the house, to the bathroom through a hole in the floor and so on. Past events with the victims are tied to Polaroids that they either awaken with, or discover during their venturing through the house. Each picture triggers a memory for each character that holds some barring on their life before and their personal encounter with the antagonist.

As far as gore goes, Flowers even delivers artistically in that regard as well, with scenes that run the gamut of twisted and perverted (fondling the intestines of a disemboweled victim before warming up her dead body like a gas station burrito necrophilia style) to ethereal and metaphorical (a victim discovering she's hollow on the inside and begins stuffing what she believes are her internal organs inside the open cavity, but to the outside perspective she's only stuffing her gaping hole with earth and worms). Morbid imagery has never looked so enthralling and engaging.

In conclusion, Flowers achieves what so many films set out to do, it establishes its originality and individuality proudly in leaps and bounds and sets a precedent that films can be artistically beautiful and engaging while at the same time brooding and aberrant. Do yourself a favor and let Flowers put something hauntingly beautiful inside you...and possibly some fingers as well.

Rating: 8/10

-Travis

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments

MOVIE REVIEW: Visceral: Between the Ropes of Madness (2012)

By Travis Love

untitled (2)

Directed by Felipe Eluti and released March 24, 2015 by Unearthed Films, Visceral: Between the Ropes of Madness is a descent into depravity as a washed up boxer finds himself at the mercy of an unimaginable evil that lives in his psyche. As his torture escalates at the hands of this female visage, his grip on reality slowly spirals into madness and he seeks out victims to inhumanely torture at the request of his mentor in torture, the nameless female figure. When a man has lost it all, what is left but the raw carnal need to inflict pain on those that he stumbles upon?

Story wise the movie keeps you disoriented by shuffling from past, middle, and present with only head and facial hair as a signifier that any amount of time has passed. One minute you start off in the beginning as The Boxer is furiously training, and then the movie interjects snippets of morbid visions of a bleeding duct taped victim strung from the ceiling. The film definitely keeps you on your toes without allowing you a structured timeline, but with The Boxer losing his grip on sanity, it helps to symbolize his decent into darkness.

The moments between The Boxer and his female tormentor at no point feel like they're just a mental fabrication. They feel unbelievably real and, for that reason, straddle the line of reality and believability. The method by which she tortures him is a twisted, morbid spin on the whole mistress/slave dominatrix BDSM fetishism, and much of the film finds bondage in general via ropes showcased very attentively as The Boxer intricately ties complex knots with great care, binding his victims before mercilessly torturing them.

The torment that the Boxer unleashes on his victims is, at times, anywhere between savagely brutal and mentally cruel. During one scene he binds a female victim to another male victim and after murdering the male victim, leaves him bound to the still alive female to decompose, her face pressed firmly against his corpse. The majority of the torture scenes are sadistic and callous, with eyes being cut out and the open wound being used for sexual gratification in an intense boundary pushing scene that is both disturbing and mesmerizing.

In conclusion, Visceral: Between the Ropes of Madness is an absolute exercise in extremes balanced with the morbid beauty of the fetish culture of bondage. For viewers who seek out extreme horror regularly, this film delivers every bit of the gruesome, morally absent violence that you could ever want. This film is the equivalent of a Mexican cartel decapitation video fisting 50 Shades of Grey, and you will never be the same afterwards.

Rating: 7/10

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments

MOVIE REVIEW: Revenge Is Her Middle Name (2011)

By Travis Love

Revenge

Directed by Anthony Matthews and released in 2015 on Unearthed Films Revenge is Her Middle Name tells the story of a calculative downtrodden hooker named Kat, who has plans of changing her life for the better by any means necessary. Unfortunately for Kat, her pimp doesn't hand out a severance package or 4-Ho-1k to hos that betray him. What follows is an unbridled ride full of twists and turns and a few tricks pulled by the whore with a bloodlust for gore.

The plot line is as follows:
1.) Kat discovers that after countless tries she's finally become pregnant with the assistance of her dope fiend boyfriend.
2.) They formulate a plan to rob Kat's pimp to keep themselves in drugs, upon robbing her pimp Kat backstabs her boyfriend and bolts for a better life.
3.) Her pimp catches up to Kat after a some time and his posse has an all-you-can-rape buffet leaving Kat broken, bleeding, and childless.
4.) Kat begins to hunt down each member of her pimp's posse and dishes out her gruesome revenge Costco bulk style leading to her eventual main target...her pimp.

Have you ever wondered what it would be like if the gritty depression of Combat Shock and the unmerciful brutality of I Spit On Your Grave hooked up, and bumped genitals on a soiled mattress in a seedy alleyway? Well this movie is totally the bastard love child of that hump session in the best way possible! Every bit as dirty as it is bloody, the film leaves you feeling tainted by its unbelievable filthy sexiness, but begs you not to use protection so that you can enjoy the feeling (oh and you will!).

If anything can be said of 'Revenge is Her Middle Name' it's that it wins the hearts of Revenge film aficionados like a hooker shooting ping pong balls out of her ham wallet at a bachelor party, it makes you stare at it in awe and bewilderment. The story is filled with unapologetic risqué dialog that is every bit as enjoyable as the violence. During the rape scene you feel the tension building to the boiling point that will eventually explode into a tidal wave of epic revenge!

Anthony Matthews is definitely a talent to watch as his writing finds something often missing in indie cinema, actual plot twists. So many times during the film it directs you to one conclusion but immediately finds betrayal or hidden facts that don't come into play until later..or sometimes until the very end of the film. It's amazing when a film doesn't just give you all facts in a linear fashion, but leaves surprises and story arks to keep you on your toes.

The violence unleashed upon Kat's transgressors is completely bloody and cathartic as she dispatches her own brand of twisted justice. Sometimes dehumanizing and humiliating her victims before slitting their throats cold and void of any emotion but rage. The glory hole scene alone will have you covering your mouth in the grandest "Holy fucking shit!" moment ever. Horror nerd boners will be bountiful upon watching this film.

In conclusion Revenge is Her Middle Name has to be hands down one of my personal favorites to be released this year. If revenge films are your jam then you owe it to yourself to find this film and love it to death like that hamster you wouldn't quit petting in grade school. To quote Kat's pimp, "Blood and semen will spray in a frenzy of revenge", and I loved every minute of it!

Rating: 9/10

-Travis

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Creeper (2012)

MOVIE REVIEW: Creeper (2012)

By Travis Love

Creeper-movie-poster

Directed by Matthew Gunnoe and released in 2015 by Unearthed Films, Creeper finds a group of women fed up with skeezy Internet pervs heavy breathing over them like an eight dollar beach raft, so they decide to teach one of their unlucky admirers a lesson through physical degradation. But when humiliation goes too far, who is really the victim?

The beginning of the film starts off in full gear as a girl wakes up in a metal dog crate completely naked and disoriented. As she tries to regain her senses, a zip line attached to the cage pulls taut across the lake where the crate is banked. It rapidly pulls her under the water as she screams bloody murder. Welcome to What-the-fucksville; population: You.

As you come to find out, the series of events that lead to this scene are as follows:

1) Buxom, clothing-impaired typical slasher victims tire of Internet pervs and create a plan to find one special perv and punish him thoroughly (cue Jerry).
2) Humiliating Jerry is no longer cutting it, so the plan turns to ridding the world of Jerry and his 1980s youth pastor haircut via good ol' fashioned murdering.
3) Murder of Jerry is botched worse than a home abortion, and now Jerry is loose and ready to do more than just watch (perhaps with pants still off though).
4) Torture traps and mind games galore, survival of the fittest (or with the girls being nude the majority of the film, it's more like survival of the tittest).

As far as Jerry's revenge, some of the torture lacks the real impact that you'd be expecting, so many times you think that something gruesome has happened beforehand (i.e. decapitated head in a box), but are quickly let down by reality (the head is still attached to the victim who is only covered in blood and buried up to her neck and very much alive). The traps set are mostly explosives or Jerry driving after them in a jeep like a psycho designated driver during beach week. The kills are handled by the same CGI-kill-blood-splatter on the camera effect which leaves a good bit to be desired in the gore department. All in all, it had good ideas but relied too heavily on "Let's explode stuff with a CGI grenade effect!". Shoving a victim’s face into a canned chili fueled shit bucket (latrine) shouldn't have been a highlight (commendable though).

In conclusion, the acting in Creeper is pretty solid for an Indie horror, and the dialog and cat-and-mouse appeal are highly enjoyable. Unfortunately, the torture and actual revenge didn't deliver quite like the opening scene promised. If the imagery would've been as gruesome as the tension that built throughout the movie, this movie would've been perfect, but like a hand job from an amputee...it just wasn't there.

Score: 4/10

-Travis

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014)

MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014)

By Travis Love

AGP 2

Writer and director: Stephen Biro
Starring: Ashley Lynn Caputo, Caitlyn Daily, and Lilly Dickenson

Since the making of Stephen Biro's American Guinea Pig: Bouquet of Guts and Gore was announced, there has been a clamoring to see this film. After watching it for the first time, I wonder: is it warranted? Emphatically so. This film isn't just cinematic viewing, it's an exercise in testing personal thresholds regarding how much the viewer can actually stomach and still continue watching. American Guinea Pig: Bouquet of Guts and Gore will test your limits.

The grainy and gritty feel blurs the lines of believability and causing you to reassure yourself, "It's just a movie. This isn't real", but no matter how much you tell yourself that, it has the uncanny ability to allow a little shred of doubt to seep in. The torture is cathartic, unbridled, and animalistic, and at no time do you feel what you're watching is anything other than an obligation to take a life deemed worthy of this "attention".

Orders are barked from masked men filming, shouting their directions like circus trainers would to an animal that without direction would lash out uncontrollably. The imagery you're privy to is nothing short of grotesque and demented, and the FX are so lifelike that you easily become sucked into the atrocities that unfold.

This film firmly places its foot down defiantly, and its claim is simple: You will watch everything we have to show you. If you feel sickened, then you receive no sympathy. You have only yourself to blame. American Guinea Pig: Bouquet of Guts and Gore unapologetically captures your attention and holds it prisoner the entire duration of the film, and I, for one, can only show my gratitude to Stephen Biro and everyone involved for doing so. Thank you, Mr. Biro.

Posted by Travis Love in MOVIE REVIEWS, REVIEWS, 0 comments