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MOVIE REVIEW: Incident in a Ghostland (2018) [SPOILERS]

MOVIE REVIEW: Incident in a Ghostland (2018) [SPOILERS]

I had the opportunity to watch Incident in a Ghostland by Pascal Laugier (Martyrs director) last night. It has been my most anticipated movie release of the year. I had to wait a full 24 hours before doing the review in hopes that my opinion would change, but it’s with a very heavy heart that I sadly report I didn’t like it.

Crystal Reed in Incident in a Ghostland (2018)
I suppose it’s important to point out several things before we get into it.

First, it’s not Martyrs, it’s not even on the same planet as Martyrs and if you’re expecting Martyrs quality you will be even more disappointed than I was. I went in with the expectation that it wouldn’t be Martyrs and still felt robbed. It’s hard to lower your expectations when you know what the director is capable of.

It’s not extreme, and it’s not French. It isn’t graphic enough to be extreme and the few words of French spoken are dismissed. Good news for those of you who hate subtitles.

It’s a good horror movie, it’s not great. It’s nothing fresh and nothing to write home about.

One thing I did really like was the tributes to H.P. Lovecraft and Canadian author Nick Cutter. There were a few fun literary Easter eggs hidden throughout the film that I enjoyed. I also enjoyed Mylene Farmer’s performance.

Mylène Farmer in Incident in a Ghostland (2018)

The movie is about two sisters Beth (Emilia Jones) and Vera (Taylor Hickson) and their mother (Mylene Farmer) who, after the death of their aunt, are moving into her country home. Beth is an aspiring writer who loves H.P. Lovecraft, and Vera is a bit jealous of her writing and her relationship with their mother.

A quick foreshadowing in the form of a newspaper article is given about a serial killer on the loose – a serial killer who murders parents and keeps the children. As the family is on their way to the new home, they encounter a candy truck on the road with menacing individuals inside, but they brush it off. Later that night, their home is invaded by the candy truck drivers, but the trio prevails and thwarts their attackers.

Fast forward to years later and we find Beth (Crystal Reed) in her home with her husband and child now a successful writer. She receives a distressing call from her sister Vera (Anastasia Phillips) and decides to head back to the country home where her mother and sister still live. Vera, unable to cope with the attack, has gone crazy and locks herself in the basement most of the time, and their mother has turned to drink. The big “twist’ is revealed shortly after making the movie marginally better and bearable until the predictable happy ending.

Emilia Jones and Taylor Hickson in Incident in a Ghostland (2018)

You can expect lots of jump scares, “scary” dolls, nods to Rob Zombie and other fanboy tributes and clichés in this one. You won’t, however, find anything truly original or up to the standard that Pascal Laugier is capable of. In my opinion, Laugier is brilliant and Martyrs is God tier filmmaking, and it’s my hope that this film is not what we can expect from him in the future.

2/5 disappointed shocks for this film


Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Tetsuo, the Iron Man (1989) [SPOILERS]

MOVIE REVIEW: Tetsuo, the Iron Man (1989) [SPOILERS]

Tetsuo, the Iron Man by Shinya Tsukamoto is a gnarly cyberpunk fetish film. Filmed in black and white and employing very little dialogue… it’s not really needed because there’s enough going on without it Tetsuo, the Iron Man has a cool techno/industrial, pulsing, fast-paced vibe.

Spoiler Alert Nosferatu

The film starts out with “The Man” or “The Metal Fetishist” (Tsukamoto) inserting a metal pipe into his thigh, then losing his shit when it starts to fester and maggots show up. He runs out into the street where he is hit and presumably killed by “The Salaryman” (Tomorowo Taguchi) and his girlfriend (Kei Fujiwara). They take his body and dump it into a ravine and then get it on in front of the corpse because nothing gets you as hot as killing someone… right?

Tetsuo, the Iron Man (1989)

Later that night, The Salaryman notices a piece of metal sticking out of his cheek that he can’t get rid of. He has a nightmare where his girlfriend has a metal pipe coming from her hoo-haw and she rapes him with it. This scene is actually pretty great, she does this weird ass interpretive dance and licks her pipe before slamming it into his.

Tetsuo, the Iron Man (1989)

For some reason, everyone is super sweaty all the time. When he wakes up, The Salaryman and his girlfriend have sex and eat erotically, as in she licks a wiener. The whole time, however, The Salaryman hears metal scraping, and then he starts to transform. He runs into the bathroom afraid of what he’s becoming and tells his girlfriend to stay away. She says nothing bothers her and goes in anyway, and that’s when we see it… The drill dick!!! Yes, you read that right: his genitalia is now a large spinning metal drilldo. At first, the girlfriend is scared and starts stabbing him, but every time she stabs him, more metal sprouts out of his body. She then becomes turned on and rides the drill to death.

Tetsuo, the Iron Man (1989)

We discover that The Metal Fetishist isn’t actually dead and the two have an epic metalman duel until they eventually meld together into one giant metal man tethered by a metal pipe umbilical cord. The Metal Fetishist vows to turn the whole world into metal and let it rust, scattering it into the dust of the universe. Game over.
4/5 cyberpunk rock shocks for Tetsuo, the Iron Man

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
EXTREME REVIEW: Doll Syndrome (2014) [Minor Spoilers]

EXTREME REVIEW: Doll Syndrome (2014) [Minor Spoilers]

Doll SyndromeIn Domiziano Cristopharo’s 2014 film Doll Syndrome, one gets the privilege to see Domiziano at his finest. Doll Syndrome is first and foremost a work of art superbly directed by Domiziano and beautifully written by Andrea Cavaletto. Telling the story of a loner who begins to become obsessed with a woman he encounters on the street, we watch this man become a dangerous and disturbing stalker. The way Domiziano directs this beautifully disturbing film the viewer is made privy to every twisted and even odd thought that crosses the loner’s mind.

Doll SyndromeI can confidently say that watching Doll Syndrome and the obsession grow, I felt a deep sense of foreboding as I watched this man follow this girl nearly everywhere and even as he just watches her from afar. A rather graphic film on multiple levels, each scene certainly adds to the feeling of unease you get watching the man progress. Beginning with some basic scenes of masturbation in front of the window in his apartment and building to his purchasing an inflatable sex doll for him to practice his fantasies on, we see his progression deeper and deeper into himself as well as in his obsession with this girl.

Doll SyndromeWhilst most of Doll Syndrome’s sexual scenes are not disturbing in the acts, they are incredibly graphic and progress to the inclusion of self-harm that do make them disturbing. Add the fact that with the sex doll, he is constantly fantasizing about this woman — even when he is using a fabric stapler on various parts of the doll — and it becomes quite disturbing. Not the most disturbing moments of the film by a long shot, but if I were to reveal everything, then where’s the fun in watching it? I will say that this film is not for the faint of heart, and it involves some extremely brutal scenes of torture and self-harm, but for those who are into the extreme side of film, I cannot recommend it enough.

In addition, Doll Syndrome will be available to purchase on 5/22 from Amazon and is up for preorder, and I encourage everyone to support Domiziano’s work!

Posted by Spencer Evatt in GORE, MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
EXCLUSIVE: 4/20 Massacre – Interview with Vanessa Rose Parker, 3 of 3

EXCLUSIVE: 4/20 Massacre – Interview with Vanessa Rose Parker, 3 of 3

Well, we held it as long as we could, but it’s time to exhale and enjoy as we finish up our 4/20 MASSACRE exclusive with an interview with Vanessa Rose Parker.
House of Tortured Souls: What was your first impression of the 4/20 MASSACRE script?
Vanessa Rose Parker: Honestly, I have been working on this project in so many forms that I don’t remember my initial thoughts about it. I remember that I got really excited by the prospect of an all-female main cast. I wanted to make sure that we were treating each character with respect and humanity. We spent a lot of time crafting backstories for each character that would give each actor something unique to work with and give each character a moment to shine.
Jamie Bernadette and Vanessa Rose Parker in 4/20 Massacre (2018)

Jamie Bernadette and Vanessa Rose Parker in 4/20 Massacre (2018)

HoTS: Are you a fan of the genre?
VRP: Yes! I am a horror fan. I absolutely love being scared. And there are certain things that will get me every time… demons and scary ghosts, specifically. I don’t know if it is my lapsed Christian upbringing, but the supernatural world scares the shit out of me! Now there are certain sectors of the genre that aren’t my favorite, like torture porn. But even with that, I think there are exceptions that prove all horror sub genres can be done well.
HoTS: I heard you did your own stunts. What was that like?
VRP: Stunts were a little intimidating. But I worked with our amazing stunt coordinator, James Gregory, and he really took care of me. He patiently took me through everything step by step and always made me feel very safe on set. My biggest stunt involved running in the forest, being shot through the leg with an arrow, and falling to the ground. When it came to actually shooting it, my husband/director, Dylan Reynolds, didn’t seem satisfied with my performance. He made me do so many takes of it! Eventually, he seemed to give up and want to move on. Then during the editing process, Dylan came out and apologized for being hard on me that day…. he used the first take!
HoTS: What would you say was the most difficult or challenging aspect of this shoot?
VRP: The most challenging aspect of this project was the budget and time restraint. We only had ten days to shoot. Seriously, I wasn’t sure if I was even going to be able to take all ten off of work because I didn’t have enough vacation time. But the gods of indie movies shown down upon us and everything worked out. So many wonderful and talented people were willing to work with us and added their hearts to our project. I think it really shows.
HoTS: Would you mind recounting one memorable behind the scenes story?
VRP: After long days of shooting, the cast and crew would get together in the cabins’ common room, drink, and play games. One night we split into two teams and played Encore, a singing word challenge game. It was so evenly matched and got so competitive that the game went on into the wee hours, but we were too stubborn to quit. At about 2 am, when we had a 6 am call, we finally called it a tie. Marissa Pistone (plays Michelle) and I were the heads of each team and we were practically crying to stop, but neither of us would back down. Marissa is a beast. Consider yourselves warned!
Justine Wachsberger, Jamie Bernadette, Vanessa Rose Parker, Marissa Pistone, and Stacey Danger in 4/20 Massacre (2018)

Justine Wachsberger, Jamie Bernadette, Vanessa Rose Parker, Marissa Pistone, and Stacey Danger in 4/20 Massacre (2018)

HoTS: What are you working on currently?
VRP: Currently, we are focused on getting this movie out into the world! But then after a little Caribbean vacation, we are going to regroup and see what we’d like to tackle next.
So there you have it, Souls. The final 4/20 MASSACRE exclusive. I’d like to thank Vanessa Rose Parker for her time. Don’t forget to check out my review as well as my interview with 4/20 MASSACRE writer/director Dylan Reynolds.
Posted by Mike Vaughn in EXCLUSIVE, HORROR COMEDIES, INTERVIEWS, STAFF PICKS, 0 comments
Pirating Movies: A Dagger In The Heart For Filmmakers

Pirating Movies: A Dagger In The Heart For Filmmakers

So we all know Ash vs Evil Dead was canceled recently and that star Bruce Campbell lashed out against those who were illegally downloading the show. Unfortunately, pirating movies and TV shows has gone deeper than that, and it has made life for filmmakers even more challenging.

RIP Ash vs Evil Dead

Now let me start off by saying I am not here to get into an ethics battle with anyone. I would hope that anyone reading this can tell the difference between right and wrong and that pirating is stealing. What I have seen on social media recently, however, is a bit troubling.

Being in the infant stages of my own filmmaking career, I have faced the number one challenge that can stop many inspired writers and directors dead in their tracks…funding. Getting someone to believe in your project as much you as do is impossible, but getting them to believe in you can be done if you are passionate enough and have a great pitch.

The problem, however, is that investors want to see projections for how fast they will get their investment back and also a profit — especially with horror. So a good sales deck will show how similar titles fared in box office, VoD, and DVD sales. This is where filmmakers can face a battle against which they cannot properly defend themselves. Numbers in the sense of dollars can be deflated because advances in technology enable people with better and faster ways to steal movies and TV shows and, in some cases, profit from doing so.

I don’t know if the numbers are in fact true that Ash vs Evil Dead was the most illegally downloaded show of all time. I think it is very plausible. Here are couple examples of actual horror stories I’ve seen from people and tell you the effect it has had on them.

There is a filmmaker who made a zombie film starring Tony Todd that was released last year. DVD sales were not what was projected or even safely targeted. This filmmaker was informed that his movie was uploaded to YouTube and had been watched over 300,000 times. Even if he made no sales and had only VoD rentals, that still would have generated over $1,500,000 in those rentals. But that’s not what happened.

The general reaction when the filmmaker took to social media to express his frustration only added insult to injury. The reactions were almost as bad as the thefts themselves.

At least your film was watched 300,000 times.
Be glad people like your film enough to watch it.

Anyone who lives in a city larger than 100,000 people has some sort of outlet mall, flea market, dirt mall, etc. I have yet to see one where 3-4 “vendors” were not selling $3-$5 films they had downloaded and burned to DVD. These include films that had just been released in theaters. These people are profiting from someone else’s work. What’s worse is that the people buying them are enabling it to continue.

What’s the point of all of this? Indie filmmakers (especially in horror) clear enough hurdles just to get a film made. Many people who sell and watch these films may think that Hollywood has enough money and they’re not hurting anyone. But it’s the people who are trying to break into the business and the Indie filmmakers who want to make something a little different who are suffering.

What can you do? That’s a good question.

For starters, these thieves hocking illegally downloaded movies need to be shut down. The next thing you can do is show support for the movies you love. Attend a con and tell the stars how much you enjoyed the movie. Subscribe to a page or blog, follow House of Tortured Souls (cheap plug, but I saw my shot). Keep the horror voice alive.

Crypt Keeper Clint with Joe Bob Briggs

These little things can keep the shows we love on the air. They will also let the world know that we horror fans have a strong voice and WILL be heard. Want proof? Through a social media campaign, Joe Bob Briggs asked his supporters to send videos to Shudder. They asked Shudder to bring him back. Joe Bob returns June 22nd for a 24-hour marathon. That was due to all of those fan videos creating a demand that Shudder couldn’t ignore.

Never underestimate the power of your own voice and don’t hurt what you love by stealing to save $10-$20.

Posted by Crypt Keeper Clint in EDITORIALS, STAFF PICKS, 0 comments
MOVIE REVIEW: Death-Scort Service (2015)

MOVIE REVIEW: Death-Scort Service (2015)

In Death-Scort Service, written by Chris Woods and Sean Donohue, and directed by Donohue as well, we are introduced to a delightful exploitative horror flick with enough blood, guts, and boobs to make any viewer rather pleased. I know that I thoroughly enjoyed the entire film and all of its gory fun. Death-Scort Service is well-written with a rather surprising twist ending that I won’t spoil for anyone, but I can say that the ending itself took me by surprise. Filled with various brutal killings, each of which was rather ingenious in their sadism and brutality, Death-Scort Service really delivers.Death-Scort Service

Death-Scort Service tells the story of some prostitutes who begin to realize that there’s a “john” calling girls to meet — girls he then brutally murders before mutilating their corpses. To say that it is a gory film would be an understatement. The blood flows in a delightfully liberal way that makes any gorehound overjoyed. In addition, the extreme levels of nudity help to give a fantastic exploitative feeling that any fan of exploitation or grindhouse will love. There’s almost as much nudity as there is blood and gore. Woods and Donohue even incorporated some rather comical moments that drew some chuckles out of me.

Concerning the extreme brutality, one scene, in particular, was ingrained into my mind, a scene that I found to be delightfully sadistic. In fact, it made the little sadist in me very intrigued. Tying one of the victims down, the killer spread the woman naked legs and arms wide open. Going away for a moment, the killer returns with a baseball bat wrapped in barb wire. Taking brutality to another level, the killer proceeds to use this weapon as a dildo upon his victim. I’ll let everyone use their imaginations there and encourage you to watch the film if you love gory exploitation films full of nonstop nudity, sex, and gore.Death-Scort Service

While this film is not for the faint of heart, I will say that any gorehound would love it. Death-Scort Service is a fun, well-written piece of exploitative horror and if you’re a fan of that sort of film, then all I can say is watch it, you won’t be disappointed. I appreciate Chris Woods providing me with a screening copy of it and the sequel. I will be reviewing the second Death-Scort soon, and right now Chris Woods is working on getting funding together for Taste Me: Death-Scort Service Part 3. In fact, there is still time left to buy into the Indiegogo campaign, and I highly encourage you to support Chris and his team if you have some extra money. Don’t just watch his next Indie exploitation flick, be a part of bringing it to production!

Death-Scort Service

Posted by Spencer Evatt in GORE, MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, STAFF PICKS, 0 comments
EXTREME REVIEW: Marian Dora’s Cannibal (2006)

EXTREME REVIEW: Marian Dora’s Cannibal (2006)

Cannibal is a 2006 film by Marian Dora based on the true story of Armin Meiwes that happened in Germany. It’s the story of a man who posts an online ad looking for another man to be his lover and let him cannibalize him, and he actually finds a willing participant.

Cannibal starts out with a businessman, The Man, meeting multiple potential partners all of whom, of course, are not willing to be eaten. Finally, he comes across a man, The Flesh, who is suicidal and wants to be killed by someone else. The two meet up and hit it off immediately. They court each other, reading passages from a beloved childhood favorite, dining, frolicking, and making love. The two men seem to become genuinely fond of each other.

At last, the pair enter a room set up with a camera and prepare to proceed with the original plan of cannibalism. The Flesh (neither are given actual names in the film, and there is very little dialogue) asks The Man to bite off his penis. After two failed attempts, I assume because of The Man’s new affection for The Flesh, The Flesh asks to be taken home. At the train station, the pair regroup, make up, and decide to try again. Once home, The Flesh takes stronger drugs, a record is put on, and then it’s down to business.

From this point on, it becomes an endurance test for the audience, and it makes for rather unpleasant viewing. The Man finally cuts off The Flesh’s penis, cooks it, and the two try to eat it together, but apparently, it not only tastes bad but has the consistency of rubber. So heads up future cannibals: stick with Oscar Meyer. The Man then puts The Flesh in a hot bath to let him bleed out. During this time, the two share a heartfelt goodbye, and The Flesh asks The Man to consume everything and to make sure nothing is left of him. Once The Flesh is dead, The Man drags his body — spraying shit and puke — out to the barn only to discover that The Flesh still draws breath. The Man stabs The Flesh in the neck and kisses him while he dies. He then proceeds to process the body like it’s a dead hog. This scene has great gore and is well done. I particularly like that he beheads him and positions the head so it can watch what he’s doing. Once the body has been processed he prepares a feast and dines on his lover.

My thought on Cannibal is that it’s ultimately a love story between two men — The Flesh wanting to be loved and consumed and The Man wanting to love and consume and truly have his beloved inside of him. They make a choice to be together forever and share in an experience that maybe only two people ever have.

5/5 for this haunting love story

Posted by Candace Stone in BRUTAL REALITY, GORE, MOVIE REVIEWS, 0 comments
EXCLUSIVE: Interview with 4/20 Massacre Writer/Director Dylan Reynolds, 2 of 3

EXCLUSIVE: Interview with 4/20 Massacre Writer/Director Dylan Reynolds, 2 of 3

Smoke ’em if you got ’em because it’s time for the interview with 4/20 MASSACRE writer/director Dylan Reynolds.
House of Tortured Souls: What I really admire about 4/20 MASSACRE is that it has a lot more depth than one might expect, were you afraid of alienating fans expecting just a mindless slasher?
Dylan Reynolds: Yeah- that’s always been a bit of a concern. In many ways the movie is a “Trojan Horse” and we sneak in elements of an indie drama within the framework of a campy slasher flick. I wanted to do that because I knew it would be something “a little different” and therefore it might be more memorable. On the other hand — the audience we’ll probably attract may not be into those elements — and the audience who might actually appreciate what we did wouldn’t necessarily watch a movie called 4/20 MASSACRE.
HoTS: I read in an interview where you had some nice Easter eggs for die-hard slasher fans?
DR: Yeah- there’s a number sprinkled throughout- including some shots/sequences that mirror The Burning and Friday the 13th Part 2. Jamie Bernadette’s character is named Jess — who is the Final Girl in Black Christmas. There’s a line where they say they are going to “Higgin’s Creek”— which is a nod to the location in Friday the 13th Part 3 [“Higgin’s Haven”]… plus a number of others — I tried not to be too blatant.
HoTS: Would you say this is homage to holiday horror, 4/20 being a holiday of sorts?
DR: Most definitely — this was my contribution to the long and proud tradition of “holiday slashers” lol.
HoTS: Let me ask about your process as a director for a moment. How open are you to suggestions from cast/crew and do you allow actors to improvise lines?
DR: I try to give a general framework/ blocking and allow the actor’s the freedom to “play”. The best thing I figure I can do is create the atmosphere for creative people to do their thing. I encourage what I like to call “improvisation between the lines” — meaning, of course, there’s written dialogue but I like to allow takes to go on a little longer or give them a little head — I think this gives the scenes a more natural flow and feel. I also try to encourage actor’s to “give me some options” so I can cherry pick the moments in the edit.
DR: I of course have a shot list — some storyboards- an outline etc. but often you have to be flexible on a low budget film. I think the old adage is that you spend months making a plan only to get to set and have to throw it all out the window. Therefore a production is ultimately a collaborative effort with the crew. I try to communicate what I envision and we all collectively try to accomplish the goal — which is to tell a story and get all the shots we need to tell said story.
James Gregory in 420 Massacre (2018)

James Gregory in 4/20 MASSACRE (2018)

HoTS: How hands-on are you as a director, for example do you give them much guidance or do you allow them to find the character themselves?
DR: For this film- after we secured our cast I met with each of the actor’s individually to discuss the character… a general discussion of what I was thinking- what ideas or questions they had etc. Then like I said- I just tried to allow them the freedom to be creative and bring the character to life.
HoTS: What was the most difficult or challenging aspect of this production?
DR: It was a low budget film shot in 10 days out in the middle of nowhere… so about all the stress, you can imagine with no budget — no time — and the all-around lack of resources would create. But those negatives were countered with a lot of positive… namely it was a bunch of adults who went camping and “played make-believe” during the day and drank and shared some laughs at night.
HoTS: The stuntman coordinator James Gregory actually taught the actors to do their own stunts is that correct?
DR: Yeah, and James also played the killer (The Shape) and designed the costume. We did a “stunt rehearsal day” where we brought in all the actors to go over their individual “falls” and/or “taking punches” and what the game plan was for the scenes involving their “stunts”. Jamie Bernadette had the most work because she had some extended fight sequences during the film.
HoTS: Was it fun directing a stunt-heavy feature such as this?
DR: For sure- there’s a lot to plan out and it’s ridiculous how much coverage you end up having to get just to cut an “action” scene together. And truth be told we weren’t doing anything super complicated in 4/20 MASSACRE — and even then it got pretty involved. Therefore the experience did give me a stronger appreciation of directors who can direct action well… it’s probably the most “director reliant” form of filmmaking.
HoTS: What would you say was the weirdest or most surreal moment during this shoot?
DR: Hmmm… I can’t think of any one “surreal moment” really. I guess there were times after a long day of shooting when I was walking around decompressing and/or thinking about the next day’s schedule and I would have a “moment of clarity” and realize how awesome the whole experience was. We were all out here making a movie, and I was fulfilling my dream. I can’t think of anything much cooler than that.
HoTS: Any scenes that didn’t make the final cut? If so, I’d love to hear about them.
DR: I don’t think any full scenes got axed actually. For the most part. the cuts came “within the scenes”… usually because I wrote too much dialogue that needed to be trimmed back or “tightened”.
HoTS: Do you plan on hitting any of the conventions this year and if so feel free to plug them?
DR: I don’t have any plans for a “horror convention tour”! That may change… I was thinking of going to Monsterpalooza in April and try to hand out some postcards… maybe bring some 4/20 MASSACRE DVDs along with me.
HoTS: Can you at all hint or talk about a follow up to 4/20? Also, what are you working on at the moment?
DR: I have ideas for a 4/20 MASSACRE Part 2. I have a general plan to do a different slasher sub-genre with each installment. Part 1 was a “backwoods slasher”, and with Part 2, I wanted to make a Gialloesque “slasher mystery”. Hopefully, this film will do okay and I can make some money back and “flip it” to make another one… we’ll see.
And that’s the word on 4/20 MASSACRE from writer/director Dylan Reynolds. Don’t forget to check out my review, and stay tuned for the final part of my 4/20 MASSACRE article triolgy.
Posted by Mike Vaughn in INTERVIEWS, STAFF PICKS, 0 comments
About Stephen Nemeth’s Black Friday

About Stephen Nemeth’s Black Friday

ESSEN-77 media releases the promo video/trailer for director Stephen Nemeth’s Black Friday.

The promo video/trailer is a prequel ultrashort that segues into a montage of images from the 17-minute short film. The film is already being celebrated by critics, journalists, film historians and those who look for cutting-edge experiences with teeth.

Stephen Nemeth (camera, American Guinea Pig: Bloodshock) wrote, produced, photographed, directed, composed/ performed the score and created the special effects. Nemeth also appears in a cameo as the Devil’s Advocate in the prequel ultrashort portion of the promo video/trailer. Black Friday promises to pose questions instead of answers and challenges the audiences to think for themselves about the extreme behaviors onscreen.

Stephen Nemeth was camera/second cinematographer for American Guinea Pig: Bloodshock, the second installment of the American reboot of the famous Japanese extreme horror franchise, the Guinea Pig series, and created the Behind the Scenes of Bloodshock feature-length documentary on the three-disc collectors’ edition release from Unearthed Films. In 2013, Nemeth directed the Locus series of metaphysical stalker thriller shorts and the home invading/domestic violence short Deathlust (2014). Recently he wrote, directed, and shot the music video for Chris Sullivan’s “By The Light Of Radio”, a nostalgic throwback to a simpler magical time where the radio tuner dial illuminated the bedrooms of youngsters exposing them to the sounds of 70s and 80s rock and roll artists like Tom Petty and Bruce Springsteen.

He also currently appears onscreen with Ally Sheedy (The Breakfast Club) and Peter Hedges ( novelist/ screenwriter, What’s Eating Gilbert Grape?) in Little Sister, streaming on Netflix and available on Blu-Ray from Kino/Lorber.

Keep an eye out for Stephen Nemeth’s Black Friday, and let House of Tortured Souls know what you think.

Stephen Nemeth's Black Friday (2018)

Posted by Michelle MIDI Sayles in HORROR NEWS, PRESS RELEASE, 0 comments
EXCLUSIVE: 4/20 Massacre (2018), 1 of 3 – Review

EXCLUSIVE: 4/20 Massacre (2018), 1 of 3 – Review

4/20 Massacre (2018), 1 of 3

Director: Dylan Reynolds; Writer: Dylan Reynolds; Stars: Jamie Bernadette, Stacey Danger, Jim Storm, Vanessa Rose Parker, James Gregory, Justine Wachsberger, Marissa Pistone; Rating: N/A; Run Time: 84 min; Genre: Action, Horror; Country: USA; Language: English; Year: 2018

I have to admit when I got the screener for 4/20 Massacre I was um…how to put this nicely…skeptical of its quality. But hey I am anything but a film snob and while I love all classics in the genre I love a good B-slasher romp. A group of friends goes camping to celebrate a friend’s birthday which falls on — you guessed it — April 20th. Little do they know that they are venturing into pot growing territory or terror-tory in this case, as a killer is dispatching anybody getting near his patch. 4/20 Massacre feels like a film rift with camp however to my delight (not that I don’t love some campy goodness) and, surprise, it didn’t. It actually manages to inject some solid drama to the stab genre. My one complaint would be some of it gets a bit heavy-handed. I do however have to give Reynolds huge props for giving his characters more depth something I think few other directors would have bothered with. Also having a female-dominated cast is a fun and interesting way to subvert genre troupes. The scene where two female characters play out a scene just like a man/female would in a standard slasher is clever and drives home that point. In a film filled with wonderful dunk smelling pot smoke, it’s a defiant breath of fresh air.

Justine Wachsberger, Jamie Bernadette, Vanessa Rose Parker, Marissa Pistone, and Stacey Danger in 420 Massacre (2018)

4/20 Massacre also does something pretty clever which is, pardon the pun, takes pot shots at holiday-based horrors which were a pretty awesome element. It’s very clear that despite its shortcomings,Reynolds knows how to craft a film and it has slick editing, great camera work (that aerial credit scene is impressive) as well as a nice soundtrack. Another thing that was impressive was the cast that is damn good. Jamie Bernadette, Stacy Danger, Justine Wachsberger, Vanessa Rose Parker, and Marissa Pistone do a fantastic job at bringing a real element to the film and in turn, it really gives it a more polished feel. Even veteran actor Jim Storm (TV’s Dark Shadows, Trilogy of Terror) makes a fun appearance as a sleazy, beer-guzzling park ranger aptly named Rick. Storm has a ball in the role and sure its hammy but damn it’s so entertaining to watch. This being a slice and dice film you live or die with good FX and thankfully this has some well-executed splatter gags especially considering that this was on a modest budget. So many movies rely on a gimmick to get fans talking about a movie, this is as true for Hollywood products as the indie people. And it’s no wonder I was skeptical, to say the least about a movie entitled 4/20 Massacre, however, I am happy to admit I was proven wrong. Sure it tends to be a bit heavy-handed and uneven at times however there really is a solid film in here and I’m not just blowing smoke here…Okay, that was bad.

Bottom Line: Support this filmmaker and rent, buy, and follow 4/20 Massacre on Twitter. Like a good jay, this one should be passed around with a group of friends.

Check back for my exclusive interviews with writer/director Dylan Reynolds and the cast of 4/20 Massacre.

Posted by Mike Vaughn in EXCLUSIVE, MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
MOVIE REVIEW: Flowers (2015)

MOVIE REVIEW: Flowers (2015)

FlowersIn Phil Stevens’ Flowers, we are introduced to a beautifully surreal and intensely disturbed film revolving around six dead women who wake up in a crawl space under their killer’s house. With this film, Stevens has developed a unique style bent on haunting the viewer from beginning to end. Interestingly, there is no dialogue, the film’s story is delivered primarily through visuals and the haunting music that accompanies the various atrocities being committed. In a sense, what I could gather from the film was that these women were forced to confront what happened to them so that they could move on.

The women are each referred to as flowers while the killer is known as The Exile and we get to relive the atrocities that they were put through in an extremely surreal way. In truth, the film tells the entire story in a very abstract and what some might say is an unconventional method, but I think that’s what makes this film so successful in being so disturbing. Anyone can tell a fucked up story with dialogue because the dialogue adds to the intensity and can build plot. The lack of dialogue is completely made up for with the amount of emotion seen in each of the flower’s faces, not to mention the different reactions they have to where they ultimately find themselves.

FlowersNow, reviewing it based on what I see is rather lackluster and honestly not a very successful approach. What I will say is Flowers has taken the grotesque, the disturbed, and especially the blood and gore of intense violence and it has created a work of art. Watching the film, one can see how methodical Stevens was with every single shot in getting his work across. From the scenes of shit-covered walls, floors, and ceilings to the moments when a flower begins to undo the sutures across her chest, every image is beautiful in its grotesquery. That is largely why I have not attempted to state much of what happens in the film, it’s not a film of words but of pictures brought together to create one large work of art.

FlowersIf you have a strong stomach, I cannot recommend this film enough, Stevens’ artistic style is something that will make you watch Flowers again and again. Not to mention the fantastic acting and you have a work of art that will never go stale. Flowers is available through Unearthed Films in DVD or through their new streaming service on Vimeo. In addition, Phil Stevens is raising funds right now for Flowers 2, and I cannot encourage everyone who loves horror enough to contribute.Flowers

Hey, Souls, check out the fundraiser video on contributing to Flowers 02, and then click the link below to donate! You’ll be glad you did.

Posted by Spencer Evatt in BRUTAL REALITY, GORE, MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, 0 comments
Savage Australia – Three Films of Ozploitation Importance

Savage Australia – Three Films of Ozploitation Importance

Focusing on three entries in horror cinema from savage Australia and spanning 1978-87, this article is an exploration of the subject material of the great Australian Ozplotitation movement.

Ranging from the most notable of films, this article focuses on the three Australian Productions Long Weekend, Fortress, and Dark Age.

Each tells a unique and very Australian tale of heartache and disaster within the unforgiving harshness of this sun-kissed country.

Long Weekend (1978)

Savage Australia - Long Weekend (2008)Long Weekend was made in 1978 and featured the tale of two rather clueless city dwellers, who take a trip to the outback. Whilst there the duo foolishly harm Mother Nature and her creatures, causing a chain reaction of evil that is unleashed upon them.

Savage Australia - Long Weekend (2008)Starring Briony Behets and John Hargreaves, Long Weekend is a wonderous examination of how the world would fight back from our polluting, and careless behavior damaging it. The two leads also returned in 2008 as consultants on the remake of Long Weekend– which this time starred Jim Caviezel and Claudia Karvan, and was directed by Jamie Blanks. Both versions were based on the screenplay by Everett De Roche, who also was also responsible for adapting the screenplay for Fortress in 1985.

Directed by Colin Eggleston, Long Weekend is a harrowing cautionary tale for all. What goes around truly comes around.

Savage Australia - Long Weekend (2008)With the changes within the cinema by 1985, to Australian animal horror, in the years following the Azaria Chamberlain case (known as the infamous “dingo ate my baby” disappearance at Uluru) films shifted towards more animal attacks, especially with the 1984 universally adored Razorback.
Savage Australia - Long Weekend (2008)

Dark Age (1987)

Savage Australia - Dark Age (1987)This is where in 1987 the film Dark Age found its niche, within the world of Aussie animal horror.

Dark Age features a young John Jarratt in the lead role (popularly recognized as the devilish murderer Mick Taylor in Greg McLean’s Wolf Creek franchise), as a ranger named Steve Harris.

Savage Australia - Dark Age (1987)This film revolved around a massive killer saltwater crocodile who cannot be killed due to local Aborigines consideration that crocs harbored the spirit of others. Harris must fight to protect the local community but also show immense respect to his indigenous locals claim of the land and its inhabitants too.

Dark Age is a clever, well-conceived film and quite positively incorporates the previous times’ political unrest towards the government’s claims over indigenous landmarks (and an infamous movement in the 1970s and 80s down under known as MABO– named after its pioneer Eddie Mabo).

Featuring indigenous actors David Gulpilil and Burnam Burnam, and based on the novel Numunwari by Graham Webb, Dark Age is a true blue Aussie film through and through.

Savage Australia - Dark Age (1987)

Fortress (1985)

On a more serious note, two years earlier Fortress had been released.
Savage Australia - Fortress (1985)
Based on another novel (of the same name by Gabriel Lord) about the kidnapping of a school teacher and six pupils (aged 5-10 years of age) from the Faraday School in Victoria, Australia on October 6th, 1972, by Edwin John Eastwood and Robert Clyde Boland. Fortress focuses on a dramatic retelling of what happened and adds a somewhat Lord of the Flies edge to it.

Savage Australia - Fortress (1985)Again the screenplay was penned by Everett De Roche (also responsible for writing screenplays for hugely popular Australian films such as Patrick, Storm Warning, Road Games, and Razorback) and this film has a balanced blending of reality and horror.

Arch Nicholson (who also directed Dark Age) had directed Fortress prior and assisted in directing Razorback, but sadly passed away in 1990 with only 6 directorial credits at the time.

The film itself has savage moments and is an emotionally well told, strong re-enactment of the events with a few additions. Like Dark Age and Long Weekend, the Australian climate and factors pull you into the story and increase the experience.
Savage Australia - Fortress (1985)
With three powerful films slowly rising as cult classics of the Ozploitation era, one must ask the general public to watch out for the savage truth behind Australia. With worldwide releases on DVD and BLURAY, it is now creeping globally through popularly fearsome films like Rogue, and the soon to be released Boar, House of Tortured Souls wants to know… are YOU ready to fend off the Aussie invasion?

Posted by Michelle MIDI Sayles in EDITORIALS, MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
INTERVIEW – HoTS EXCLUSIVE: Phil Stevens

INTERVIEW – HoTS EXCLUSIVE: Phil Stevens

Phil Stevens' Flowers (2015) posterI recently had the pleasure of seeing Flowers by Phil Stevens. It was such an amazing and beautiful film that I decided to reach out to the director and tell him how much I enjoyed it. To my surprise, Phil Stevens turned out to be one of the nicest, coolest, down to earth guys. I was delighted to learn of his plans to make a sequel to Flowers, simply called Flowers 02. He also graciously agreed to do this interview and give us an exclusive look at his new project.

Phil Stevens Interview

House of Tortured Souls: First off, let me just say that I’m a huge fan of Flowers and really excited to talk to you about your latest project. What type of film can we expect? Do you think it will be more extreme or more artistic than the last?
Phil Stevens: Extreme is too broad a category, I mean of course yes it will be extreme but it’s more of a survival horror where everyone is being attacked by something. I actually didn’t think I was making an extreme film when I made Flowers. I thought the complete opposite. When Flowers came out, I thought people were going to be like, “Here’s this guy with his artsy movie called Flowers“. It turned out to be this surreal horror that people seemed to really enjoy. The last word I ever expected to read describing my film was “beautiful”, but it seems to come up in every single review about the movie.
PS: In Flowers, the house itself was the enemy almost. But in Flowers 02, not only is it the house, but there are entities in all the rooms –sometimes more than one. It’s all leading to this grand finale involving the killer and all his misdeeds. We’ll get a backstory and more of a look at his life. There will be new rooms with new themes and sort of a past, present, and future look at the killer. My favorite movie of all time is Day of the Dead, and I always wanted to make a zombie film, but I wanted to do it in my own way. Finally, in this we get to do that, and it’s so fun.

HoTS: That all sounds awesome! Why did you choose Indie and underground filmmaking rather than mainstream?
PS: I spent most of my life drawing and painting. I started drawing my own comics, and then I discovered the Beta-max camera and started making films for myself. Drawing is my first love, I don’t want a career in filmmaking; I see it as a hobby, a really expensive hobby. I’m a fan of Indie films myself and knew that it was only natural that I would go that route. I think that everyone who makes movies would like to think that one day they’ll go to Hollywood and make a big epic movie with a budget. That’s the real dream having a budget.

Phil Stevens' Flowers (2015) title card

HoTS: I understand that for an Indie director, getting funding is always an issue. You’ve started a crowdfunding campaign, correct? Maybe you could tell our readers a bit about that and how they can contribute.
PS: Crowdfunding is a big deal because you’re giving us the means to make a movie that we otherwise would not be able to make. It’s been tougher to get funding in the last few years because either fans don’t know about it or they’ve been screwed over in the past by other directors.
PS: My job is making and selling art. I’m actually on disability from an accident that happened when I was 10. I fell out of a tree, and now I have soft neurological brain damage so I can’t have a regular 9-5 job. I spend a lot of time drawing and painting and doing commissions. I grew up with severe agoraphobia, crowds give me severe anxiety, which is another reason making movies is so important to me because it gives me a chance to work in a group environment while doing something I love.
PS: Here is the link to the Flowers 02 crowdfunding campaign. Even a 5$ contribution will get you some really cool exclusive swag!
HoTS: So how does one get a piece of your artwork?
PS: My Facebook page Manomatul Art or my website Insomnia Collectibles, and I’m also on deviant art.
HoTS: All of the actors/actresses in Flowers were amazing. Will we see any familiar faces in the sequel?
PS: Yes! You actually will see some returning Flowers in a subplot of Flowers 02. Absolutely. You’re going to see some of them, but I can’t reveal who yet.
HoTS: It’s my understanding you used your home in the first film… what was that like?
PS: Using my own home to make Flowers was a blessing and an absolute nightmare. We scouted a lot of warehouses, and they were all in really bad neighborhoods. We just didn’t feel safe having our equipment there. We decided the next best thing and the safest thing was our house. I hated it, there was so much debris and equipment everywhere. My wife (Colette Kenny Mckenna) and I lived an entire summer in that. I actually spent my 30th birthday inside the dining room set, it was surreal. Some of my friends I hadn’t seen in a while would come over and a say, “This is absolutely insane. What are you doing?” My wife and I both ended up with really bad respiratory infections from the room with all the gouged out drywall. We were constantly breathing it in for three months, and we got really sick.

Phil Stevens' Flowers (2015) writing on the wall

HoTS: Do you do your own practical fx?
PS: Yes, I used to more but with Flowers, it was an all hands on deck kind of thing and my wife and I did months of fx testing. We found some great local talent. My wife, Krystle Fitch, and Anastasia Blue did the fx and also acted in the movie.
HoTS: Do you have a dream location if money were no object?
PS: Actually yeah, I don’t know where that location is but I know what it looks like. The whole reason I wanted to make Flowers 02 was it’s supposed to fund my next film, Paradise, which is the serial killer’s hell kind of. I want it to involve a lot of ocean and beach sequences, stuff you don’t tend to see in an underground film. I’ve been working on it for three years, and it’s probably going to be my swan song film. The first film is purgatory, the next is hell, and the last one is paradise. That will be the last movie I do, and Flowers 02 is the way to get there.
HoTS: Do you have any directors who inspire you?
PS: I’m inspired by Shin’ya Tsukamoto (Tetsuo: The Iron Man). I’m a huge, huge fan of Asian cinema in general, so Takashi Miike (Audition) obviously and Kim Ki-duk (The Isle). What inspires me about Kim Ki-duk is that he doesn’t use many words, and his main characters don’t talk but everyone around them always does. I love all things artistic, I loved Andrey Iskanovs’ Nails so much. I also like Akira Kurosawa, his movies are beautiful; the cinematography is incredible and his movies top movies that are made to this day. A lot of my inspiration comes from Asian cinema.
HoTS: I just want to take this opportunity again to thank you and say what a fun time I’ve had talking with you today. I wish you the best of luck with Flowers 02 and can’t wait to see it.
PS: Thank you. I had fun today, too!

Flowers 02 Crowdfunding on the Web

Check out the fundraiser video on contributing to Flowers 02. Then click the link below to donate!

Phil Stevens on the Web

Posted by Candace Stone in EXCLUSIVE, HORROR NEWS, INTERVIEWS, STAFF PICKS, 0 comments
Gruesome Twosome: An Exclusive on Chris Alexander’s Two Upcoming Features

Gruesome Twosome: An Exclusive on Chris Alexander’s Two Upcoming Features

Chris Alexander is no stranger to the horror genre and this year he has not one but two projects in the works. The massively talented former editor-in-chief of Fangoria Magazine stopped by to give me the skinny on his two latest projects and what fans can expect.

Chris Alexander - Space Vampire (2018)Space Vampire (2018)
Director: Chris Alexander; Writer: Ali Chappell; Star: Ali Chappel; Rating: UNK; Run Time: UNK; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: An alluring space alien falls to earth with the mission to drain women of their life energy making her unstoppable. This film wonderfully harkens back to surreal dreamscapes of Rollins with a dash of Hopper’s Lifeforce for good measure.

Chris has this to say about the project:

Space Vampire is my fifth feature and once more functions as a vessel for both my music and my obsessions with more dreamlike, psychological and experimental strains of horror cinema, specifically the personal, meandering works of Rollin, Franco, and Herzog. Rollin especially, with his fixation on tragic female vampires. This picture takes its title nod from Colin Wilson’s novel The Space Vampires, which was, of course, adapted for the screen as Tobe Hooper’s Lifeforce but the movie itself is more informed by films like Under the Skin and the opening stretches of The Man Who Fell from Earth. I love the idea of following unnatural characters lost in familiar landscapes, almost child-like and driven by whatever addiction they are chained to. I make these movies for me and all my movies are – for better or worse – interconnected by theme, mood, style, sound.

And when asked what stage it’s in, he added:

I’m still editing. Its very abstract. But I am getting the “feel” of it….finding the rhythm.

Chris Alexander - Underneath An Anthology of Terror (2018)Underneath: An Anthology of Terror (2018)
Directors: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Writers: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Stars: Brent Baird, Nicholas Koy Santillo, Nichole Kawalez, Ali Chappell, Colin Bailey, Rebecca Kilburn, Tammy Stewart, Mike McMurran, Joshua Kuchma; Rating: UNK; Run Time: 95 min; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: In the vein of Creepshow and the more recent VHS series comes Underneath an anthology featuring five exciting voices in the horror genre.

I always love a good horror anthology and Chris, along with other talents – including Andre Becker, Cory Ivanchuk, and John Nicol, are sure to conjure up some fun and scares. Chris had this to say:

Underneath is the new anthology feature from my good friend and colleague John Nicol. Similar tastes in more abstract cinema. So when he asked me to contribute a segment I agreed. My short is really about how we have perverted our connection to the natural world with endless distraction and illusion. It’s about a woman becoming undone by the fixation on finding “nature”. She eventually regresses fully to an animal state. So, in the context of the short, it is a happy ending! Unsure what John will be doing release wise with Underneath but Space Vampire is the second film from my Castle Films imprint that I operate with filmmaker David DeCoteau, creating more artful and expressive micro-budget genre films.

I for one am very excited for both of these films and will be eagerly awaiting them later this year. Of course, I like to give a huge thank you to Chris Alexander for taking the time to talk to chat about his amazing new projects.

Posted by Mike Vaughn in COMING SOON, HORROR NEWS, STAFF PICKS, 0 comments
MOVIE REVIEW: Phil Stevens’ Lung II (2016) [SPOILERS]

MOVIE REVIEW: Phil Stevens’ Lung II (2016) [SPOILERS]

Lung II by Phil Stevens was one of the weirdest little indie films I’ve ever seen with a Lynch/Cronenberg vibe throughout. I really enjoyed it.

A follow up to Flowers, Lung II was a continuation of the same theme. Phil Stevens said that “after the trauma of making Flowers, it was something he needed to do for therapeutic reasons”. The film is in black and white (I’m hoping a color version exists somewhere in the underground) and like Flowers has no dialogue. It’s also a dreamy artistic vision except for a lot more bizarre. Flowers was a cathartic pilgrimage through purgatory for the female murder victims of a serial killer and Lung II was the killer’s slow journey into insanity.

Throughout the film, we follow a serial killer (played by Stevens himself) as he slowly awakens and comes to realize what he’s done through flashbacks and the discovery of a body trail. During his travels, he comes across no shortage of corpses and weird Freudian Lynch monsters.

Spoiler Alert Nosferatu

Lung II works its way backward going from body to body. It starts out in what appears to be a psych ward with a naked dude (Phil Stevens) on the floor. If you’ve ever had the urge to see Phil Stevens naked here’s your chance ladies and gentlemen! He sort of fumbles out into the woods where he comes across his future self, disposing of bodies. He continues to stumble along from gory crime scene to crime scene sometimes finding bodies sometimes finding these bizarre blobby sex monsters. My personal favorite is the half dick half vag monster that he finger-bangs until it sprays blood. In a few scenes, he pulls glass out of various cuts and you might be thinking what’s the deal with the glass? Don’t worry; all will become clear soon. I found the part where he was pulling glass out of his foot particularly uncomfortable, but I kind of have an anti-foot fetish and can’t stand foot injuries.

After a hard day of self-realization, the last stop or last flashback is at his own home. He arrives home after a long day at work (presumably) to find his wife in bed with another woman, he loses his shit and kills them both with a baseball bat before he has a chance to consider consequences. Something in him snaps while he’s sitting there sniffing their panties. He tries to commit suicide by dropping a tv on his head (this is where the glass comes from!) but fails and from this point on he loses his humanity piece by piece.

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
Miike’s Hidden Gem: Fudoh: The New Generation (1996)

Miike’s Hidden Gem: Fudoh: The New Generation (1996)

No other creature is like a human being… Even wolves do not prey on each other, but humans will eat each other alive.

One of Takashi Miike’s most overlooked gems is probably Fudoh: The New Generation. It was a V movie — or straight to video movie —bmade in 1996. It’s a typical, not so typical Yakuza gangster film.

While the story of Fudoh is somewhat predictable, the method is not. We start out with two brothers, sons of the Yakuza boss Mr. Fudoh. The older son Ryu is murdered in front of the younger son Riki by their father. Riki doesn’t let on that he sees it happen and plots revenge. Years later, Riki has a trained group of youth assassins that essentially run his high school. I love the casual mix of children and violence in this film; it’s both bold and refreshing. He also has two young boys who are pretty handy with a gun and taser, not to mention two of the cutest kids you’ll ever see, which only adds to the disturbing factor.

While all of the assassins and assassinations in this film are top notch, Mika the girl with a vagina blow dart takes the cake. I wonder where one even buys custom zipper panties and vagina darts? I assume Walmart. Mika also has a secret reveal later on. Her dart through the ear kill is epic and something you won’t want to miss!

One by one, Riki’s friends begin to die in mysterious ways. The predictability comes in here when a surprise half-brother is revealed and, of course, an epic duel ensues. It obviously ends with a final revenge battle between Riki and his father but with a couple little tricks up its sleeve.

When I’m going into an extreme film I like a break down of the film’s highlights before I invest, so here are a few goodies you can expect to see:

Spoiler Alert Nosferatu

  • Children playing soccer with a severed head
  • Lots and lots of spraying blood and beheadings, one really cool scene with a boss being poisoned inside a car and basically melting
  • Period vagina darts
  • Surprise hermaphrodite sex
  • An electrified vibrator in the bum
  • Prostitute acid bath

And some other great stuff that if you’re sick like me, I’m sure you’ll love it.

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
MOVIE REVIEW: Sargad (2017)

MOVIE REVIEW: Sargad (2017)

SargadRecently, I was given the pleasure to watch Sarah Giercksky’s film Sargad. Written by her and also starring her, Andres R. Ramos directs this gem of an independent, low budget revenge flick. Giercksky plays the role of a girl named Elina who has gone out to a cabin with her mom and little sister to scatter her father’s ashes. What at first glance seems to be a pretty basic revenge flick, turns into a film with multiple levels of depth and intensity.

Sarah Giercksky as Elina in Sargad (2017)When Elina and her family go out to scatter the ashes, three men arrive to harass, torment, and assault Elina and her family. This is when the film gets violent and one of the men forces Elina to get out of her pants and stabs her in the gut and leaves her for dead while they take her mother and little sister back to their cabin. With the harshly stark reality portrayed disturbingly well, we see Giercksky embrace all of the agony and terror of someone who was abruptly stabbed, the blood pouring from her as she crawls and attempts to get to her feet. Once she has gotten to her feet, she hurries back to the cabin in search of her mother and sister. This is when we get a rather visceral, toe curler of a scene where Elina gives herself first aid with an office stapler and duct tape.

This first aid scene gives Giercksky a fantastic opportunity to show her acting skills as we see her facial expressions and hear the pain you would expect to see from someone stapling a stab wound. Shortly after this, Elina finds out that her mother and sister were both brutally assaulted and killed. This is where we get to see Elina begin her delightfully brutal path of vengeance upon these three men who took everything from her.

Sargad (2017)So as to not reveal all of the fantastic plot elements that Giercksky incorporated into the film, I’ll just say that there’s some twists that alone make this a very worthwhile film to watch. And for all of my fellow sadists who have a passion for the brutal, Giercksky gave Elina a fantastic level of sadism. One instance that is still ingrained upon my mind being that of when she takes a knife to the penis of one of the men cutting down the middle of it lengthwise and then stapling it back together.

Sargad (2017)As a man, I had to grit my teeth and thank heaven, hell, and everything in between that it wasn’t my genitalia being mutilated!

Overall, with the title Sargad, which translates to Wounded in English, you get to watch a phenomenal tale of revenge unfold and I highly recommend it for all my indie film lovers! I will certainly be watching to see where Sarah Giercksky’s film career takes her both in her writing and in her acting, I’m quite confident that she has quite the future ahead of her in the industry and I am excited to see what she puts out next!

Sarah Giercksky as Elina in Sargad (2017)

Posted by Spencer Evatt in BRUTAL REALITY, GORE, MOVIE REVIEWS, REVIEWS, THRILLER, 3 comments
The Best of Miike: Gozu (2003)

The Best of Miike: Gozu (2003)

For my Best of Takashi Miike series, I’m going to start with Gozu. I want to say it’s my favorite film of his, but I’m not sure that it’s even possible to have just one favorite with him. Every time I think I have it nailed down, I watch another one of his films and think, ‘no this is my favorite’. And then the next film I think the same thing.

Gozu’s original Japanese title Gokudo Kyofu dai-gekijo:Gozu translates to Yakuza Horror Theatre; Cows Head. There is no shortage of bizarre cow and milk-related scenarios in this one and as the cover of the film suggests, there is, in fact, a man in tightie whities with a gigantic cow head and a rather large and slimy tongue. I honestly could have watched an entire movie about the cow head dude but unfortunately, he only got about a minute of screen time. In that sense the film was misleading but it was bang on in the bizarre department.

Takasi Miike's Gozu (2003)

The film starts out by introducing us to Ozaki (Show Aikawa), a Yakuza member that has seemingly developed some sort of dementia, believing that small animals and inanimate objects etc. are trained Yakuza killers. Minami (Kimika Yoshino) is asked to take his Yakuza brother Ozaki on a little trip and kill him before he causes further embarrassment. During the trip, they hit a little bump in the road while driving and Ozaki is killed. A panicked Minami heads into a restaurant to seek help and when he returns to his car, Ozaki’s body is missing. After searching all day for the body and still coming up empty, Minami ends up at the Masakazu Inn, a sort of Japanese version of Motel Hell. The Inn is run by a brother and sister with a whole host of their own issues, and it’s from this point on that describing the film becomes an exercise in futility. The events that follow can’t be put into words. I will tell you that you can expect to see sexual misconduct involving a lactating old woman, a séance, a talking pussy, an awkward sex scene between brothers and the piece de resistance: the graphic birth of a grown man from a tiny 100-pound Japanese woman.

All of Miike’s films have an identifiable style and can tend to be on the slow side. Gozu is no exception, it requires patience and a love of film. Miike won’t be rushed while telling his story because perfection takes time.

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, STAFF PICKS, TRIBUTE, 0 comments
MOVIE REVIEW: Deep Web XXX (2018) [Spoilers]

MOVIE REVIEW: Deep Web XXX (2018) [Spoilers]

Deep Web XXX (2018)In Deep Web XXX, the viewer is introduced to a collection of sick and twisted depravities that a man finds on the deep web. With a unique narrative approach, I found myself deeply engrossed in the film and wondering what the directors came up with next. With the narrative around an individual who joins a deep website known as Queen of Hearts where individuals film and share their depravities with the deep web audience. Now, for those who are not aware of what the deep web is the opposite of the normal internet in that it is the invisible, underground, and quite illegal side of the Internet. Not all of it is illegal, but the majority of the deep web is certainly not the sort of thing you tell people that you’re exploring. That having been said, let’s dive into the film.

Consisting of multiple segments, each directed by a different individual, each segment of Deep Web XXX is a video that the main individual (performed by Mark Thompson-Ashworth) pulls up on the Queen of Hearts site. So as to not ruin one of the key elements to the film, I won’t be going into all the details of each segment because the film is an exploration of the dark web and what one might encounter there. As the film progresses, we learn that the deviant individual who is watching all these videos is essentially viewing them for a bit of extra encouragement for his personal recording.

Deep Web XXX (2018)Each segment is rather compelling in its own right and each is disturbing in its own way, but I want to focus on the third segment that Domiziano Cristopharo directed titled “Cruising,” involving some infrared cameras and an extreme BDSM club. Beginning with a naked man tied to a St. Andrew’s cross, we watch as another man in leather flogs the individual and we see that the individual is already bleeding from the flogging. Proceeding from there, we follow the man who was doing the flogging down some stairs into a basement. During this segment, the camera assumes the first-person viewpoint, and we end up privy to a rather extreme scene. The scene in question involves the sadist from above preparing his arm with a long latex glove that he applies a copious amount of lube to and then turns to face an individual suspended in a sex swing. This is the scene that curled my toes a bit as we watch a man being anally fisted to death. Cristopharo has certainly outdone himself with this segment showing his skills in cinematography and in filming an extreme scene in a discreet, but not completely in your face manner.

Cristopharo also does a fantastic job of directing the overarching scenes involving the man watching the videos and the end when the same man decides to follow through with his own act of violence. Following the man, we watch him enter the bathroom where he has an individual tied up in the bathtub. While not one of the most extreme scenes of the film, we watch as the man pours acid upon his victim’s face and observe the acid burning away skin and flesh. Overall, I was very pleased with the complete film and found that Deep Web XXX was a well written and well-executed film. If you like viewing something extreme and artfully unique, then I highly recommend Deep Web XXX. Keep in mind, though, that it is not for the faint of heart.Deep Web XXX (2018)

Posted by Spencer Evatt in BRUTAL REALITY, GORE, MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, STAFF PICKS, 0 comments
International Screams: Wekufe aka Wekufe: The Origins of Evil (2016)

International Screams: Wekufe aka Wekufe: The Origins of Evil (2016)

Director/Writer: Javier Attridge; Stars: Matias Aldea, Paula Figueroa; Rating: Rating; Run Time: 80 min; Genre: Horror, Mystery, Thriller; Country: Chile; Language: Spanish; Year: 2016

Wekufe (2016)This week in International Screams we take a look at an exciting new director from Chile. Currently he is working on an exciting project called Wander Tales a horror anthology with other talented directors, including Todd Nunes (All Through the House), Nick Hunt (The Dark Heart of Jason Voorhees: The Making of The Final Friday), Stu Jopia (Good Tidings), and Bill Pon (Circus of the Dead, Doll Boy) just to name a few. Wekufe is Javier’s first feature and he digs deep into some frightening local history.

Wekufe (2016)A student named Paula (Paula Figueroa) and her filmmaking boyfriend Matias (Matias Aldea) travel to a remote village in Chile to get to the root of a local boogeyman in connection with a series of ghastly crimes including rape, incest, and pedophilia. But is it really a mythical terror or is this just an excuse to justify these horrible acts? Wekufe starts by cleverly referencing the found footage genre, but sadly it doesn’t go far enough to actually subvert those troupes and sometimes falls into the same trappings as others. The other problem with the film is that it’s dull in spots, and at a scant run time 80 minutes, parts of it feel like padding. I really wish the film could have amped up the tension as much as the end does.

Wekufe (2016)Wekufe does have its strengths, and Attridge plays the eerie local myths for all its worth, giving the film a nice unnerving quality. It’s also very interesting, especially if you know nothing about the culture or the legend which the film is steeped in. This is certainly a movie that builds to a great ending which is chocked full of creepy atmosphere and has a nice grisly pay off at the end. The filmmakers also take advantage of the great locations and the cinematography adds to its otherworldly feeling. Flaws aside, Wekufe is a solid found footage horror film, and it’s clear that Javier has a passion and drive for the genre which will take him very far in it. Even more impressive though is the fact that this is his very first feature and though its rough around the edges shows the start of a bright future. Very excited for his next film.

Posted by Mike Vaughn in MOVIE REVIEWS, MYTHS AND LEGENDS, REVIEWS, 0 comments