Baskin

Housewife

Housewife

After watching Housewife by Turkish director Can Evrenol  (Baskin) two things are apparent, one this is definitely not Baskin and two this is a far more serious attempt at filmmaking. I love Baskin and went into Housewife expecting something similar, while I was mildly disappointed to find it was completely different I was also impressed with the stark contrast in style. It should be noted that I usually watch and review extreme cinema and that is where my passion lies, but I want to give my best unbiased opinion on this one. 

Housewife starts in the childhood home of our main character Holly. The opening scene is Holly and her sister Hazel playing until Hazel gets her first period. Holly scared and not understanding what is happening screams for their mother (Defne Halman) an over zealous fanatic who whisks Hazel away quickly to “tend” to her. A great tragedy befalls the family that night resulting in loss of life and repressed memories.

Now fast forward to adulthood filled with regret, mediocre sex and an unhealed past. Holly (Clementine Poidatz) not fully recovered from the events that took place so many years ago still experiences it’s lingering effects. Things change quickly when a long lost friend Veronica (Alicia Kapudag), resurfaces in the lives of Holly and her Husband (Ali Aksoz). Veronica claims she has been changed and asks the couple to attend a seminar with her. Although somewhat reluctant the two attend a cult like seminar hosted by charismatic leader Bruce O’hara (David Sakurai). Claiming he can enter peoples dream mazes. O’hara singles out Holly referring to her as the one. Holly accepts his invitation to help her and that’s when shit gets weird… Up until this point the film has been a slow burner, grey and bleak feeling, interspersed with intensely sexual moments including a sizzling threesome and self loathing masturbation. Once O’hara enters Holly’s dream maze, colour pops, reality becomes difficult to separate from dream and brutal gore ensues. There isn’t a ton of gore in this one, but we do see a nice glimpse into Evrenol’s love of it. 

Without spoiling the end I can tell you that it’s distinctly Lovecraftian in nature and feels like not enough. It’s not enough because you don’t want it to end right where it does, you try to will it into taking you there, and to push a little further, but it’s also better left alone to make you wonder what happens next.

My biggest disappointment with this film was that it omitted a lot of the Turkish charms that Baskin had, opting to use English over Turkish and using a more American feeling backdrop. A lot of amazing horror films are coming out of Turkey and I personally enjoy them for being different.

Overall the film is unique and well made and from a non-extreme horror movie perspective I’d say it’s a solid 4/5.

 

Posted by Candace Stone in GORE OR EXTREME HORROR, MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, THRILLER, 0 comments
MOVIE REVIEW: Baskin (2015)

MOVIE REVIEW: Baskin (2015)

By John Roisland

2015 brought us the Turkish horror film Baskin. From first hearing about Baskin - reading what little information was being given out - to finally trailers of the movie when first announced, I knew I had to see this film! Baskin had been talked about as the be-all end-all of all horror films. It was claiming to be as one of the scariest and the goriest films to have been made.

I was beyond thrilled when our little friends over at Netflix decided to actually put something worthwhile and relatively new to their horror section. Baskin begins with five Turkish police men who, after dining at a small, dark, and dismal cafe, drive their police van through what seems to be the darkest and creepiest of back roads. While traveling and singing (yes, I guess Turkish men sing love songs to each other), a call comes across the radio from another police vehicle in distress. The location is right up the road, so they respond and immediately hightail it to the location. While en route, they hit what they thought looked like a naked man who ran into the street causing them to run off the road and into a ravine. No one is seriously injured, so on foot they go back to the road where there's no body and no visible evidence that anything was hit.

They soon run upon a family with a small campfire. The family eventually gives directions to the location that the police seek, but warns them not to go. Before leaving, the officers note that the family had buckets full of frogs... Hundreds of frogs.

The cops walk through the woods and make their way to the location, which is a rather large old decrepit building of some kind. They find the empty police car that had radioed for help, lights still flashing. As they slowly enter the building, friends, THIS is where things start to get good! Until this point, the movie was moving kind of slowly, but it still kept the viewer's interest. The things that the police officers run into and witness inside are visions straight from Hell - tortured bodies, cannibalism, and blood everywhere.

It seems that the building is some sort of portal or or threshold, if you will, through one of the gates of Hell. When our five enforcers enter, things quickly get bloody for our law fighters. Unfortunately, it didn't quite live up to my expectations. I did enjoy the film as it moved fairly quickly, yet I wish the build up had been stretched out a bit longer. It seems they took all that time and built it up, they would have rid it out a bit more.

The scenery/set they used for Hell i thought was perfectly designed, much of a dungeon feel to it. The film is subtitled, and I do not know if there is a dub version. I think dubbing takes away from the film. The special effects were good, the overall story was good, and it was an overall solid horror film. It is a dark and twisted film where the director's vision is projected perfectly, but it falls short because of all the media hype that it got upon its release - particularly reports claiming it was the ultimate horror film. It's not, by far, but it's still an enjoyable flick. I'm always up for a good foreign horror film, so I do recommend you check it out and give it a shot. At least it was fairly original... and that alone to me is worth a watch!

Posted by John Roisland in MOVIE REVIEWS, REVIEWS, 0 comments