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HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: DAY THIRTY-ONE – 10/31/18…HALLOWEEN!!!

HALLOWEEN – 2017: GET OUT

And here we are at last, friends and fiends (and both combined)! We’ve arrived at our entry from last year’s Halloween, and it was a game-changer. GET OUT was the brilliantly dark commentary on race relations in America that we thought we never needed. But writer/director JORDAN PEELE begged to differ, and thankfully, gave us a take on modern horror we never even considered.

 

Chris Washington, superbly underplayed by DANIEL KALUUYA (BLACK PANTHER, the BLACK MIRROR episode “Five Million Merits”) is more nervous than a black pizza delivery guy taking pies to a KKK rally. His beautiful girlfriend, Rose Armitage, (ALISON WILLIAMS, daughter of newscaster BRIAN) is taking him home for the weekend to meet her parents, and as he’s suspected, she hasn’t told them yet that he’s black. Strange and not-so-strange things happen on that trip out to the Armitage’s country home, including a stop by a local policeman. Whatever you think would happen in this case does go there, and gets shut down just as quickly by Rose; something we’d hope more ‘non-African-American’ people would do.

Chris and Rose make it to the house, where her parents are waiting. And Dean and Missy Armitage (BRADLEY WHITFORD and CATHERINE KEENER) aren’t just welcoming, they are accommodating to Chris almost to a fault, in that way that liberal, “color-blind” people sometimes have, that can border on the embarrassing. And Chris responds positively to them, even if they appear to be trying way too hard.

 

But certain indicators are present, that there’s a whole lot more to things than Chris is really being allowed to see.  Like the strange behavior of the Armitage “help”: their maid, Georgina, (wonderfully portrayed by BETTY GABRIEL), and the groundskeeper, Walter, (MARCUS HENDERSON).

And we couldn’t leave out Rose’s weirdly antagonistic brother, Jeremy, (the always-reliable CALEB LANDRY JONES), whose challenging demeanor towards Chris shifts uneasily between barely suppressed racism and an almost sexual fetishization of the power and strength he attributes to Chris.

But just when the weekend couldn’t seem to get any weirder, Chris has arrived at the same time the Armitages are throwing a ‘party’ for their closest friends, and when he’s introduced to them, the ROSEMARY’S BABY similarities start to come fast and furious, culminating in an unsettling encounter with one black man who looks strangely familiar, Andre Logan King (LAKEITH STANFIELD of SORRY TO BOTHER YOU) and his wife, Philomena, (GERALDINE SINGER). Chris, a photographer, takes Andre’s picture, and he immediately snaps, going into some kind of fugue state, in which he tells Chris to “get out!”

If you’ve seen this about ten times like I have, you know what happens next. If you haven’t, all I can say is this: get ready for the strangest and creepiest “game of bingo” you ever saw, a McGuffin of a twist involving overtones of Baron Frankenstein and more than just overtones of bigotry, and also to swear off of drinking tea for the rest of your life!

I can’t say too much more about the outstanding cast without really spoiling things, except to say that they’re all on-point, and some special kudos need to go to STEPHEN ROOT (OFFICE SPACE) as an important character at the Armitage’s ‘party’, and LIL REL HOWERY in a hysterical but all-too-relatable role as Rod, Chris’s best buddy who works as a TSI agent, and who doesn’t like the whole idea of going to visit Rose’s parents from the word ‘go’.

I found it pretty humorous when the conservative types bashed this movie as being “anti-white”, when it was just as pointed in its commentary regarding taking “ultra-liberals” to task as well. But what put GET OUT above most other horror films is that even without the politics simmering just beneath the surface, it’s still an out-and-out well-done psychological horror thriller, period.

POST-MORTEM SCRYPT: Horror just a year ago delved into even more artfully unsettling territory, giving us the likes of HAPPY DEATH DAY, MOTHER!, IT COMES AT NIGHT, ALIEN: COVENANT, ANNABELLE: CREATION, LIFE, GERALD’S GAME, the movie version of King’s IT and THE KILLING OF A SACRED DEER.

And that about wraps it up for this year, poison ghouls! I hope you enjoyed this shambling stroll down Memory Lane as much as I did bringing it to you, and that you have some great plans for the holiday! As they said at the end of CREEPSHOW, “Until next time…”




Posted by Samuel Glass in EDITORIALS, FAMILY HORROR, FEATURED CONTENT, HALLOWEEN, OPINION, SCI-FI HORROR, SLASHERS AND BAD HUMANS, THRILLER, TRIBUTE, 1 comment
What’s Hot on the Indie and Straight to DVD/VOD Scene?

What’s Hot on the Indie and Straight to DVD/VOD Scene?

Here’s a quick look at what’s hot in the Indie horror and more lesser known horror scene in the coming months, as it is set to erupt with DVD, Blu-ray, and VOD releases for fans.

American Guinea Pig: The Song of Solomon (2018)On August 7th we have already seen the releases of films like the dramatic horror film MARROWBONE with Charlie Heaton (Stranger Things), a Bluray release of Dante Tomescelli’s 1999 film DESECRATION, the dramatic fantasy thriller WILDING (starring Liv Tyler), FLORA a thrilling sci-fi film about the discovery of a deadly bacteria, Canada’s own occultist gem PYEWACKET (starring The Walking Dead’s Laurie Holden), a film called DEADSHACK (starring Lauren Holly), and the creepy looking GEHENNA: WHERE DEATH LIVES (featuring both Doug Jones and Lance Henriksen). Finally, yesterday we got the long-anticipated new piece of Stephen Biro’s series of horror films – AMERICAN GUINEA PIG: THE SONG OF SOLOMON – starring the likes of horror alumni such as Jessica Cameron and Jim Van Bebber.

HERE’S A LIST OF WHATS TO COME BY THE NEW YEAR:

AUGUST 14th

What Still Remains (2018) / Fair use doctrine.WHAT STILL REMAINS ― This dramatic thriller stars Mimi Rogers and Colin O’Donoghue as two people who face a world struck with an epidemic that has ravaged their lives and those they love.

AUGUST 17th

Summer of 84 (2018) / Fair use doctrine.POOL PARTY MASSACRE ― a comedic horror romp about a slasher loose in a swimming complex slicing up socialites.

AUGUST 24th

Summer of 84 (2018) / Fair use doctrine.SUMMER OF 84 ― the story of a teenager who begins to suspect his neighbor (a local cop) is a serial killer. He enlists the help of his pals and the game becomes all the more deadly.

AUGUST 28th

Upgrade (2018) / Fair use doctrine.UPGRADE ― a new sci-fi revenge thriller offering from Horror writer /director Leigh Whannell (Saw, Insidious, Dead Silence), and starring Logan Marshall-Green.

AUGUST 31st

Boarding School (2018) / Fair use doctrine.BOARDING SCHOOL ― a horror film set in a boarding school revolving around a strange boy and the mysterious headmaster and his wife.
Blood Fest (2018) / Fair use doctrine.BLOOD FEST ― a horror comedy about a diabolical rock show where attendees start dying and featuring Tate Donovan and Zachary Levi.

SEPTEMBER 28th

Hell Fest (2018) / Fair use doctrine.HELL FEST ― a horror-themed amusement park becomes a serial killer’s joyous hunting grounds one night, featuring iconic horror actor Tony Todd.

OCTOBER 9th

Welcome to Hell (2017) / Fair use doctrine.WELCOME TO HELL ― an anthology horror film about a terrifying coven of tales featuring Felissa Rose (Sleepaway Camp) and Bill Oberst Jr (the amazing Papa Corn from Circus of the Dead).

OCTOBER 23rd

Trauma (2017) / Fair use doctrine.TRAUMALucio A. Rojas writes and directs this action horror film about four Chilean friends who are attacked brutally by a father and son duo. The foursome decides to confront their attackers, only to discover their attackers are part of the darkest period in Chilean history.

OCTOBER 26th

Overlord (2018) / Fair use doctrine.OVERLORD ― rumored to be a possible piece of the Cloverfield film saga, this movie focuses on two American soldiers on D-Day behind enemy lines. With some impressive looking gore, it’s set to have fans of horror interested. Stars Iain De Caestecker (In Fear), Pilou Asbaek (Ghost in the Shell), and Wyatt Russell (Black Mirror).

OCTOBER 31st

American Antichrist (2018) / Fair use doctrine.AMERICAN ANTICHRIST ― the 5th film from Filmmaker Dakota Ray (aka Dakota Bailey) will Feature a post-apocalyptic world inhabited by deviants and plans to take the viewer on a surreal, nihilistic voyage of death, drugs, immorality, and religion.

NOVEMBER 13th

Stirring (2018) / Fair use doctrine.STIRRING ― (aka MRS. CLAUS ― ). – 10 years after a murder/suicide in a sorority, the younger sister of the girl who was murdered joins the same sorority and during a Christmas party, someone begins killing the party goers. This movie pays homage to the 80s style slasher and gives a plot twist or a few. Be sure to read the HoTS official review of Stirring.

DECEMBER 8th

Anna and the Apocalypse (2017) / Fair use doctrine.ANNA AND THE APOCALYPSE ― a comedy horror musical (yes, kiddies, MUSICAL) about a zombie attack on the sleepy town of Little Haven — at Christmas!

HONORABLE MENTION

Klagger (2010) / Fair use doctrine.KLAGGER ― (a feature-length film based on the 2010 short) is directed by Casey Crow and Casey’s brother and producing partner, Gene Crow. The KLAGGER feature will expand the story of Joseph Klagger’s death in 1977 and how his malevolent spirit terrorizes a small demolition crew employed to raze the factory he died in 36 years earlier. Coming to cinemas.
Posted by Michelle MIDI Sayles in COMING SOON, HORROR NEWS, 0 comments