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(Spoilers) Film review for The House that Jack built uncut

(Spoilers) Film review for The House that Jack built uncut

I got the chance to see the uncut version of The House that Jack built. Nothing was going to stop me. My Alamo Drafthouse was sold out, luckily, I was able to find an art theater in an almost abandoned mall. Afterwards it was surreal walking out as the mall was closed almost like a lucid dream from what I just saw. So, get to it, right? Tell us what you say! Review the movie! It was a one-time screening and honestly FOR GOOD REASON. The movie is very brutal, humorous, artistic, nihilistic and over all dare I say a work of art? So, sit back and relax and just know in a very rare instance I will actually post spoilers about the film including what deaths to expect. The rated R version will premiere Dec 14th. So, think of this as a guide on what to expect, how much to expect and what may be cut. Now the film is under scrutiny with the map based on the uncut version being released early that could generally confuse the crowd thinking they were going to see the rated r version. However, the audience in attendance KNEW exactly what to expect. So, if you’re still curious still wanting to know let’s break down THE HOUSE THAT JACK BUILT. As stated, I WILL BE POSTING SPOILERS SO FINAL WARNING. The film did have intros by Matt Dillon and Lars von Tier thanking the audience for attending and knowing that they’ll be seeing the UNCUT version. As the film opens, we see Matt Dillion driving down the road seeing Uma Thurman stranded needing help, the two begin to talk where Uma becomes persistent of needing help not so much begging for help, but making as if it HE HAS TO DO IT. This does continue throughout the opening scene where we begin to be annoyed by her as she picks on Matt profiling him as a serial killer (which he is) After a while he snaps using the car jack to cave in Uma’s face which they do show. This is probably the only time in the film where we don’t feel so bad and actually understand why he did it. We cut away to dark screens where there’s voice overs of Jack speaking to somebody only known as Verge played by Bruno Ganz this happens throughout the movie which will make sense in the end. Jack speaks about the 5 random incidents in his life that stands out the most of his “art” that he’ll refer to now and then throughout the movie. Him killing Uma was the first incident, the second is where we see him early in his life learning to kill, learning to get rid of evidence and feel nervous riddled with OCD. He confronts a widow posing as a cop who later reveals he’s an insurance agent in order to get into her house, tries to kill the older woman only to fail where he tries and tries again.  We’re treated to a display of his ocd where he gets away with the murder, but he just can’t be happy assuming he left blood stains all around. Now being choke doesn’t sound vicious, but he drags the body with his van in order to escape the police who come in reporting a break in. When he gets back to his meat freezer, he purchased previously we see the woman’s hollowed skull like it was a watermelon display set. Perhaps the most cringe worthy scene that I can made 100 people leave the screening at Cannes is his 3rd incident where he talks about, he had a family at one time. It was his, but he was on a date with a woman and her two children. He takes the family hunting explaining the guns and the targets as well as the trophy displays hunters would boast about. We get a glimpse of him as a boy expressing how he would hide in the corn fields hearing the farmers using their scythe that put him at ease. During this flashback he cuts off a baby duck’s leg and throws it back into the water. There’s no cuts, edits or even CGI it looks like the real thing. As we go back to his picnic date, he’s begun hunting the family He goes for the children first shooting one child in the vital organs and shooting his leg off. He shoots the child’s brother point blank in the head. The mother cries as he sets up a picnic forcing her to feed food to her dead children who are positioned as scarecrows, he eventually kills the mother after asking her what’s her favorite number to which she replies 12. The number is then used as a countdown. Jack goes on to discuss that he’s always wanted to be an architect but was never given the chance due to his mother who felt it wouldn’t pay off. He works as an engineer and throughout the film explains his actions as art arguing with Verge about the differences and his actions are right. Verge listens but draws the line at child’s death as if I heard it all but I still don’t care to hear these parts and can’t acknowledge anything like this as art. Which keep in mind this is a drama art film with heavy horror elements. Most of the time we are treated to philosophy, music and the sanity of Jack who ideally just wants to build a home but can’t get the idea of his dream home down. It’s murder and torture that lines the foundation of his new “home” that makes him feel at ease, cures his ocd and engulfs him to where he’s a confident sociopath with the ability to manipulate those around him, even then his friends are loners and people who aren’t very social. The film is well done with excerpts of the mindset of Lars Von Tier who has repeatedly certain taboo and controversial topics. Yet, this review isn’t to bash Lars it’s simply to showcase the film that I saw. He does speak of falling in love once, but it ends in murder where he explains nobody cares and nobody wants to help a person. The end result is Jack slicing off a woman’s breasts which once again no edit no cut away the scene takes place right there. The final incident was just him experimenting on shooting a full metal jacket bullet in the heads of a group of men lined up. Jack has bought the wrong bullet and must correct his mistake where we see the crumbling of him with the ocd coming back. We don’t see the execution with the bullet which is kind of a shame but at this point with the meeting of Verge we realize he wasn’t going to make out of this alive and it could be either his confessions to a priest as he approaches death row or Virgil is simply the embodiment of Death. Answer: The latter. Jack is caught by a friend who tries to reason with him but is brutally stabbed in the mouth with a bowie knife. What are seconds feels like minutes watching him raise his mouth as the knife goes deeper into his skull. The police find what’s going on and hunt Jack down. As the police try to break down the freezer doors Jack decides to go out and build his home from what Verge explains this is how Engineers work. They work with what they have. He ties up the bodies using wire and hooks. The house is creepy since he’s been keeping the bodies frozen (also there is a taxidermy scene with one of the children he kills to always be smiling) Which you will see quite a bit in the film. Verge takes him down a hole inside his house where we figure that he’ll be taken to freedom, but as the epilogue continues, we are treated to the previous conversations we heard in the dark. Verge is death and he’s taking to final destination. Heaven or hell which is by a broken bridge. The bottom is just lava with a screeching metal noise. Verge explains many people have tried to cross the other side but never make it. Jack feels he has a chance and tries only to fall to his death. So that’s the movie an art film with graphic violence, some soul and blues music, dark humor or perhaps the crowd was laughing nervously or just have a twisted sense of humor. I may never know. With this showing nobody walked out but who knows on the other screenings. Should you see this movie? Yes, keep it mind it is an art film but the gore, storyline and acting will keep you interested. I have to say despite Lar’s character he went out and made a great film about raw emotions that escalate to murder to ease the jangled nerves of a man who has to find an outlet. The movie makes American Pyscho (2000) look like a cartoon.




Posted by Jai Alexis in Categories, COMING SOON, EVENTS, EXCLUSIVE, HORROR COMEDIES, HORROR HISTORY, HORROR NEWS, MONSTERS AND CREATURES, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Let’s be thankful for Blood Rage

Let’s be thankful for Blood Rage

For the longest time horror fans were fixated on the faux grindhouse trailer Thanksgiving (2008) by ELI ROTH to Thankskilling (2009). Both films had what we wanted Over the top gore and it was a thanksgiving horror movie. A first for their kind. Then Arrow released news of a forgotten gem that made the fans of horror drool at the mouth. I’m talking about the 80’s slasher movie BLOOD RAGE (1987) AKA SLASHER and NIGHTMARE AT SHADOW WOODS. With all the titles and cuts this was the movie most didn’t know, and the other half were eagerly anticipating its release. For good reason the film was shot in 83 and released in 87 and the fx was done by Ed French from Terminator 2 (1991) which was worth every penny and we’ll get to that in a bit. The film’s plot: As kids, Todd is institutionalized for a murder whilst his twin goes free. 10 years later, on Thanksgiving, Todd escapes and a killing spree begins in his neighborhood.”  The movie is good for what it’s worth. An 80’s slasher movie with a great synthesizer and great deaths. Sure, the movie has cheesy dialogue & acting, however we can’t forget this was made in the 80’s. What saves this movie is the gore in the film showcasing ED’s talent. Including a death scene in the woods that silly as it’s executed (no pun intended) is amazing. As for the fans there’s also a quick cameo by none other than Ted Raimi who you will know as the brother of Sam Raimi and happens to pop in some really great horror movies. The movie doesn’t hold any mystery on who the killer nor does he use any costumes just straight up murdering people of course there’s some cheesy one liners including the infamous “It’s not cranberry sauce” So over all let’s be thankful there’s this movie out there sure it may be a b movie slasher to some people but this film is top shelf horror for the fans who after a day of eating turkey and feeling tired, plop on the couch pop open a cold drink with friends pop that pop corn turn on the tv and watch the first ever Thanksgiving slasher movie set in Florida about an evil twin.

Posted by Jai Alexis in Categories, EDITORIALS, HORROR NEWS, MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Malvolia’s Memorable Thanksgiving 2 – House of Tortured Souls

Malvolia’s Memorable Thanksgiving 2 – House of Tortured Souls

Jenn Nangle (Malvolia herself) is back in a 10 minute Thanksgiving segment which will leave viewers wanting more to bite into. 

This episode starts off with Malvolia’s car stalling in front of her victim… neighbor’s (James) home. Her flirtatious charm and subtle humor and chemistry with James is what really made this as a whole. With James being a gentleman (well so he thought) by offering her to stay and to use the phone, he did not realize that he was going to be her next appetizing treat. 

Both Jenn and James delivered incredibly and with their steamy connection, it makes us viewers feel like we are right with them in that moment she sinks her teeth right into him.

It is clear to me as an avid horror fan that Jenn and her team work hard to appease their fans with each video they put out and I look forward to many more episodes to come especially the holiday segments. It’s the proper amount of gore and humor with a twist.

 Before you all decide to go feast with your family and friends for Thanksgiving, may  I suggest that you watch the new episode right here ⬇️⬇️

 

Posted by Sarah Gregory in Categories, FEATURED CONTENT, GORE OR EXTREME HORROR, HORROR NEWS, MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, WOMEN IN HORROR, 0 comments
Film review for the new film Triggered by Chris Moore

Film review for the new film Triggered by Chris Moore

After watching his first film Blessed are the children I immediately enjoyed the path that Chris Moore was going. When I heard about his second film, TRIGGERED I reached out to him and said, May I please see this movie as soon as possible not only to review but watch his progress into the horror industry grow. Upon watching the film, I was rest assured that Chris hasn’t lost his touch from his first film. The film Triggered like Blessed deals with topical issues that are relevant to still staying true to the 80’s vhs tapes you would see at the video store. Not the big budget 80’s horror movies but those small forgotten gems that when finally get a movie release the hardcore fans go nuts for. Triggered’s plot is: “Two teenagers fake an attack by a legendary serial killer for a little attention, but the plan backfires when this triggers the real killer to resurface and go after them.” Chris doesn’t waste time with panning shots of his town or even give us filler jokes that don’t apply to the scene. Given the title may turn some people off what with the cliché term used as an insult to someone. Don’t let that discourage you the film delivers promise with great acting, excellent score of yesteryear 80’s slashers. Perhaps the only downfall I can say about this film is that even though there’s great death scenes along with great editing of the deaths one can only imagine what if there was a little more in the budget to do over the top gore. However though perhaps that may take away from the film itself making it to be a “Dark comedy” when in reality Chris is bringing an interesting story with dialogue that runs smoothly along with rapport of the actors that keep you interested to where he reminds you this is still a horror movie all the way to the bloody finale  that didn’t disappoint with the big reveal of why this is happening. There are little Easter eggs of a Golden Girls reference, to even a name drop of David Cronenberg which you should be able to catch briefly. The film will be released early 2019 along with a few screenings in the UK. When given the chance go out and buy this film or rent it to avoid being Triggered from retailers who are sold out.

Posted by Jai Alexis in CAST AND CREW NEWS, COMING SOON, EXCLUSIVE, HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, 0 comments
Sharp Knives cuts deep into the veins for horror comic fans

Sharp Knives cuts deep into the veins for horror comic fans

It’s been a while since I read a comic book or even a horror comic book. Truth be told the last horror graphic novels I read were by Junji Ito and Steve Niles. I was very pleased to get a chance to read issue one of Sharp Knives written by Anthony Cotter and illustrated by Martin Trafford. Normally I’ll review a movie or tv show, but it was nice to get back to my roots of horror comics since that’s what I loved to read growing up. Right off the back this comic has a hopelessness cold feel to it with style of a 70’s, 80’s slasher movie. Not the hokey slasher movies with the one liner I’m talking stuff like New York Ripper and Maniac feel to it. Sharpe Knives is a dark and gritty story set in a fictional corner of the real world, free from supernatural elements. An exploration of what drives the worst kind of villains, and the choices they might make when confronted by forces as malevolent as they are themselves. Narrated by depraved serial killer, and master blade-smith Jeffery Sharpe, who’s waning self-control drives him down a path toward a formidable adversary the likes of which he likely never expected to encounter. It begins! The main character’s narration is written out almost as if you’re reading the journal of the serial Killer. At times me reading the comic felt as if I was reading a movie script envisioning the scenarios in my head. The story builds up to an interesting read where we follow the main character Jeffery Sharpe stalking his prey and nothing will get in his way to achieve his goal it’s almost as if times, we’re rooting for him to what degree though? Perhaps it’s just the fact that we’re not terrible people but just enjoying a horror comic that doesn’t hold back almost as if we’re watching Jason Voorhees kill for the first time and gives the audience what we want: Blood. The artwork is amazing showcasing the mentality of a killer where he brutally murders an innocent by stander just for talking to him to finally brutally killing the body guard of the victim he’s been chasing. As stated yes, I read issue one it’s not out yet although here’s the best part there’s an Indiegogo campaign going on with perks that are worth every penny. For more info please click here for the campaign. This is a horror comic you’ll be hooked on very early

Posted by Jai Alexis in BOOKS, COMICS, AND PUBLICATION REVIEWS, COMING SOON, EXCLUSIVE, FEATURED CONTENT, HORROR NEWS, NEW RELEASES, REVIEWS, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Trailer Review: DIS the new movie from Unearthed Films coming this January-House of tortured Souls

Trailer Review: DIS the new movie from Unearthed Films coming this January-House of tortured Souls

When it comes to surprises Unearthed Films is no stranger to them. It was revealed this week that the film DIS (2017) will be released in Jan. The trailer which I saw blew me out of the water. The film has a feel of part indie art film to graphic twisted nightmare. The plot follows: an ex-soldier with a criminal past takes refuge in the woods. A demonic figure seeks the seed of killers and the blood of the damned to feed his mandrake garden. DIS is an infernal descent into the root of the mandrake legend and a man who wanders too close to that legend and the unnamable terror behind it. What you sow you will reap. The movie gives us interesting details but no real spoilers. Which is great because it’s best to walk in with no real idea of what to expect. I’m sure there will be gore, brutality, insanity with a story. The film stars Bill Orbest Jr. Who you might recognize from Circus of the Dead (2014) Death Camp (2018) and even Criminal Minds (2014) who is no stranger to horror. So, after the holidays are over the turkey has been devoured and the Christmas presents have been opened. Sit back and enjoy this film as we venture into the new year with a new film that will for sur be talked about for a while!

Posted by Jai Alexis in COMING SOON, EXCLUSIVE, FEATURED CONTENT, GORE OR EXTREME HORROR, HORROR NEWS, IN THE SPOTLIGHT, MONSTERS AND CREATURES, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SATANIC/DEMONIC, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Flowers 2 is in production and you can help it be the final piece of the trilogy!

Flowers 2 is in production and you can help it be the final piece of the trilogy!

One of the cool things about Unearthed Films is the social interaction they have with the fanbase. Answering questions, chatting about their films. It’s hard to believe the macabre minds behind such hits such as Aztroz, Song of Solomon, Red Krokodil, Blood Shock to name a few are some of the nicest people on earth who actually give a damn about their fans. What I love the most is the campaigns they have to fund their movies. Not just simple perks of owning the movie, or an online thank you. They actually give out props and other cool items you can ONLY get from the campaigns. One person who comes to mind is Phil Stevens the hard-working master mind behind his Flowers trilogy. Lung (A nameless man suffers from grotesque hallucinations as he wanders a corpse-strewn city.) is the prequel, Flowers is the first film with the plot as follows Six dead women awaken in the house of their killer, only to find clues about their past lives and who they once were. They must accept their fate and move on or remain in the rotting house forever and now his final project for the set is Flowers 2 with the plot: witness the final days of the serial killer known as ‘THE EXILE‘ through the eyes of his victims which has been shooting since this summer. For those unfamiliar. The films are silent with no dialogue, but paint a gruesome, disturbing visual nightmare. I talked to Phil personally offering any insight any indication on what to expect.  The man as nice as he is didn’t want to spoil anything for the fans. Which I admire and appreciate. Let’s face it when the cook is making a special dish you enjoy the meal and don’t bother the chef as they work! All I can get is that it will be insane and one of this finest works. So, what can you do? Contribute to the project get amazing stuff for helping out! After this it’s all over he’ll do other films, but the Flowers storyline will be done with. As we watch these films blossomed its time to plant one more in the ground. For more information on helping out please click the link here. There’s still time to make Flowers 2 the film that will go down as one of the most intense over the top films to date.

Posted by Jai Alexis in CAST AND CREW NEWS, Categories, COMING SOON, HORROR NEWS, NEW RELEASES, PREQUELS AND SEQUELS, 0 comments
Trailer review: Escape Room is the big budget version of Cube

Trailer review: Escape Room is the big budget version of Cube

Well it was bound to happen. A horror movie about Escape rooms. Sure, Saw (2004) and Cube (1997) might be the most legendary horror movies to feature the subject. Spawning sequels and even a Saw theme escape room in Vegas, but there hasn’t been a film quite like this. Escape room is the new film coming soon in January to be. The film plot is simple but will eventually reveal the secrets behind everything shortly: Six strangers find themselves in circumstances beyond their control and must use their wits to survive. Now on paper this doesn’t really sound convincing or even worth a watch. However, while watching the trailer I am more than excited to see a movie that’s not only going to take place in a room or just one death trap, this movie has a wide range of traps, puzzles, clues and environments that would make any horror fan intrigue. There’s no rating for the movie yet, but I’m hoping for a Rated R and not just for language. A movie like this let’s pull all the stops because most likely this could be an interesting franchise. Plus, it has some great stars like Deborah Ann Woll who you’ll remember from True blood (2008-2014) and Tyler Labine Tucker and Dale vs Evil (2010) So let’s recap a movie about escape rooms where every item is a clue and every item could lead to their ultimate demise. Six strangers connected, and this is their “Hell” no time limit but no time to waste since the room will kill them with no second thought in a clever way. This is a big deal since next year we are getting a lot of great horror movies and what better way to start the new year than with a horror movie! Jan 2019 get ready to solve the puzzle of Escape Room.

 

Posted by Jai Alexis in Categories, 0 comments
Bounded by Evil is the newest supernatural movie coming soon

Bounded by Evil is the newest supernatural movie coming soon

When it comes to watching Indie horror movies it’s rare I get to see a supernatural film I was fortunate to watch the film BOUNDED BY EVIL (2018) written and directed by Eli Gray. The film is about “A seasoned writer working on his next novel while simultaneously facing a demonic force that’s lurking over his family.” I have to say the movie grabbed my attention with the lighting or set designs with its calm before the storm feel. The film feels like a lucid dream through where you as the audience member feel as if this is happening to you. Through out the film we see and hear pieces of a radio broadcast which plays a part for lead actor and producer JP DeStefano who plays the writer tormented by someone or something. Even though the film consists of others who are affected by the spirit we slowly begin to see him go insane from what’s going on. Now the main point is that yes it may take time to build up, but this is a lot of movies with character development which we find in the end what’s really going on. I won’t spoil the ending but say the film does have some interesting FX where we wonder if it was practical or computer generated. The movie doesn’t rely on over the top gore or anything to sell the film, but it does keep you entertained as there are several times you may jump including the ending which made wonder if they were going to do this, but ended up doing something else. I would say the best time to watch this film would be late at night like I did where I sat thinking, so how do I go to bed now? You can watch the trailer below

 

Posted by Jai Alexis in COMING SOON, HALLOWEEN, HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, PARANORMAL, REVIEWS, 0 comments
Blessed are the children is a modern day story with an old school feel.

Blessed are the children is a modern day story with an old school feel.

Chris Moore has delivered a movie that uses today’s social commentary with an 80’s feel for a horror movie I saw “Blessed are the children” (2016) The film is about Traci Patterson (KALEY BALL) who decides to get an abortion after finding out she’s pregnant. After wards she seems to be haunted by someone or a group of people for her choice along with her friends Mandy Crane played (Keni Bounds) and Erin Peters (Arian Thigpen). From looking at the cover one would think this is a super natural film. Quite the contrary this is an old school slasher movie. While watching the movie I couldn’t help but feel, wow this is a good indie drama which for the first part plays out as it slowly builds up to the horror aspect that Chris quickly reminds you after all. When I talked to him about his film he stated “I like to ground my horror in a little reality” Chris has a deep-rooted passion for horror as you see the film with the opening credits which pays homage to the 80’s as well as the film itself which has a feel of old school slasher films. The killer has one intention punish the wicked for their sins. While watching the film there is one thing that caught me off where the film takes a turn. An interesting turn which I won’t spoil but kept me intrigued on how they were going to go forward and not be a typical Hollywood film of protagonist vs antagonist. At first the film has minimal gore to finally delivering more and more. I’m glad to see because with the film on such a shoe string budget Chris found a way to tell a great story with some clever fx, great acting as well where you enjoy the characters and see them as real friend’s vs actors pretending to be friends. The film does a great job of not really showcasing the killer’s face even at the end when you think we may see the person and find out more when we just know the basics, but then again should we really know more? Chris uses the simple formula of telling a great story. Cutting to the chase (no pun intended) without wasting the audience’s time. The movie comes out Tuesday to own or rent. Which if you are wanting to know where. Here is a link for the film

Posted by Jai Alexis in FEATURED CONTENT, HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Essence is coming soon and you can help!

Essence is coming soon and you can help!

I had the pleasure to see the teaser trailer for the new film by Jeff KACMARYNSKI’SESSCENSE” the film has a real late 70’s vibe to it from what I saw and have to say I’m intrigued along with the grindhouse feel of the style of old film. The trailer gave a little bit of what to expect but didn’t reveal all too much which is good because seeing this I’m interested to see what will transpire and want to walk in  surprised on how it escalates. I was lucky enough to get a little more information from the Director on the plot and inspiration of the film “After the death of her son, Joanna discovers a hidden room in her home, with a power that could lead her back to him. However, the room instead, unleashes a malicious cosmic entity, that feeds on her fears and sanity, ultimately unleashing a terrible mind game. Our cast includes legendary Lynn Lowry, and veteran actress Maggie Wagner. We are doing a very psychedelic surreal horror film, influenced by Cronenberg, Lynch, Lovecraft , Argento and Fulci.” I have to wonder will we see body horror, over the top gore that will get under our skin? One thing is fore I myself can’t wait to see more. This will be his first feature film that he’s done since his shorts he did some time back DEAD THERAPY is featured in Wild Eye Releasing’s movie WELCOME TO HELL which all have won several awards. Right now there’s a indigo campaign so if you like to contribute by all means even a share helps! For more information here’s a direct link to the Indigogo campaign

 

 

Posted by Jai Alexis in COMING SOON, FEATURED ARTISTS, HORROR NEWS, NEW RELEASES, SCI-FI HORROR, SLASHERS AND BAD HUMANS, 0 comments
Extremity is the haunted attraction movie we need

Extremity is the haunted attraction movie we need

I recently did a trailer review for the movie Extremity. My anticipation and excitement grew for the film however there was that small bit of worry looming in the background thinking please don’t suck and please don’t end up being a run of the mill horror movie that fails on delivery. How wrong I was. Let’s breakdown how Extremity might be the horror movie you weren’t expecting with a subject that has been told before.

Extremity follows Dana Christina as she is still grieving over the tragic suicide of her sister. After countless sessions of therapy she still hasn’t gotten over anything and is still back to square one. With the newest haunt extreme attraction known as Perdition she ultimately signs over any freedom she has over to this attraction. The film takes place out in the middle of nowhere during winter and is being recorded by a Japanese film crew The people who go by Skulls, work for the attraction free range to do whatever, the movie relies on the participants fear what scares them including a list of things they don’t like or want to see which pretty much gives them an open door to do just that.

The film goes back and forth from present day to the past of Alison as each room unlocks a further piece of her troubled life whether it’s visits to her Therapist, arguments with her girlfriend to even going as far back as dealing with issues of her physical/sexual abusive Father. What I like about this film is that is not only uncovers the layers of the main character’s personal hell we also see the folds unwrap for the characters all around her. Such as the owner played by Chad E. Rook who’s dealing with financial burden and the custody of his child to even the Japanese reporter who is covering the whole show where she is only being used for her body by the camera  guy. It gives you a sense on just exactly what troubles not only the main character has but everyone else around thus creating tension for everyone which makes dispensing fear tactics a lot of more useful since they’re releasing their anger out on the participants. As stated what I love about this film is that it does a great job with character development where we actually worry for the character since there’s no time limit and there’s no safe words to stop the event. We begin to wonder what will happen to her at the end? Don’t expect to see a Saw or Rob Zombie kind of movie there isn’t a whole lot of gore or even that much torture porn, this film relies on psychological factors, but there some a few scenes that entice the audience for fans of Anthony Diblasi’s previous work such as Dread and Last Shift.  The film even had a satisfying ending that wrapped up everything for the character along with the characters in the film where we get what we want: Closure. I won’t spoil it for you but the ending song “Stripped” by Depeche Mode works perfectly. Over all this is the kind of horror film we want where underneath the mask we reveal our true selves and this is what this movie did for us. Revealed it’s true form: a horror film that isn’t afraid to go to the extreme and be different.

Posted by Jai Alexis in Categories, HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SLASHERS AND BAD HUMANS, WOMEN IN HORROR, 0 comments
HoTS EXCLUSIVE: Nightmares Unleashed (2018) – A Short Film with Lots of Talent

HoTS EXCLUSIVE: Nightmares Unleashed (2018) – A Short Film with Lots of Talent

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.In high school, I took a communications class. Growing up, my concept of what filmmaking was was almost an Orson Welles level of perfection, not accepting anything less. We were just teens in high school writing goofy scripts and shooting films with expensive cameras and editing tools. Believe me, I wish I knew back then what I know now. It wasn’t easy at times sitting in the editing room hearing and watching the same footage repeatedly, but it was all worth it and, honestly, it’s such an adrenaline rush. Believe me. Therefore, most directors go to the premieres or screenings incognito focusing on the reactions of the audience instead of the premiere. They see what works, what doesn’t work, and who laughed at what part.

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.I heard about an upcoming local film festival in my town called Creeper Film Fest. Working for House of Tortured Souls, I do my best to attend as many cons, expos, and film releases — even the local stuff — to get exclusive info, exclusive showings, or just meet some nice people. Recently, I talked to award-winning director Matthew Mark Hunter from MMH productions. We had a nice talk about his upcoming movie Nightmares Unleashed, and I explained that I’ll do my best to make it to the screening and review his movie. He was nice enough to send me a link to the movie, and I finally got time to watch it, so here’s my honest and fair review. After years of learning the craft and wearing others’ shoes, I learned to see their movie from their vision or their heart from their vision.

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.Nightmares Unleashed is a short film and runs just under 15 minutes. It doesn’t need a whole lot of time to get to the point, but it does a great job getting there. Some would say, “Oh, you used cheap FX and cheap tactics”, and, sure, you can say that if a film has a huge budget but cuts corners. Instead, Matthew uses some great practical and effective ways of getting shots and FX for his movie. The official plot is as follows:

A young girl loves watching horror films but always gets nightmares from them. She gets grabbed into the TV one night and must escape her worst nightmares through the movies.
As I stated before, Matthew didn’t have a big budget, doesn’t have movie stars, and doesn’t even have a huge crew. Nightmares Unleased is all guerilla filmmaking with a lot of heart from friends and family.

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.Another piece of info he was glad to share was that he tried to make the film as real as possible, so the worms from the worm zombie’s (Chris Wiggins) mouth, are real worms. That’s right. He had real worms put in his mouth. That’s hardcore! And that’s the level of dedication this movie gives to the audience.Matthew also revealed that all the tools on and around the workbench are real, so our corpse (John Polace) had real saws and knives hanging above him. Matthew further told me:

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.When the little actress (Autumn Johnson) first saw the Joseph makeup — she was always scared of — clowns, so when we did the scene of Joseph the Jester (Matthew Mark Hunter) jumping out of the closet the first time, she got really freaked out.

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.I didn’t see the movie as a cheap, low budget, amateur movie effort. Instead, I saw this as a film done by a director who’s going out and doing what he loves best: making movies. So, if you get a chance check out Nightmares Unleashed, do so. And check out other Indie films and filmmakers. Talk to them, and if they ever start a go fund me, donate. Believe it or not, even your favorite filmmakers were once like Matthew, out in his backyard and making a film with heart and soul and with friends and family.

Polace had real worms in his mouth. Worms. That’s hardcore and, honestly, that’s the level of dedication this movie gives to the audience!

Creeper Film Fest: Nightmares Unleashed (2018) / Fair use doctrine.

Posted by Jai Alexis in HORROR NEWS, MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Mandy (2018)

MOVIE REVIEW: Mandy (2018)

You came, I saw, and I love you

In Mandy, Nic Cage takes revenge on a crazy religious cult in the woods with a homemade battle ax. STOP DRILLING YOU HIT OIL! That’s pretty much what sold me on the plot for Mandy, the second film by director Panos Cosmatos whose first film was Beyond The Black Rainbow (2010). Set in 1983, Red Miller (Nicholas Cage) goes after a religious cult that brutally murdered his wife Mandy (Andrea Riseborough). If you have seen his first film, you know what to expect in this; if not, then fair warning — watch the movie with an open mind. Although the film plays out like an 80s-themed slasher movie, it’s almost far from it. Let’s examine this movie further.

Mandy (2018) / Fair use doctrine.

Although set in the 80s, it doesn’t have an 80s soundtrack with well-known music. There is a synthesizer, though, along with a Friday the 13th reference to Crystal Lake from Mandy (Andrea Riseborough of such works as Hidden (2015), Waco (2018) (TV mini-series), and Black Mirror (2017) (TV series)). Admittedly there is a real Crystal Lake, Nic Cage himself said that he drew inspiration for his character from Jason Voorhees, so perhaps he wants to give that nod since his character evolved in the woods.

Mandy (2018) / Fair use doctrine.As may be obvious, Mandy is not like any other Nicholas Cage film. From the picture of Cage all bloody and glimpses in the trailer, one would expect a cheesy B horror movie with over the top gore and one-liners. Not at all! The film plays out like a heavy metal live action movie, and at times, it just feels like a dream as Red goes through moments of despair, guilt, and regret. Cage is complemented by a host of character actors, from Richard Brake (31, Halloween II (2009)) to Linus Roache (Batman Begins) to Bill Duke (Payback, Predator), who definitely deliver. The scenes with the cult aren’t over the top, which is good because not once do the characters trail off and leave the idea of the movie on its own. The bikers, though, don’t dress or sound like bikers. Think something out of Mad Max with a distorted voice that almost sounds animalistic. This raises some interesting questions on the cult’s story because there’s really no back story – for anyone on anything.

Mandy (2018) / Fair use doctrine.I saw the movie at night, and it stuck with me — not in a bad way but almost as if I were dreaming too. This, by the way, got me thinking about the end when Nicholas Cage is driving away, caked in blood caked and looking out of his mind. This is not Hollywood Nic Cage but a genuinely insane Nicholas Cage.

Final thoughts: Watch the movie, and watch it at night with an open mind because this is without a doubt an interesting movie, and I sincerely hope we don’t have to wait another eight years for Panos Cosmatos’ third film.

Posted by Jai Alexis in MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, 0 comments
MOVIE REVIEW: The Predator (2018)

MOVIE REVIEW: The Predator (2018)

The Predator: Hit or Miss

The Predator (2018) / Fair use doctrine.When I first heard that The Predator was coming back to the big screen I thought, ‘Well how are you going to top Predators?’ For my money, Predators is the best sequel to date and has the most legendary opening sequence in a movie ever. The news of Shane Black and Fred Dekker being on board, however, convinced me this was going to be top notch fun, gory, and worth the sequel.

I eagerly attended the first showing on Sunday, 16 September, only to find I was proven wrong – which is a major let down. Black and Dekker (haha) know their stuff and should’ve put together a great movie. With comedy, horror, and even family elements, The Predator struggles to find its focus. On the surface, The Predator is about a young boy who receives a gift of Predator items (WHY?) that eventually turn on a beacon which puts the Predator on a wanted list for being hunted {Or for hunting other creatures?}. The alert causes a problem for Earth since Predators aren’t friendly with anyone. A group of ragtag soldiers who suffer from PTSD ultimately are enlisted to do what’s right, help the kid, and…save the world?

The Predator (2018) / Fair use doctrine.As the film starts, there are actually some great action sequences, nice gore, and even a bit of a character development where you find yourself invested in the main character, Quinn McKenna (Boyd Holbrook, whom you’ll remember as Pierce, the villain, in Logan (2017)). After the spacecraft and presence of the aliens (Predators not Xenomorphs) are revealed, the government steps in and the movie takes a hard turn into Superficialville. Character development and, indeed, care of any characters steps out.

‘But,’ you may think to yourself, ‘This an action horror sci-fi movie. Does character development matter? We’re here for the blood and guts?’

The Predator (2018) / Fair use doctrine.

Well, kind of, yes. What I mean is this: When you attend a movie, you invest your time. In return, you expect to be entertained. You expect to see characters to whom you can relate or for whom you actually feel – especially when they die.

Hell, it took me a good while to realize that Thomas Jane was in the movie – not because of great method acting, but I just didn’t realize it was him. With an actor like Thomas Jane, you would expect that he would be front and center. At the very least, he should be cast in a better or more significant role. However, with this movie, you don’t get that. The deaths feel rushed, and the camera doesn’t exactly linger on the gore. It was almost blink-and-you-miss-it shots of the kills. Perhaps this was to avoid delays from the MPAA or maybe another unknown reason. We may never know.

The Predator (2018) / Fair use doctrine.Overall, The Predator doesn’t really hold up to the previous films in the franchise – gore- or action-wise. Sure, there are a few nods to the previous films but not enough to keep you entertained. From the sci-fi/horror aspect, it could have worked as any other alien movie, but as an entry in the Predator franchise, it doesn’t. Peppered with forced jokes as an attempt to engage the audience, it falls flat because they didn’t really fit the movie. At times, the movie felt overlong and drawn out – not good for film with a scant runtime of 107 minutes. My excitement swelled as the ending approached. Would there be a possible connection to the previous films? Or even something better?

I won’t spoil the movie, but it was almost a slap in the face to the fans of the franchise to see this. HINT: Think uber Jason from Jason X but with no delivery of any kind. It was just a big let down.

My advice: Wait until The Predator comes on Netflix or hits Redbox. It just barely made number one this weekend, so perhaps a sequel or another reboot will help the franchise.

The Predator (2018) / Fair use doctrine.

Posted by Jai Alexis in HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, PREQUELS AND SEQUELS, REVIEWS, 0 comments
MOVIE REVIEW: Puppet Master: The Littlest Reich (2018)

MOVIE REVIEW: Puppet Master: The Littlest Reich (2018)

Puppet Master: The Littlest Reich (2018)Growing up, I always loved watching the Puppet Master movies. As I got older, I began to realize the movies didn’t make a whole lot of sense — then again, the movies are about killer puppets coming to life and Nazis wanting a secret formula to re-animate the dead.

Puppet Master: The Littlest ReichPuppet Master: The Littlest Reich

Puppet Master: The Littlest Reich is the latest film in the franchise and is a new branch to the storyline. The film is about a group of people meeting at a convention for the Andre Toulon Murders that took place in the late 80s. Naturally, the murders begin all over again. I was skeptical at first since I’m a huge Puppet Master fan and the pictures didn’t really convince me. I was especially disappointed in the new looks, but I sat down and watched the movie with an open mind.

Puppet Master: The Littlest ReichFirst, Puppet Master: The Littlest Reich is a great little flick and an excellent addition to the franchise with its new look and perfect balance of over-the-top gore. Yes, some of the original puppets are back some with new designs, and new puppets have been added to the group — including what appears to be a few toys. The story showcases a darker tone for not only the puppets that are clearly being controlled by Toulon but also for Toulon himself. Forget the loving, Nazi-fighting Toulon; this Toulon is much creepier. Udo Kier, who plays Toulon, has a very interesting take on the character, and Kier has definitely made his mark in the franchise.

Puppet Master: The Littlest Reich does have some humor but not enough to weaken the horror aspect or riddle the film with shock jokes. At first, it may seem like Puppet Master: The Littlest Reich didn’t cover all the ground, but from the looks of things, we may see a trilogy from this new branch of the Puppet Master storyline.

Overall, I say buy this movie if you’re a Puppet Master fan, and if you’re not, it’s a great movie to watch with friends and a good way to learn about what started this new direction.Puppet Master: The Littlest Reich (2018)

Posted by Jai Alexis in GORE OR EXTREME HORROR, NEW RELEASES, REMAKES AND REBOOTS, THRILLER, 0 comments
Tristan Takes Charge!

Tristan Takes Charge!

Parlour Tricks / Tristan Risk

Indie horror darling Tristan Risk is at it again, this time taking on the role of director for her very own short film entitled Parlour Tricks. Risky, as she is lovingly referred to, is a well-rounded artist, to say the least. She has starred in countless burlesques and sideshows, created insightful, personal pieces of writing on her website Little Miss Risk and portrayed some memorable characters on film both in and out of costumes and special makeup (American Mary, Harvest Lake, Frankenstein Created Bikers) I will go as far to say that Miss Risk is worthy of the title ‘Renaissance Woman’ as she continues to add to her list of accomplishments.
Parlour Tricks / Tristan RiskAs for her latest endeavor though, Parlour Tricks is delightful, fun, and quirky — much like Tristan is herself. It’s a tale of feuding relatives attempting to contact their departed Aunt in the afterlife, not for the need of closure or to relay how much she meant to each, but rather for selfish and greedy reasons. Sitting at seven and a half minutes, the short film is a quick and enjoyable watch that utilizes its black and white format beautifully. The cast and crew come together wonderfully in what is perhaps a passion project and quite possibly the first of many directorial efforts led by Tristan Risk out of her House Of Hiss, successfully throwing her hat in the ring for future features led by females.

Parlour Tricks / Tristan Risk

The High Priestess of Lowbrow took a few moments to answer some questions for us here at HoTS and we couldn’t be more pleased to share what she had to say!
House of Tortured Souls: What prompted you to dive into directing? Has it been something you always have thought of doing?
Tristan Risk: I had always had it at the back of my mind, but I think it mostly came from writing and wanting to see those stories come off of the page, and I had this idea to get someone else to direct. I am not technically trained, so I was worried I needed to know about lens and craft before diving in. Fortunately, I had really great support from my circle of Topher, Jordan, and Burns, who encouraged me to just do it, and so I went with majority rules.
 Tristan RiskHoTS: You are a ridiculously talented burlesque performer and can easily perfect some sideshow abilities such as fire eating and the ‘hair hang’. Do you happen to have a special place in your heart for the body horror sub-genre? Do you have any favorite horror films?
TR: Body horror is the most frightening of subgenres for me. Because I’ve always made my living off of my body, the ideas, and themes it. The idea that we don’t have autonomy over my body is frightening, and while as a woman we face this every day with not having access to health care that meets our needs with regards to our reproductive health. So rather than have an existential crisis over that, we watch Martyrs and Tetsuo: The Iron Man.
HoTS: How long was filming and post-production for Parlour Tricks?
TR: We shot Parlour Tricks in one day on a Saturday in March. The post took a little bit longer as everyone was donating their time to polish it off, but Jordan had us a working edit right away so we got it done quickly, and were able to start sending it to festivals quickly. I’m not sure how long it generally takes, but I’m happy to let people take their time and do the job to their satisfaction.
HoTS: Parlour Tricks is a very fun and offbeat short, rather lighthearted. What made you want to go this route with your film?
TR: I don’t think it’s any shock for anyone who has read my writing to know I can go to very dark and graphic places. I love comedy, and while I enjoy all things horror, I wanted to try something different and showcase a side of myself that I don’t often get to display when I’m in front of the camera. I think I also did it as a mild admonishment to people who are thinking I’d go the safe, shocking route, and that one should always expect the unexpected.

Parlour Tricks / Tristan Risk

HoTS: What can we expect to see from you in the future?
TR: I just wrapped with the Cronenberg remake of Rabid with the Soska sisters in Toronto, Canada. So when that comes to screens I’m very excited and proud to be part of that production. I’m planning on shooting three of my short films, and to work on some features in the future.
HoTS: How has your time on set of the Soska-led remake of Rabid been thus far? Anything you can share with us regarding your character?
TR: The production was full of challenges, but the amazing camera crew and delightful cast, it was an amazing display of tenacity and talent in equal measure. I was so impressed by the crew and in particular our director of photography, Kim Derko, and our camera operators Paula Tymchuk and Tamara Jones. They stood out for me and showed skill and grace, and everyone from all the departments put their blood and souls into this. I’m fiercely proud to be among all of these people’s number in helping contribute to the making of this film.
At this time I’m not sure I’m permitted to reveal the names of what I play at this time. However, I can share that I do play multiple roles in this film that showcases my skill set as well as a new batch of skills previously not used in any other film. I’m very excited to be able to pop up in a few unexpected places and in such a striking film.
 Tristan RiskHoTS: If YOU could remake any film, what would it be?
TR: Oddly enough, I’ve been tapped to contribute and collaborate on another remake, but I’m going to keep that in a quiet whisper for the time being. If I had my pick of films to recreate and reimagine, I’d be tempted to take on Splash. I’m dying to shoot underwater and feature mermaid myth and lore. I even swim in til myself and have worked as a professional mermaid. I’m wanting to feature all the deep diving babes I’ve met over the years who I think could sell the idea.
HoTS: You have toured in over a dozen different countries in various burlesque and sideshows, modeled, and of course acted. Now you can officially add writer and director to your resume. Out of all these creative hats you have worn, do you have a favorite at all? What drives your need to seek such artistic outlets?
TR: I think just a desire to create. So much of it is visual mediums, and I can translate the write to the visual so easily. I’ve always found release in using my ideas to shape my reality around me, and films give me access to a wider audience to do that. I love live shows and it’s frustrating to channel so much energy into a performance where only a handful of people can experience it. While the stage is my first love, I am always ready to have a long-time affair with the screen, and willing to switch between behind and in front of the camera.

Parlour Tricks / Tristan Risk

Posted by Alan Smithee in HORROR NEWS, REVIEWS, WOMEN IN HORROR, 0 comments

CONCERT REVIEW: GHOUL/GWAR RAMS HEAD LIVE 10/26/17

GWAR has been one of my favorite bands for the past 30 years now. Known for playing on or around Halloween in Baltimore I took every opportunity to grab some passes to see them now that I’m back in Maryland after many years of being gone from the area. Rams Head Live in Baltimore was the venue on this Thursday night. A good sized club always brings in big acts and is a pretty cool venue with pretty much not a bad seat( all general admission) in the place. GWAR is one band that to see live is one that I would HAVE to cover for a story. My wife Steff had never seen GWAR before, that alone was almost reason enough to go.

By the time we got there GHOUL was just about to go on stage. GHOUL is a fun mix of GWAR, MENTORS, MISFITS with a touch of MOTORHEAD! Keeping in touch with the Halloween spirit with a horror punk sound. I don’t think Gwar could have found a better band to hit the road with. Both lyrically and their stage presence oozes horror. As for starters, if your not familiar with GHOUL, they all wear burlap sack, masks with bloody mouths, have stage actors that they behead and spray blood out on to the crowd and sing of death and graveyards while they have the look of just committed a nasty home invasion. GHOUL ARE  FUCKING AWESOME!! What a great live act and a great bunch of guys as I was fortunate enough to have run into a few of them after the show.

                                           

Finally,…after a bit of a wait from what seemed to have been some technical issues, GWAR makes their way to the stage. By this time the crowd had started to fill up, sadly it wasn’t to overly packed, but then again it was a Thursday ….and the general age of the crowd…well, we aren’t as young as we once were. GWAR come out on stage and its always something new, every tour. The stage show is creative, overwhelming at times, oh..and bloody violent. Kind of makes you feel like your mixing a Lloyd Kaufman film to shock rock extreme music, in one live nightmare!

This was my first time having seen GWAR since the passing of the late great ODERUS URUNGUS, it was hard waiting to hear some of the old classics, and yet only one was done, Black and Huge. It was actually kind of nice that the band left it alone. Regardless, the stage show over the top as always, and for the club only charging $20.00 tickets, makes you wonder how these guys are making a penny because they really do put a lot into it!

Of course, they always touch on a few big media items such as government and religion, that the boys are always more than welcome to slay and befoul on stage and spray gallons of blood and other bodily fluids on to the audience. From a decapitated priest to Blothar ejaculating on the crowd, it was a wet floor, to say the least!

   

 

It was the same day as the show that the heart-wrenching news surfaced about guitarist Michael Derks, best known to the world as Balsac the Jaws of Death. I had noticed from the get go that he wasn’t on stage. So, just kind of assumed that with the recent medical news that maybe he had decided to take the rest of the tour off…I was wrong. It must have been the third song that Balsac made his stage presence, and what a crowd response he was given, and seemed as if he really played his heart out that night.

                                                      
GWAR played for over an hour and a half. For these aging gentlemen, those costumes, props, lighting, stage theatrics and pure energy, I’ve got to give them credit cause most of the people in the crowd were winded. The last song came around, and how suiting, it was a cover of AC/DC’s If You Want Blood. Not only did they do a great job of the song, they also did a great job of making a complete mess of the venue and everyone that was in it! If you were one of the fortunate ones who hadn’t got spewed or gutted on, you were about to! I honestly don’t think there was a dry place in the club by the end of the song.

As I mentioned earlier, my wife had never seen GWAR before. When they came on stage she and I got split up, I went up to the stage to take photo’s and she went front and center stage in the crowd with old friend of mine who catches them every time they roll into town with his daughter no less. So the band exited the stage, house lights came on, ..and they were, the three of them, all blue and red and I do mean from head to toe soaked in stage spray! The smile on my wife’s face was priceless, she had been GWAR’d!!

GHOUL and GWAR thank you both for the passes and thank you both for such a great show, you guys are the goods!!

Visit Gwar on their website and see all the great things you’ve been missing: Gwar-Official Site of the Gods also check out the almighty and amazing GHOUL on their official site..I’m telling you this band is something to look out for. Ghoul-Official site!

                                                                    
Keep it Evil

Posted by John Roisland in EVENT REVIEWS, MUSIC REVIEWS, REVIEWS, 0 comments
TRIBUTE: GEORGE A. ROMERO (1 of ?)

TRIBUTE: GEORGE A. ROMERO (1 of ?)

Remembering George A. Romero

George A. Romero, as many of you know by now, passed on Sunday, July 16, asleep in his own bed. Romero had a small but aggressive bout with cancer, but that is said not to be the cause of his death. Romero was 77.
When one thinks of zombies these days, sadly, most think of The Walking Dead and believe this to be the greatest zombie representation in film (or TV). Not to take anything away from the abundance of talent that goes into making TWD, but if you were to ask its main man Greg Nicotero who he himself was inspired by (as well as any true horror and or zombie fan) and who is the master and father of the modern zombie, you'll get the same answer from them all. That name would be legendary filmmaker George A. Romero.
George A. Romero was born in New York City in 1940. After graduating school, George made many short film and did some commercial work as well. He and friends formed IMAGE TEN PRODUCTIONS where they all chipped in about $10,000.00 each to produce and direct a black and white horror film that became an instant horror classic and a legend among all zombie film to ever be made: Night of the Living Dead (1968).
Romero went on to write, direct, produce, and even act in more than a combined 78 films. Films titles such as The Crazies (2010/1972), Diary of the Dead (2007), Night of the Living Dead 3D (2006), Land of the Dead (2004), Creepshow (1982), Dawn of the Dead (1978), and many more.
George A. Romero was always known for his trademark thick rimmed black frame glasses and safari vest. But, more so, was always known for being a warmhearted man who always cared and took the time for his fans. I personally wasn't fortunate enough to have met Romero at any of the conventions that he had attended as a celebrity guest, but I always heard from those who did that he was a very personable and kind man.
The legendary horror/zombie films that Romero made in his lifetime were inspiring to future filmmakers and loved by audiences across the globe. Romero's Night of the Living Dead became the standard for all other zombie films. All, in some way, seemed to be compared to that of Romero, but none ever seem to make the same impact. While Romero's films were always full of great gore, blood, and BRAINS(!!!!), the films always had great stories. They were always driven by characters whose main goal was to survive among the dead for their life. And it always worked!
Mr. Romero, you have been inspiring, admired, respected, loved, and now, most of all, missed.
On behalf of myself, John Roisland, founder and CEO of House of Tortured Souls, thank you, sir, for all the memories you have given to all of us.
Keep It Evil.
Posted by John Roisland in EDITORIALS, TRIBUTE, 0 comments
Mayhem Poster Promises a Bloody Good Time

Mayhem Poster Promises a Bloody Good Time

Mayhem, the upcoming horror movie from director Joe Lynch, just released a bloody, amazing poster. Mayhem stars Steven Yeun (The Walking Dead) and Samara Weaving (Ash vs Evil Dead). This movie follows Steven, who stars as Derek Sanders, as he not only has to find a new job after being fired for the law firm he works at, but also has to fight off his newly infected, impulsive co-workers, after a virus has infected the office.
Joe Lynch has also directed such movies as Wrong Turn 2: Dead End, Knights of Badassdom, and Everly. Judging on his past films, Mayhem looks to be like another fun, yet horrifying adventure. Mayhem premiered at the SXSW Film Festival.
Mayhem / Fair use doctrine.
Posted by Alan Smithee in HORROR NEWS, 0 comments