Chris Alexander

Chris Alexander is no stranger to the horror genre and this year he has not one but two projects in the works. The massively talented former editor-in-chief of Fangoria Magazine stopped by to give me the skinny on his two latest projects and what fans can expect.

Chris Alexander - Space Vampire (2018)Space Vampire (2018)
Director: Chris Alexander; Writer: Ali Chappell; Star: Ali Chappel; Rating: UNK; Run Time: UNK; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: An alluring space alien falls to earth with the mission to drain women of their life energy making her unstoppable. This film wonderfully harkens back to surreal dreamscapes of Rollins with a dash of Hopper’s Lifeforce for good measure.

Chris has this to say about the project:

Space Vampire is my fifth feature and once more functions as a vessel for both my music and my obsessions with more dreamlike, psychological and experimental strains of horror cinema, specifically the personal, meandering works of Rollin, Franco, and Herzog. Rollin especially, with his fixation on tragic female vampires. This picture takes its title nod from Colin Wilson’s novel The Space Vampires, which was, of course, adapted for the screen as Tobe Hooper’s Lifeforce but the movie itself is more informed by films like Under the Skin and the opening stretches of The Man Who Fell from Earth. I love the idea of following unnatural characters lost in familiar landscapes, almost child-like and driven by whatever addiction they are chained to. I make these movies for me and all my movies are – for better or worse – interconnected by theme, mood, style, sound.

And when asked what stage it’s in, he added:

I’m still editing. Its very abstract. But I am getting the “feel” of it….finding the rhythm.

Chris Alexander - Underneath An Anthology of Terror (2018)Underneath: An Anthology of Terror (2018)
Directors: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Writers: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Stars: Brent Baird, Nicholas Koy Santillo, Nichole Kawalez, Ali Chappell, Colin Bailey, Rebecca Kilburn, Tammy Stewart, Mike McMurran, Joshua Kuchma; Rating: UNK; Run Time: 95 min; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: In the vein of Creepshow and the more recent VHS series comes Underneath an anthology featuring five exciting voices in the horror genre.

I always love a good horror anthology and Chris, along with other talents – including Andre Becker, Cory Ivanchuk, and John Nicol, are sure to conjure up some fun and scares. Chris had this to say:

Underneath is the new anthology feature from my good friend and colleague John Nicol. Similar tastes in more abstract cinema. So when he asked me to contribute a segment I agreed. My short is really about how we have perverted our connection to the natural world with endless distraction and illusion. It’s about a woman becoming undone by the fixation on finding “nature”. She eventually regresses fully to an animal state. So, in the context of the short, it is a happy ending! Unsure what John will be doing release wise with Underneath but Space Vampire is the second film from my Castle Films imprint that I operate with filmmaker David DeCoteau, creating more artful and expressive micro-budget genre films.

I for one am very excited for both of these films and will be eagerly awaiting them later this year. Of course, I like to give a huge thank you to Chris Alexander for taking the time to talk to chat about his amazing new projects.

Gruesome Twosome: An Exclusive on Chris Alexander’s Two Upcoming Features

Gruesome Twosome: An Exclusive on Chris Alexander’s Two Upcoming Features

Chris Alexander is no stranger to the horror genre and this year he has not one but two projects in the works. The massively talented former editor-in-chief of Fangoria Magazine stopped by to give me the skinny on his two latest projects and what fans can expect.

Chris Alexander - Space Vampire (2018)Space Vampire (2018)
Director: Chris Alexander; Writer: Ali Chappell; Star: Ali Chappel; Rating: UNK; Run Time: UNK; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: An alluring space alien falls to earth with the mission to drain women of their life energy making her unstoppable. This film wonderfully harkens back to surreal dreamscapes of Rollins with a dash of Hopper’s Lifeforce for good measure.

Chris has this to say about the project:

Space Vampire is my fifth feature and once more functions as a vessel for both my music and my obsessions with more dreamlike, psychological and experimental strains of horror cinema, specifically the personal, meandering works of Rollin, Franco, and Herzog. Rollin especially, with his fixation on tragic female vampires. This picture takes its title nod from Colin Wilson’s novel The Space Vampires, which was, of course, adapted for the screen as Tobe Hooper’s Lifeforce but the movie itself is more informed by films like Under the Skin and the opening stretches of The Man Who Fell from Earth. I love the idea of following unnatural characters lost in familiar landscapes, almost child-like and driven by whatever addiction they are chained to. I make these movies for me and all my movies are – for better or worse – interconnected by theme, mood, style, sound.

And when asked what stage it’s in, he added:

I’m still editing. Its very abstract. But I am getting the “feel” of it….finding the rhythm.

Chris Alexander - Underneath An Anthology of Terror (2018)Underneath: An Anthology of Terror (2018)
Directors: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Writers: Chris Alexander, Andre Becker, Cory Ivanchuk, John Nicol; Stars: Brent Baird, Nicholas Koy Santillo, Nichole Kawalez, Ali Chappell, Colin Bailey, Rebecca Kilburn, Tammy Stewart, Mike McMurran, Joshua Kuchma; Rating: UNK; Run Time: 95 min; Genre: Horror; Country: USA; Language: English; Year: 2018

Plot: In the vein of Creepshow and the more recent VHS series comes Underneath an anthology featuring five exciting voices in the horror genre.

I always love a good horror anthology and Chris, along with other talents – including Andre Becker, Cory Ivanchuk, and John Nicol, are sure to conjure up some fun and scares. Chris had this to say:

Underneath is the new anthology feature from my good friend and colleague John Nicol. Similar tastes in more abstract cinema. So when he asked me to contribute a segment I agreed. My short is really about how we have perverted our connection to the natural world with endless distraction and illusion. It’s about a woman becoming undone by the fixation on finding “nature”. She eventually regresses fully to an animal state. So, in the context of the short, it is a happy ending! Unsure what John will be doing release wise with Underneath but Space Vampire is the second film from my Castle Films imprint that I operate with filmmaker David DeCoteau, creating more artful and expressive micro-budget genre films.

I for one am very excited for both of these films and will be eagerly awaiting them later this year. Of course, I like to give a huge thank you to Chris Alexander for taking the time to talk to chat about his amazing new projects.


Posted by Mike Vaughn in COMING SOON, HORROR NEWS, STAFF PICKS, 0 comments
WiHM Interview: The Inimitable Barbie Wilde

WiHM Interview: The Inimitable Barbie Wilde

Woofer here, Souls, and it’s my great pleasure to introduce this interview. When discussing Women in Horror Month with my assistant editor Spencer, we decided that as fans of Hellraiser – both as the Books of Blood and the film franchise – we would be completely remiss if we didn’t reach out to Barbie Wilde. Being both talented and gracious, she consented to be interviewed and is our final focus for Women in Horror Month.

Barbie Wilde - Female Cenobite Hellbound: Hellraiser II (1988)

Well, that’s enough of my yammering. You’re all here to find out more about the lovely, talented, and kind Barbie Wilde, so keep on reading.
House of Tortured Souls: Did you ever think you would become a horror icon?
Barbie Wilde: I never did… And it’s a bit ironic that I nearly didn’t go to the audition for Hellbound Hellraiser II, because I found the first Hellraiser film so disturbing. (Although I did love the character of Julia. I’m a sucker for obsession! And the Cenobites were such original and unusual monsters.)
However, I’ve very glad that I did go, obviously. Being in Hellbound was a great experience and, speaking as a short blonde person, I’m truly thrilled that I’ve managed to scare so many people over the years.
HoTS: What is your favorite memory from working on Hellraiser II?
BW: Meeting Ken (Dr. Channard) Cranham for the first time. I walked up to him in full Female Cenobite makeup and costume, when he was in full Channard Cenobite makeup and costume — and on the phone to his wife as well! For some reason known only to the infernal powers below, I said: “Hi Ken, I’m Barbie. Do you want to get married and have babies called Pepper and Skipper?”
Why I thought that this was an appropriate way to introduce myself for the first time to such a venerable actor as Ken, I don’t know. Especially since he was English and had no idea that there were these famous American dolls called Barbie, Ken, Pepper and Skipper. (In Britain, the Barbie Doll equivalent is called Cindy.) In my defense, I do say this line to every “Ken” I meet, because for some strange reason, I think it’s hilarious.
Anyway, Ken was gobsmacked and whispered to his wife, “Darling, an actress is talking to me… I’ve got to go.” I apologized profusely and we’ve been good friends ever since.

The Lovely Barbie Wilde

HoTS: What was it like working with Tik and Tok?
BW: The years with Shock in the early 80s were fantastic. It was the most fun that I’ve ever had as a performer. Working with Tik and Tok was wonderful, as well as performing with Robert Pereno, LA Richards, and Carole Caplin. The high point for us was supporting Gary Numan at Wembley Arena, but we also toured with Depeche Mode and supported Ultravox as well.
HoTS: Who are some of your greatest influences?
BW: As a writer: Rod Serling, Patricia Highsmith, Clive Barker, Hemingway, Raymond Chandler, Colin Wilson.
Directors I admire are: Guillermo Del Toro, Hitchcock, Ridley Scott, the Soska Sisters, Ann Biller, Katherine Bigalow, Mary Harron, Agnieszka Smoczynska, Patty Jenkins.

Barbie Wilde's Blue Eyes - A Film By Chris Alexander

HoTS: How do you prepare for a role? Is it different for each?
BW: I approach each role in a new way. I don’t use any particular “method”. I’m very intuitive and I take a lot from the text…
HoTS: Why horror? What drew you to it?
BW: To be honest, I didn’t choose horror, horror chose me! I had moved from acting into presenting, writing and hosting TV shows when I was cast in Hellbound. It was my first horror movie. (Although I suppose being in Grizzly II: The Concert (1983) was my first appearance in a horror movie, but it was never released.)
It’s interesting, because until Paul Kane asked me to write a story for the Hellbound Hearts anthology, I was more interested in exploring the criminal mind in writing novel like my diary-of-a-serial-killer novel, The Venus Complex (published by Comet Press), than writing horror. But I had so much fun writing my Female Cenobite origin story (“Sister Cilice”) for Hellbound Hearts, that I continued writing horror, contributing short stories to various horror anthologies over the years, culminating in my illustrated, full color, short horror story collection, Voices of the Damned (published by SST Publications).

The Venus Complex (2012) by Barbie Wilde

Saying that though, I’ve always watched horror movies, ever since I was a kid, especially Sci-fi horror. Those films really shaped my twisted imagination! And TV shows like The Twilight Zone and The Outer Limits also made a big impression on me.
HoTS: What are your favorite horror films?
BW: I love the old black and white horrors like: The Thing From Another World (1951), Invasion of the Body Snatchers (1956), The Innocents (1961), The Haunting (1963) and Night of the Demon AKA Curse of the Demon (1957). I also like visceral horror such as Carpenter’s The Thing (1982) and Alien (1979). Other favorites are: American Mary (2012), Sinister (2012), Audition (1999), The Lure (2015), Cronos (1993), Mimic (1997), Crimson Peak (2015), etc. (I’m really looking forward to seeing The Shape of Water and the Soska Sisters’ reimagining of Cronenberg’s Rabid.)
HoTS: What drew you to writing? Do you prefer it to acting?
BW: I’ll always love acting, but now I prefer creating my own worlds, my own characters and my own mythologies.
HoTS: When did you realize that you wanted to dive into the arts?
BW: I was a very shy kid, but when I was cast in a school play when I was 12, I was hooked forever. People were laughing with me, rather than at me. I loved it.

Voices of the Damned (2016) by Barbie Wilde

HoTS: What is something outside of art that you’re passionate about?
BW: Wine… Margaritas… Martinis… you see a pattern here? Actually, those are just hobbies! Seriously, I’m fascinated by archeology (it was my Minor at University) and I love what’s happening in the world of science with all the innovations that are happening, medical discoveries, etc. And I’m a tech geek. I never would have guessed that I’d love gadgets so much. I suppose it’s the Star Trek fan in me!

Barbie’s books and other works:

Out now:

Voices of the Damned, an illustrated short horror story collection published by SST Publications. (Publishers Weekly: “…sensual in its brutality.” “…a delight for the darker senses.”) Each story is illustrated in full color by top artists in the horror genre, such as Clive Barker, Nick Percival, Daniele Serra, Vincent Sammy, Tara Bush, Steve McGinnis, Ben Bradford and Eric Gross.

Barbie Wilde - Female Cenobite with knife in Hellbound: Hellraiser II (1988)

The Venus Complex, Barbie’s debut dark crime, diary-of-a-serial-killer novel, published by Comet Press. (Fangoria: “Wilde is one of the finest purveyors of erotically charged horror fiction around.”)

In pre-production:

A feature length horror film called Blue Eyes, based on a short story by Barbie. It’s co-written with Chris Alexander (Blood for Irina, Queen of Blood, Female Werewolf, Blood Dynasty, Space Vampire) and will be directed by Chris. Starring Nivek Ogre of Skinny Puppy.

Work-in-progress:

Film Script: “Zulu Zombies”.
New real life horror novel, working title: The Anatomy of Ghosts.

Plans for the future:

To find a publisher for graphic novels based on Barbie’s short stories “Sister Cilice” and “Zulu Zombies”.

The Offer (2017) - Barbie Wilde

In 2017, Barbie returned to acting after 17 years in The Offer, the first episode of the horror series, Dark Ditties, produced by Cult Film Screenings.

Barbie Wilde Social Media:

Barbie Wilde - Classic Beauty

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
Fangoria Fires Michael Gingold

Fangoria Fires Michael Gingold

Michael Gingold:
End of an Era

By Woofer McWooferson
Michael Gingold

Image: Lightanddark.net

Since 1979, Fangoria magazine has serving up horror news to fans of the genre, and since 1988, Michael Gingold has been part of the Fangoria team. In September 2015, Editor-in-Chief Chris Alexander chose to part ways in order to pursue his film career, and in October longtime Fangoria managing editor Michael Gingold was tapped to replace him. On May 25, 2016, however, Fangoria announced that it fired both Editor-in-Chief Michael Gingold and art director Bill Mohalley, leaving fans of the magazine scratching their heads and sending ripples throughout the horror community.

According to Ken W. Hanley, the new Editor-in-Chief:

I’m sad to say that Michael Gingold is no longer a part of FANGORIA Magazine. For many of you, this may not be news, as FANGORIA’s parting of ways with Mike became public yesterday, and to see the tremendous outpouring of support among the horror community assures this writer that Mike will move on to bigger, bolder, and brighter things. Honestly, I was hoping for Mike to say farewell personally, on his own terms, to the horror audience he served for decades, and that option is still available, should he choose to do so.

Furthermore, FANGORIA also parted ways with longtime art director, Bill Mohalley, whose designs and masterful work have lead to all the iconic covers, spreads and artwork that fright fans have come to know and love. This writer personally hopes for the best for both Mike and Bill during this time.

Hanley suggests that these firings were long in the making even though fans of Fangoria were blindsided. The backlash has been intense, and the move has drawn criticism from Guillermo del Toro and others in the horror industry.

Gingold - Guillermo del Toro

Translation: Without Michael Gingold, there would be no Geometria, and without Geometria, there would be no Guillermo del Toro catalogue of films.

Adrian Garcia Bogliano, writer/director, ABCs of Death:

Gingold - Adrian Garcia Bogliano

Glenn Kenny, writer/critic, New York Times:

Gingold - Glenn Kenny

Alex Winter, actor, writer, Freaked (1993):

Gingold - Alex Winter

Soska sisters, filmmakers, American Mary (2012), See No Evil 2 (2014):

Gingold - Soska Sisters

Ted Geoghegan, producer/writer, We Are Still Here (2015):

Gingold - Ted Geoghegan

Hanley continues, assuring Fangoria readers that the magazine will be both different and the same:

I would like to be clear about one thing, though: FANGORIA will never be the same without Mike’s presence and influence in the magazine. This writer will not try to mirror Mike’s accomplishments from his 28 years with FANGORIA, nor could I if I even wanted to. But what this writer does promise as Editor-in-Chief will be a different kind of FANGORIA altogether; something timeless, new, and unique yet building on the legacy of what made FANGORIA so notable in the past.

FANGORIA will still be dedicated to giving independent horror filmmakers, authors, game designers, and FX artists the showcase they deserve. In this next phase of FANGORIA, this writer hopes to revive the art of FX preview pieces, which has since been lost in the age of studio embargoes and CGI, and make them integral to each ensuing edition. And I want to hear more voices in the world of FANGORIA, print, web or otherwise, especially from the endless stream of brilliant female writers as well as writers of color, both of whom offer a perspective on the genre that I couldn’t possibly imagine.

It remains to be seen what type of job Hanley will do, but one thing is certain: With Gingold's departure, we have seen the end of an era.

Posted by Alan Smithee in HORROR NEWS, 1 comment