Drew Barrymore

Netflix Announced ‘Santa Clarita Diet’ will not be renewed

Netflix Announced ‘Santa Clarita Diet’ will not be renewed

All good things cannot last forever and eventually has to end at some point. There has been news circling that Netflix is pulling the plug on Santa Clarita Diet, so there goes the theory if a fourth season happens. The third season of Santa Clarita Diet which stars Drew Barrymore, Timothy Olyphant, Liv Hewson, and Skyler Gisondo has been up and running, and sadly that is the last we will see. 

Leaving us, the third season shows Sheila (Barrymore) and Joel (Olyphant), two realtors who live in the suburbs of LA, they seem like an average couple, but Sheila is a zombie. This season Sheila asks Joel to convert so they can live together forever. Meanwhile, their daughter Abby (Hewson) and her friend Eric (Gisondo) fight to stay off the FBI’s radar after blowing up the site from last season. 

With all the zombie humor coming to an end, we will miss you Santa Clarita Diet.

 

Posted by Sarah Gregory in CAST AND CREW NEWS, GORE OR EXTREME HORROR, HORROR COMEDIES, HORROR NEWS, MONSTERS AND CREATURES, MOVIE REVIEWS, REVIEWS, SERIES REVIEWS, STAFF PICKS, WOMEN IN HORROR, ZOMBIES, 2 comments
HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Ten – 10/10/18

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Ten – 10/10/18

10/10 – 1996: SCREAM/FROM DUSK TILL DAWN

1996…It was a draw for me; too tough to narrow down the list of all the great flicks I had to choose from. I finally managed to whittle it down to two: SCREAM, and FROM DUSK TILL DAWN, and even then, I just couldn’t bring myself to choose between them. Both are as important and influential to the genre during this time, yet both are certainly unique: one redefined what fans had thought of the teen slasher genre, while the other took vampire lore to a whole new place unconsidered up to that point.

Legendary director WES CRAVEN had always been an innovator of modern horror, re-establishing himself in several sub-genres over the course of many decades. With LAST HOUSE ON THE LEFT, THE HILLS HAVE EYES, A NIGHTMARE ON ELM STREET and THE SERPENT AND THE RAINBOW, he’d done things that most directors in the field never achieve over the course of their entire careers. So when he was looking for the next big thing, he wasn’t even considering sticking with horror, when he crossed paths with a brilliantly subversive script by DAWSON’S CREEK scribe KEVIN WILLIAMSON; a nicely-nasty little number called “SCARY MOVIE”, which was soon to beretitled…SCREAM.

Snarky, self-reverential, almost to the point of being a bit too “nudge-winky” at times, nevertheless, SCREAM never once forgot to bring the laughs, the scares AND the gore in ample supply.  A slasher of teens begins to decimate the youth population of the little bedroom community of Woodsboro, but if that wasn’t bad enough, said killer seems to be every bit as smart as the “Scooby Gang wanna-be” group of horror-loving kids, who soon realize that their stalker not only knows the ‘rules of horror’ as well as – if not  better than they do, and he’s not only using the playbook to take them out one-by-one, but he (or she?) is even bending and changing the rules! Much like Williamson’s TV creation, the cast couldn’t have been more suited as an ensemble, even though the standout was DREW BARRYMORE, if only for the mere fact that she pulls a “Janet-Leigh-in-PSYCHO” on the audience in the first few moments of the film – a shock that has since become legendary, even though people still remember where the idea came from!

NEVE CAMPBELL, SKEET ULRICH, ROSE MCGOWAN, JAMIE KENNEDY, MATTHEW LILLARD, W. EARL BROWN, LIEV SCHREIBER, COURTNEY COX and DAVID ARQUETTE (who married and divorced over the course of the franchise); JOSEPH WHIPP (who could’ve been playing the same character from A NIGHTMARE ON ELM STREET – and probably was!), plus unexpected cameos from LINDA BLAIR and HENRY WINKLER going way out-of-typecasting as an asshole of a principal…It didn’t get any better than this! Plus Craven’s direction, with tongue firmly-in-cheek the entire time, could have you rolling your eyes and chuckling one minute, and yes, SCREAMING the next! This film helped usher in a new age, where the movie and the characters were as smart – if not smarter than the audience that eagerly made SCREAM a box office smash!

Meanwhile, thanks to buddy and sometime collaborator QUENTIN TARANTINO, cinematic ‘one-man-band’ ROBERT RODRIGUEZ was having fun playing “Dr. Frankenstein”, by smashing two unexpected sub-genres together, if not three: serial killers, true crime…and vampires.  FROM DUSK TILL DAWN is the kind of film you never expect…until it bops you upside the head from seemingly out of nowhere!

The notorious Gecko brothers, handsome and sarcastic Seth (GEORGE CLOONEY) and ‘quiet, reserved’ Richard (no less than TARANTINO himself) are cutting a swath of robbery, assault and murder across the Southwest.  The “murder” part of their spree is owed mostly to Richard, who just can’t curb his impulses to kill and rape people. Well, to be a bit more specific, he kills and rapes womennot the men, let’s be clear on that (as Richard would probably say himself.)

Their antics – but especially Richard’s body count – has made it necessary to hotfoot it South of the Border, and maybe lay low somewhere in Mexico, until things die down…If they do. Along the way, as they change vehicles, they hijack an RV and the vacationing family inside it and skip town.

The intent was to just keep on going until they reached their objective, but all that changes when they make a fateful detour to a truck stop on the way.  But not just ANY truck stop: The “TITTY TWISTER.” A blood-and-guts dive that definitely lives up to its name…in more ways than one. And its hours of operation are…well, you know the title.

The bar has some of the most gorgeous dancing girls you ever saw, but they’re all woofers compared to the luscious, insanely beautiful main attraction, a hypnotic dancer who goes by the name of ‘SANTANICO PANDEMONIUM’.  No one into women could possibly resist her, and all men should, as Seth and Richard quickly discover, along with the rest of the hapless ‘Twister’ patrons, when the girls, the bouncers, the bartenders, everyone who ‘works’ there, finally reveal their true faces.  They’re all flesh-and-blood hungry vamps, and less the TWILIGHT variety than the FRIGHT NIGHT kind.

Rodriguez knew exactly what the fans wanted from Quentin’s script, and together, they sure gave it to us…stylish, sensual, sexy and soaked in red. And the Tarantino/Rodriguez combo attracted a cast that was instant boxoffice catnip, right down to the cameos: HARVEY KEITEL, JULIETTE LEWIS, FRED WILLIAMSON, TOM SAVINI; the stunning SALMA HAYEK as “SANTANICO”; everybody’s favorite badass, DANNY TREJO, plus CHEECH MARIN, MICHAEL PARKS, JOHN SAXON, KELLY PRESTON, MARC LAWRENCE; even a special appearance by Robert’s favorite “Hell House band”, TITO AND TARANTULA…Hell, you just knew that if he wasn’t already starring in it, Quentin would have probably directed this one, too!

The “Titty Twister” sequences – especially the gore-soaked fight scenes – are now a thing of legend, (check out Savini’s “special weapon” and the reason why his character’s nickname is “Sex Machine”!) and the closing shot is as breathtaking as any iconic final scene from the best and most unforgettable horror films, (I’d compare it for impact to the last shot of THE BLAIR WITCH PROJECT; in fact, DAWN’S final shot is probably a tad better.)

But for thrills, chills and maximum blood spills, whether you’ve seen these movies a hundred times or not even once…you can’t go wrong with these choices for a monumentally successful Halloween Night of Frights!

Posted by Samuel Glass in EDITORIALS, FEATURED CONTENT, GORE OR EXTREME HORROR, HALLOWEEN, MONSTERS AND CREATURES, OPINION, SATANIC/DEMONIC, SLASHERS AND BAD HUMANS, THRILLER, TRIBUTE, VAMPIRES, 0 comments
DREW BARRYMORE: From Child Star to Cannibalistic Leading Lady

DREW BARRYMORE: From Child Star to Cannibalistic Leading Lady

Drew Barrymore with General from Cat's EyeDrew Barrymore has spent her life in front of the camera in a variety of roles but is especially known with genre fans in recent times for her portrayal of Sheila Hammond in two series the Netflix show The Santa Clarita Diet.

Barrymore’s first role was uncredited in a made for television movie Suddenly, Love in 1978 (when she was merely two years old and played a baby boy named Bobby).

Drew BarrymoreIt wouldn’t be until two more years late, in 1980, that Drew would play Margaret Jessup in Altered States, which was also the debut film for William Hurt. Altered States reflected a disturbingly surreal element of humanity and was more psychological than horrifying.

A year later Barrymore hit the big time, starring as the adorably lovable Gertie in Steven Spielberg’s E.T -The Extra-Terrestrial. E.T. was a huge success and grossed nearly half a billion dollars at the box office and was the highest-grossing film of 1982, cementing Barrymore as quite an in-demand child star.

Drew Barrymore in FirestarterIn 1984 Barrymore scored the coveted role of Charlene “Charlie” McGee in the big screen adaptation of Stephen King’s novel Firestarter, playing the film’s pyrokinetic lead. Starring alongside industry heavyweights George. C. Scott and Martin Sheen, Barrymore dominated her screen time and delivered a powerful performance of a young girl driven by her love for her father.

A year later Barrymore would star in yet another Stephen King adaptation, in the anthology film Cat’s Eye. King reportedly wrote the screenplay with Barrymore in mind for the role as she had impressed producer Dino De Laurentiis with her work a year earlier on Firestarter.

Drew BarrymoreThrough the rest of the 80s, Barrymore played parts in shows such as Amazing Stories, The Ray Bradbury Theatre, and CBS Schoolbreak Special. It wasn’t until 1989 when Barrymore was 14 that she returned to genre films with the serial killer thriller Far From Home, as Joleen  Cox. The film was a flop, despite the fact it featured some horror alumni such as Richard Massur (IT), Jennifer Tilly (Bride Of Chucky), and Matt Frewer (The Stand).

This seemed like a decline in Barrymore’s career until three years later when she would star in the seductive 1992 Katt Shea thriller Poison Ivy. As Ivy, Barrymore befriends Sylvie Cooper (played by Sarah Gilbert) and seduces Sylvie’s father Darryl (Tom Skerritt). Barrymore delivered a sultry and fragile performance as the film titles vixen and regained her hold on Hollywood, yet again being seen as a talented actress.

Drew BarrymoreFollowing the success of Poison Ivy (which would spawn three sequels since), Barrymore appeared in Waxwork II: Lost in Time, Sketch Artist, Guncrazy, and No Place To Hide in 1992.

In 1993 Doppelganger was released. Barrymore played Holly Gooding, a young woman with a strange double. It wasn’t as successful as hoped, but has since become popular with fans.

Later that year Barrymore would play Long Island teenager Amy Fisher, in The Amy Fisher Story – based on the true story of a teenager who shot her adult lover Joey Buttafuoco’s wife. The film was well received at the time, and Barrymore praised for her portrayal of the wayward teen and the crime that shocked the world.

For the following years, Barrymore took more romantic roles and in 1995 even appeared as Sugar in Batman Forever, one of the villain Two-Face’s (played by Tommy Lee Jones) girlfriends.

However in 1996 came a pivotal moment in Barrymore’s career, taking on a role as a victim called Casey Becker rather than the lead she was originally offered. In Wes Craven’s/David Williamson’s Scream, Barrymore’s role became as infamous as Janet Leigh’s in Hitchcock’s Psycho 36 years earlier and has since been part of one of Horror’s most memorable on-screen deaths for over two decades since.

Drew Barrymore in ScreamFrom Scream, Barrymore took more light-hearted roles – for which her fans adore her- in films such as The Wedding Singer, Ever After, and Home Fries.

It was in 1999 that Barrymore launched her production company Flower Films and their first film Never Been Kissed (which reunited her with former Doppelganger co-star Sean Whalen – known as Roach from The People Under the Stairs – and Scream co-star David Arquette) was released.

Drew BarrymoreIn 2001 she returned to the genre in Donnie Darko as Karen Pomeroy. The sci-fi/thriller film still has fans divided to this day over the interpretation of what it means.

Following commercial success with the Charlie’s Angels film reboots and a dramatic role in Driving in Cars With Boys, Barrymore has built her career for the last decade primarily in producing films and starring in romantic and dramatic roles.

Drew BarrymoreIn 2017 Netflix released the first series of The Santa Clarita Diet. The show is a horror comedy, about the strange death of Sheila Hammond. However Sheila isn’t quite dead, she’s undead and has a hankering for human flesh. It is up to her husband Joel (Timothy Olyphant), daughter Abby (Liv Hewson) and their young neighbor Eric (Skyler Gisondo) to help figure out how Sheila became what she now is and try and change her back to normal.

The show has run for two seasons already and confirmation for series three has been announced. Fans are enjoying the dark humor and balance between the comedy itself and grotesque gore. It has been an enjoyable and hilarious show to watch and personally a great reintroduction to genre fans for Barrymore’s skills as a comedienne and her abilities within the genre.

Drew Barrymore and Timothy Olyphant in Santa Clarita Diet

Posted by Michelle MIDI Peifer in REVIEWS, STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM: Celebrating Women In Horror Month with Katt Shea

WiHM: Celebrating Women In Horror Month with Katt Shea

With a career as long as your arm and a keen investment in varied genres, Katt Shea has been a popular female actress and filmmaker to film fans for nearly forty years.

Her first acting job on screen was as Rita in the TV movie The Asphalt Cowboy in 1980, and from then on, she acted in films like My Tutor, Scarface, Preppies, and Psycho III.

Stripped to Kill (1987) Written and directed by Katt SheaIn 1987, Shea then stepped behind the camera and became the writer (alongside Andy Reuben) and director on her first film Stripped To Kill (which got a sequel two years later with Stripped To Kill 2: Live Girls). Stripped To Kill was a dramatic crime horror focused on the investigation of the death of a girl in a strip club and one detective’s need to go undercover as a stripper to solve the crime. It has an oddly beautiful mix of stripping and crime solving for the fans of 80s films.

She continued her directing career with another film about the world of strippers with the vampiric romp, Dance of the Damned and Streets (a film about runaways in Venice being hunted by a psychotic cop).

Dance of the Damned (1989) Written and directed by Katt SheaIn 1992, Shea would become an even bigger name worldwide, with the release of her popular sexual thriller Poison Ivy. The film starred Hollywood child darling Drew Barrymore (now nearly a young woman) alongside the likes of Tom Skerritt, Sara Gilbert, and Cheryl Ladd. The film focused on a sexually alluring femme fatale, her friendship with another confused young woman, and the lengths she will go to to have anything she desired.

Poison Ivy was so popular with audiences, it spawned three sequels with heavy female influences on either the script or direction each time.

Following the success of Poison Ivy, Shea’s next project was co-writing and directing the low budget Roger Corman produced made-for-television film Last Exit To Earth. This was a film, amidst their formidable friendship and filmmaking career and Corman has even stated in the past when interviewed regarding Shea:

She is a talented director. She’s particularly good with actors, having been an actress herself. She’s taught herself about the camera and has gotten better with each picture.

Streets (1990) Written and directed by Katt SheaThree years later, however, horror fans were treated to the fun and meaningful film Carrie 2: The Rage.

Shea directed this enjoyable teen follow up to De Palma’s 1976 adaptation of Stephen King’s Carrie. The film even starred Amy Irving, who returned as Sue Snell for the second time and introduced the impressive Emily Bergl in her first film role.

Though Carrie 2: The Rage received mixed reviews, personally (as a fan of adaptations of King’s books) I can appreciate this film more than the 2002 remake with Angela Bettis.

Since beginning her career, Shea has always impressed others with her kindness and care. This has led to her career as an acting coach and has made a lucrative career as such by helping prepare new as well as established actors for roles within the industry. She has continued to sometimes make and act in films over the years and never regrets a moment of it.

The Rage: Carrie 2 (1999) / Kate Shea as the Deputy DA

I like every single film I’ve ever made , I really do. Other people call them exploitation films, but to me what I was doing was never exploitative. I always had a strong point of view about my intention; it was never just to make money or to titillate or to horrify. I always had my purpose and I made those movies myself. I can’t imagine sitting around and trying to piece together elements that I think other people want to see. That would be so boring!
—Katt Shea

Katt Shea

Posted by Michelle MIDI Peifer in STAFF PICKS, WOMEN IN HORROR, 0 comments