Elvira

Spooky Empire Convention Orlando, Florida- House Of Tortured Souls

Spooky Empire Convention Orlando, Florida- House Of Tortured Souls

Over Halloween weekend I had the priveledge to travel to my first Spooky Empire convention in Orlando, FL and after my experience, it will be my last. Normally I do my best to let small quirks of a convention be swept under the rug since all conventions can’t be perfect, but this time I feel like it could of been handled better. 

Lets start with day 1. To park, it was over a man built ramp and parking directly at a lake, I wish I was exaggerating. To get into the building, I personally ordered my tickets back in July, and to have to wait in a will call line for 2 hours (some convention goers waited longer than that) to get my wristband only to walk back out of the doors to wait in another line to get in, was pure ridiculous in my opinion. The convention had a start time of 12 for VIP attendees and 1pm for general admission. In the main room it had every vendor and every guest, to which you can cover the vendors in an hour and unfortunately could not meet any of the guests until 5pm (which on a Friday is exceptional since most start at 5pm).

While walking in the building, there was already a line full of attendees waiting on the exclusive Elvira funko pop which was a disaster in itself (as told in Crypt Keeper Clint’s article). The funko line ran into Cassandra Peterson’s (Elvira’s) photo op line which resulted in an over crowded hallway making it unsafe and unbearable to get through. My first night I spent almost 4 hours waiting on a photo op which usually runs smooth and takes about 5-10 mins per person. The staff members were no where to be seen and the ones we could find did not seem to know much on what was happening. Communication was not on point all weekend long. 

Now comes Day 2. Parking was still the same situation, parking long distances and being carted by a golf cart only to have to wait in a very long line to get into the building. The only thing that they did correctly, was allow the ones who had a photo op and signing at 11 (which is when it opened for general admission) for The X Files cast go to the front of the line. Having autograph tickets and photo ops for Gillian Anderson and David Duchovny sell prior to the show was very smart on their behalf, however it was still very crowded in the halls and in the main room with waits still last for hours, which means they over sold it. The Q&A panels were more organized by having those wanting to attend wait in a taped line and then had us go as soon as each panel cleared out. 

Day 3, the final day, I wish to say that it was finally organized with it coming to an end but it was not. The only thing that finally had order to it was the Elvira funko pop line. They kept it hush hush and limited to how many each person were to have (2 a person) and there were a few volunteers in place to keep the line from getting out of hand, a system which actually went smoothly. Upon leaving early, there was nothing else that could be covered on Sunday.

The highlight of the con for me personally would consist of  The Sleepaway Camp girls photo op and seeing The Soska Twins and their never-ending hugs and passionate outpour of their gratitude to their fans. Usually at conventions I never have a chance to attend many panels, so attending Kathy Najimy’s (Hocus Pocus, Sister Act) and The Sleepaway Camp girls panel really was a highlight for me. It was also amazing to see how the chemistry between the Sleepaway Camp girls were for not seeing each other in 35 years. Katherine Kamhi(Meg) made her first con appearance and hopefully this will not be her last. The guests were great and were very grateful to each of their fans who were local and not local.

I have heard from various Spooky attendees that this is not how every con has been in the years, while that maybe true, this will be a last for me. 

Overall Grade: D-

 

Posted by Sarah Gregory in Categories, REVIEWS, 0 comments
HoTS Exclusive On The Elvira Funko Pop Mess

HoTS Exclusive On The Elvira Funko Pop Mess

Spooky EmpireFor those who attended Spooky Empire Con this past weekend (review of the show itself is coming tomorrow), there are two words that will make your blood curl. Elvira Pop.  By now, there are thousands of versions of what happened.  So what really did happen?  As strange as this sounds from an eye witness, I don’t think any one really knows.  Here is what we do know.  On October 15th, eleven days before the show, Spooky Empire and Elvira made an announcement that there would be an exclusive Halloween variant of her Funko Pop exclusively at the show.

Spooky Empre

I arrived at Noon on Friday and got in to the building at 2:30.  When I got inside, the line for the Elvira Pop looked like the outside of a Best Buy at 3 AM on a Black Friday.  There were fans who had allegedly camped out the night before to ensure their place in line.  The staff and volunteers announced they would begin selling the Pop at 4 PM.  This didn’t make a lot of sense because Elvira was scheduled for a costume photo op at 5:30 and I was told she would not be signing on Friday.  On a side note, the Pop line and the photo op line for Elvira nearly blended into each other and made for a giant mass of people in the hallway.  What happened next is where this gets really strange.

A little after 6 PM (maybe it was closer to 7, the day ran together on me and you will understand why), there was an announcement made by the staff that the Pops had not arrived in the building.  They “might” be there by 11 PM.  The Saturday allotment would also be delayed because they were stuck in Chicago.  From what I gathered from several people in line, they announced they would be selling the pop in the form of a ticket and the ticket would get you the pop.

Please note, this is hearsay, as I was in the photo op line for 80% of Friday night (not kidding).  They also announced that they were only selling X amount for Friday.  That meant several hundred people who had been spending hours (8 plus from several sources) in line would not be able to buy their pop.  This of course angered a LOT of people.   Things got physical allegedly and a mob mentality formed.  Apparently some Pops did arrive and be collected on Friday.  The whole issue was such a mess, Elvira herself (as her alter ego, Cassandra Peterson) addressed the issue on her social media.

Elvira, Mistress of the Dark

I did confirm that there are/were several of the Pops signed and unsigned going on eBay for several hundreds.  Is that illegal?  No, not exactly.  These re-sellers were able to find a loophole by buying the limit and then having their children wait in line too so they could buy the limit.  Do I agree with them?  I don’t, but it will happen no matter what.  This is what will always happen when an exclusive anything goes on sale somewhere.

Clint NarramoreQuietly, a final shipment did arrive on Sunday and the fans who were at the show were able to buy them and were limited to two until the shipment ran out.  Elvira did sign these (as included in the price).  The signed pop did not include her personalizing each one (and that is OK, because there were 400 people with one).  It was a giant mess all the way around for this exclusive Pop, limited to 1500.

So, who’s to blame?  That list is longer than the suspect list in 1963 of who killed President Kennedy.  There is so much blame here, I think almost all parties involved can share equal parts.  To her credit, Elvira/Cassandra is the ONLY one who addressed the issue.  To date, Spooky Empire, Funko or the company that failed to get the delivery on time have all been silent and I do not think that will change.

On social media, more than one person put out that Spooky Empire staff members were rude about the incident and told fans, they knew the risk when they came to the show.  Assuming this was in fact said, is there truth to there being a risk?  Of course.  Was that the most diplomatic way to handle this situation?  No.  A lot of people look bad.  There were memes and jokes over the weekend making fun of the situation.

This makes Elvira look bad as well.  But voicing my opinion from what I saw, I think she is the only one who does not need to take blame on this.  Elvira was not in charge of delivery or distribution.  Elvira agreed to have her likeness used and agreed to sign each on as a part of the price tag.  She could not pre-sign what did not arrive.  She was also the only one in this mess to address it instead of waiting for it to go away.

Now I know it is easy for me to sit here and write this after the fact.  Someone asked me how I would have handled this.  Spooky Empire HAD to know that this was going to get ugly.  If not, someone is asleep at the wheel.  I walked in on Friday, saw the line and immediately decided I was not going to wait in it.  I knew there were hundreds of people and most of them were going to take the max.  Here is what I think SHOULD have happened.

Spooky Empire and Funko knew how many Pops were allotted for Friday.  They should have had tickets and given that many tickets when the line formed.  There should have been 1-3 people who’s job it was to hand out tickets.  When the tickets were gone, CAP THE LINE!  That hall was a fire hazard ready to happen.  That line would have not only been capped, but they could have told ticket holders when they could pick up the Pops.  How do I know this would have worked?  Ask any con who has a major celeb come in for signing.

HorrorHound is a perfect example.  They had tickets with times on them for Robert Englund and Bruce Campbell autograph sessions.  When they were out of tickets, the line was capped.  The fan is then responsible for holding his/her ticket(s).  When they get to the front, they turn in their ticket and money for the (in this case) Pop.  Would people have been upset?  Of course.    Would they have avoided the cops being called?  Yes.  Would they have had people stand in line for 8 plus hours, only to receive grief?  No.  Funko could have communicated better with Spooky on the delivery and the delivery could have been made on time.  BUT, had those last two things have happened, you still have a giant mess.  Two fans took to YouTube to explain what they experienced.

All in all, this was a failed experiment.  It was easy for people to blame Elvira, when in the end the blame goes much further.  Her only involvement other than putting her signature on the Pop was using her likeness.  People will argue that she made her money.  Sure, she probably did, but at the same time had nothing to do with the mess that ensued.  The delivery company dropped the ball on making a timely delivery.  But at the end of the day, the execution of getting the Pops to the fans falls on Spooky Empire and for that they have to take their lumps.

Overall Grade on the Elvira Funko Situation: F

Posted by Crypt Keeper Clint in EDITORIALS, STAFF PICKS, 1 comment
MOVIE REVIEW: The Rejuvenator (aka Rejuvenatrix) (1988)

MOVIE REVIEW: The Rejuvenator (aka Rejuvenatrix) (1988)

The Rejuvenator (1988) / Fair use doctrine.Oh, brother. If you love “So Bad It’s Good” movies (or ‘SoBIG’s’, as I usually refer to them), you gotta love the drive-in ‘classic’ and direct-to-video “disasterpieces” from the mid-to-late Seventies, definitely the Eighties, and even some entries from the Nineties and beyond. So, if you’ve never seen 1988’s The Rejuvenator (aka Rejuvenatrix), set your “phasers” on “to be STUNNED!” This is a SoBIG trash wallow at its very finest; a mishmash of all the best aspects of films that actually have gone on to become classics in their own right.

If Death Becomes Her, Sunset Boulevard and David Cronenberg’s remake of The Fly were involved in some kind of horrific car crash, the result, pulled from the tangled, mangled mess of wreckage, would be this little gem. A no-name cast, the community theater-level acting, and some surprisingly good practical effects (for this micro-micro budget), make this a good/bad movie lover’s glistening wet dream.

The Rejuvenator (1988) / Fair use doctrine.The Rejuvenator begins with your garden-variety, B-movie mad scientist, Dr. Gregory Ashton, (John McKay) is doing some, shall we say, unorthodox work in the field of gerontology and biology. Not that he’s actually studying elderly people, but he IS trying to find a way to retard or even reverse the aging process. And naturally, as the movie begins, he’s not having the best of luck in refining said process, as a deformed lab animal kills other test subjects before meeting its own sticky, gooey demise.

The Rejuvenator (1988) / Fair use doctrine.

Ashton’s research is being funded mostly by the vain, petulant, grandiose fading Hollywood actress Ruth Warren (Jessica Dublin), whose agenda for supporting his work is – what else? – to make herself younger again, so she can make her ‘huge big-screen comeback,’ and show the rest of the dime-a-dozen starlets and ingenues how it’s done. It’s not helping matters any that Ashton is constantly being spied upon by his sleazy, unctuous colleague, Dr. Germaine (Marcus Powell), superior sneer and upper-crusty accent included.

The Rejuvenator (1988) / Fair use doctrine.The good doctor and his benefactress aren’t without their own unrequited admirers, though. Ashton is assisted in his research by Dr. Stella Stone (Katell Pleven), a woman who is actually smart and beautiful…not the usual direction that kind of role takes in this kind of picture. Ruth’s not-so-secret admirer is her manservant, Wilhelm, (James Hogue, obviously filling the Erich von Stroheim role from Sunset Boulevard), a former ‘paramour’ from her halcyon days, who is now content to wait on her, hand-and-foot if that allows him to continue to be close to her. (Yes, I see you rolling your eyes, but it’s that kind of movie!)

The Rejuvenator (1988) / Fair use doctrine.

Threatened with losing his funding if he doesn’t come across with the goods, and soon, the harried Dr. Ashton has no choice, but to do what just about all ‘mad-doctors’ do in his situation: he complies. He injects Ruth with the serum he has “almost” perfected, and after the required flurry of surprisingly good low-budget makeup effects, (provided by Ed French, Dan Frye, and Bruce S. Fuller), Ruth magically is converted into…ANOTHER ACTRESS!

You heard me. The stunning ‘new edition’ of Ruth has renamed herself “Elizabeth” (Vivian Lanko, who pulls double-duty here as the “improved” Ruth and as The Thing She Turns Into), whose backstory is now “the young niece of Ruth Warren, who is taking care of her estate, while her aunt goes away on a very long retreat.”

If you’ve seen enough of these monstrosities, (yes, that pun IS intended), you know where this is headed. Being an Eighties film, there has to be enough satisfactory sex and violence, so the sex part comes in when Elizabeth shows Dr. Ashton her gratitude for the miracle he’s worked for her. Wait, don’t leave! There’s so much more…

All the while, in the background, Dr. Stone and Wilhelm skulk around, mooning after their respective objects of desire and imagining what it would be like to finally be with them romantically. (There’s a dream sequence involving all the principal characters that includes a ‘dance number’ you have to see to believe!)

But, back to the ‘youth’ serum. You might recall that I mentioned it was “almost perfected”? Well, it has some pretty disgusting side effects, including the desire to murder random people and remove their brains – Oh, didn’t I mention that? Ashton’s serum is synthesized from human brain tissue, and one of the problems is that the more serum is used, larger and larger doses become required as the body builds up a tolerance to it with each application.

What would an Eighties schlockfest like this be without the opportunity to mix even more sex and violence onscreen? When Elizabeth’s sexual appetites increase with her new youthfulness, she ‘graduates’ from Gregory, moving on to random strangers, and eventually going out on her own to prowl the nightlife, going into the most retro-tastic club you can imagine, where the hot, big-haired, heavy-metal all-girl band called The Poison Dolly’s are playing!

The tunes, which sound like the kind of stuff that The Runaways turned down, are sublimely terrible, and of course, the band is dressed so that not too many people are really paying much attention to the “music.” When the serum begins to wear off and Elizabeth resembles a putrid pumpkin more than Cinderella, this is where the aforementioned murder of some posh poseur happens outside the club…in a phone booth, no less! (Remember those?)

The Rejuvenator (1988) / Fair use doctrine.From here, it’s all pretty much by-the-numbers. Greg Ashton struggles, along with Stella, to try and artificially synthesize the formula in the lab successfully, so that brain tissue from cadavers will no longer be necessary. Meanwhile, the suspicious and jealous Dr. Germaine is closing in to shut down Ashton and his lab for good, snatching the research results for himself. And all the while, Elizabeth’s transformations grow more and more extreme, as does her need to hold onto her newly-found youth – at any cost.

Am I making this direct-to-video hoot sound better than it actually is? If so, my sincere apologies. But this IS entertaining enough that it wouldn’t surprise me if the MST3K/RiffTrax guys or Elvira have already worked their magic with it.

Brian Thomas Jones’ script (adapted from Simon Nuchtern’s original screenplay) and direction, rises above a first-year film school student’s initial project…but not that far above it. Just about all of the actors walk through this like it’s something to pad their resumes with, but not much else, although as the Dollar Store version of “Norma Desmond”, Lanko and Dublin seem to be having the most fun, playing the venial and selfish “Ruth/Elizabeth”. As funny as it plays when the “switch” occurs, Lanko’s not half-bad keeping the continuity going with the character.

It’s probably not even coincidental, the similarities between The Rejuvenator and another film that came out three years before it, Stuart Gordon’s celebrated Lovecraft adaptation, Re-Animator. For all we know, Re-Animator probably had the same level budget but better actors, a seasoned director at the helm, and the ridiculously gory effects of monster master John Carl Buechler.

At the end of the day, just like some of its counterparts, The Rejuvenator makes a great, fun, bad time-capsule worthy window into a crazy-ass decade, as well as a throwback to When DTV Low-Budget Movies Ruled The Earth. The makeup effects guys went on to establish some pretty impressive credentials, even if the cast and creative team did not. But for all the work that went into this, good, bad or indifferent, I feel perfectly fine in awarding it two-and-a-half out of five stars.

The Rejuvenator (1988) / Fair use doctrine.

Oh, and side note: like so many rarities that were only released originally on VHS tapes, I was “lucky” enough to stumble over The Rejuvenator, while surfing YouTube, where it’s one of their free movies. There are other places where you might be able to get it, but I strongly suggest that if you find yourself really jonesing to see this, get to YouTube now while it’s still available.

Posted by Samuel Glass in GORE OR EXTREME HORROR, MONSTERS AND CREATURES, MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, VIDEOS, 0 comments
CON REVIEW: Days of the Dead – Charlotte, NC – 2018

CON REVIEW: Days of the Dead – Charlotte, NC – 2018

For the first time, the Days of the Dead convention invaded Charlotte, NC this past weekend. They brought in a big lineup that included horror and rock icons. Some of those names are Heather Langenkamp, Cassandra Peterson (Elvira), Linda Blair, Tony Todd, Dee Snider, and Vinnie Vincent.

Friday night was night 1 of the event and at the end of the night was a Hall of Fame Induction. Days of the Dead honors a popular guest who has helped evolve the show and also an Indie Film Maker. The Charlotte show’s inductees were Heather Langenkamp and Tommy Faircloth. Langenkamp, of course, is known for her work in the Nightmare On Elm Street franchise. Faircloth is a Carolina native who has made films for years including Family Possessions. He is working on a new project called Nun’s Curse, which he has a crowdfunding campaign going. So congratulations to both Heather and Tommy!

 

This con was similar to most cons as there were panels, photo ops and chances to meet and get signatures from popular horror icons. The panel I found the most interesting was the Friday The 13th Part 6 panel. There were five cast members (CJ Graham, Thom Mathews, Darcy DeMoss, Tom Fridley, and Kerry Noonan) along with writer/director Tom McLoughlin. This had been the first convention appearance for Noonan, so this group has not been together since filming ended 32 years ago.

Now having traveled to several conventions just in this calendar year, I have seen a lot of great and some not so stellar moments. I have seen some things happen at shows that angered a lot of fans. Days of the Dead did not seem to have those issues this past weekend. Let me qualify this by saying that yes, I was a volunteer at this show. I have volunteered at several shows though. Does that mean that Days of the Dead has mastered how to put on a show? Not exactly.

They have put on 26 shows now in the last decade, so after a while, you learn what can and cannot work. I will also say they did have an advantage that some of the other conventions did not have. Timing. Days of the Dead came after some other shows that had problems. A lot of volunteers do work more than one show, and they post on social media about their experiences. Thus, the staff at Days of the Dead were able to see what problems other conventions experienced and had time to make sure they would not happen at their show. Again, this was their 26th show, and they have run in at least six states. They also hosted an open forum for fans to voice their ideas, issues, suggestions, complaints, etc. They wanted to ensure the fans knew they had a voice.

Let’s talk attendance. The attendance was not nearly what other shows have done. This has caused some people to say the show was unsuccessful. There have been shows in other cities where the crowds were so massive that the fire marshals were called. It’s a double-edged sword. Is there a perfect amount of people that is just right if this was too small and others were too big? I don’t have the answer to that.

What made this show work was that they secured a hotel big enough for fans to spread out. There was also a rhyme and reason for the celebrity layout. The celebrities all seemed to have a great time, including Kerry Noonan, who was often seen having fun with the fans.

What made this show seem to flow smoothly (at least from the perspective that I saw) was that Days of the Dead used a wash, rinse, repeat method. They booked a lot of celebrities that they have used at other shows, and they mixed them with some first-timers. They also used the same core volunteers and staff members that work most of, if not all of their shows.

Were there some hiccups? Sure. Tony Todd had an unexpected family issue come up and was not available for the show on Sunday. I was assured everything is okay, but it had to be taken care of. Life happens, and these celebrities are just like us. Were there some issues with the hotel? Yes. Was the crowd smaller than expected? Yes. But this was the first show Days of the Dead has run in North Carolina, and there are growing pains when you are dealing with a brand new venue and city.

There were some very creative fans that put their cosplay skills to use. There was an entertaining band called Elzig (a cross between Elvis and Danzig) that played the afterparty.

So final analysis. Was this a perfect show? Of course not. Has Days of the Dead found a formula that works for them? Yes. Were there things that could have gone better? I am sure that there are. Most of the fans that I spoke with were extremely happy and excited. Some fans voiced that there was not clear signage of where the panels were being held, but they were happy that team members on the floor were able to guide them in the right direction. Are there changes Days of the Dead can do make improve before their next show? Yes. That will always be the answer, though. This was overall a very successful show, especially for their first run in a new city.

Overall Grade: A

Posted by Crypt Keeper Clint in EVENT REVIEWS, REVIEWS, STAFF PICKS, 0 comments
WiHM: Elvira, Mistress of the Dark

WiHM: Elvira, Mistress of the Dark

Cassandra Peterson as Elvira / Fair use doctrine.On September 17, 1951, the world was gifted with The Mistress of the Dark. Born in Manhattan Kansas, Cassandra Peterson a.k.a. Elvira started her life with a mishap that led to her success. As a toddler, she had accidentally pulled a pot of boiling water down onto her. This burnt about a third of her body and left permanent scarring. After moving to Colorado Springs, CO, at age 7, she endured the harassment of other school children and was extremely shy due to the scarring. She would later use this experience, a place she quoted as “all the freaks come from” to help inspire her Elvira persona.

Growing up, Cassandra’s mother ran a costume shop and she loved playing model for her. She told Biography.com:

I would pick out whatever was the hot costume that year — Ginger from Gilligan’s Island, I Dream of Jeanie, Miss Kitty from Gunsmoke — and my mom would make one in my size, so I would wear costumes to school all the time. Everyone thought I was a total freak. But I knew I would grow up and wear a costume one day, and that’s exactly what happened.

Cassandra Peterson as Elvira / Fair use doctrine.At 17, she became the youngest showgirl in Las Vegas in a show titled Vive Les Girls. After stints overseas as a singer and dancer, she came back to the United States as a star of her comedy show. This led to years of her being part of the best improv groups in LA, The Groundlings, working with famous comedians such as Paul Reubens and Phil Hartman. But, in 1981, the true star was born. She auditioned for a role as a horror movie hostess for a local LA TV station. The show was called Movie Macabre and her hostess name was Elvira, the Mistress of the Dark. She became a household name in no time.

Everyone loved the wickedly vampish hostess and her quirky commentary for the B movies she showed. She was never cruel or mean, just enough of a jab to make it hilarious. She also never took herself too seriously. She loved the persona of Elvira and helped it come to life not just on TV but with successful movies and home videos as well. 1985 brought us her home video series known as Thriller Video. The feature-length film Elvira, Mistress of the Dark was released in 1988. Cassandra co-wrote, produced and starred in it. Next came Elvira’s Haunted Hills in 2001, which she also co-wrote and produced. She is a lady of many talents and quickly became an icon in the horror/Halloween world.

Funko Pop Elvira / Fair use doctrine.Now, over three decades later, Elvira is still adored by millions. You can find Cassandra on the convention circuit where she loves meeting fans. Her licensed image can be found on shirts, purses, pinball machines, Pop dolls and more. A recent photobook Peterson released celebrates 35 years of beauty with over 350 images of the Queen of Halloween. And I suspect that she will hold that title forever.

Your adoring fan forever,
ZombieGurl
Cassandra Peterson as Elvira / Fair use doctrine.

Posted by ZombieGurl in STAFF PICKS, WOMEN IN HORROR, 0 comments
ELVIRA EVERYWHERE!

ELVIRA EVERYWHERE!

By John Roisland

Cassandra Peterson as Elvira / Fair use doctrine.

It's hard to believe it has been 35 years since a lovely redheaded woman entered the entertainment world and changed everything as we knew it - especially the horror industry - by introducing to us her character better known as Elvira Mistress of the Dark!
Elvira has been loved, seen, and adored by millions for over three decades now. From low-budget horror flicks to starring in her own films, Elvira's character brings to the world a bubbly bombshell whose quirky one liners and curvaceous body sky rocketed her to instant notoriety in the horror realm and later in the entertainment industry as a whole. She been photographed more times than anyone probably even knows. Day and night, 12 months a year, blood sweat and tears Cassandra worked her character to the point where she became an icon. I think it is safe to say she has graced us with a character who has become the Queen of Horror.

And with that being said, I can't think of any better time of year than the autumn or Halloween season for Funko Pop to announce their Elvira doll. The doll will stand 3-3/4 inches tall and will be displayed in a window box that matches the other Funko Pop vinyl dolls. This is a must for any serious collector of either Elvira or the horror genre. I, for one, am a collector, and I'll definitely be adding this one whether it goes on my shelf, my desk, or even glued to the dashboard of my car... I will have it!!

Funko Pop Elvira / Fair use doctrine.

And the fun doesn't stop there, Elvira is also releasing a photo album containing over 300 pictures, many of which have never even been seen by the public eye yet. Having seen some images that are included in the book, I was very pleased to say that there was actually a picture of Cassandra. A very lovely, beautifully smiled ,sparkling blue eyed Cassandra Peterson. I thought there was a nice touch to include her in Elvira's world... after all, without one where would the other one be. The book, entitled Elvira Mistress of the Dark, was released October 5th. I would definitely say grab it quickly as I have a feeling this one's going to be moving fast.

Cassandra and Elvira, you’ve earned it!

Cassandra Peterson as Elvira / Fair use doctrine.

Having had the opportunity to have met both Cassandra Peterson and Elvira at Spooky Empire Horror Convention in Orlando, FL, some few years ago, I can honestly say that yes, i would be happy to give her my money. Both ladies were a true pleasure to meet, some have said opposite. I say when the lady has worked so hard for so long (and has dealt with certain types because of her appearance), she has the right to a bad day.

Keep It Evil...

Posted by John Roisland in HORROR HEROES, HORROR NEWS, PRODUCT REVIEWS, REVIEWS, 2 comments
Elvira Gets Animated!

Elvira Gets Animated!

By John Roisland

elvira-animated-series-702x336

Cassandra Peterson, 63, is better known to the world as Elvira, Mistress of the Dark. As Elvira, Peterson's popularity soared in the 1980s - 90s, is known for hosting horror movies as well as starring in her own. And now she IS BACK! The word on the street is that her career is moving in a little different direction than what we are all accustomed to.

Peterson, born in Manhattan, KS and raised in Colorado Springs, CO, started her show business career in 1971 as a showgirl in Vive Les Girls at the Dunes Hotel. At 17 Peterson was the youngest showgirl in Las Vegas. After Las Vegas, Peterson moved to Europe as a singer and actor. During her European travels, Peterson worked in many films, including an uncredited role in Federico Fellini's Roma (1972). Peterson entered the horror genre when she auditioned for and got the role of a horror hostess, thereby becoming Elvira, for Movie Macabre in 1981.

Here we are , more than half way through 2015, and Elvira is ready to hit the screen again, not the big screen, but the TV screen... and animated! The details at this time are very vague, and it is still very early in production talk. Everything is still in the works, but what we do know is, it is supposed to be a television series and it will star a full blown Elvira character. We will keep you posted on this triumphant return! Welcome home Elvira, we have missed your devilish smile.

Posted by John Roisland in HORROR NEWS, 0 comments