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Women In Horror Month 2020 Spotlight: Kate Davies-Speak

Women In Horror Month 2020 Spotlight: Kate Davies-Speak

As we celebrate click here ask a manager cover letter buying viagra over night delivery http://v-nep.org/classroom/masters-dissertation-writing/04/ active ingredient in viagra prelox blue viagra natural how to writing assignments levitra cheap writinghelp how to write a news paper article antibiotics on line without prescription https://www.newburghministry.org/spring/aristotle-contemplative-life-essay/20/ here go here point of view essay topics how to block email from iphone 6 source link follow https://teleroo.com/pharm/quanto-tempo-antes-devo-tomar-o-cialis/67/ thesis essay topics discourse community essay example http://www.cresthavenacademy.org/chapter/english-research-topics-for-college-students/26/ thesis introduction study habits go follow site source compare and contrast essays erythromycin canadian pharmacy examples of masters dissertations viagra levitra or cialis https://bigsurlandtrust.org/care/cialis-brand-name/20/ source site Women in Horror Month, I had the extreme pleasure of sitting down with the phenomenal actress Kate Davies-Speak, an up and coming British Scream Queen similar to the likes of Jamie Lee Curtis and Sigourney Weaver. Kate was born and raised in Bristol, England. Check out what she had to say about her acting career, martial arts, taking time off recently to have a child, Women in Horror, and much more.

Monster: How did you get your start in film and what originally drew you to acting?

Kate: I’ve been a working actor for 20 years. When I finished my A-Levels in college I got involved in a production of ‘West Side Story’ and I fell head over heels in love with it. I played the part of Anita (she’s such a cool character). I loved her sassy manor and I remember battling self-confidence to get up on stage and bring the part to life. Receiving high praise from everyone really motivated me to want to do it a lot more.  I remember people stopping me in the corridor and telling me that I should keep pursuing acting and try for further productions. I was bit by the acting bug, as I’d always been quite shy at school and was mainly just associated with drawing cartoons and keeping myself to myself. So to be praised for performing really woke up a new passion with within me.  After that, I landed my first professional role at the age of 22 and I went off to tour for three months throughout the UK – a production of a musical called ‘Something’s Afoot’ (a murder mystery Musical!). I worked alongside people that had been  in the television industry for many years. I had such a great time, and again it just reinforced how much I was falling in love with acting and performing.  Over the following decade, I went on to be a support worker, helping other people to learn to act and dance and help people with special needs within the subject, but I was always aching to get back out and do some more performing work,so I joined the English Theatre Company and I was working mainly based in Sitges (near Barcelona). I was touring throughout Europe, mainly in Spain and Portugal, and that’s where I met my husband Steve and acting just became a huge part of both of our lives. During my theatre tours I was performing roughly four shows a day, every day of the week, which although I loved it, when I came back to England in 2012 I wanted to try something quite different, and that’s when I started looking more into doing screen acting. Screen acting itself is such a different type of acting but I kind of found a whole new passion for it. After that I just really hammered away applying for any TV and film productions that came along whether it was in student films, indie features, or even people just wanting to experiment with new cameras. I just wanted to be part of it so I could try to learn the craft. I’ve always found I learned through getting up and doing things.

Monster: You’re a certified fitness instructor and a practitioner of combat fighting techniques that you utilize in the roles and with characters that you portray on screen. Can you tell us a little more about that and what exactly it is that you do? 

Kate: Health and fitness is always been a huge part of my life I think I take after my Mum for that. I was always running even when I was a little kid, and I took quite a little passion into keeping Fit,  running,  playing sports; basketball, dancing and eventually in my teens I got into doing more martial arts. I just really enjoyed it. I started off doing a bit of boxer-size and then found out was maybe a little bit too aggressive and I wanted to learn more about specific martial art styles, so I took up Tang Soo Do Korean Karate which I did for quite a few years. During drama training at college, I trained in screen combat, which was a lot of fun for me and I loved seeing how you could make things look more aggressive than they actually were, tricking the audience into believing we were actually hurting each other. I qualified as a personal trainer about five years ago I often experimented on myself in terms of what I could do with my physique; so I’d train my muscles to try and look more ripped. I’ve always inspired by Sarah Connor in Terminator 2 and how her body transition really brought the character to life and made women admire her as an icon. I loved her as a really tough iconic female in film, and I wanted to have a little flavour of that myself, so it was always a motivation for me when I was hitting weights and in training outside, and even when I train other people I just enjoy motivating and being motivated. Even at a very young age, when I was a little girl, I looked up to you tougher women. When I’ve taken on roles for the screen, I would make sure that was my vibe as well.  Working as a fitness instructor is also really cool because it means I’ve still got the time and freedom to go away and take acting projects when they come up. It’s not not easy for actors to have the second job but I wanted to make sure that I had one that worked well with acting and I’ve been quite lucky.  On some sets I even offered to do some fitness routines with some of the other cast and crew just to get psyched up before we shoot. Everyone seemed to enjoy that. It’s good to kind of approach role with mind body and soul.

Monster: How did you find your way into horror and what do you love most about the genre?

Kate: I was always a fan of the horror genre when I was a child, watching horror films probably before I was old enough to do so. I specifically remember watching ‘Halloween‘ ‘American Werewolf in London‘ and ‘Terminator‘ and being terrified but also wanting to keep coming back for more, and it just became a bit of an obsession for me growing up. I’ve never been so scared that I’ve been unable to watch horror and I also always loved scary video games, they actually often terrified me more than films, especially ‘Resident Evil 7 VR‘. Working in horror in incredible fun. I remember shooting a film called ‘Beautiful People‘ (Italian horror film) out in Northern Italy, and we were shooting a scene and being chased by monsters and I turned to one of the actors saying “I’m literally living my dream here”. I also find the horror community is really supportive and those who understand in particular how independent films are made, are really incredible. It’s a real delight to share our work at events such as ‘Frightfest‘ and ‘Horror-On-Sea‘ because everyone understands the passion for the genre. They’ve seen a lot and they appreciate all the small things such as; practical effects and the gore, the homages to past movies and also that horror is something you can accomplish on the lower budget, still achieving some great results…and I love being part of that! I’ve met some brilliant people along the way.

Monster: As we celebrate Women In Horror Month, how important is it to continue to have strong diverse female leads represented in film, and what does WIHM mean to you?

Kate: I think Women In Horror Month is amazing! I always idolised women in horror, one actress in particular is Neve Campbell who played Sydney Prescott in ‘Scream‘ and to be part of that or to even be considered as a woman in horror (I love the term ‘final girl) is a true honor. Monster: Who are some of your inspirations and influences when it comes to acting and film?

Kate
: All actors have a mark that we want to make in something, and to be remembered for, and I’m more than happy for mine to be the horror genre. I think it’s great that some of the more recent horrors have really shown proactive, strong, tough females fighting back or even sometimes being a villain as well, and it’s something I really enjoy. Another favorite of mine ‘The Descent‘ by Neil Marshall. The cast were excellent and had such great, dynamic, brilliant acting, then the horror and monsters were thrown in and they were able to show what they were made of. I enjoyed this film because it’s important for me to see really credible fantastic actors working  in horror. You get it even more so now with the likes of ‘Midsommar‘, ‘Hereditary‘ and ‘Get Out‘. They all have terrific cast and performances that elevate the genre so much, and brings it into A-List territory. Florence Pugh is one of my current favourite actresses, especially when I saw her performance in ‘Midsommar‘ which I think she was incredible in. Not only is she an amazing actress and really charismatic, she really brings the best out of all the other actors around her. I could literally watch her in anything, but to be able to bring that level of performance into horror was really important for the genre because it goes against the grain of hammy acting, and brought a realism rarely seen in a scary film.  Toni Collete too for ‘Hereditary‘, her grief and pain were so real and so raw and really brought the trauma so incredibly and realistically- that’s exactly what I always try to tell people that professional actors working in horror still have to be good at what we do, and fill the drama and bring characters to life. Monster: What are a few of your favorite characters that you’ve portrayed, and what type of roles are you interested in tackling in the future?


Kate
: I was excited to play the character of Jessica in ‘Escape From Cannibal Farm’ and loved bringing her to life because her journey throughout the film just changed so much throughout the story. Starting out as a slightly bratty early 20-year-old sister/daughter who then evolved into a victim (portraying fear, trauma and resilience), and then who took that further into the realm of crazy before transforming into the quintessential ‘Final Girl’, I just really felt like I had this whole journey mapped out with that character and that’s what I loved about playing her. I also really enjoyed playing Kat in ‘The Barge People‘, which was written by my friend Christopher Lombard. She was to me the most realistic character I’ve played in a horror movie, trying to say and do believable things within the crazy circumstances. Although she was being pursued by monsters she was still at heart just a normal city girl, not an action hero, simply trying to have a break with her partner to rekindle a bond and relationship with her younger sister whilst dealing with the grief of losing her mother and protectively-struggling to hold her friends and family together.

Drama work that I have always have a hankering to play would be someone like a police officer or detective.  I loved the character of Deborah Morgan in the TV series ‘Dexter‘ and that’s definitely something that appeals to me, a woman who is intelligent and strong but certainly with more to her, a vulnerability and interesting back story. Monster: Do you have any special projects currently in the works that you’d like to share with fans?

Kate: In terms of future projects, I’m currently working on two films; one is a werewolf film and the other is a more comedic spoofy ‘Ghostbusters‘ type of film.  I’m actually just getting back into it all after taking a year off to have a baby, so I’m seeing what kind of roles come my way and seeing what my newlife experience can add to my performance. I will be scouting about soon for further work and for the opportunity to connect and work with many different people, and of course re-connect with those that I worked with previously.

Thanks for taking the time to ask me questions, it’s really nice that people have taken an interest and I’m very proud to be asked things regarding Women In Horror. I think it’s wonderful and I’d like to give a big shout out of love to all the other amazing women in horror. Thank you.
Posted by Donovan Smith in Categories, EXCLUSIVE, FRIENDS OF THE HOUSE, GORE OR EXTREME HORROR, HORROR COMEDIES, Monster Exclusive, MONSTERS AND CREATURES, MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, SLASHERS AND BAD HUMANS, 0 comments
FUNKO POP PICKS UP PEELE!!

FUNKO POP PICKS UP PEELE!!

Funko Pop! has announced at the San Diego Comic Con that they will pick producing a line of Jordan Peele character’s from Peele’s film Get Out(2017) and Us(2019).

Seems like every where you look, you will find a Funko Pop! vinyl toys. From book stores, to candy stores, game and even tattoo shops. Funko Pops are everywhere and most people it seems have at least one , if not collect them. From sports figures, to cartoon, actors/character’s , icons, musicians and even custom orders,  Pops! have taken over!!

It was announced last night at the San Diego Comic Con that Get Out will be receiving at least two Pops! Both will be depicting the character of Chris Washington: one strapped into a chair and covered in blood.

Funko also announced it will be producing Pops! of the Wilson family from the Jordan Peele blockbuster film Us. The Pops! will be available in both “normal” and “tethered” versions .

No tentative release date on the Pops! new toys, but you can bet they will be on this guys shelf!

Keep it Evil

 

Posted by John Roisland in Categories, COMING SOON, HORROR NEWS, IN THE SPOTLIGHT, PRODUCT REVIEWS, 0 comments

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: DAY THIRTY-ONE – 10/31/18…HALLOWEEN!!!

HALLOWEEN – 2017: GET OUT

And here we are at last, friends and fiends (and both combined)! We’ve arrived at our entry from last year’s Halloween, and it was a game-changer. GET OUT was the brilliantly dark commentary on race relations in America that we thought we never needed. But writer/director JORDAN PEELE begged to differ, and thankfully, gave us a take on modern horror we never even considered.

 

Chris Washington, superbly underplayed by DANIEL KALUUYA (BLACK PANTHER, the BLACK MIRROR episode “Five Million Merits”) is more nervous than a black pizza delivery guy taking pies to a KKK rally. His beautiful girlfriend, Rose Armitage, (ALISON WILLIAMS, daughter of newscaster BRIAN) is taking him home for the weekend to meet her parents, and as he’s suspected, she hasn’t told them yet that he’s black. Strange and not-so-strange things happen on that trip out to the Armitage’s country home, including a stop by a local policeman. Whatever you think would happen in this case does go there, and gets shut down just as quickly by Rose; something we’d hope more ‘non-African-American’ people would do.

Chris and Rose make it to the house, where her parents are waiting. And Dean and Missy Armitage (BRADLEY WHITFORD and CATHERINE KEENER) aren’t just welcoming, they are accommodating to Chris almost to a fault, in that way that liberal, “color-blind” people sometimes have, that can border on the embarrassing. And Chris responds positively to them, even if they appear to be trying way too hard.

 

But certain indicators are present, that there’s a whole lot more to things than Chris is really being allowed to see.  Like the strange behavior of the Armitage “help”: their maid, Georgina, (wonderfully portrayed by BETTY GABRIEL), and the groundskeeper, Walter, (MARCUS HENDERSON).

And we couldn’t leave out Rose’s weirdly antagonistic brother, Jeremy, (the always-reliable CALEB LANDRY JONES), whose challenging demeanor towards Chris shifts uneasily between barely suppressed racism and an almost sexual fetishization of the power and strength he attributes to Chris.

But just when the weekend couldn’t seem to get any weirder, Chris has arrived at the same time the Armitages are throwing a ‘party’ for their closest friends, and when he’s introduced to them, the ROSEMARY’S BABY similarities start to come fast and furious, culminating in an unsettling encounter with one black man who looks strangely familiar, Andre Logan King (LAKEITH STANFIELD of SORRY TO BOTHER YOU) and his wife, Philomena, (GERALDINE SINGER). Chris, a photographer, takes Andre’s picture, and he immediately snaps, going into some kind of fugue state, in which he tells Chris to “get out!”

If you’ve seen this about ten times like I have, you know what happens next. If you haven’t, all I can say is this: get ready for the strangest and creepiest “game of bingo” you ever saw, a McGuffin of a twist involving overtones of Baron Frankenstein and more than just overtones of bigotry, and also to swear off of drinking tea for the rest of your life!

I can’t say too much more about the outstanding cast without really spoiling things, except to say that they’re all on-point, and some special kudos need to go to STEPHEN ROOT (OFFICE SPACE) as an important character at the Armitage’s ‘party’, and LIL REL HOWERY in a hysterical but all-too-relatable role as Rod, Chris’s best buddy who works as a TSI agent, and who doesn’t like the whole idea of going to visit Rose’s parents from the word ‘go’.

I found it pretty humorous when the conservative types bashed this movie as being “anti-white”, when it was just as pointed in its commentary regarding taking “ultra-liberals” to task as well. But what put GET OUT above most other horror films is that even without the politics simmering just beneath the surface, it’s still an out-and-out well-done psychological horror thriller, period.

POST-MORTEM SCRYPT: Horror just a year ago delved into even more artfully unsettling territory, giving us the likes of HAPPY DEATH DAY, MOTHER!, IT COMES AT NIGHT, ALIEN: COVENANT, ANNABELLE: CREATION, LIFE, GERALD’S GAME, the movie version of King’s IT and THE KILLING OF A SACRED DEER.

And that about wraps it up for this year, poison ghouls! I hope you enjoyed this shambling stroll down Memory Lane as much as I did bringing it to you, and that you have some great plans for the holiday! As they said at the end of CREEPSHOW, “Until next time…”

Posted by Samuel Glass in EDITORIALS, FAMILY HORROR, FEATURED CONTENT, HALLOWEEN, OPINION, SCI-FI HORROR, SLASHERS AND BAD HUMANS, THRILLER, TRIBUTE, 1 comment
Movie Review: UPGRADE (2018)

Movie Review: UPGRADE (2018)

Even if you’re not familiar with the name (and as a horror fan, you should be), there’s a reason why LEIGH WHANNELL is on everyone’s radar at the moment. As a director/producer/writer/actor, together with frequent producing partner JAMES WAN (who I know you’ve heard of), Whannell’s had a hand in the creation of some of the most successful horror efforts from the last two decades, including the franchises for SAW, INSIDIOUS, THE CONJURING and ANNABELLE, be it in front of or behind the camera. (And in some cases, it’s been both.) So it should come as no surprise whatsoever, that this talented man’s ever-creative brain spat out the concept for the remarkable sci-fi/action/horror thriller, UPGRADE.

Grey Trace (potential Tom Hardy stand-in LOGAN MARSHALL-GREEN from PROMETHEUS, SPIDERMAN: HOMECOMING and DEVIL) isn’t just your everyday, garden-variety Luddite in the not-all-that-distant future. He’s not seeking to ‘destroy the system’ that controls this world, but he sure as hell isn’t going to be a part of it. He listens to gut-bucket blues while he works on restoring ‘analog’-based cars, for very rich people who collect them. But he doesn’t love his cars or his music half as much as his beautiful wife, Asha, (MELANIE VALLEJO), and no, he doesn’t mind at all that she’s the “pants-wearing breadwinner” of the family.  Alas, the ‘happy-life’ set up must end, as they all must for a movie like this to work, and thanks to a malfunction in the cab that’s supposed to be bringing them home, the lovebirds instead end up in a really bad part of Grey’s old ‘hood, where a band of thugs decides to kill Asha, and leave Grey permanently paralyzed instead of dead.

Wouldn’t you know it, though: there’s an app for that. One of the rich people he sold a refurbished car to is a Steve Jobs/Elon Musk-type technological wunderkind named Eron Keen (HARRISON GILBERTSON). Yes, his appearance is foreshadowing that’s about as subtle as a Keith Moon drum solo, and yes, he does turn up again after Grey’s ordeal, to give him a way to walk again, but more than that, a means by which avenging his crippling and his wife’s murder will be a breeze.

That way is a computer chip called ‘STEM,’ but calling it a “computer chip” is like calling Mount Kilimanjaro a molehill. STEM not only helps operate Grey’s damaged central nervous system and thereby his arms, legs and the rest of his body, but it can help him do some pretty incredible things…like, kick the living shit out of bad guys. And then we and Grey soon realize…he’s not the only ‘modified human’ running around out there. And when he’s not looking for them, they are most certainly out to get him!
However, as wondrous technological developments always do in movies like this, STEM is not without its own set of problematic glitches and side effects, and to say anything more than that would reveal some devastating Act Three spoilers, including the most important twist of all in the story, which isn’t ‘early M. Night Shyamalan’-badass, but pretty close.

I don’t know how much training Marshall-Green had in physical conditioning and movement before shooting, but however long and/or grueling it was, the end results were more than worth it.  His performance is incredible, especially the way he defines Grey’s bodily control under STEM’S influence as totally and spell bindingly different than it is under his own steam.  And all without the aid of CG or other special visual effects, save for some dazzling angles that Whannell employs, thanks to the amazing camera work of DP STEFAN DUSCIO, and also in no small part to the stunt team, led by coordinator CHRIS ANDERSON, with stunning fight choreography by CHRIS WEIR.

BENEDICT HARDIE (HACKSAW RIDGE, NEKROTRONIC) makes a great anti-heroic counterpart for Grey as Fisk, the ‘bad guy’ seemingly responsible for everything that happens, though you discover in pretty short order, that his motivations are far beyond those of the kind of average thug-villain who’d usually be playing this role.  I also love the obvious nod to the late Douglas Rain’s voice performance as “HAL 2000” in Kubrick’s “2001”. If there’s any justice in this world, the smooth, even and undeniably creepy tones of SIMON MAIDEN’S “STEM” voice will become just as iconic.

There’s no way to herald anyone on this picture without including the eye-popping work by the makeup FX team here.  The impressive key sequences would have come across so much better if they hadn’t already been ‘spoiled’ in the “Red Band” version of the trailer.  Even having said that, they’re still amazing as hell when you see them in context.

There aren’t a whole lot of complaints I have about this one, but there is one aspect that bears mentioning: I know the previews sell this as a testosterone-fueled, dystopian thrill ride for the ‘dudes’, and yeah, I’ll admit that was part of the allure for me. But that also means the female characters get short shrift…again. The death of Grey’s wife, Asha, pretty much propels the entire plot into motion, although Vallejo gets to do little more than look pretty…even when her character is dying.

I can understand the casting of BETTY GABRIEL as Det. Cortez, the cop who begins to realize there’s more to her ‘crippled’ suspect than meets the eye.  Between her spellbinding performance in Jordan Peele’s GET OUT, plus her growing resume of appearances in other genre movies like UNFRIENDED: DARK WEB and THE PURGE: ELECTION YEAR, she’s quickly becoming the next “IT-Girl” for horror and sci-fi fans. But I really wished they’d given her more to do because hers is the kind of character you want to know more about. The antagonistic-yet-empathetic relationship between her and Grey could have been developed much more extensively than it was.

The one place where the minimal development of female characters works comes about, when at a crucial moment in the story, Grey hooks up with a mysterious uber-hacker named “Jamie” (KAI BRADLEY). In their scene together, which probably is all of about three minutes in length, we are completely captivated by her, not just because of the interesting aura she projects, thanks to Bradley’s performance, but because of several things she says to Grey and about him, throwing hints out there about what’s going on – there’s more to this story than we think there is, Jamie warns us. And that has me looking forward to a sequel, which I hope Whannell intended. Which I also hope includes Jamie’s return.

I’m glad that my concerns about Whannell were completely groundless. Though I’ve enjoyed his work as both an actor and a filmmaker, I was wondering if he considered his niche to be splitting time between the writer’s room, producer’s desk, and acting. UPGRADE is only his second film where he took over the director’s chair (his first time was in 2015 with INSIDIOUS: CHAPTER 3), but if UPGRADE is any indication of where he’s going with his creative knack, I’m looking forward to the UPGRADE sequel…or wherever he decides to go next. Count me in! And please accept four out of five bone-crushing stars of gratitude!

Posted by Samuel Glass in GORE OR EXTREME HORROR, MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, THRILLER, URBAN DECAY/DYSTOPIAN FUTURES, 0 comments
MOVIE REVIEW: Get Out (2017)

MOVIE REVIEW: Get Out (2017)

No seriously, GTFO!!!!
Fair use doctrine.
You ain't ready!
This may be my shortest article because I am not the type to give a movie away. But CHEESE AND RICE! 😮 Get Out is a complete MindF**k!! As mentioned in my bio, I have been exposed to horror my whole life, and I've been through a lot. So it is hard to get to me. This film had my eyes bulging! I, too, was like:
Fair use doctrine.
I kept hearing how, "It's not what you think". They were stating the obvious, but I wanted to find out what 'it' was then! I certainly wasn't ready! I truly am blown away that this disturbing film came from the big ole goofball Jordan Peele. I mean his scripts may be pretty dark or down right in your face at times on the show Key and Peele but this was a complete 180.
It actually does not take long to figure out something is amok in the film, but it will definitely blow your mind when all truth is exposed and you see everything going on!! The bingo game had me scratching my head until later near the end of the movie. Some of my friends didn't get it at all until I explained it to them. #MindBlown!
And Shout Out to this guy for bringing in the comedy relief: 😉
I'll tell ya another thing! I love hot tea! I will not being stirring my cup to get a good blend while the tea bag is in there any more! As a matter of a fact, tea bags no longer go in mugs PERIOD! Ya better pull out an infuser and dump the containments of the bag into it!! And if I'm at your house and you come out with a mug with a tea bag and a spoon in it, I'M OUT!! Deuces!
This film will keep you on the edge of your seat, and will blow your mind! Watch it immediately! Then Get The Flip Out of wherever you watched it!
Posted by Alan Smithee in MOVIE REVIEWS, REVIEWS, STAFF PICKS, 2 comments