Get Out

FUNKO POP PICKS UP PEELE!!

FUNKO POP PICKS UP PEELE!!

Funko Pop! has announced at the San Diego Comic Con that they will pick producing a line of Jordan Peele character’s from Peele’s film Get Out(2017) and Us(2019).

Seems like every where you look, you will find a Funko Pop! vinyl toys. From book stores, to candy stores, game and even tattoo shops. Funko Pops are everywhere and most people it seems have at least one , if not collect them. From sports figures, to cartoon, actors/character’s , icons, musicians and even custom orders,  Pops! have taken over!!

It was announced last night at the San Diego Comic Con that Get Out will be receiving at least two Pops! Both will be depicting the character of Chris Washington: one strapped into a chair and covered in blood.

Funko also announced it will be producing Pops! of the Wilson family from the Jordan Peele blockbuster film Us. The Pops! will be available in both “normal” and “tethered” versions .

No tentative release date on the Pops! new toys, but you can bet they will be on this guys shelf!

Keep it Evil

 

Posted by John Roisland in Categories, COMING SOON, HORROR NEWS, IN THE SPOTLIGHT, PRODUCT REVIEWS, 0 comments

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: DAY THIRTY-ONE – 10/31/18…HALLOWEEN!!!

HALLOWEEN – 2017: GET OUT

And here we are at last, friends and fiends (and both combined)! We’ve arrived at our entry from last year’s Halloween, and it was a game-changer. GET OUT was the brilliantly dark commentary on race relations in America that we thought we never needed. But writer/director JORDAN PEELE begged to differ, and thankfully, gave us a take on modern horror we never even considered.

 

Chris Washington, superbly underplayed by DANIEL KALUUYA (BLACK PANTHER, the BLACK MIRROR episode “Five Million Merits”) is more nervous than a black pizza delivery guy taking pies to a KKK rally. His beautiful girlfriend, Rose Armitage, (ALISON WILLIAMS, daughter of newscaster BRIAN) is taking him home for the weekend to meet her parents, and as he’s suspected, she hasn’t told them yet that he’s black. Strange and not-so-strange things happen on that trip out to the Armitage’s country home, including a stop by a local policeman. Whatever you think would happen in this case does go there, and gets shut down just as quickly by Rose; something we’d hope more ‘non-African-American’ people would do.

Chris and Rose make it to the house, where her parents are waiting. And Dean and Missy Armitage (BRADLEY WHITFORD and CATHERINE KEENER) aren’t just welcoming, they are accommodating to Chris almost to a fault, in that way that liberal, “color-blind” people sometimes have, that can border on the embarrassing. And Chris responds positively to them, even if they appear to be trying way too hard.

 

But certain indicators are present, that there’s a whole lot more to things than Chris is really being allowed to see.  Like the strange behavior of the Armitage “help”: their maid, Georgina, (wonderfully portrayed by BETTY GABRIEL), and the groundskeeper, Walter, (MARCUS HENDERSON).

And we couldn’t leave out Rose’s weirdly antagonistic brother, Jeremy, (the always-reliable CALEB LANDRY JONES), whose challenging demeanor towards Chris shifts uneasily between barely suppressed racism and an almost sexual fetishization of the power and strength he attributes to Chris.

But just when the weekend couldn’t seem to get any weirder, Chris has arrived at the same time the Armitages are throwing a ‘party’ for their closest friends, and when he’s introduced to them, the ROSEMARY’S BABY similarities start to come fast and furious, culminating in an unsettling encounter with one black man who looks strangely familiar, Andre Logan King (LAKEITH STANFIELD of SORRY TO BOTHER YOU) and his wife, Philomena, (GERALDINE SINGER). Chris, a photographer, takes Andre’s picture, and he immediately snaps, going into some kind of fugue state, in which he tells Chris to “get out!”

If you’ve seen this about ten times like I have, you know what happens next. If you haven’t, all I can say is this: get ready for the strangest and creepiest “game of bingo” you ever saw, a McGuffin of a twist involving overtones of Baron Frankenstein and more than just overtones of bigotry, and also to swear off of drinking tea for the rest of your life!

I can’t say too much more about the outstanding cast without really spoiling things, except to say that they’re all on-point, and some special kudos need to go to STEPHEN ROOT (OFFICE SPACE) as an important character at the Armitage’s ‘party’, and LIL REL HOWERY in a hysterical but all-too-relatable role as Rod, Chris’s best buddy who works as a TSI agent, and who doesn’t like the whole idea of going to visit Rose’s parents from the word ‘go’.

I found it pretty humorous when the conservative types bashed this movie as being “anti-white”, when it was just as pointed in its commentary regarding taking “ultra-liberals” to task as well. But what put GET OUT above most other horror films is that even without the politics simmering just beneath the surface, it’s still an out-and-out well-done psychological horror thriller, period.

POST-MORTEM SCRYPT: Horror just a year ago delved into even more artfully unsettling territory, giving us the likes of HAPPY DEATH DAY, MOTHER!, IT COMES AT NIGHT, ALIEN: COVENANT, ANNABELLE: CREATION, LIFE, GERALD’S GAME, the movie version of King’s IT and THE KILLING OF A SACRED DEER.

And that about wraps it up for this year, poison ghouls! I hope you enjoyed this shambling stroll down Memory Lane as much as I did bringing it to you, and that you have some great plans for the holiday! As they said at the end of CREEPSHOW, “Until next time…”

Posted by Samuel Glass in EDITORIALS, FAMILY HORROR, FEATURED CONTENT, HALLOWEEN, OPINION, SCI-FI HORROR, SLASHERS AND BAD HUMANS, THRILLER, TRIBUTE, 1 comment
Movie Review: UPGRADE (2018)

Movie Review: UPGRADE (2018)

Even if you’re not familiar with the name (and as a horror fan, you should be), there’s a reason why LEIGH WHANNELL is on everyone’s radar at the moment. As a director/producer/writer/actor, together with frequent producing partner JAMES WAN (who I know you’ve heard of), Whannell’s had a hand in the creation of some of the most successful horror efforts from the last two decades, including the franchises for SAW, INSIDIOUS, THE CONJURING and ANNABELLE, be it in front of or behind the camera. (And in some cases, it’s been both.) So it should come as no surprise whatsoever, that this talented man’s ever-creative brain spat out the concept for the remarkable sci-fi/action/horror thriller, UPGRADE.

Grey Trace (potential Tom Hardy stand-in LOGAN MARSHALL-GREEN from PROMETHEUS, SPIDERMAN: HOMECOMING and DEVIL) isn’t just your everyday, garden-variety Luddite in the not-all-that-distant future. He’s not seeking to ‘destroy the system’ that controls this world, but he sure as hell isn’t going to be a part of it. He listens to gut-bucket blues while he works on restoring ‘analog’-based cars, for very rich people who collect them. But he doesn’t love his cars or his music half as much as his beautiful wife, Asha, (MELANIE VALLEJO), and no, he doesn’t mind at all that she’s the “pants-wearing breadwinner” of the family.  Alas, the ‘happy-life’ set up must end, as they all must for a movie like this to work, and thanks to a malfunction in the cab that’s supposed to be bringing them home, the lovebirds instead end up in a really bad part of Grey’s old ‘hood, where a band of thugs decides to kill Asha, and leave Grey permanently paralyzed instead of dead.

Wouldn’t you know it, though: there’s an app for that. One of the rich people he sold a refurbished car to is a Steve Jobs/Elon Musk-type technological wunderkind named Eron Keen (HARRISON GILBERTSON). Yes, his appearance is foreshadowing that’s about as subtle as a Keith Moon drum solo, and yes, he does turn up again after Grey’s ordeal, to give him a way to walk again, but more than that, a means by which avenging his crippling and his wife’s murder will be a breeze.

That way is a computer chip called ‘STEM,’ but calling it a “computer chip” is like calling Mount Kilimanjaro a molehill. STEM not only helps operate Grey’s damaged central nervous system and thereby his arms, legs and the rest of his body, but it can help him do some pretty incredible things…like, kick the living shit out of bad guys. And then we and Grey soon realize…he’s not the only ‘modified human’ running around out there. And when he’s not looking for them, they are most certainly out to get him!
However, as wondrous technological developments always do in movies like this, STEM is not without its own set of problematic glitches and side effects, and to say anything more than that would reveal some devastating Act Three spoilers, including the most important twist of all in the story, which isn’t ‘early M. Night Shyamalan’-badass, but pretty close.

I don’t know how much training Marshall-Green had in physical conditioning and movement before shooting, but however long and/or grueling it was, the end results were more than worth it.  His performance is incredible, especially the way he defines Grey’s bodily control under STEM’S influence as totally and spell bindingly different than it is under his own steam.  And all without the aid of CG or other special visual effects, save for some dazzling angles that Whannell employs, thanks to the amazing camera work of DP STEFAN DUSCIO, and also in no small part to the stunt team, led by coordinator CHRIS ANDERSON, with stunning fight choreography by CHRIS WEIR.

BENEDICT HARDIE (HACKSAW RIDGE, NEKROTRONIC) makes a great anti-heroic counterpart for Grey as Fisk, the ‘bad guy’ seemingly responsible for everything that happens, though you discover in pretty short order, that his motivations are far beyond those of the kind of average thug-villain who’d usually be playing this role.  I also love the obvious nod to the late Douglas Rain’s voice performance as “HAL 2000” in Kubrick’s “2001”. If there’s any justice in this world, the smooth, even and undeniably creepy tones of SIMON MAIDEN’S “STEM” voice will become just as iconic.

There’s no way to herald anyone on this picture without including the eye-popping work by the makeup FX team here.  The impressive key sequences would have come across so much better if they hadn’t already been ‘spoiled’ in the “Red Band” version of the trailer.  Even having said that, they’re still amazing as hell when you see them in context.

There aren’t a whole lot of complaints I have about this one, but there is one aspect that bears mentioning: I know the previews sell this as a testosterone-fueled, dystopian thrill ride for the ‘dudes’, and yeah, I’ll admit that was part of the allure for me. But that also means the female characters get short shrift…again. The death of Grey’s wife, Asha, pretty much propels the entire plot into motion, although Vallejo gets to do little more than look pretty…even when her character is dying.

I can understand the casting of BETTY GABRIEL as Det. Cortez, the cop who begins to realize there’s more to her ‘crippled’ suspect than meets the eye.  Between her spellbinding performance in Jordan Peele’s GET OUT, plus her growing resume of appearances in other genre movies like UNFRIENDED: DARK WEB and THE PURGE: ELECTION YEAR, she’s quickly becoming the next “IT-Girl” for horror and sci-fi fans. But I really wished they’d given her more to do because hers is the kind of character you want to know more about. The antagonistic-yet-empathetic relationship between her and Grey could have been developed much more extensively than it was.

The one place where the minimal development of female characters works comes about, when at a crucial moment in the story, Grey hooks up with a mysterious uber-hacker named “Jamie” (KAI BRADLEY). In their scene together, which probably is all of about three minutes in length, we are completely captivated by her, not just because of the interesting aura she projects, thanks to Bradley’s performance, but because of several things she says to Grey and about him, throwing hints out there about what’s going on – there’s more to this story than we think there is, Jamie warns us. And that has me looking forward to a sequel, which I hope Whannell intended. Which I also hope includes Jamie’s return.

I’m glad that my concerns about Whannell were completely groundless. Though I’ve enjoyed his work as both an actor and a filmmaker, I was wondering if he considered his niche to be splitting time between the writer’s room, producer’s desk, and acting. UPGRADE is only his second film where he took over the director’s chair (his first time was in 2015 with INSIDIOUS: CHAPTER 3), but if UPGRADE is any indication of where he’s going with his creative knack, I’m looking forward to the UPGRADE sequel…or wherever he decides to go next. Count me in! And please accept four out of five bone-crushing stars of gratitude!

Posted by Samuel Glass in GORE OR EXTREME HORROR, MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, THRILLER, URBAN DECAY/DYSTOPIAN FUTURES, 0 comments
MOVIE REVIEW: Get Out (2017)

MOVIE REVIEW: Get Out (2017)

No seriously, GTFO!!!!
Fair use doctrine.
You ain't ready!
This may be my shortest article because I am not the type to give a movie away. But CHEESE AND RICE! 😮 Get Out is a complete MindF**k!! As mentioned in my bio, I have been exposed to horror my whole life, and I've been through a lot. So it is hard to get to me. This film had my eyes bulging! I, too, was like:
Fair use doctrine.
I kept hearing how, "It's not what you think". They were stating the obvious, but I wanted to find out what 'it' was then! I certainly wasn't ready! I truly am blown away that this disturbing film came from the big ole goofball Jordan Peele. I mean his scripts may be pretty dark or down right in your face at times on the show Key and Peele but this was a complete 180.
It actually does not take long to figure out something is amok in the film, but it will definitely blow your mind when all truth is exposed and you see everything going on!! The bingo game had me scratching my head until later near the end of the movie. Some of my friends didn't get it at all until I explained it to them. #MindBlown!
And Shout Out to this guy for bringing in the comedy relief: 😉
I'll tell ya another thing! I love hot tea! I will not being stirring my cup to get a good blend while the tea bag is in there any more! As a matter of a fact, tea bags no longer go in mugs PERIOD! Ya better pull out an infuser and dump the containments of the bag into it!! And if I'm at your house and you come out with a mug with a tea bag and a spoon in it, I'M OUT!! Deuces!
This film will keep you on the edge of your seat, and will blow your mind! Watch it immediately! Then Get The Flip Out of wherever you watched it!
Posted by Alan Smithee in MOVIE REVIEWS, REVIEWS, STAFF PICKS, 2 comments