gore

Netflix to bring Resident Evil as a TV series

Netflix to bring Resident Evil as a TV series

Just like zombies Resident Evil refuses to stay dead. Deadline is reporting that NETFLIX will be doing a live action tv series. Per Deadline, “the plan is for the series to expand the Resident Evil universe and deepen the existing mythology. I hear the series will keep the basic premise, which also served as a setup for the movie franchise. The drama series will explore the dark inner workings of the Umbrella Corporation and the new world order caused by the outbreak of the T-virus.”

Let’s face it the movies are great, the video games are great even the cgi cartoons aren’t bad. This is big news where Netflix is getting a lot of buzz with their TV and films. Original or not this will be interesting to see where it goes. No word yet on casting or release date.

Posted by Jai Alexis in CAST AND CREW NEWS, COMING SOON, EXCLUSIVE, FEATURED CONTENT, GORE OR EXTREME HORROR, HALLOWEEN, HORROR HISTORY, HORROR NEWS, MONSTERS AND CREATURES, NEW RELEASES, REVIEWS, SCI-FI HORROR, SERIES REVIEWS, STAFF PICKS, THRILLER, ZOMBIES, 0 comments
The Lost Boys is coming back to the small screen by the CW.

The Lost Boys is coming back to the small screen by the CW.

It appears that the CW is going to take a gamble on a classic horror film. The Lost Boys (1987). The CW has ordered a pilot for the series. With the success of shows like Riverdale which is a surprisingly great show could lighting strike twice? We shall see if this is going to be true or not. There was a time the CW was going to do a TV show about Friday the 13th  which due to legal issues fell through and may not become released, but that’s the business for you. With the not so welcomed reviews of the sequels could the series be the redemption, or just simply fade out? Hard to say at this point since there will mostly be mixed reviews. Deadline has reported the information from their website

Logline: Welcome to sunny seaside Santa Carla, home to a beautiful boardwalk, all the cotton candy you can eat…and a secret underworld of vampires. After the sudden death of their father, two brothers move to Santa Carla with their mother, who hopes to start anew in the town where she grew up. But the brothers find themselves drawn deeper and deeper into the seductive world of Santa Carla’s eternally beautiful and youthful undead. 

There is no word of any cameos or if this will be a continuation or complete retelling.

Posted by Jai Alexis in COMING SOON, EXCLUSIVE, FEATURED CONTENT, HORROR HISTORY, HORROR NEWS, MONSTERS AND CREATURES, NEW RELEASES, REMAKES AND REBOOTS, SATANIC/DEMONIC, THRILLER, VAMPIRES, 0 comments
From Quentin to Robert: We celebrate 23 years of From Dusk till Dawn

From Quentin to Robert: We celebrate 23 years of From Dusk till Dawn

The year was 1992, A young video store clerk was premiering his first film at the Cannes Film Festival, Reservoir Dogs. That same year another young director from Texas was premiering his film El Mariachi. Both films were instant hits and showcased a talent the likes Hollywood wasn’t familiar with. Snappy dialogue, great action sequences, celebrities from the past who are in main roles dominating the screen once again in different lights. It was then that Quentin Tarantino and Robert Rodriguez met. The two bonded over the one thing they love: Movies. As time progressed, they wanted to work together but what would the project consist of? Quentin mentioned his love for horror movies and pitched an idea for a script he wrote called From Dusk till dawn. In reference to the drive-in theater days where they would show movies to FROM DUSK TILL DAWN. For those unfamiliar about the plot on the run from a bank robbery that left several police officers dead, Seth Gecko (George Clooney) and his paranoid, loose-cannon brother, Richard (Quentin Tarantino), hightail it to the Mexican border. Kidnapping preacher Jacob Fuller (Harvey Keitel) and his kids, the criminals sneak across the border in the family’s RV and hole up in a topless bar. Unfortunately, the bar also happens to be home base for a gang of vampires, and the brothers and their hostages have to fight their way out. The film boasts an extremely impressive cast of actors in small to big roles. For the moviegoer unfamiliar they may have recognized Tom Savini, George Clooney, Juliette Lewis, Harvey Keitel, Salma Hayek, Cheech Marin and of course Quentin Tarantino himself, but for the movie fanatic, they easily recognized the people that truly inspired Quentin and Robert to not only make this film but all their films. John Saxon, Greg Nicotero, Wayne Toth (who played a vampire in the movie, He’s done the FX for Rob zombie’s films) Marc Lawrence, Robert Kurtzman, Fred Williamson and the legendary Michael Parks. This was honestly the expendables of a horror movie before the film by Kurtzman “Wishmaster” which features a stellar cast itself. The film always holds a special place in my heart from the first time I saw it, I snuck into the theater since I was too young to purchase a ticket quietly sitting in my seat unbeknownst to the theater staff or customers. The movie came on my heart sank, I’m seeing my first Rodriguez/Tarantino film having to go to the video store renting to owning their movies on VHS. Yup, I once owned Reservoir Dogs on VHS along with Four Rooms and Pulp Fiction. The movie started out as a criminal heist film to eventually the horror movie we were waiting for, I studied every line, every scene, I saw so much and remembered pay attention to the movie at least. Here I was just a young teenager rooting for the bad guys, enjoying the violence. Growing up before the internet we just had horror magazines and tv spots MAYBE if we were lucky a tv show would talk about a movie or show behind the scenes even then it was just a snippet. You blink and it was over. So, at times watching the tv spots for horror movies I spent my time studying and breaking down the frames which is what I did for the film. Finally, the film was over. I was awe and couldn’t believe what I saw a great action horror movie with snippets of clever jokes. As stated, there was no internet so when going back to school it was my job to tell everyone what I saw and explain in detail as if I really did witness it all. For years the movie stayed on my mind. I had to own it, the posters, the script ANYTHING related to this film. Luckily, I was able to obtain a VHS copy of the film at Suncoast which back then was my go-to for horror movies. I wore out that tape as I did the box slip from taking it out or lending it to friends for them to see and we talk about. I also read the script which I studied and learned from for future films I wanted to write. As time went by, I eventually studied the many layers of the film. The script had scenes in it that were cut out or dialogue altered or not used. This helped me growing where I would watch films and even to this day go, move this, say this instead, alter this scene more so to reflect this character’s persona. Change this song, use this song. It was as if the teacher was watching me fly from my bird’s nest. Years later I finally met Tom Savini who talked about the film. He kept the machine gun crotch piece and explained that every vampire was modified to where they didn’t look alike, they were all unique designs. Tom joked about how his daughter would hang out with George causing pranks on set by which there were water gun fights with the dancers and Tom, George or whoever fell prey to them. Does the film have some decent sequels that actually aren’t bad? The tv series does a great job piecing everything together and adding new lore to the film. To anyone who worked on the film or the people reading this. If you’re upset, I snuck into the movie for free, don’t worry I have bought the film and posters so many times in my life that the universe is finely balanced.

 

Posted by Jai Alexis in EDITORIALS, HORROR COMEDIES, HORROR HISTORY, MONSTERS AND CREATURES, MOVIE REVIEWS, REVIEWS, SATANIC/DEMONIC, STAFF PICKS, THRILLER, TRIBUTE, VAMPIRES, 0 comments
Still Blowing Minds 38 Years Later – Celebrating Scanners

Still Blowing Minds 38 Years Later – Celebrating Scanners

January 14th, 1981 is one hell of an auspicious occasion in the annals of horror releases. Scanners, a film that successfully combined sci-fi and mystery, laced with potent punches of gore mesmerized audiences and helped American filmgoers become aware of who will be known as the Baron Of Blood, David Cronenberg. A name that none of us would have probably known if the now legendary filmmaker did not decide to change his focus of studies in college from Science to Literature, and end up embracing his inner storyteller.

 

 

After terrifying audiences with the parasitic psycho-mania of Shivers in 1975 and the uncommon aggressive outbreak of his Rabid in 1977, Cronenberg went on to create The Brood in 1979. The Director took on a deeply personal tone with this production focusing on mutant offspring.  He admitted in his 1992 book entitled Cronenberg on Cronenberg, that he based the story around the nastiness involving the deterioration of his relationship with his first wife. He went on to say that he found the shooting of the climactic scene involving the strangulation of character Nola Carveth by her husband, to be “very satisfying.” Cronenberg yet again shifted gears in 1981 with the eventual cult classic, Scanners.

 

 

“There are 4 billion people on earth. 237 are Scanners. They have the most terrifying powers ever created… and they are winning.”

 

“10 Seconds: The Pain Begins.  15 Seconds: You Can’t Breathe. 20 Seconds: You Explode.”

 

The story for Scanners is simple enough: A powerful, renegade Scanner named Darryl Revok (Michael Ironside) has created an underground movement intent on world domination. After what is an aggressive and dangerous display of power, Revok becomes a wanted man by an agency known as ConSec. A doctor at ConSec, Paul Ruth (Patrick McGoohan) finds Cameron Vale (Stephen Lack) who is another Scanner and decides to utilize his psychic abilities as a valuable weapon against Revok.

 

I remember being a kid and walking through the local video store, searching for my next rental on one occasion. My eyes were darting from the various VHS covers and then, BAM! My gaze became fixated on this simple yet kind of scary image of a man in a shirt and tie, seeming like he was about to explode. I recall becoming excited as I picked the copy up and read both front and back covers, wondering why I had never seen this in the store before. Come to find out, I never saw it on the shelf because it was always checked out. I don’t think I rode my bike home so fast in my life than on this day. I was fucking ready for Scanners.

Unfortunately not everyone was ready for Scanners or the type of graphic horror Cronenberg brought to the screen. After reviewing the film in 1981, famed movie critic Roger Ebert wrote, “Scanners is a new horror film made with enough craft and skill that it could have been very good, if it could find a way to make us care about it.” Thankfully Ebert, who in my opinion, had a penchant for condescending ways, could not have been more wrong. Some films and some filmmakers themselves take time to sink into the hearts and minds of movie goers. David Cronenberg and his film, Scanners is a great example of this. Although the movie did more than his previous to help gain a favorable reputation as a filmmaker for himself, especially in America, it still took some time to earn the kudos deserved. Eventually, the film even gained the coveted Criterion Collection treatment proving Ebert wrong. People did fucking care.

 

 

You see, I believe Scanners was just enough far removed from his previous, rather complex  films to help allow a wider audience to enjoy his unique creative energy. Cronenberg plucked strings of dischord and immense cinematic pleasure all at once and became dubbed as The King Of Venereal Horror but the release of Scanners showcased his incredibly eclectic style. His vision coupled with the legendary talents of Makeup Master Dick Smith and Special Effects Supervisor Gary Zeller help spawn a heavily celebrated addition in the history of film. The constant collaboration between composer Howard Shore and himself has proven beneficial and this, only their second endeavor together, is no exception. Scanners is also home to one of the most iconic sequences in horror; the head explosion. It truly is a rare treat, a magnificent blending of horror, sci-fi, intrigue, and hands fucking down phenomenal special effects that are still highly regarded to this day. It is not an easy film to forget, as is any Cronenberg flick, but there is simply something so truly special about it that I feel my words just can’t do it justice. David Cronenberg, a cornerstone of the Body Horror subgenre, master filmmaker and personal hero, has entertained, bewildered and inspired so many with Scanners and it continues to do so 38 years later.

 

 

Posted by Danni Winn in EDITORIALS, TRIBUTE, 0 comments
The Night Comes For Us (Review)- House Of Tortured Souls

The Night Comes For Us (Review)- House Of Tortured Souls

If you are into a very gory, action-packed thriller, then you MUST check out The Night Comes For Us on Netflix. The Night Comes For Us is an Indonesian film that was written and directed by Timo Tjahjanto. The film stars Iko Uwais, Joe Taslim (Fast & Furious 6), Julie Estelle (The Raid 2), Sunny Pang, Zack Lee (Bad Wolves, Headshot) and Shareefa Daanish.

The film focuses on Ito (Joe Taslim) who is known as one out of the six elites for the South East Asian Triad which is also called the Six Seas. Ito decides to turn his back as a killer upon rescuing a young girl named Reina (Asha Kenyeri Bermudez) who saw the massacre of her family happen in her village. He then hides Reina at his ex girlfriend Shinta’s (Salvita Decorte) place. Shinta takes care of Ito’s injuries from which he endured from killing his fellow soldiers. Knowing that there is nothing more for her to do, Shinta calls in a man named Faith (Abimana Aryasatya) who use to be in a gang with Ito. Faith takes Ito and Reina back to his apartment, and also calls in his cousin Wisnu and the last member of the gang Bobby (Zack Lee), who is a drug addict. Bobby tries to help them by getting them passports so they can restart all over. When you think there is hope, it turns in to one whirlwind after another when word gets through from other Tirads and those Ito has turned his back on, to an ultimate man hunt, all for the girl, and betrayal.

This movie was cringe-worthy at its finest jammed pack full of gore, martial arts and epic fight scenes. Things that you were not aware that could be used as weapons were. And as much as I felt my eyes squint and my body squirm, I could not look away as I anticipated more that was yet to come. For me personally, I’m not into a lot of action/martial arts movies but this was a whole different genre. It was a constant whirlwind of blood, guts, and sacrifice. Sacrifice from old members helping Ito out, particularly because in the end, there really is no way out of a gang. You may think you are safe, but anything can happen in a blink of an eye. I absolutely loved the thrill and rush of it all.

Check out the trailer below, and I highly, highly recommend that once you check the trailer out, that you will not make plans on a Friday night and enjoy the gore for yourself!

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Overall Grade: A

Posted by Sarah Gregory in GORE OR EXTREME HORROR, MOVIE REVIEWS, REVIEWS, 0 comments
We Summoned A Demon (Short Film)-House Of Tortured Souls

We Summoned A Demon (Short Film)-House Of Tortured Souls

Chris McInroy directed another hilarious and very gory short film We Summoned A Demon. This is actually the third installment to 2 to other shorts Death Metal and Bad Guy #2.

We Summoned A Demon shows two friends who had no idea what they were doing and ended up summoning demons. This included a perfect blend of gore and comedy. 

Having the pleasure of messaging Chris McInroy, he stated that it took 2 days to film in a warehouse in Austin, Texas. Chris is also into making practical effects driven from horror-comedies while being heavily influenced by 80s movies. Getting to experience with monster creations will be what wil inspire him to create his first feature to make a werewolf movie.

Chris also lives for the audience’s reactions, bringing happiness to them with gore and comedy in which he gets satisfaction from when viewing his movies. 

I highly recommend checking this out and hope to see more of Chris McInroy’s movies soon. ⬇️⬇️

Posted by Sarah Gregory in Categories, HORROR COMEDIES, INTERVIEWS, SATANIC/DEMONIC, 0 comments
Mother Krampus 2: Slay Ride. A movie that slays the indie horror industry

Mother Krampus 2: Slay Ride. A movie that slays the indie horror industry

The best thing about Christmas isn’t the food, the cartoon specials, or even the ugly sweater parties but it’s the holiday theme horror movies. Sometimes we are treated to a lot sometimes a very few amount. One happened to come across my desk called MOTHER KRAMPUS 2: Slay Ride I was expecting a demonic movie based on the cover but was treated to a Slasher movie that was reminiscent of the 80’s, 70’s horror movies. The plot for Mother Krampus is: “It’s Christmas time in Cleveland, Ohio and four young ladies are on the verge of completing their mandatory thirty days of community service. With only one night to go, they are required to make a series of in-home visits to the older and less fortunate. Upon arriving at their final stop for the night, they become introduced to a pleasant older woman who graciously welcomes them into her home for the evening. However, as darkness falls and the cold settles in, they begin to realize that there is far more to their seemingly innocent host than meets the eye.” The film doesn’t waste any time going into full force on what to expect with a great opening sequence kill. Like all 80’s, 70’s horror movies the deaths don’t pick up again until the end, but like all horror movies it also gives you a story where we learn about the characters, see their activities deciding if we’ll like them, feel bad for them as they perish. The film stars KateLynn E. Newberry Tiffani Hilton, Robbie Barnes, Roger Connors and Kris Smith who are co-writers of the film. This does help the film in fact that the actors learn their characters a little more and know what to bring with the direction of the Director Eddie Lengyel who was also penned as a writer for the film. Yes, this film has a nostalgic  feel to it where the plot is very simple, and the deaths are great with the budget of an indie film it does deliver on gore especially the after math of a death including a few great scenes from an ax to the face. The 3rd act of the film does take place in a big house in the city which I couldn’t help but feel of a Black Christmas vibe to it. We know the killer which we find out is a deranged mental patient. No powers, no black magic, nothing demonic. Just pure crazy which we the audience benefit from because we see the “human side” of the killer where we feel bad for their solitary, but when they wear the mask there’s no one liners, no sympathy, no reasoning. Just deaths galore. Which is what should be expected for a horror movie like this. I for one felt this movie has potential to be watched not only one month out of the year, but anytime. I spoke to Roger Conner’s about the film’s title where he said the original title was going to be “Naughty List” but the distributor changed their minds on the name title. Is this a bad thing? Not at all because we still see the same movie just different title. I have to admit the film did a great job keeping my interest all the way where even though an indie still showed mainstream horror this is a movie to watch out for that with a little patience, hard work, and some great actors you can tell a story, have great kills and still be a great film. Given the film is on it’s own and not really a sequel to any other previous Krampus films.  I also enjoyed that Roger played the character Lady Athena Slay a drag queen who also happens to be a final girl or does she? I won’t spoil that part but glad to see that film is now part of the LGTBQ+ library of films including horror films. Which we don’t see a lot of, but this holiday season make this film part of your viewing schedule even after the holidays go out and buy it. As stated, before it does a great job where if it wasn’t set during the holidays would still be a great film. The film can purchased through retailers such as Amazon

Posted by Jai Alexis in CAST AND CREW NEWS, HORROR NEWS, IN THE SPOTLIGHT, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
[Short Film Review] Homecoming the revenge film from Finland that you NEED to watch

[Short Film Review] Homecoming the revenge film from Finland that you NEED to watch

I had the chance to watch the film “Homecoming” by Esa Jussila which he wrote and directed. The short film’s plot is: “Homecoming is a neo-Noir Story of the former criminals, whose new life is shaken by the ghost of their past” When he talked about the film, he mentioned it’s not a horror movie per say. More of a thriller with gore. I wanted to check out the film to help out the indie community because for most this is their bread and butter. This movie isn’t bread and butter. This movie is steak and lobster. The film opens up with an extremely impressive kill that doesn’t let down with gore throughout the film followed by beautiful cinematography. Almost like watching an art film with graphic violence. To be honest the only complaint I have with this film is that there’s not more to it, Esa said he wanted to cut to the chase and not drag on. Oh, I beg to differ this short film kept me on my toes with my jaw to the floor wanting more the story line flowed so well. Amazing actors who don’t give us a lot of character development to hate them or love, however we can’t feel but be intrigued of the why and how which does explain at the end. Even our anti-hero who’s hunting down his foes doesn’t give any one liner or no dialogue just Michael Myers esc kills: No mercy, no remorse. Esa does a great job at combining drama and horror including an extremely interesting twist of a scene where the hunter catches his prey very easily by going after what their leader cares for the most. Fans will eventually be able to purchase the film on physical formats or watch online in the near future. To be honest this is the film you can watch over and over again not to see anything you might’ve missed but just to enjoy each time bask in its gory scenes, it’s well paced dialogue of characters and still wanting more. If this is just a taste of what he’s capable of I can’t wait to see a feature film. Don’t pass up this film just because it’s short. This is a film to watch out for.

Posted by Jai Alexis in Categories, COMING SOON, EXCLUSIVE, GORE OR EXTREME HORROR, HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SLASHERS AND BAD HUMANS, 0 comments
(Spoilers) Film review for The House that Jack built uncut

(Spoilers) Film review for The House that Jack built uncut

I got the chance to see the uncut version of The House that Jack built. Nothing was going to stop me. My Alamo Drafthouse was sold out, luckily, I was able to find an art theater in an almost abandoned mall. Afterwards it was surreal walking out as the mall was closed almost like a lucid dream from what I just saw. So, get to it, right? Tell us what you say! Review the movie! It was a one-time screening and honestly FOR GOOD REASON. The movie is very brutal, humorous, artistic, nihilistic and over all dare I say a work of art? So, sit back and relax and just know in a very rare instance I will actually post spoilers about the film including what deaths to expect. The rated R version will premiere Dec 14th. So, think of this as a guide on what to expect, how much to expect and what may be cut. Now the film is under scrutiny with the map based on the uncut version being released early that could generally confuse the crowd thinking they were going to see the rated r version. However, the audience in attendance KNEW exactly what to expect. So, if you’re still curious still wanting to know let’s break down THE HOUSE THAT JACK BUILT. As stated, I WILL BE POSTING SPOILERS SO FINAL WARNING. The film did have intros by Matt Dillon and Lars von Tier thanking the audience for attending and knowing that they’ll be seeing the UNCUT version. As the film opens, we see Matt Dillion driving down the road seeing Uma Thurman stranded needing help, the two begin to talk where Uma becomes persistent of needing help not so much begging for help, but making as if it HE HAS TO DO IT. This does continue throughout the opening scene where we begin to be annoyed by her as she picks on Matt profiling him as a serial killer (which he is) After a while he snaps using the car jack to cave in Uma’s face which they do show. This is probably the only time in the film where we don’t feel so bad and actually understand why he did it. We cut away to dark screens where there’s voice overs of Jack speaking to somebody only known as Verge played by Bruno Ganz this happens throughout the movie which will make sense in the end. Jack speaks about the 5 random incidents in his life that stands out the most of his “art” that he’ll refer to now and then throughout the movie. Him killing Uma was the first incident, the second is where we see him early in his life learning to kill, learning to get rid of evidence and feel nervous riddled with OCD. He confronts a widow posing as a cop who later reveals he’s an insurance agent in order to get into her house, tries to kill the older woman only to fail where he tries and tries again.  We’re treated to a display of his ocd where he gets away with the murder, but he just can’t be happy assuming he left blood stains all around. Now being choke doesn’t sound vicious, but he drags the body with his van in order to escape the police who come in reporting a break in. When he gets back to his meat freezer, he purchased previously we see the woman’s hollowed skull like it was a watermelon display set. Perhaps the most cringe worthy scene that I can made 100 people leave the screening at Cannes is his 3rd incident where he talks about, he had a family at one time. It was his, but he was on a date with a woman and her two children. He takes the family hunting explaining the guns and the targets as well as the trophy displays hunters would boast about. We get a glimpse of him as a boy expressing how he would hide in the corn fields hearing the farmers using their scythe that put him at ease. During this flashback he cuts off a baby duck’s leg and throws it back into the water. There’s no cuts, edits or even CGI it looks like the real thing. As we go back to his picnic date, he’s begun hunting the family He goes for the children first shooting one child in the vital organs and shooting his leg off. He shoots the child’s brother point blank in the head. The mother cries as he sets up a picnic forcing her to feed food to her dead children who are positioned as scarecrows, he eventually kills the mother after asking her what’s her favorite number to which she replies 12. The number is then used as a countdown. Jack goes on to discuss that he’s always wanted to be an architect but was never given the chance due to his mother who felt it wouldn’t pay off. He works as an engineer and throughout the film explains his actions as art arguing with Verge about the differences and his actions are right. Verge listens but draws the line at child’s death as if I heard it all but I still don’t care to hear these parts and can’t acknowledge anything like this as art. Which keep in mind this is a drama art film with heavy horror elements. Most of the time we are treated to philosophy, music and the sanity of Jack who ideally just wants to build a home but can’t get the idea of his dream home down. It’s murder and torture that lines the foundation of his new “home” that makes him feel at ease, cures his ocd and engulfs him to where he’s a confident sociopath with the ability to manipulate those around him, even then his friends are loners and people who aren’t very social. The film is well done with excerpts of the mindset of Lars Von Tier who has repeatedly certain taboo and controversial topics. Yet, this review isn’t to bash Lars it’s simply to showcase the film that I saw. He does speak of falling in love once, but it ends in murder where he explains nobody cares and nobody wants to help a person. The end result is Jack slicing off a woman’s breasts which once again no edit no cut away the scene takes place right there. The final incident was just him experimenting on shooting a full metal jacket bullet in the heads of a group of men lined up. Jack has bought the wrong bullet and must correct his mistake where we see the crumbling of him with the ocd coming back. We don’t see the execution with the bullet which is kind of a shame but at this point with the meeting of Verge we realize he wasn’t going to make out of this alive and it could be either his confessions to a priest as he approaches death row or Virgil is simply the embodiment of Death. Answer: The latter. Jack is caught by a friend who tries to reason with him but is brutally stabbed in the mouth with a bowie knife. What are seconds feels like minutes watching him raise his mouth as the knife goes deeper into his skull. The police find what’s going on and hunt Jack down. As the police try to break down the freezer doors Jack decides to go out and build his home from what Verge explains this is how Engineers work. They work with what they have. He ties up the bodies using wire and hooks. The house is creepy since he’s been keeping the bodies frozen (also there is a taxidermy scene with one of the children he kills to always be smiling) Which you will see quite a bit in the film. Verge takes him down a hole inside his house where we figure that he’ll be taken to freedom, but as the epilogue continues, we are treated to the previous conversations we heard in the dark. Verge is death and he’s taking to final destination. Heaven or hell which is by a broken bridge. The bottom is just lava with a screeching metal noise. Verge explains many people have tried to cross the other side but never make it. Jack feels he has a chance and tries only to fall to his death. So that’s the movie an art film with graphic violence, some soul and blues music, dark humor or perhaps the crowd was laughing nervously or just have a twisted sense of humor. I may never know. With this showing nobody walked out but who knows on the other screenings. Should you see this movie? Yes, keep it mind it is an art film but the gore, storyline and acting will keep you interested. I have to say despite Lar’s character he went out and made a great film about raw emotions that escalate to murder to ease the jangled nerves of a man who has to find an outlet. The movie makes American Pyscho (2000) look like a cartoon.

Posted by Jai Alexis in Categories, COMING SOON, EVENTS, EXCLUSIVE, HORROR COMEDIES, HORROR HISTORY, HORROR NEWS, MONSTERS AND CREATURES, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Let’s be thankful for Blood Rage

Let’s be thankful for Blood Rage

For the longest time horror fans were fixated on the faux grindhouse trailer Thanksgiving (2008) by ELI ROTH to Thankskilling (2009). Both films had what we wanted Over the top gore and it was a thanksgiving horror movie. A first for their kind. Then Arrow released news of a forgotten gem that made the fans of horror drool at the mouth. I’m talking about the 80’s slasher movie BLOOD RAGE (1987) AKA SLASHER and NIGHTMARE AT SHADOW WOODS. With all the titles and cuts this was the movie most didn’t know, and the other half were eagerly anticipating its release. For good reason the film was shot in 83 and released in 87 and the fx was done by Ed French from Terminator 2 (1991) which was worth every penny and we’ll get to that in a bit. The film’s plot: As kids, Todd is institutionalized for a murder whilst his twin goes free. 10 years later, on Thanksgiving, Todd escapes and a killing spree begins in his neighborhood.”  The movie is good for what it’s worth. An 80’s slasher movie with a great synthesizer and great deaths. Sure, the movie has cheesy dialogue & acting, however we can’t forget this was made in the 80’s. What saves this movie is the gore in the film showcasing ED’s talent. Including a death scene in the woods that silly as it’s executed (no pun intended) is amazing. As for the fans there’s also a quick cameo by none other than Ted Raimi who you will know as the brother of Sam Raimi and happens to pop in some really great horror movies. The movie doesn’t hold any mystery on who the killer nor does he use any costumes just straight up murdering people of course there’s some cheesy one liners including the infamous “It’s not cranberry sauce” So over all let’s be thankful there’s this movie out there sure it may be a b movie slasher to some people but this film is top shelf horror for the fans who after a day of eating turkey and feeling tired, plop on the couch pop open a cold drink with friends pop that pop corn turn on the tv and watch the first ever Thanksgiving slasher movie set in Florida about an evil twin.

Posted by Jai Alexis in Categories, EDITORIALS, HORROR NEWS, MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Film review for the new film Triggered by Chris Moore

Film review for the new film Triggered by Chris Moore

After watching his first film Blessed are the children I immediately enjoyed the path that Chris Moore was going. When I heard about his second film, TRIGGERED I reached out to him and said, May I please see this movie as soon as possible not only to review but watch his progress into the horror industry grow. Upon watching the film, I was rest assured that Chris hasn’t lost his touch from his first film. The film Triggered like Blessed deals with topical issues that are relevant to still staying true to the 80’s vhs tapes you would see at the video store. Not the big budget 80’s horror movies but those small forgotten gems that when finally get a movie release the hardcore fans go nuts for. Triggered’s plot is: “Two teenagers fake an attack by a legendary serial killer for a little attention, but the plan backfires when this triggers the real killer to resurface and go after them.” Chris doesn’t waste time with panning shots of his town or even give us filler jokes that don’t apply to the scene. Given the title may turn some people off what with the cliché term used as an insult to someone. Don’t let that discourage you the film delivers promise with great acting, excellent score of yesteryear 80’s slashers. Perhaps the only downfall I can say about this film is that even though there’s great death scenes along with great editing of the deaths one can only imagine what if there was a little more in the budget to do over the top gore. However though perhaps that may take away from the film itself making it to be a “Dark comedy” when in reality Chris is bringing an interesting story with dialogue that runs smoothly along with rapport of the actors that keep you interested to where he reminds you this is still a horror movie all the way to the bloody finale  that didn’t disappoint with the big reveal of why this is happening. There are little Easter eggs of a Golden Girls reference, to even a name drop of David Cronenberg which you should be able to catch briefly. The film will be released early 2019 along with a few screenings in the UK. When given the chance go out and buy this film or rent it to avoid being Triggered from retailers who are sold out.

Posted by Jai Alexis in CAST AND CREW NEWS, COMING SOON, EXCLUSIVE, HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, 0 comments
Sharp Knives cuts deep into the veins for horror comic fans

Sharp Knives cuts deep into the veins for horror comic fans

It’s been a while since I read a comic book or even a horror comic book. Truth be told the last horror graphic novels I read were by Junji Ito and Steve Niles. I was very pleased to get a chance to read issue one of Sharp Knives written by Anthony Cotter and illustrated by Martin Trafford. Normally I’ll review a movie or tv show, but it was nice to get back to my roots of horror comics since that’s what I loved to read growing up. Right off the back this comic has a hopelessness cold feel to it with style of a 70’s, 80’s slasher movie. Not the hokey slasher movies with the one liner I’m talking stuff like New York Ripper and Maniac feel to it. Sharpe Knives is a dark and gritty story set in a fictional corner of the real world, free from supernatural elements. An exploration of what drives the worst kind of villains, and the choices they might make when confronted by forces as malevolent as they are themselves. Narrated by depraved serial killer, and master blade-smith Jeffery Sharpe, who’s waning self-control drives him down a path toward a formidable adversary the likes of which he likely never expected to encounter. It begins! The main character’s narration is written out almost as if you’re reading the journal of the serial Killer. At times me reading the comic felt as if I was reading a movie script envisioning the scenarios in my head. The story builds up to an interesting read where we follow the main character Jeffery Sharpe stalking his prey and nothing will get in his way to achieve his goal it’s almost as if times, we’re rooting for him to what degree though? Perhaps it’s just the fact that we’re not terrible people but just enjoying a horror comic that doesn’t hold back almost as if we’re watching Jason Voorhees kill for the first time and gives the audience what we want: Blood. The artwork is amazing showcasing the mentality of a killer where he brutally murders an innocent by stander just for talking to him to finally brutally killing the body guard of the victim he’s been chasing. As stated yes, I read issue one it’s not out yet although here’s the best part there’s an Indiegogo campaign going on with perks that are worth every penny. For more info please click here for the campaign. This is a horror comic you’ll be hooked on very early

Posted by Jai Alexis in BOOKS, COMICS, AND PUBLICATION REVIEWS, COMING SOON, EXCLUSIVE, FEATURED CONTENT, HORROR NEWS, NEW RELEASES, REVIEWS, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Trailer Review: DIS the new movie from Unearthed Films coming this January-House of tortured Souls

Trailer Review: DIS the new movie from Unearthed Films coming this January-House of tortured Souls

When it comes to surprises Unearthed Films is no stranger to them. It was revealed this week that the film DIS (2017) will be released in Jan. The trailer which I saw blew me out of the water. The film has a feel of part indie art film to graphic twisted nightmare. The plot follows: an ex-soldier with a criminal past takes refuge in the woods. A demonic figure seeks the seed of killers and the blood of the damned to feed his mandrake garden. DIS is an infernal descent into the root of the mandrake legend and a man who wanders too close to that legend and the unnamable terror behind it. What you sow you will reap. The movie gives us interesting details but no real spoilers. Which is great because it’s best to walk in with no real idea of what to expect. I’m sure there will be gore, brutality, insanity with a story. The film stars Bill Orbest Jr. Who you might recognize from Circus of the Dead (2014) Death Camp (2018) and even Criminal Minds (2014) who is no stranger to horror. So, after the holidays are over the turkey has been devoured and the Christmas presents have been opened. Sit back and enjoy this film as we venture into the new year with a new film that will for sur be talked about for a while!

Posted by Jai Alexis in COMING SOON, EXCLUSIVE, FEATURED CONTENT, GORE OR EXTREME HORROR, HORROR NEWS, IN THE SPOTLIGHT, MONSTERS AND CREATURES, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SATANIC/DEMONIC, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Flowers 2 is in production and you can help it be the final piece of the trilogy!

Flowers 2 is in production and you can help it be the final piece of the trilogy!

One of the cool things about Unearthed Films is the social interaction they have with the fanbase. Answering questions, chatting about their films. It’s hard to believe the macabre minds behind such hits such as Aztroz, Song of Solomon, Red Krokodil, Blood Shock to name a few are some of the nicest people on earth who actually give a damn about their fans. What I love the most is the campaigns they have to fund their movies. Not just simple perks of owning the movie, or an online thank you. They actually give out props and other cool items you can ONLY get from the campaigns. One person who comes to mind is Phil Stevens the hard-working master mind behind his Flowers trilogy. Lung (A nameless man suffers from grotesque hallucinations as he wanders a corpse-strewn city.) is the prequel, Flowers is the first film with the plot as follows Six dead women awaken in the house of their killer, only to find clues about their past lives and who they once were. They must accept their fate and move on or remain in the rotting house forever and now his final project for the set is Flowers 2 with the plot: witness the final days of the serial killer known as ‘THE EXILE‘ through the eyes of his victims which has been shooting since this summer. For those unfamiliar. The films are silent with no dialogue, but paint a gruesome, disturbing visual nightmare. I talked to Phil personally offering any insight any indication on what to expect.  The man as nice as he is didn’t want to spoil anything for the fans. Which I admire and appreciate. Let’s face it when the cook is making a special dish you enjoy the meal and don’t bother the chef as they work! All I can get is that it will be insane and one of this finest works. So, what can you do? Contribute to the project get amazing stuff for helping out! After this it’s all over he’ll do other films, but the Flowers storyline will be done with. As we watch these films blossomed its time to plant one more in the ground. For more information on helping out please click the link here. There’s still time to make Flowers 2 the film that will go down as one of the most intense over the top films to date.

Posted by Jai Alexis in CAST AND CREW NEWS, Categories, COMING SOON, HORROR NEWS, NEW RELEASES, PREQUELS AND SEQUELS, 0 comments
Trailer review: Escape Room is the big budget version of Cube

Trailer review: Escape Room is the big budget version of Cube

Well it was bound to happen. A horror movie about Escape rooms. Sure, Saw (2004) and Cube (1997) might be the most legendary horror movies to feature the subject. Spawning sequels and even a Saw theme escape room in Vegas, but there hasn’t been a film quite like this. Escape room is the new film coming soon in January to be. The film plot is simple but will eventually reveal the secrets behind everything shortly: Six strangers find themselves in circumstances beyond their control and must use their wits to survive. Now on paper this doesn’t really sound convincing or even worth a watch. However, while watching the trailer I am more than excited to see a movie that’s not only going to take place in a room or just one death trap, this movie has a wide range of traps, puzzles, clues and environments that would make any horror fan intrigue. There’s no rating for the movie yet, but I’m hoping for a Rated R and not just for language. A movie like this let’s pull all the stops because most likely this could be an interesting franchise. Plus, it has some great stars like Deborah Ann Woll who you’ll remember from True blood (2008-2014) and Tyler Labine Tucker and Dale vs Evil (2010) So let’s recap a movie about escape rooms where every item is a clue and every item could lead to their ultimate demise. Six strangers connected, and this is their “Hell” no time limit but no time to waste since the room will kill them with no second thought in a clever way. This is a big deal since next year we are getting a lot of great horror movies and what better way to start the new year than with a horror movie! Jan 2019 get ready to solve the puzzle of Escape Room.

 

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Blessed are the children is a modern day story with an old school feel.

Blessed are the children is a modern day story with an old school feel.

Chris Moore has delivered a movie that uses today’s social commentary with an 80’s feel for a horror movie I saw “Blessed are the children” (2016) The film is about Traci Patterson (KALEY BALL) who decides to get an abortion after finding out she’s pregnant. After wards she seems to be haunted by someone or a group of people for her choice along with her friends Mandy Crane played (Keni Bounds) and Erin Peters (Arian Thigpen). From looking at the cover one would think this is a super natural film. Quite the contrary this is an old school slasher movie. While watching the movie I couldn’t help but feel, wow this is a good indie drama which for the first part plays out as it slowly builds up to the horror aspect that Chris quickly reminds you after all. When I talked to him about his film he stated “I like to ground my horror in a little reality” Chris has a deep-rooted passion for horror as you see the film with the opening credits which pays homage to the 80’s as well as the film itself which has a feel of old school slasher films. The killer has one intention punish the wicked for their sins. While watching the film there is one thing that caught me off where the film takes a turn. An interesting turn which I won’t spoil but kept me intrigued on how they were going to go forward and not be a typical Hollywood film of protagonist vs antagonist. At first the film has minimal gore to finally delivering more and more. I’m glad to see because with the film on such a shoe string budget Chris found a way to tell a great story with some clever fx, great acting as well where you enjoy the characters and see them as real friend’s vs actors pretending to be friends. The film does a great job of not really showcasing the killer’s face even at the end when you think we may see the person and find out more when we just know the basics, but then again should we really know more? Chris uses the simple formula of telling a great story. Cutting to the chase (no pun intended) without wasting the audience’s time. The movie comes out Tuesday to own or rent. Which if you are wanting to know where. Here is a link for the film

Posted by Jai Alexis in FEATURED CONTENT, HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Essence is coming soon and you can help!

Essence is coming soon and you can help!

I had the pleasure to see the teaser trailer for the new film by Jeff KACMARYNSKI’SESSCENSE” the film has a real late 70’s vibe to it from what I saw and have to say I’m intrigued along with the grindhouse feel of the style of old film. The trailer gave a little bit of what to expect but didn’t reveal all too much which is good because seeing this I’m interested to see what will transpire and want to walk in  surprised on how it escalates. I was lucky enough to get a little more information from the Director on the plot and inspiration of the film “After the death of her son, Joanna discovers a hidden room in her home, with a power that could lead her back to him. However, the room instead, unleashes a malicious cosmic entity, that feeds on her fears and sanity, ultimately unleashing a terrible mind game. Our cast includes legendary Lynn Lowry, and veteran actress Maggie Wagner. We are doing a very psychedelic surreal horror film, influenced by Cronenberg, Lynch, Lovecraft , Argento and Fulci.” I have to wonder will we see body horror, over the top gore that will get under our skin? One thing is fore I myself can’t wait to see more. This will be his first feature film that he’s done since his shorts he did some time back DEAD THERAPY is featured in Wild Eye Releasing’s movie WELCOME TO HELL which all have won several awards. Right now there’s a indigo campaign so if you like to contribute by all means even a share helps! For more information here’s a direct link to the Indigogo campaign

 

 

Posted by Jai Alexis in COMING SOON, FEATURED ARTISTS, HORROR NEWS, NEW RELEASES, SCI-FI HORROR, SLASHERS AND BAD HUMANS, 0 comments
MOVIE REVIEW: Mandy (2018)

MOVIE REVIEW: Mandy (2018)

You came, I saw, and I love you

In Mandy, Nic Cage takes revenge on a crazy religious cult in the woods with a homemade battle ax. STOP DRILLING YOU HIT OIL! That’s pretty much what sold me on the plot for Mandy, the second film by director Panos Cosmatos whose first film was Beyond The Black Rainbow (2010). Set in 1983, Red Miller (Nicholas Cage) goes after a religious cult that brutally murdered his wife Mandy (Andrea Riseborough). If you have seen his first film, you know what to expect in this; if not, then fair warning — watch the movie with an open mind. Although the film plays out like an 80s-themed slasher movie, it’s almost far from it. Let’s examine this movie further.

Mandy (2018) / Fair use doctrine.

Although set in the 80s, it doesn’t have an 80s soundtrack with well-known music. There is a synthesizer, though, along with a Friday the 13th reference to Crystal Lake from Mandy (Andrea Riseborough of such works as Hidden (2015), Waco (2018) (TV mini-series), and Black Mirror (2017) (TV series)). Admittedly there is a real Crystal Lake, Nic Cage himself said that he drew inspiration for his character from Jason Voorhees, so perhaps he wants to give that nod since his character evolved in the woods.

Mandy (2018) / Fair use doctrine.As may be obvious, Mandy is not like any other Nicholas Cage film. From the picture of Cage all bloody and glimpses in the trailer, one would expect a cheesy B horror movie with over the top gore and one-liners. Not at all! The film plays out like a heavy metal live action movie, and at times, it just feels like a dream as Red goes through moments of despair, guilt, and regret. Cage is complemented by a host of character actors, from Richard Brake (31, Halloween II (2009)) to Linus Roache (Batman Begins) to Bill Duke (Payback, Predator), who definitely deliver. The scenes with the cult aren’t over the top, which is good because not once do the characters trail off and leave the idea of the movie on its own. The bikers, though, don’t dress or sound like bikers. Think something out of Mad Max with a distorted voice that almost sounds animalistic. This raises some interesting questions on the cult’s story because there’s really no back story – for anyone on anything.

Mandy (2018) / Fair use doctrine.I saw the movie at night, and it stuck with me — not in a bad way but almost as if I were dreaming too. This, by the way, got me thinking about the end when Nicholas Cage is driving away, caked in blood caked and looking out of his mind. This is not Hollywood Nic Cage but a genuinely insane Nicholas Cage.

Final thoughts: Watch the movie, and watch it at night with an open mind because this is without a doubt an interesting movie, and I sincerely hope we don’t have to wait another eight years for Panos Cosmatos’ third film.

Posted by Jai Alexis in MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, 0 comments
MOVIE REVIEW: The Predator (2018)

MOVIE REVIEW: The Predator (2018)

The Predator: Hit or Miss

The Predator (2018) / Fair use doctrine.When I first heard that The Predator was coming back to the big screen I thought, ‘Well how are you going to top Predators?’ For my money, Predators is the best sequel to date and has the most legendary opening sequence in a movie ever. The news of Shane Black and Fred Dekker being on board, however, convinced me this was going to be top notch fun, gory, and worth the sequel.

I eagerly attended the first showing on Sunday, 16 September, only to find I was proven wrong – which is a major let down. Black and Dekker (haha) know their stuff and should’ve put together a great movie. With comedy, horror, and even family elements, The Predator struggles to find its focus. On the surface, The Predator is about a young boy who receives a gift of Predator items (WHY?) that eventually turn on a beacon which puts the Predator on a wanted list for being hunted {Or for hunting other creatures?}. The alert causes a problem for Earth since Predators aren’t friendly with anyone. A group of ragtag soldiers who suffer from PTSD ultimately are enlisted to do what’s right, help the kid, and…save the world?

The Predator (2018) / Fair use doctrine.As the film starts, there are actually some great action sequences, nice gore, and even a bit of a character development where you find yourself invested in the main character, Quinn McKenna (Boyd Holbrook, whom you’ll remember as Pierce, the villain, in Logan (2017)). After the spacecraft and presence of the aliens (Predators not Xenomorphs) are revealed, the government steps in and the movie takes a hard turn into Superficialville. Character development and, indeed, care of any characters steps out.

‘But,’ you may think to yourself, ‘This an action horror sci-fi movie. Does character development matter? We’re here for the blood and guts?’

The Predator (2018) / Fair use doctrine.

Well, kind of, yes. What I mean is this: When you attend a movie, you invest your time. In return, you expect to be entertained. You expect to see characters to whom you can relate or for whom you actually feel – especially when they die.

Hell, it took me a good while to realize that Thomas Jane was in the movie – not because of great method acting, but I just didn’t realize it was him. With an actor like Thomas Jane, you would expect that he would be front and center. At the very least, he should be cast in a better or more significant role. However, with this movie, you don’t get that. The deaths feel rushed, and the camera doesn’t exactly linger on the gore. It was almost blink-and-you-miss-it shots of the kills. Perhaps this was to avoid delays from the MPAA or maybe another unknown reason. We may never know.

The Predator (2018) / Fair use doctrine.Overall, The Predator doesn’t really hold up to the previous films in the franchise – gore- or action-wise. Sure, there are a few nods to the previous films but not enough to keep you entertained. From the sci-fi/horror aspect, it could have worked as any other alien movie, but as an entry in the Predator franchise, it doesn’t. Peppered with forced jokes as an attempt to engage the audience, it falls flat because they didn’t really fit the movie. At times, the movie felt overlong and drawn out – not good for film with a scant runtime of 107 minutes. My excitement swelled as the ending approached. Would there be a possible connection to the previous films? Or even something better?

I won’t spoil the movie, but it was almost a slap in the face to the fans of the franchise to see this. HINT: Think uber Jason from Jason X but with no delivery of any kind. It was just a big let down.

My advice: Wait until The Predator comes on Netflix or hits Redbox. It just barely made number one this weekend, so perhaps a sequel or another reboot will help the franchise.

The Predator (2018) / Fair use doctrine.

Posted by Jai Alexis in HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, PREQUELS AND SEQUELS, REVIEWS, 0 comments
INTERVIEW: Poison Rouge – Director, American Guinea Pig: Sacrifice (2017)

INTERVIEW: Poison Rouge – Director, American Guinea Pig: Sacrifice (2017)

After recently watching American Guinea Pig: Sacrifice, I was so impressed with it that I reached out to the director Poison Rouge. I was surprised and delighted to learn that Sacrifice was her debut film and even more delighted when she consented to an interview. Actor and director Poison Rouge is quite the talent, and if you haven’t watched American Guinea Pig: Sacrifice already, I highly recommend you do so.

Interview: Poison Rouge / Fair use doctrine.

House of Tortured Souls: Thank you so much for taking the time to chat with me. I’m very excited to connect with a talented woman who also loves extreme horror. Did you always want to be a director/actor?
Poison Rouge: No, thank you for your time and for supporting Indie films. Actually, I don’t yet know who I am or what I want to be in life, I just want to live it day by day. The fatal meeting with Domiziano (Christopharo) changed a lot of things for me, around me, and inside me. We first met at a tattoo shop where he was working. He did a tattoo for me, and we became friends and have been ever since. Now I see something — and someone — in myself that I didn’t see before. He suggested that I act in his sideshow first, then in his first feature film House of Flesh Mannequins (2009).
House of Flesh Mannequins (2009) / Fair use doctrine.
HoTS: What was your inspiration for this film?
PR: The story was already written. It was originally conceived as a horror comedy that Domiziano wanted to direct as the first chapter in his Trilogy of Death. The lead role was created for a woman, but the actress abandoned the project two weeks before starting. Domiziano asked me to take her place, and later he decided to give the direction of the movie to me so he could follow the second production (Torment). I turned the character into a male and removed the comedic tone to obtain something darker.

HoTS: Why did you choose to start with such an extreme film?
PR: Life decided for me, and I always accept the gifts that life gives me daily.

HoTS: I noticed a lot of well-researched references to the Goddess Ishtar. Why did you choose her or what is her significance to you?
PR: I love the fact that she is the goddess of sex, life, and destruction. The heart of motherhood in some ways. She’s a strong female figure that really describes the power of a woman outside stereotypes.

Interview: Poison Rouge / Fair use doctrine.

HoTS: What films and directors are your favorites and influenced your style?
PR: My favorite movies are any ones that involve Sly Stallone; I just love him! Especially Rocky.
In horror, my favorites are all the classics — Carpenter, Polanski, and Friedkin, etc.
I don’t think I really have a style yet. It’s impossible after only one feature, but I have a vision. My passion for art and painting is very visible in Sacrifice.

HoTS: I loved the gore and the practical FX in this one. I heard a rumor that the penis mutilation scene is partially real. Is that true? Please explain!
PR: Haha! You should watch the extras on the DVD to know more about it. I won’t say another word!
The FX are great and very realistic. Domiziano (aka Athanasius Pernath) is a master.

Interview: Poison Rouge with Domiziano Christopharo / Fair use doctrine.

HoTS: It’s really cool that your first film was picked up by Unearthed and is part of the American Guinea Pig series. Was it made specifically to be part four of AGP or was that something that happened after the fact?
PR: It was already in the works by Domiziano to be the first in his Trilogy of Death. He was planning for it to be the first Italian extreme horror saga. The references in the first film Sacrifice are from He Never Dies, the third installment in the Japanese Guinea Pig saga. Stephen Biro noticed us from the start and followed us every step of the way. He found the final result worthy of his American Guinea Pig series, and the rest is history!

HoTS: On a personal note it’s my understanding that you’re quite an accomplished bodybuilder and boxer. How did you get involved in it?
PR: Because I love Rocky and Stallone! He was my inspiration in filmmaking and made me want to act. It was only a natural next step to start fighting for real, too.
Interview: Poison Rouge / Fair use doctrine.
HoTS: I’d like to thank you, Poison, and Domiziano Christopharo again for agreeing to chat with me. You’re both talented artists and lovely people. I look forward to seeing your next film. After this incredible debut, I’m eager to see what you will do next.

Buy American Guinea Pig: Sacrifice at Unearthed Films

Check out the trailer for American Guinea Pig: Sacrifice.

Posted by Candace Stone in FEATURED ARTISTS, INTERVIEWS, STAFF PICKS, 0 comments