Green Room

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Twenty-Nine – 10/29/18

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A tense tale about the search for a missing woman in the Old West, (BONE TOMAHAWK), and the story of a punk rock band that accepts a gig from Hell (GREEN ROOM). You wouldn’t think these two films had very much in common, and you’d be right. Except that it not only introduced audiences to two remarkable new filmmaking talents, but also gave them two films that went to some unexpected places, redefining what it means to ‘gaze into the abyss’…and see with terrifying clarity, what it is that’s staring back.

S. CRAIG ZAHLER hasn’t been a big part of ‘the scene’, so when BONE TOMAHAWK arrived, it felt kind of like a random lightning strike, and had about the same effect on fans! When you see names like KURT RUSSELL, DAVID ARQUETTE, RICHARD JENKINS, PATRICK WILSON and MATTHEW FOX associated with a film from a relative newbie, you know that script has got to be something special. And it certainly is.  How best to describe this without spoiling the living hell out of it? Okay – for you film buffs out there who go back as far as I do, think THE SEARCHERS-meets-THE HILLS HAVE EYES. For you latter-day movie kids, think DEADWOOD or TOMBSTONE, with just a taste of THE DESCENT thrown in.

When the wife of a small-town settler (WILSON) vanishes, Russell is the sheriff who rounds up a posse to go after her and the people who took her, probably Indians by all the signs. So in the first half of the film, you think that what you’re getting is a modern-day take on a classic kind of Western.  And for the most part, you are.  Then, the second half kicks in.  And I don’t want to say more than that, except keep the smelling salts handy.

For old hands Russell and Jenkins, this is familiar territory, and their roles fit them like old, worn, favorite gloves. Even Arquette doesn’t have to stretch here, his own cameo pretty much an extension of the role he played in the underrated cult classic, RAVENOUS. (And Arquette gets beautiful support from an unexpected cameo by no less than SID HAIG, but I won’t say where or when that happens).

But it’s Matthew Fox who gets the part that’s the most ‘against-type.’ His leading man good looks serve him well, to augment a character you probably could only spend two minutes with before wanting to kill him. It’s quite the revelation.  But not as much as the 180-degree-turn BONE TOMAHAWK makes, into territory that most Westerns wouldn’t even think about going into. This is one of those you’ll be telling your friends about once you’ve seen it, and there are scenes I can promise that will stay with you for a very long time.

On the other side of this, GREEN ROOM is a brilliantly crafted B-thriller with great performances, and a sad footnote, as the movie that pretty much defined the career of the late ANTON YELCHIN, even as he exploded onto the pop culture scene as the “new” Ensign Anton Chekhov in J.J. Abrams’ retooling of the STAR TREK series.

The follow-up to his bracing revenge tale, BLUE RUIN, writer/director JEREMY SAULNIER brings to light the tragic and unsettling tale of a punk band called “The Ain’t-Rights”, composed of Yelchin as “Pat”, along with JOE COLE, CALLUM TURNER and ALIA SHAKWAT as his band mates. Closing out their most recent tour, they were set to do a gig that was arranged by a college boy fan, which fell through without warning.  Stuck with no other options, their benefactor quickly sets up another gig for them.  Out in the middle of nowhere. At a clubhouse.  For neo-Nazi types.

Not the best of circumstances, but money is money and a gig is a gig. Things are pretty dicey from the get-go, and it doesn’t help that the band kicks off their set with a rousing cover of The Dead Kennedy’s classic “Nazi Punks Fuck Off.” Even with that, they do manage to win over the surly crowd. Or so they think.

Retreating back to what passes in this shithole for their “green room”, they’re told not to go in, but someone forgets something in there, and does it anyway. And that’s when they see it: the murdered body of a girl they saw earlier when they were playing in the club.  Things go south fairly quickly, when the skinhead staff trap them inside the room because of what they saw. But two things make it apparent that they probably won’t be allowed to leave alive: when Amber (IMOGEN POOTS), the dead girl’s ‘best friend’ becomes a captive as well, and when the leader of the skinhead cell, Darcy, arrives to take charge of things and “clean up the mess.”  In other words: ‘no loose ends.’

Yet again, we have a script that’s impressive enough to attract an amazing lineup of talent, but especially for the role of the deeply evil Darcy, a complete game-changer for PATRICK STEWART, who said in an interview that when he read the script, the part scared him so badly that he knew he had to do it. Darcy began an arc of parts that Stewart has accepted to change his “Captain Jean-Luc Picard” image, and this was certainly a great way to start.

Every step Saulnier takes with GREEN ROOM proves beyond a doubt, that BLUE RUIN was definitely no fluke, and as a ‘good luck charm’, the cast of ROOM includes the monumentally talented actor/writer/director MACON BLAIR, who was the star of RUIN, and is behind the tremendously dark and funny character piece, I DON’T FEEL AT HOME IN THIS WORLD ANYMORE., made for Netflix. Here in ROOM, Blair has a pretty important role as well as Darcy’s main lieutenant, and that’s about as much as I can say about that.

Bracing, razor-sharp and violent, GREEN ROOM isn’t for the squeamish, and provides some pretty sweet surprises not only for lovers of survival chillers, but mystery lovers as well, as The Ain’t-Rights begin to learn that there’s more than just a case of domestic violence going on behind the scenes.

So that gives you two options of films that gained a lot of traction from word-of-mouth, and rightfully so.

POST-MORTEM SCRYPT: THE WITCH, THE INVITATION, THE VISIT, CRIMSON PEAK, KRAMPUS, THE FINAL GIRLS, INSIDIOUS: CHAPTER 3 and GOOSEBUMPS were just some of the movies that gave horror fans a widely diverse selection to choose from, in both quantity and quality, for 2015.

Posted by Samuel Glass in EDITORIALS, FEATURED CONTENT, GORE OR EXTREME HORROR, HALLOWEEN, MONSTERS AND CREATURES, MYTHS AND LEGENDS, OPINION, SLASHERS AND BAD HUMANS, THRILLER, TRIBUTE, 0 comments
House of Tortured Souls – 2016 Horror Awards

House of Tortured Souls – 2016 Horror Awards

We here at The House of Tortured Souls love horror. It’s kind of our jam. And we love to see good horror get recognition. It can be argued that horror is more popular than ever, there are more conventions, festivals, and awards than ever. However, one thing bugged us here at HoTS, and from responses online, we weren’t the only ones. Some awards, not to call names (message me), stretch out the word horror way to far. Seriously Deadpool? Captian America: Civil War? I love me some Cap, and who can talk smack about Ryan Reynolds’ red spandex covered ass, but it’s not FUCKING horror.

So we said “Screw it. Let’s do this”. So here we are with the first annual House of Tortured Souls Awards. Neato huh? We can’t promise we wont make mistakes, can’t promise we don’t stutter step and come in a bit late (I planned to have this April 1st), but we do promise to keep it horror. No super heroes, no Tarzan, and no funny South African robots! What we got? Serial killers, zombies, vampires, ghosts and demons, we got ’em. No there are films that straddle that line of horror/ thriller. We accept that, but repeat after me, no friggin superheros or Jedi.

We are still learning, but we decided to jump in with both feet and stomp the shit out of it. We asked our staff to pick their favorites in a group of categories. Rules are the films have to be originally released in a mass audience format. So feature films released to VoD, DVD, or theater, for the FIRST time in 2016 are eligible. Secondary release to DVD, does not qualify it for 2016. Thus, a film released to theater in 2016 will qualify for 2016. If it is released to DVD in 2017, it would not qualify for 2017.

There is a slight difference for independent films. Since most of them will not get a wide release theatrical release, and it might be years before a VoD or DVD release. For independent films, they may be considered, if they have had a major festival release, are currently (award year) touring the festival circuit, or have a release to VoD, DVD, or theater, AND have not been nominated in a previous year. There’s a logic there as many Indie may tour the festival circuit for a couple years, this allows them a chance to be seen, but not to win multiple years. The HoTS staff will select four nominees per category, in case of an unbreakable tie (which we had a couple of), we may select five nominees in some categories. It’s a work in progress, but we think this is fair.

So without the proverbial further ado, here are the nominees.

Best Horror Movie 2016*

  • Green Room
  • I Am Not A Serial Killer
  • The Witch
  • 10 Cloverfield Lane
  • 31

Best Horror Director 2016

  • Jeremy Saluner – Green Room
  • Andre Overdal – The Autopsy of Jane Doe
  • Roger Eggers – The Witch
  • Rob Zombie – 31

Best Actor Horror 2016

  • John Goodman – 10 Cloverfield Lane
  • Anton Yeltsin – Green Room
  • Patrick Wilson – The Conjuring
  • Richard Brake – 31

Best Actress Horror Movie 2016

  • Mary Elizabeth Winstead – 10 Cloverfield Lane
  • Vera Farmiga – The Conjuring
  • Anja Taylor Joy – The Witch
  • Blake Lively – The Shallows

Best Supporting Actor Horror 2016

  • Stephen Lang – Don’t Breathe
  • John Gallager Jr – 10 Cloverfield Lane
  • Christopher Lloyd – I Am Not A Serial Killer
  • Patrick Stewart – Green Room

Best Supporting Actress Horror 2016

  • Imogene Poots – Green Room
  • Kate Dickey – The Witch
  • Ella – The Monster
  • Madison Wolfe – The Conjuring 2

Best Television Horror

  • Stranger Things
  • Bates Motel
  • Ash versus Evil Dead
  • American Horror Story
  • The Exorcist

Best Actor TV Horror

  • Bruce Campbell – Ash versus Evil Dead
  • Freddie Highmore – Bates Motel
  • Andrew Lincoln – The Walking Dead
  • Alfonso Herrara – The Exorcist

Best actress TV Horror

  • Vera Farmiga – Bates Motel
  • Millie Bobbie Brown – Stranger Things
  • Sarah Paulson – American Horror Story
  • Hannah Kasulka – The Exorcist

Best Supporting Actor TV Horror

  • Jeffrey Dean Morgan – The Walking Dead
  • Ray Santiago – Ash versus Evil Dead
  • Max Theriot – Bates Motel
  • Gaten Matarazzo – Stranger Things

Best Supporting Actress TV Horror

  • Kathy Bates – American Horror Story
  • Lucy Lawless – Ash versus Evil Dead
  • Hannah Kasulka – The Exorcist
  • Olivia Cooke – Bates Motel

Best Indie Horror Movie

  • Circus of the Dead
  • The Barn
  • Plank Face
  • Family Possession

Best Indie Horror Director 2016

  • Billy Pon – Circus of the Dead
  • James Bickert – Frankenstein Created Bikers
  • Justin M Seaman – The Barn
  • Scott Schrimer – Plank Face

Best Indie Actor Horror 2016

  • Parrish Randal – Circus of the Dead
  • Nathan Barret – Plank Face
  • Mitchell Muselino – The Barn
  • Fred Lass – Bubba the Red Neck Werewolf

Best Indie Actress Horror 2016

  • Tristan Risk – Frankenstein Created Bikers
  • Chanel Ryan – Circus of the Dead
  • Susan M Martin – Plank Face
  • Lexi Dripps – The Barn

Best Supporting Actor Horror 2016

  • Bill Oberst – Circus of the Dead
  • Laurence Harvey – Frankenstein Created Bikers
  • Mitch Hyman – Bubba the Redneck Werewolf
  • Will Stout – The Barn

Best Supporting Actress Horror

  • Ellie Church – Frankenstein Created Bikers
  • Alyss Winkler – Plank Face
  • Lizzie Mears – Family Possessions
  • Brigid McCauley – Plank Face

(*Five nominees due to a tie.)

Posted by Allen Alberson in CONTESTS, MONSTERS AND CREATURES, PARANORMAL, SATANIC/DEMONIC, SCI-FI HORROR, SLASHERS AND BAD HUMANS, URBAN DECAY/DYSTOPIAN FUTURES, WOMEN IN HORROR, ZOMBIES, 0 comments
MOVIE REVIEW: Green Room (2015)

MOVIE REVIEW: Green Room (2015)

By Jonathan Patrick Hughes

Green Room - Band

Photo by Scott Green © Broad Green Pictures

A punk rock band gets more than they bargained for in this no holds barred riveting thriller. Writer/director Jeremy Saulnier (Murder Party 2007 and Blue Ruin 2013) does another job well done executing a slow burn thriller packed with punk music, machetes, carnage, vengeance and Neo-Nazis. What more could you ask for in a white knuckle thriller? A local punk band drives from venue to venue to play shows and make some cash and when they believe they've landed the gig of a lifetime, that is when all bets are off.

After the band finishes playing their set, they begin leaving the premises that is until one of the members realizes he left his cell phone back in the room. Pat, played by Anton Yelchin (RIP), offers to retrieve it and witnesses a grisly murder. The band is then forced back into the room and held hostage until Darcy, the owner of the club (played by the great Patrick Stewart), shows up and can figure out what to do. But it seems that Darcy has a very sharp plan up his sleeve for the band and that is to wipe the slate clean. The group have no intentions on staying in the building and will do whatever it takes to stay alive...or die trying.

Green Room - comic covers

From the moment they witness the murder, the film is covered in blood. As well as horrifying deaths. As the clock ticks and the body count rises, time begins running out and the group faces one hell of a nightmare. As a hardcore movie lover I will say that Green Roomis the best movie of the year thus far and with all the crap coming out later on this year I will bet anything that nothing will come close to beating this film. If you haven't had the chance to view Green Room, what the hell are you waiting for? It's a balls to wall, hardcore film that is guaranteed to be talked about for years to come.

2/2 Sisters

Posted by Jonathan Hughes in MOVIE REVIEWS, REVIEWS, 0 comments