housewife

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Housewife

Housewife

After watching Housewife by Turkish director Can Evrenol  (Baskin) two things are apparent, one this is definitely not Baskin and two this is a far more serious attempt at filmmaking. I love Baskin and went into Housewife expecting something similar, while I was mildly disappointed to find it was completely different I was also impressed with the stark contrast in style. It should be noted that I usually watch and review extreme cinema and that is where my passion lies, but I want to give my best unbiased opinion on this one. 

Housewife starts in the childhood home of our main character Holly. The opening scene is Holly and her sister Hazel playing until Hazel gets her first period. Holly scared and not understanding what is happening screams for their mother (Defne Halman) an over zealous fanatic who whisks Hazel away quickly to “tend” to her. A great tragedy befalls the family that night resulting in loss of life and repressed memories.

Now fast forward to adulthood filled with regret, mediocre sex and an unhealed past. Holly (Clementine Poidatz) not fully recovered from the events that took place so many years ago still experiences it’s lingering effects. Things change quickly when a long lost friend Veronica (Alicia Kapudag), resurfaces in the lives of Holly and her Husband (Ali Aksoz). Veronica claims she has been changed and asks the couple to attend a seminar with her. Although somewhat reluctant the two attend a cult like seminar hosted by charismatic leader Bruce O’hara (David Sakurai). Claiming he can enter peoples dream mazes. O’hara singles out Holly referring to her as the one. Holly accepts his invitation to help her and that’s when shit gets weird… Up until this point the film has been a slow burner, grey and bleak feeling, interspersed with intensely sexual moments including a sizzling threesome and self loathing masturbation. Once O’hara enters Holly’s dream maze, colour pops, reality becomes difficult to separate from dream and brutal gore ensues. There isn’t a ton of gore in this one, but we do see a nice glimpse into Evrenol’s love of it. 

Without spoiling the end I can tell you that it’s distinctly Lovecraftian in nature and feels like not enough. It’s not enough because you don’t want it to end right where it does, you try to will it into taking you there, and to push a little further, but it’s also better left alone to make you wonder what happens next.

My biggest disappointment with this film was that it omitted a lot of the Turkish charms that Baskin had, opting to use English over Turkish and using a more American feeling backdrop. A lot of amazing horror films are coming out of Turkey and I personally enjoy them for being different.

Overall the film is unique and well made and from a non-extreme horror movie perspective I’d say it’s a solid 4/5.

 


Posted by Candace Stone in GORE OR EXTREME HORROR, MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, THRILLER, 0 comments
THE GOOD, THE BAD, AND THE UGLY OF  MONSTER FEST SYDNEY 2018

THE GOOD, THE BAD, AND THE UGLY OF MONSTER FEST SYDNEY 2018

The last three days have been a whirlwind of screening delight at the second Sydney Monster Fest . From 7 pm on Friday, 9 March 2018, night until 11 pm on Sunday, 11 March 2018, Monster Fest screened a total of twelve films, and of those twelve, two were short films.

Unfortunately, there were two films I could not attend due to time restraints. These were Stefan Ruzowitzky’s Cold Hell (a German thriller about a woman in hiding following witnessing a murder) and Luke Shanahan’s Rabbit (noted as a strong, well driven Australian thriller surrounding the disappearance of a girl’s sister). Next year I shall be clearing my schedule to attend all of the screenings available as both, I felt, offered so many possibilities as a film fan, and I did want to see them.

Monster Fest 2018 - Living Space Q&A 01

Steven Spiel’s Living Space Q&A, 1 of 3

At Monster Fest, Australia served up some more homegrown horror with the two shorts Edward and Melissa LyonsAlfred J Hemlock (an impressive revamping of the better the devil you know style dealings with a hilariously lovable comedic twist- that kick-started the festival ahead of the opening screening) and Ren Thackham’s and Fliss Keep’s Tightly Ground ( a boring and rather overindulgent hipster attempt at satire with a bit of murder thrown in). As well as the films like Steven Spiel’s superb Living Space (an awesome time looping thriller featuring some pure moments of amazement – including a human swastika!), Daniel Armstrong’s Tarnation (which despite an impressively campy premise was ultimately an abysmal film featuring a group of annoyingly bad actors facing perils of obscure concepts – penis bugs, demonic unicorns and zombie kangaroos all sound great but if executed poorly are not as fun as hoped), and the standout Mystery Movie that ended the festival Chris Sun’s desperately anticipated BOAR.

Monster Fest 2018 - Living Space Q&A 02

Steven Spiel’s Living Space Q&A, 2 of 3

Monster Fest 2018 - Living Space Q&A 03

Steven Spiel’s Living Space Q&A, 3 of 3

BOAR is a beast of a film all of its own which features a huge quality bag full of lovable Australian larrikin humor, great creature effects and a cast of likable and deliberately unlikeable characters. Switching from the douchebag boyfriend Robert (played so well by Hugh Sheridan), to the hulking gentle giant uncle Bernie (played adorably by Nathan Jones) and even familiar faces such as John Jarratt, Bill Moseley, and even Steve Bisley, Sun has his star-studded cast guide this film superbly through the sentimental, the comedic and the terrifying!

From the USA, Monster Fest secured screenings of Johannes Roberts’ The Strangers 2: Prey at Night (which for me knocks the original out of the picture through its musically rich murderous antics and opened the festival with a bang alongside Alfred J Hemlock), the 1987 classic Fred Dekker film The Monster Squad (I had never seen this and am a huge lover of it now!!!!) , and  their 4K restoration screening of the classic George. A. Romero’s Night of the Living Dead (crisper clear quality without losing the original film’s awesomeness).

Canada served up Adam MacDonald’s Pyewacket, an impressive occult themed film about the suffering that follows a loss. It starred The Walking Dead’s Laurie Holden and Vancouver actress Nicole Munoz (both dove deep to create likable and unlikeable aspects to their tortured characters).

Lastly, from Turkey came the Can Evrenol film Housewife, an inexplainable romp into the insanity that it displays thoroughly throughout. With dream realms, surreal ongoing and a beginning classic to any horror film, you will not be let down by this film. Brilliant!!

All in all, Monster Fest was a thoroughly amazing viewing experience and I cannot wait for any further screenings throughout the year or events like this one. I will be there!

Posted by Michelle MIDI Sayles in EVENT REVIEWS, MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
BEWARE AS MONSTERFEST APPROACHES!

BEWARE AS MONSTERFEST APPROACHES!

In a couple of days, the MONSTERFEST Travelling Sideshow will hit Sydney Australia, beginning the Australian run of early year premieres and film screenings with Q & A sessions.

This year’s screening list varies from new to old, funny to horrifying and even local to foreign horror.

The MONSTERFEST Travelling Sideshow is held at the Event Cinemas, 505- 525 George Street, Sydney, New South Wales, Australia.

The screenings will occur over three days beginning in the evening on Friday, the 9th of March, and finishing with the final screening at 9:30 pm on Sunday, the 11th of March.

The screening list is as follows:

FRIDAY, 9 MARCH 2018

7:00 pm — The Strangers Prey At Night

MonsterFest - The Strangers: Prey at NightThis is the Australian premiere of the American film The Strangers Prey At Night and it will screen hours before the official international release of the film. Before the film screens, patrons will also get the chance to view the Australian horror comedy short Alfred J Hemlock.

930 pm — Pyewacket

MonsterFest - PyewacketThis is the Sydney Premiere of the Canadian horror thriller occult independent film Pyewacket , featuring former The Walking Dead star Laurie Holden.

SATURDAY, 10 MARCH 2018

2:30 pm — The Monster Squad

MonsterFest - The Monster SquadThis will be a screening event of the classic 1987 family-friendly action horror comedy film The Monster Squad.

4:30 pm — Night of The Living Dead (4K Restoration)

MonsterFest - Night of the Living DeadThis is the World Premiere of this 1968 George.A.Romero zombie classic since it has had a 4K restoration and will be crisply screened for MONSTERFEST patrons.

7:00 pm — Living Space

MONSTERFEST proudly presents not only the World premiere of the Australian independent horror film Living Space but also MONSTERFEST will be hosting a Q & A session at the event with writer/director Steven Spiel, producer Natalie Forward, Cinematographer Branco Grabovac and stars Emma Leonard, Georgia Chara, and Leigh Scully.

9:30 pm — Rabbit

Vendetta films presents the Sydney Premiere of Rabbit, an independent Australian horror film and will be including a Q & A session with writer/ director Luke Shanahan and producer David Ngo.

SUNDAY, 11 MARCH 2018

2:15 pm –Tarnation

MonsterFest - TarnationAnother Australian film’s Sydney Premiere, Tarnation, is presented by Monster Pictures and features a crossbow-wielding paraplegic, possessed cultists, penis bugs, a demonic unicorn, and a zombie kangaroo. This screening will also be shown with a short 7-minute film called Tightly Ground which will also be making its Sydney debut.

4:30 pm — Housewife

This fresh slice of Turkish horror called Housewife is set to get Australian horror friends talking with it joining the MONSTERFEST line up for its Sydney premiere.

7:00 pm — Cold Hell

Also stepping onto the line up will be the Sydney premiere of the German horror film Cold Hell.

9:15 pm — ???????Mystery Screening???????

This screening is a mystery to all who attend and will not be announced until just before the film hits the screen at its Sydney premiere. All patrons know is that it is an Australian creature feature and will have an amazing bevy of local talent within it.

Speculation is that it will be Chris Sun’s Boar finally making its way to Sydney (only having screened once at its world premiere in Melbourne at MONSTERFEST’s Opening Night Gala in November). Fans are very hopeful…and so am I!

Posted by Michelle MIDI Sayles in COMING SOON, EVENTS, HORROR NEWS, STAFF PICKS, 0 comments