metal

COMING SOON: Deathgasm (2015)

By Kev B.

Deathgasm

Deathgasm

In a world overrun with found footage films and remakes full of computer generated special effects, it’s not often I actually look forward to a new release, but I am seriously psyched for the new heavy metal splatter flick Deathgasm. It’s been described as “Brutal as fuck”, and I really hope it lives up to my unusually high expectations.

According to the synopsis in the press kit for Deathgasm at the official site:

High School is Hell! Metal-thrashing Brodie is an outcast in a sea of jocks and cheerleaders until he meets a kindred spirit in fellow metalhead Zakk. After starting their own band, Brodie and Zakk’s resentment of the suburban wasteland leads them to a mysterious piece of sheet music said to grant ultimate power to whoever plays it. But the music also summons an ancient evil entity known as Aeloth the Blind One, who threatens to tear apart existence itself. Their classmates and family become inhabited by demonic forces, tearing out their own eyes and turning into psychotic murderers... And this is only the beginning!

It’s up to Brodie, Zakk, and their group of friends to stop a force of pure evil from devouring all of mankind.

A blood-soaked and hilarious horror comedy, Deathgasm features an amazing original soundtrack of fist-banging metal and practical effects to satisfy metalheads and splatter fans alike. Deathgasm will gush bodily fluids, rain limbs, and tickle your funny bone, before tearing it out and giving you a stiff beating with it.

In an interview with metalinjection.net, writer/director Jason Lei Howden was asked to think of one sentence that would get readers excited about seeing Deathgasm. His reply:

If you took a baby, got it really stoned, made it listen to Skinless on repeat while an endless stream of horror movies played on a shitty old VHS player, feeding it only pizza, beer, and disapproval, then after a couple of decades it would end up making Deathgasm (Please don’t do that to an actual baby, you sick bastards).

He sounds like a man after my own heart, and has an impressive list of influences too. Citing fellow New Zealander Peter Jackson's Bad Taste as the first horror film he ever saw and Cannibal Corpse as the first metal band he ever heard, it sounds like his head and heart are in the right place to have created a new midnight movie masterpiece. He worked for Jackson's special effects company WETA Digital for six years but says the effects for Deathgasm are not CGI and the film is soaked in gallons of blood in an homage to gore fests like Dead Alive and Dead By Dawn.

With a sequel (Deathgasm II: Live Undead) already in the works, this semi-auto biographical coming of age story drenched in blood and guts is poised to become an instant splatstick classic. It looks like a good old “save the world and get the girl” kind of flick, dripping with gore, a nice dose of humor, and a soundtrack filled with some serious black and death metal. The countdown has begun. Coming to VOD and select theaters in the US on October 2, 2015.

View the full interview with writer/director Jason Lei Howden and check out the official Deathgasm website.

Posted by Alan Smithee in COMING SOON, HORROR NEWS, 0 comments

MUSIC REVIEW (RETRO): Demon Knight Soundtrack

By Nick Durham

demon knight

Has it really been 20 years since Tales from the Crypt: Demon Knight first came out? It's hard to believe that it's really been that damn long. It's even harder to believe that Tales from the Crypt has been off the air for almost that long as well. With all that in mind, Tales from the Crypt has always held a special place in my heart. The TV show itself was basically my own personal introduction to horror in my youth, and while I still enjoy Demon Knight to this very day, it's the film's soundtrack that has resonated with me even more so than the actual film.

Like how the show was an introduction of sorts for me to the horror realm, the soundtrack to Demon Knight was an introduction for me to metal music that wasn't somehow related to Ozzy Osbourne or Metallica. This was the first time that I can remember hearing Pantera, Ministry, Megadeth, and others that would continue to resonate with me as I got older, and helped mold my love of the metal genre. Even though most of the tracks featured here are from previously released material from their respective artists, they all manage to fit the atmosphere not only of the film, but of the comic book horror lunacy of Tales from the Crypt as a whole.

Opening track "Cemetery Gates" is a classic single from Pantera's "Cowboys from Hell", only here we get an edited take on it that shaves about a minute and a half off the run time. Ministry's "Tonight We Murder" is lovely, while Machine Head's "My Misery" seems to be an original track provided for the film. Megadeth's "Diadems" sounds like a B-side from the "Rust in Peace"/"Symphony of Destruction" era, and Melvins provides "Instant Larry", which is pretty damn kicking.

The legendary Henry Rollins is here with Rollins Band (who else would he be with?) providing "Fall Guy", which isn't really anything special in all honesty, but Biohazard's "Beaten" and Sepultura's "Policia" more than make up for it and make me want to smash my head into a wall in a good way. Filter is here with the only song they're known for besides that fucking annoying ass "take my picture" song from the end of the century, with "Hey Man, Nice Shot", which may be about Kurt Cobain or Bud Dwyer. Take your pick. Finally the soundtrack ends with the lone hip-hop track here, "1-800-SUICIDE" by Gravediggaz. I've never been into hip-hop too much, but this song is wonderful. Not to mention the fact that I can still recite the whole thing word for word to this day.

In closing, the Demon Knight soundtrack may appear to be nothing special at first glance, but for those that were around when all this originally hit, it will hold a special place in your heart. I still listen to many of the songs featured here to this very day, and because of this soundtrack, it helped me discover so much wonderful music as the years would go on. Maybe I'm talking it up a bit more than what it's worth because of the sake of nostalgia, but I can't help myself. It was special to me then, and it's special to me now. Check it out if you never have before.

Rating: 4/5

Posted by Alan Smithee in MUSIC REVIEWS, REVIEWS, 0 comments