Movie Review

ONE MUST FALL movie review

ONE MUST FALL movie review how to edit essays writing a research paper on a person academic writing help center chemisrty homework help write my papers for me guidelines to write an essay doing community service essay very cheap generic viagra source site do my assiment paper for me online ap english literature essay question go here aerospace engineering assignment help non stop movie review real resume help reviews dissertation histoire du cinéma high school application essay examples au buy cialis enter site how to delete photos from text messages on iphone 7 plus how to write a school policy follow enter site chances getting priapism viagra see url curriculum vitae resume writing tips custom essay papers custom research paper writers One Must Fall hits the indie horror scene, and it will not disappoint! I just finished watching the advanced screener sent to me by Antonio Pantoja who is the writer and director of the film! Antonio and I laughed and shared a friendly conversation a few days back on-line, and I do want to be sure to thank him for allowing me to view his movie!

One must fall about a small group of people who work for a crime scene clean up crew. These are the poor souls whose job it is to go in a clean up the mess after a body has expired. In other words, they get to mop up the brains and blood after someone blows their head off.

The crew finds themselves locked in an old abandoned warehouse where butchered bodies had been found from a serial killer that was on the loose. One by one staff members is found by the killer who remains at large in the building even after the murder scene been cleared by local police( Lloyd Kaufman).

Hacked, Skinned and even scalped our killer takes no remorse on his newfound victims. Chained to watch each other be brutally turned into filets, our killer (Barry Piacente) much in the sense of Hannibal Lecter, remains fresh and calm during his slayings. His killings are not senseless, not to him anyhow. He is the anti humanity killer if you will, he kills for all that is wrong with the human race. Piacente did a scaringly good job in his portrayal of a killer!

The film opens a bit slow and does take a bit to pick up, hell Antonio himself told me to get thru the first 25 minutes..and that is just what I did. Although for me, it was about the 45-minute mark when everything turned around, and the film had hit full speed. The fill does manage to add the perfect amount of suspense in with the gore.

In closing, One Must Fall is premiering at film fests, and if you are in the area I do hope you try to attend and support the film, you will not be disappointed as this is one I will be adding to my library.

My only wish for the film would have been for it to have had the chance to have been made with just a slightly higher budget, it indeed could have been that much better! Many indie films are real gems that are deserving of higher production; One Must Fall one.

But alas, Pantoja has a talent to be reckoned with and cant wait to see what he brings us in the next! Be sure to check out One Must Fall soon as you can!!

Keep it evil

Posted by John Roisland in MOVIE REVIEWS, NEW RELEASES, REVIEWS, 2 comments
OVERLORD (2018)film review

OVERLORD (2018)film review



Overlord is the newest film release from major Hollywood film maker, J.J. Abrams who has brought you such blockbusters as Mission Impossible: Fallout, Star Wars: episode viii, Star Trek :Beyond ,and Cloverfield just to name a few. So with that arsenal of big budget movies, I’m expecting greatness!

The story line of the movie is a platoon of American paratroopers are dropped in behinds enemy lines in a small town in France to take out a church tower that has been utilized  by Nazis to shoot down American  fighter planes during WWII.

Once on ground the now small platoon runs into a lab where local town folk are being forced as lab rats by the Nazis who are trying to create the ultimate soldier. By injecting the now prisoners  with a serum that they have created, the subjects basically become a zombie of sorts on a roid rage.


Overlord is a fun movie, and I have a feeling its going to be a but of a cult film. A coworker of mine actually brought it to my attention with great praise saying it was about Army guys and zombies. So the first thing I thought of was Dead Snow. What I got was more of a cross between Saving Private Ryan crossed with the video game Return to Castle Wolfenstein, not that either of them are bad, but it wasn’t what i had prepared myself for.

Overlord moves at a pretty decent pace and has a few worth wild scenes and some pretty good effects of specimens in the lab. But sadly Overloard is not a horror film. It almost has a made for cable movie with a decent budget, but then I keep J.J. Abrams in mind, and I am left wanting a lot more. Overloard would however make an incredible graphic novel and I’m sure I’ll see cosplayers take a stab at it future conventions.

Do I recommend Overlord? Sure, it is a fun movie that you can easily watch, just don’t be looking for a serious or gory movie, cause that’s not what you’re going to find. Sorry Mr. Abrams, don’t think your going to be filling many theaters this time around.

Keep it Evil

Posted by John Roisland in MOVIE REVIEWS, NEW RELEASES, 0 comments
Bird Box Movie Review (SPOILERS) House Of Tortured Souls

Bird Box Movie Review (SPOILERS) House Of Tortured Souls

With all the hype I have been hearing about Bird Box on Netflix, I decided to give it a shot to see for myself on what this was all about. 

Bird Box is a post-apocalyptic thriller which was based off the book of the same name and directed by Susanne Bier. The film had quite the cast. Starring Sandra Bullock (The Blind Side, A Time To Kill, Speed), Sarah Paulson (American Horror Story, Jack & Jill), BD Wong (Law &Order:SVU, Jurassic Park), Danielle

Macdonald (Dumplin’, Patti Cake$), John Malkovich (The Killing Field, Of Mice and Men), Colson Baker (known as Machine Gun Kelly), Trevante Rhodes(The Predator), and Tom Hollander (Pirates of the Caribbean, The Soloist).

The film starts off with a very nervous and panicked mother of two children, a boy and girl, who is stressing to them to not remove their blindfolds no matter what while endearing on a dangerous trip in a boat. If the blindfolds are removed, they will die. 

Let’s jump to five years earlier with a very pregnant Malorie (Sandra Bullock) who is on her way to a routine check up with her older sister Jess (Sarah Paulson). On the way to the doctors, the sisters had a discussion on mass suicides happening throughout Europe, to which Malorie was skeptical on. As they were leaving the doctors, Malorie notices a woman hitting her head on a glass panel and is now starting to realize that the mass suicides are making its way right in front of her eyes. In a hurry, the sisters get into

the car to drive away as far from it as posible. The cellphone rings and causes a distraction in which Jess ends up crashing the car to harm herself, coming to realize that Jess saw something that had frightened her leading her to death by stepping out in front of a truck. Malorie was frozen in fright not knowing how to stop Jess from ending her life. 

Malorie finds herself in the unknown madness of the confused crowd when a stranger steps in to bring her into her house for safety. Unfortunately it did not end well for Malorie’s rescuer. Malorie is introduced to a few strangers Charlie (Lil Rel Howery), Tom (Trevante Rhodes), Douglas, and Lucy(Rosa Salazar). Knowing that they will need supplies to survive they venture out with blindfolds to avoid coming into contact with whatever is causing the mass suicides. There ends up being controversy when back at the house to which they boarded up everything to not let the demons in. Olympia (Danielle Macdonald) world is also pregnant, ends up letting a complete stranger into the house. Both herself and Malorie end up going into labor at the same time, when both have the babies the strange man decides to expose the demons into the house which you can guess that the results were not in their favor. This leads Malorie in charge of both kids, whom she called Boy(Julian Edwards) and Girl (Vivien Lyra Blair) as to not get attached incase something goes wrong. In the end of all panic and an end to the world, Malorie leads them out on a boat to find better shelter somewhere safe.

Personally I did not understand what all the hype was about for this movie. It had a decent concept and an amazing cast, but to me it was a cross of A Quiet Place meets The Happening. The effects and fear instilled in the actors made it very convincing that the world was coming to an end by demons causing mass suicides. For me it seemed to lack some creativity as I felt like it crossed between many common end of the world movies, and I do enjoy a good psychological, end of the world thriller. 

Overall Grade: C

Here is the trailer for Bird Box. If this is for you, check it out on Netflix. ⬇️⬇️

Posted by Sarah Gregory in Categories, MONSTERS AND CREATURES, NEW RELEASES, 0 comments
MOVIE REVIEW: How It Ends (2018)

MOVIE REVIEW: How It Ends (2018)

I have this nightmare about being separated from my loved ones who live thousands of miles away, by a sudden, catastrophic event. I’m pretty certain that my lack of survival skills and penchant for staying indoors at all time will do me in, and I would not survive the drive across country to save them from the perils of whatever is happening.

This brings us to How It Ends, a new Netflix Original written by Brooks McLaren and directed by David M. Rosenthal. It starts out innocent enough, introducing us to a young couple, Will Younger, played by Theo James of Divergent fame, and Samantha Sutherland, portrayed by The Vampire Diaries’ Kat Graham. In flashbacks, we know they are eagerly awaiting the birth of their first baby, but the big event at hand at this time, is Will’s dinner with Samantha’s parents in Chicago, by himself, while Samantha stays home in Seattle. “Just don’t bring up, the boat,” warns Samantha as Will prepares to leave on his trip.

How It Ends / IMDB

Dinner goes off how one would imagine, and we soon see Will in a video chat with Samantha. Suddenly there’s static, and the call is lost. This catapults both Will, and Samantha’s dad, Tom Sutherland (Forest Whitaker as amazing as always), into Tom’s silver Cadillac, and they set off in a race against time to Seattle to rescue Samantha from whatever is happening.

How It Ends / IMDB

And that’s all we learn. It’s ‘whatever is happening’. While the film isn’t without a few scares and some drama, there is little to no development of any kind outside of the characters. And that’s not even a lot of development either. We are introduced to a young, Native American woman, Ricki (Grace Dove from The Revenant) who fixes their car after an altercation with two deer and a questionable cop, and agrees to accompany the two men on their trip for $2,000 in exchange for car maintenance. But after a pretty dramatic incident involving stolen gas cans and a fire, Ricki takes off and is never referenced again. It’s the undeveloped moments like this that hold How It Ends back.

How It Ends / IMDB

There are some cool car maneuvers and some fun shooting with fantastic cinematography. However, none of that can save How It Ends from imploding on itself. It’s a fast watch that doesn’t feel the almost two hours it runs, but I would have gladly watched a longer film if it promised to not leave me thinking, ‘WTF?’

Posted by Alan Smithee in FAMILY HORROR, MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: The Dark Tapes (2017)

MOVIE REVIEW: The Dark Tapes (2017)

Face the Unknown with The Dark Tapes (2017)

The Dark Tapes (2017) / Fair use DoctrineAfter three long years of dedication and personal funding, Michael McQuown and fellow producers, are proud to present their film The Dark Tapes. This film blends genres with its interlocking story-lines covering horror, fantasy, sci-fi and more. With a crew comprised primarily of himself and four producers (who also served as the primary crew members), The Dark Tapes is Michael McQuown's first film to direct. Fellow producer, Nicola Odeku gave him the original idea for the story. When asked what three words he would use to describe this film, Michael said, “Twists, Tension and Terror”. This film was 100% independent from any studio but that has not affected its achievements. Among the film festival circuit, The Dark Tapes has won or been nominated for 61 awards across 30 festivals. This includes a nomination for a Rondo Hatton Award for “Best Independent Feature”. You can also find it ranked in the top three highest rated films ever on
The Dark Tapes is a found footage horror anthology film comprised of four primary narratives. As you watch, you will find each story original and interweaving with some great surprises in store for you. The scares are not cheap and the fear is genuine. This film doesn't rely on jump scares or gore to scare you. It will build the tension until you must turn your lights back on. It proves that you don’t need a big budget to put out a quality film. Dark imagery, good effects and sincere acting drives it to success.
It is now available for purchase on most VOD platforms, including Amazon, iTunes, VUDU, Google Play, Sling TV, Vimeo, Xbox, PlayStation, and more. Due to its popularity, Michael and his crew are already in pre-production working on a sequel titled The Darker Paths. I expect them to lead us even further into the nightmares with this follow-up.
Check out The Dark Tapes at the links below:

Happy Nightmares,

Posted by ZombieGurl in ANTHOLOGY, MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: The Belko Experiment (2016)

MOVIE REVIEW: The Belko Experiment (2016)

The Belko Experiment has been described as Office Space meets Battle Royale. To be honest I thought this was the usual inane Hollywood promotional BS, but after seeing it, it's a fair comparison. Maybe the funniest thing is after I watched The Belko Experiment, I went back to my hotel, and guess what was on cable. It's hard to be a gangsta. The fact I saw it on a mini vacation explains why this review is so late. Busy having fun, homes.
The Belko Experiment, if you haven't seen the previews, revolves around a group of office workers forced to fight in mortal combat. The film was written by James Gunn (Slither), directed by Greg McLean (Wolf Creek), and stars genre heavyweight Michael Rooker (The Walking Dead), as well as Tony Goldwyn (The Last House on the Left (2009)), and John Gallagher, Jr (10 Cloverfield Lane). Some (unneeded) humor was provided by Sean Gunn.
The story isn't much deeper than what you see in the previews. And that's not a bad thing. It is what it is – kill or be killed – and both happen, quickly and over and over again.
One of the issues facing The Belko Experiment was that people have grown accustomed to the lighter side of James Gunn, especially after Guardians of the Galaxy. I talked to several people after the film, many of them went in expecting light entertainment and were shocked at the level of violence. People seem to forget that Gunn is also the man who brought us The Descent and the gory Dawn of the Dead remake. People also apparently forgot that director McLean is the man who brought us Wolf Creek, which was just chock full of levity. Not!
Whatever your preconceptions, The Belko Experiment is not light. It doesn't take long to kick into gear, and once it starts rolling, it is bloody, violent and hard core. There is a sense that Goldwyn and Gallagher meet for a final showdown, don't try and predict anything else. The order people are killed in is unexpected. No one is safe, and some of the deaths really hit you hard.
After tons of mayhem and violence, it manages a fairly satisfying ending. The final scene, reminds me somewhat of A Serbian Film’s, “it's never over” ending.
The story is nothing deep, it's just a fun, violent thrill ride. John C McGinley (Office Space) near steals the show as creepy, stalkerish executive Wendell Dukes. Sean Gunn is funny as the dope smoking, paranoid cafeteria worker. Now I have heard some say his humor ruined the film for them. It didn't ruin it for me, and I did enjoy it, but it took away from the dread of the film.
When Corporate gives you the ax...
I know it is conventional wisdom that a horror film has to have some levity. Something to prevent it from becoming too dark. I don't agree with that theory. It was my main complaint with The Green Inferno (and most Eli Roth films). Maybe American film goers in general will be frightened off by a completely dark film, but maybe they won't. French films like Martyrs, and Frontier(s) work with little or no comic relief. I think genre fans will flock to a hard R with no jokes, or maybe I'm delusional, but damn, I would love to see more straight up no joke horror.
So while the humor didn't ruin it, I cant help but wish they hadn't added it. Still, The Belko Experiment is a very enjoyable horror film. Even with the humor it's not for the squeamish. If it's still playing near you, rush out to see it. If not, get ready to grab it on VoD or DVD.
Full on 7 out of 10.
Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: I Am Not a Serial Killer (2016)

MOVIE REVIEW: I Am Not a Serial Killer (2016)

Quite often I get asked for movie suggestions. Often that suggestion comes with the caveat, usually along the lines of “not the usual found footage, or stupid teens”. Luckily there are a few suggestions I can give and I Am Not a Serial Killer is one of them. It's definitely not your usual horror film, and while the main character is a teen, he's not your usual clueless, horny teen.
I Am Not A Serial Killer / Fair use doctrine.
I Am Not a Serial Killer on Netflix
I am not a Serial Killer on Netflix

I Am Not a Serial Killer on Netflix

I Am Not a Serial Killer is about a young teen who is fighting sociopathic urges and tendencies. He hasn't hurt anyone yet, but he can fill the pull and is intrigued by death. It doesn't help that he works in the family's funeral home. His personal conflicts are exacerbated when dead bodies start turning up around town. He's drawn to the victims and the crime scenes, and it soon becomes apparent that the killer, might be something more than human.
The film is based on the first novel in the John Wayne Cleaver series by writer Dan Wells. It was directed by Brian O'Brien. I Am Not a Serial Killer stars Max Records (Where the Wild Things Are), as John Wayne Cleaver and Christopher Lloyd (Back to the Future, Piranha 3-D) as his elderly neighbor Bill Crowley. That's about all the plot I'm going to give you. It would be a crime to spoil it any more. The film develops fairly quickly so you wont have to wait long.
As I mentioned, I Am Not a Serial Killer isn't your usual film with stupid teen protagonists and victims. Even though the lead is a teen, and the book is based on is considered Young Adult, John Wayne Cleaver is nit your typical teen. He's a troubled, complex character, a clinically diagnosed sociopath, fighting his darker urges. His conflict, trying to stay on the side of light, while investigating, and trying to prevent more murders is just as compelling as the conflict between him and the killer.
And the killer is no less complex, as we find out he is more than a cold blooded killer. Slowly we learn what drives him, as his killing drives John closer to his dark side. The film allows you to have some understanding of the killer and why he does what he does. Even the background characters are more than the usual cardboard, two dimensional set pieces. John's mom struggles to understand him, while he feels detached from her, we realize she is at least trying to stay connected.
Lloyd gives the usual superb performance, in a role that's a little more complex than bumbling scientist, or elderly crime lord. Powers is a relative newcomer but makes a believable teen antagonist in his first, adult, or young adult role. I really don't want to give away anymore and it's hard to talk about each character without doing so. Let's just say both roles stray far outside the usual hero/villain archetype and leave it at that.
The story does have a twist, fairly early in, and it might be less than shocking, but it lends to an interesting story. A story I wasn't expecting when I decided to watch it. The twist propels it out of the thriller category and squarely into the realm of horror. Don't let the Young Adult tag on the book scare you away, I Am Not a Serial Killer is great for adult viewing. It's not a gore fest by any means but there are some bloody, gut-filled scenes that might make some queasy.
The only real negative was in the final scenes, where there are some special effects that seem a bit less than horrifying. It really didn't bother me but I'm sure some horror fans may claim it ruined the film for them. Some people are just way too willing to let anything ruin a film for them.
So for a smart, well written, well acted film that isn't your average found footage, teens lost in the woods, inbred slasher fare, check out I Am Not A Serial Killer. It's currently streaming on Netflix. On a scale of 1-10, I'm giving it a stout 7 stars.
Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Tales of Halloween (2015)

MOVIE REVIEW: Tales of Halloween (2015)

Tales From Halloween ... I have so many mixed feelings on this film. Tales From Halloween is a compilation of ten short stories all woven into one Halloween night.

The film, at first watch, I must admit, was a huge disappointment. I have been wanting to see Tales From Halloween since I first heard of it, so my expectations were really hopeful. For some reason, it first felt like I was watching a made for TV movie. I thought the special effects were extremely low grade and the music was even quirky. I am the biggest fan of the Halloween season and always make it a point to watch any movie based around it. So, sorry to say, I wasn't a happy trick-or-treater!

As the movie went on, I tried to put my disappointment aside and give it more of a shot. As I did, my frown became more of a smirk. I started to see the campy and almost comedic side to Tales From Halloween. In my opinion, the movie isn’t a horror/comedy, but it does have you a campy B movie horror feel.

The film opens with the narration of a local radio disk jockey as the camera pans over a small town. The DJ, who is talking about Halloween and the witching hour, is none other than the sultry voice of movie legend ADRIENNE BARBEAU, and it set the mood for the film. The short stories range from legends of sweet tooth killers, aliens, neighbors fighting over the best yard decorating, children's revenge, and what would Halloween be without a killer jack-o-lantern.

The film does host a very impressive list of names to the cast, Barbeau, being one, obviously, the lovely Caroline Williams (Texas Chainsaw Massacre 2, Contracted), Greg Grunberg (Heroes, Star Wars: The Force Awakens), Barry Bostwick (The Rocky Horror Picture Show, Spin City (TV series)), Tiffany Shepis (12 Monkeys (TV series), The Night Watchmen), Lin Shaye (Insidious 1+2, Theres Something About Mary), Barbara Crampton (Re-Animator, We Are Still Here, You’re Next), Pollyanna McIntosh (The Woman, Filth) Pat Healy (Compliance, Cheap Thrills, Carnage Park) and a small appearance by legendary director John Landis ( The Blues Brothers, An American Werewolf In London) Now with a list like this, you would be expecting one of the best horror films ever, but sadly it isn't. To be honest, most of the names on this list have relatively small parts.

In keeping up with recent director compilation films (The ABCs of Death 1 and 2) and other Halloween films (Trick Or Treat), Tales From Halloween falls a bit short. Enjoyable for a non-serious horror film night - or a fun watch with friends.

Sorry, guys, but this is one where I loved the cover art for more than the film.

Keep It Evil...

Posted by John Roisland in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Incarnate (2016)

MOVIE REVIEW: Incarnate (2016)

Incarnate is a movie. I saw it. I'm tempted to end it here, but that wouldn’t be fair to anyone. Except maybe the people responsible for making Incarnate. Well, I should probably start with what I liked about the film. That's fair, right? Well, then, for the good parts: It was dark, slick, with a compelling and visually pleasing female lead front and center. Wait, that's not Incarnate! That's my mother fucking diet Coke-filled Rogue One cup I got at the concession stand! And that's the best thing about Incarnate.

Hello? Is this my agent? You're fired!

Oh shit, bra, you being hard on that movie. Yes, I am. I would say I hated it but that's such a small unassuming word. If Incarnate were a puppy, I would have it put down. I would record the process and post it to the Internet as a warning for other puppies. By now, you are probably wondering what brought on this attack of obvious hyperbole. There were many things. Many things which all amount to one base thing. The film was lazy, and it insults its audience.

Well, shit. I guess winter did come.

The plot as it were, a person (Aaron Eckhart) is able to enter the mind of possessed people. He does this to force the demon out. He heard about a kid possessed. The church comes knocking.

“U exorcise dat kid”

“No I not gonna exorcise dat kid”

“Y U no Exorcise dat kid?”

“Cause I haz sads for my dead family”

“Demon in dat kid killz your family”

“Ok I exorcise dat kid”

It's all cliché. It's all formula. Paint by numbers and to hell with Bob Ross.

Aaron Eckhart is trying his hardest to look and sound like Sean Bean. Seriously, the first time I saw him, after the opening they stole from Inception, I said, “Damn he looks just like Sean Bean. Shit that means hes gonna die”. Guess what happens ***spoiler alert*** he dies deader than Ned Stark. Seriously if the Sean Bean foreshadowing wasn't enough, Incarnate goes out of its way, over and over and over to let you know he's going to die. So all suspense about your main character is gone.

Incarnate sucks. Here's a kitten.

But I decided to give it a chance. Knowing the ending of a movie doesn't necessarily ruin it for me. I mean I knew Liberty Valance was gonna die, but I still loved that film. It's in the damn title. So, onward.

I pride myself in not being an overly picky viewer. Hell, look at my reviews. But here is a little thing that bugged the shit out of me. Mostly because there was no reason for it. The little kid possessed by a demon is asked its name. It goes though this evil sounding litany, some of which - names and timeline - struck me odd, but oh well - until... “After the deluge, when the angels took human women, my name was Passion”.

Now, I am paraphrasing a little, maybe, but the key part, “after the deluge”... No. Seriously, no. What the fuck - no. Did you actually research this or just hear somewhere “Hey, dude, the bible says angels raped women”. Fucking lame ass shit; read a goddammed bible. The deluge, aka the flood, happened after the angels came upon human women and children were born to them. In the Apocrypha, Book of Jubilees, I think, it’s even stated that the deluge was caused specifically to cleanse the earth of this ungodly offspring.

Now you are possibly saying “That’s such a small thing. Is it really important?” It's important because it works just as well if you say it right. “Before the deluge”. But the writers are either to lazy to research at all, to dumb to understand, or just don’t give a shit because they think fans wont notice. Well, I noticed and as much as I tried to ignore it, I was bothered during the entire film. Did I mishear it? Maybe they meant this. It bothered me. On its own, that would have been a small itch, an annoyance, but it's part of a whole.

Nit pick number two. The hero has to go into a dimension inside the child’s mind to evict the demon. He wont use the word exorcise because he hates the church. GRRRR church. Sean Bean, Aaron Eckhart hates you. Well, in this dimension, we are told over and over that time stands still. Yet you have to get out in eight minutes or you die, or something. But......if time stands still it doesn’t matter how long you are inside. Time stopped, remember? Yet we have the faux suspense of seeing clocks and counters, and people rushing and, chill out, he got forever, time be standing still, y'all.

The film ends with what seems like fifteen solid minutes of fake out after fake out, and each false ending you know is a fake out, you know it's a “twist”, and you know what's coming next. Every fucking twist is telegraphed or just so obvious that you feel like you must have stolen a copy of the script.

So what do we have? Predictable and utterly preposterous plot (lifted from Inception), lazy writers, over dramatic acting, CGI eyes on the demons, and no scares at all. Not a single fucking jump or even twitch in the whole film. Incarnate is boring, and manages to be both confusing and predictable at the same time. The characters do completely illogical, irresponsible, and ignorant things for no reason.

Incarnate Works on the Theory That Horror Fans Are Dumb and Will Watch Anything

I felt insulted as a viewer and as a fan of horror films. I feel dirty for paying money to see this. Please give me my money back. I feel like I gave my PayPal password to a Russian porn bot, and she laughed at me online. I knew this movie wouldn't be good. Knew that going in. It had the look of suck. But I convinced myself it go. And I did want to get one of those sweet Rogue One cups. But I didn't expect to hate it this much. At least I got my cup, and it is sweet.

Incarnate stars Aaron Eckhart (Batman: The Dark Knight), David Mazouz (Gotham), Clarice van Houten, and some other people. Brad Peyton (San Andreas) directed. See it at your own risk.

1 dimly burning Christmas star out of 10

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: The Neighbor (2016)

MOVIE REVIEW: The Neighbor (2016)

By Dixielord

The Neighbor is the new home invasion horror movie from director Marcus Dunstan. Dunstan is best know for The Collector and its sequel The Collection. The Neighbor stars Josh Stewart (The Collector), Alex Essoe (Starry Eyes) and Bill Engvall (Blue Collar Comedy Tour). Yes that's right. Bill Engvall, Mr “Here's your sign” is starring in a horror film. Now even if you aren't particularly a fan of The Collector series, that should be enough to pique your interest in The Neighbor.

Bill Engvall is The Neighbor / Fair use doctrine.

Josh Stewart plays John who along with his girlfriend Rosie (Alex Essoe) works for his shady crime lord uncle, switching license plates on (apparently) drug running cars. It's never explained exactly what they do, but it's illegal and beyond that, unimportant to the story. Their separative neighbor Troy (Bill Engvall) also appears to have a secret he's of which he is very protective. When Rosie goes missing, John sneaks into Troy’s house and discovers what he is trying to hide.

Set in rural Mississippi, The Neighbor puts everyone under suspicion early on, showing just how sketchy and shady each is. Being born and raised in rural Mississippi, I can pretty much confirm this. No one in the film is particularly innocent, but John is probably the most sympathetic. He's a military vet come home and given a job in his uncle’s illegal enterprise. You get the feeling he isn't happy, and he and Rosie are making plans to escape to Mexico.

The first part of the film moves along a little slow, and is uneventful other than setting up the last half of the film. The last half is where The Neighbor shines. It borrows from other home invasion style horrors with hidden tunnels and cages (but without the traps that were the signature portion of the killer’s work in The Collector series). But it varies from most home invasion films, and most horror films in general, in that the protagonists and antagonists are fairly evenly matched. The conflict between Engvall and Stewart is less cat-and-mouse than two wily foxes battling.

The final fifteen minutes or so is a symphony of glorious violence. It gets brutal when it needs to get brutal. No gimmicky walking away from a fallen victim, it's combat to the death. Guns, knives, camera tripods, and even a telescope become weapons in the fight. When the final battle condenses down to villains and victims, there are no wilting flowers, just fighters. It's not as gory as The Collector, The Collection, or the Sawseries of films but it is brutal. Have I said that already? It's brutal. Watching Alex Essoe go apeshit was wonderful fun. It all ends with an ambiguous ending that a lot of viewers might not catch, but it left me with chills. Also be on the lookout for what I can only assume is a homage to the original Texas Chainsaw Massacre.

Alex Essoe spies on The Neighbor / Fair use doctrine.

All and all I really enjoyed The Neighbor. It's another solid and bloody success for director Dunstan. I enjoyed it enough to give it a 8 out of 10. Check it out on DVD now.

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Found Footage 3D (2016)

MOVIE REVIEW: Found Footage 3D (2016)

By Dixielord

I don't make a secret that I'm not a fan of the found footage subgenre. In fact lately I have pretty much came to hate it. There aren't many found footage films I enjoy, among those few, the spectacular *Rec (and it's first sequel), the original Blair Witch Project, and, to lesser degrees Cloverfield and Quarantine (the American remake of *Rec). However most of the films, especially lately are just gimmicks, and found footage is a cheap way for "filmmakers" to churn out a quickie horror film. Many times recently I have wished the genre would just go away.

The synopsis of Found Footage 3D is that a group of friends and associates set out to make the world's first 3-D found footage film. It is of course a horror movie, and the old farm they choose to shoot at is, naturally, reported to be haunted. While personal demons threaten to tear the crew apart, they are also stalked by something more sinister, something supernatural.

So I feel kind of strange writing a positive review for a found footage film, but that's what I'm in the process of doing. The movie is Found Footage 3D. Which makes it a double whopper since I'm not really into the 3-D craze and its inflated prices. Another gimmick. So I sat down to watch this not really expecting much. Even though the found footage concept started to annoy me early on, I found myself laughing at the jokes, and getting into the story. Seeing it on a small screen at a festival I really can't comment on the 3-D other than, once again, I started laughing at the comedic references to them.

Found Footage 3D takes the Scream approach of exploring the rules of horror. Fittingly enough it's the rules of Found Footage horror. Hearing the characters explain and complain about the same points in found footage that I hate and find annoying drew me in. I found myself laughing (at the right times) over and over.

Fans are screaming for Found Footage 3D

Now with all this laughing someone is surely saying "Wasn't this supposed to be a horror film?" Well it is, it's just a horror punctuated with some well placed humor. The first half of the movie is pretty bare on horror elements, but the last 15-20 minutes is a hyper bloodbath of slaughter. I was lured into the slow, relaxed pace and when it went bad it took me by surprise. It happens fast folks, and it's pretty bloody. At least three people in the row behind me screamed at the final scene. I deny screaming, but I did jump even though I knew what was coming. Mini spoiler it's similar to the ending of Paranormal Activity but more effective.

But it's not a perfect film (here he goes). It's still a found footage film, and the same things that annoy me in found footage films, annoyed me in Found Footage 3D. The shaky cam, the always on camera, and basically knowing the outcome the moment you realize it's found footage. Still the fact the crew was self aware, to some extent alleviated these issues. I also had hard time following the plot of the film they were shooting and exactly how it related to the film I was watching. And the ending, as mentioned, I saw it was coming, it was telegraphed pretty well in advance, but hey it still worked for me.

The acting was better than in most found footage movies, special shout out to Scott Allen Perry who seemed at times to be channeling Zack Gallafanakis, but in comedic timing and beardness. Also shout out to Alena Von Stroheim who was drop dead gorgeous and portrayed a sympathetic and likeable victim and possible antagonist. And, lastly, one of the funniest scenes of the film involved John Daws and Doran Ingram as the "old timers".

So while I don't like found footage films, and the subgenre still annoys me, I cant deny that I really enjoyed this film. The laughs (and jumps) speak for themselves. It's not your typical low budget excuse to for a real movie by picking a cheap subgenre. It's an attempt to make a good movie with a much maligned (rightfully so IMO) subgenre, and it's a successful attempt.

These guys....Found Footage 3D

I'm going to give it a 7 out of 10 for rising above the found footage subgenre, but still keeping some of its annoying peculiarities. Found Footage 3D was directed and written by Steven DeGennaro. It stars Alena Von Stroheim and Carter Roy.

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: The Conjuring 2: The Enfield Haunting

MOVIE REVIEW: The Conjuring 2: The Enfield Haunting

By Dixielord

James Wan returns with a follow up to his hit The Conjuring with The Conjuring 2: The Enfield Haunting. Like the original, The Conjuring 2 is based on a case investigated by Ed and Lorraine Warren, demonologists and paranormal investigators. The Warrens are probably most famous for their investigation of what would become known as The Amityville Horror and the movie based on it. Vera Farmiga (Bates Motel) and Patrick Wilson (The Ruins, Insidious) return to star as The Warrens.

Vera Farmiga and Patrick Wilson in The Conjuring 2

Vera Farmiga and Patrick Wilson in The Conjuring 2

The Conjuring was a hit, both at the box office and with horror fans. Sequels, however rarely love up to the original. While I ended up enjoying The Conjuring 2, I do feel it was a step down from the first film. The Conjuring earned its R rating due to a pervasive sense of dread that ran through the entire film, a dark, oppressive feeling that left me uneasy, and made me fear for the main characters, even though I know in real life they survived the incident.

Upside down, the way you turn me The Conjuring 2

Upside down, the way you turn me
The Conjuring 2

The Conjuring 2 never achieved that level of unease. That's not saying it didn't have it's moments. There were scenes, especially involving the kids that were genuinely scary. The possession scene near the end reminded me a lot of Reagan's possession in The Exorcist. But the scenes, especially in the first half of the film were too far and in between to keep that dread going. It needed that to keep me at a heightened sense of unease, to keep me on the edge of my seat. That's when a jump scare really works. It's when all scares really work in a film.

The demonic nun was fun, and I'll admit I jumped a few times with her scenes. She was visually impressive and the effects were well done. However the “crooked man” CGI was really bad. It reminded me of animation from The Wall, or a Monty Python skit. That's not knocking those two properties, both were great in their time, but neither was horror, and it's a good 30 plus years since either s prime. The ending two was a bit of a let down for me. Sorry but as a horror and possession fan, that ending is all too common and clichéd.

But I still enjoyed the film. Mostly because of two reasons. Vera Farmiga and Patrick Wilson. This was as much a movie about the Warrens, and their scenes made the film. I have a feeling that I like Vera and Patrick's version if the couple more than I would like the real couple. My one real experience with the real Lorraine Warren makes me think she is far more of a religious zealot than her movie counterpart. But I guess when you are dealing with demons from hell, it's best to not be wishy washy about your beliefs.

The real Ed and Lorraine Warren subjects of The Conjuring 2

The real Ed and Lorraine Warren subjects of The Conjuring 2.

Between the love story of the Warrens, and the couple of really bad CGI scenes, there were some good scares. There were some honestly creepy scenes involving the kids, especially Janet ( New Orleans resident Madison Wolfe). It just doesn't hold the fear and tension throughout the entire film.

Janet's just exorcising her rights in The Conjuring 2

Janet's just exorcising her rights in The Conjuring 2.

The Conjuring 2 isn't a bad film, I don't consider it a waste of my money, but as a horror film, it is a bit of a let down. When compared to the original, that let down is even harder. Fans of the Warrens will still want to see it. Fans of Vera and Patrick will really enjoy it, as will casual horror fans who don't like more extreme or unnerving films. But as a scary, disturbing horror film, it fumbles pretty hard. Unless you are a real fan of the Warrens, or more so Vera Farmiga and Patrick Wilson, wait till it hits Linnet.

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: The 5th Wave (2016)

MOVIE REVIEW: The 5th Wave (2016)

By Dixielord

Chloe Grace Moretz in the 5th Wave

Chloe Grace Moretz in The 5th Wave

I know if you are anything like me, you have always wondered, “What if Stephanie Meyers had given up on the Twilight franchise, and instead had written the screenplay for a crossover of Independence Day and They Live ?” Well now thanks to The 5th Wave you don’t have to wonder anymore. The 5th Wave is the new horror/scifi/adventure/teen romance/whatever movie starring Chloe Grace Moretz (Let Me In, Carrie). It also stars Liev Schreiber (Wolverine), Maggie Siff (Sons of Anarchy), Maika Monroe (It Follows), Ron Livingston (Office Space), Nick Robinson (Jurassic World)and Alex Roe (The Calling). So it's a decent enough film, it should be OK, right? Eh, not so much.

Liev Schreibner in The 5th Wave

Why am I in this movie? My agent is so fired if there isn't a sequel.

Now full disclaimer, this is a young adult movie, based on a young adult novel. It's nowhere near real horror or even real Science Fiction. Still, even giving it this handicap it's pretty bad. The 5th wave was directed by J Blakeson, in his second feature direction. The plot is basically aliens send a giant ship (Ala Independence Day) to circle the Earth and release “waves” to destroy us humans. The first wave, which is actually the most impressive is an EMP (Electro Magnetic Pulse), which sends the planet back to the dark ages, and kills a lot of people. The second wave is world wide tidal waves, the third wave is a modified bird flu, fourth wave is aliens disguised as humans, and the titular fifth wave is, well that's the big reveal, more on that later (SPOILERS!!!).

The heroine of the alien apocalypse is young Cassie Sullivan, played by Moretz. Cassie is an awkward 16 year old high school student, a role Moretz should have down by now. She lives with her parents and younger brother Sam, when the “others” attack. Her parents quickly fall victim to the evil aliens and her brother Sam is recruited by the military. There he is trained as part of a children s crusade to wipe out the aliens, alongside Cassie's high school sweetheart Ben (Robinson). Cassie sets out to rescue him, and along the way finds love and loses her virginity (assuming she had it to begin with) with ruggedly handsome and well dressed farmer Evan. But off course, all is not what it seems, not with the army, not with Evan, and definitely not with this film.


Chloe Grace Moretz in The 5th Wave

The 5th Wave

Ever since Chloe Grace Moretz came to my attention in Let Them In, I have predicted a bright future, and that she would turn into a wonderful actress. While she can claim success, it is time she really showed some potential as an actress. It's past time. She should probably be more selective in the roles she takes. It's sad that some of her more interesting roles like Let Me In, Kick Ass, and Hick came early in her career. I'm assuming she took this role for financial stability, hoping for a franchise along the lines of Twilight. I don’t see that happening.

Not that she is horrible in The 5th Wave. But it's the same awkward, mopey teen role that we have seen so many times before including Carrie, Kick Ass 2, and even to some extent in Let Me In. She does play that role well, but at what point does it cease to be acting and become repetitive motion.

The movie itself starts off with a bang, and the most emotionally charged “real” scene in the movie. It's brutal and what an end of the world film should be. It posits Moretz as a gritty character having to make hard, and wrong decisions. Sadly that feel doesn't really continue after that. Instead we get a typical teen romance/drama with aliens thrown in. There are just so many silly moments, silly decisions that I couldn't enjoy it. 

Since it's based on a book you could blame a lot on the original subject matter, but since when does a movie have to stay true? Movies have obligation to fix bad points in the subject matter not parrot them. I haven't read the book but from a synopsis it looks like the movie actually expands some of the worse points. For one instance in the movie the aliens genetically alter avian flu and release it on mankind. Why? Why alter an earth flu when they could introduce an alien disease from their home world. An alien common cold that would be harmless to them but wipe us out. In the book, as far as I have heard this is closer to what happens.


Chloe Grace Moretz takes aim in The 5th Wave

The best scene in The 5th Wave with Chloe Grace Moretz

The earthquakes and tidal waves were left unexplained. It comes off as bad in the film, suddenly huge wave almost takes out our heroine, then magically recedes leaving no discernible damage in it's wake. But reading a book summary it's probably best to not go to deep into it's goofy cause of the quakes.

The fourth and fifth waves are just as silly. The fourth wave is they can apparently possess humans. They do this to kill the human refugees, which we are lead to believe they possess a couple of hunters who prowl the woods killing anyone they come across. We find out later the fourth wave is actually a way of initiating the fifth wave so it's a bit of a dodge But here's the kick. They can either posses or replicate the military. They use this to gather children and train them to hunt other humans. Why do they need human kids to kill them? You have guns, planes, tanks and training. Do it your damn self

The fifth wave is where the story blatantly steals from They Live. The children are told you can only spot the aliens wearing special glasses. Glasses that make the alien humans appear to be a green glowing skull. Seriously. I was half expecting Roddy Piper to come back from the grave and start kicking everyone’s ass. Starting with the director and writer of the film.

Of course eventually Ben finds out the truth. That they are killing other humans and he very casually allows one of his friends to shoot him in the belly. You know, non fatally. No big deal. Doesn’t hurt much apparently.

Meanwhile Cassie is on her way to rescue Sam, and runs across hunky, hipster farm boy Evan. Evan teaches her the finer points of disarming an opponent, and in true Mary Sue fashion she gets it down pat in one lesson. Which is fitting since she learned how to fire a pistol in one lesson (that only consisted of “this is how you remove the clip”), and learned to fire an assault rifle with no training at all. Her and Evan hook up, which we all knew was coming, and he turns out to be an alien hybrid. Or spy or something, who knows. It of course follows that Twilight theme of taboo love between different species. All we can say is Cassie must me a wiz in bed, er in abandoned vehicle, cause one lay and Evan defects to the human cause. Once you go homosapien, you....well... forget you're an alien, I guess. Forget I said anything.

Now back to another point which bothered me. A lot of people might say I'm nit picking but it bothers me. The first wave, world wide EMP blast. The film clearly states, no electricity, no running water....then how the hell is everyone clean shaved, except neatly shaved Evan, and clean. How are they always wearing clean clothes? Even after Cassie is abandoned and alone, shes always clean and in clean freshly pressed clothes! I'm not the world's biggest Walking Dead fan, but at least they try to make the survivors look grungy. Except for Norman, I think he just likes the look. Even when they FINALLY put some dirt on Chloe's face, it looks like it was professionally applied by Merle Norman himself.

And why does the family leave their home? Yes there is no running water and lights, but it has a roof, walls and presumably a basement. As well as a closet that seems infinitely full of clean clothes. But no, they leave their home to move to a tent city in the woods. You know, where the aliens can wipe them out all at once, no walls, no defenses, but already with crops planted and harvested.....I know this is young adult fiction, but come the fuck on!

So here's my thing unless you are a teenage girl, or a dude with the hots for Chloe Grace Moretz, avoid The 5th Wave. There are tons of other movies out there. I wasn't expecting much, and it delivered not much in spades. There are much better alien films out there, better teen adventure/romance, and much, much better Chloe Grace Moretz films to be seen. As far as adult, science fiction or horror fans, don’t bother. One giant green skulled alien star out of ten.


Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: The Boy (2016)

MOVIE REVIEW: The Boy (2016)


Maggie from The Walking Dead in The Boy

The Walking Dead's Lauren Cohan in The Boy

By Dixielord 

The Boy (2016) is the latest in the subgenre of evil doll movies. It stars Lauren Cohan, best known as the popular Maggie Green on AMC's The Walking Dead. Evil dolls are back in vogue it seems with the recent release of Annabelle, Dead Silence and Curse of Chucky. The Boy is much closer in theme to Annabelle than Chucky, more serious than camp, and more ambiguous to the actual source of evil.

Cohan plays Greta, a young American woman with a bit of a mysterious past. She takes as job as a nanny to a British couple, the Heelshires, and their young child, Brahms. The couple is going away on a long delayed holiday and need Greta to watch their young son. However things take a strange turn when Cohan meets Brahms and discovers he is a lifelike doll. It seems the real Brahms died in a fire and the distraught couple, unable to deal with the loss, has a new Brahms made as a surrogate.

Before they leave the Heelshires give Greta a list of chores to perform each day for Brahns. Mr. Heelshire also gives her a warning, “Be good to Brahms, and he will be good to you. Be bad to him and he will...” and he is shushed by his wife before he can continue. This, of course, should be a warning to Greta, but in good Gremlins fashion, she chooses to ignore the rules. Its all good till nightfall. When darkness falls and Brahms feels ignored, Greta starts to hear sounds in the house. Then things disappear, and she begins to wonder if shes losing it, or if maybe Brahms is more than just a doll.

Evil dolls have a mixed history in horror films. There have been a few excellent ones, like Magic with Anthony Hopkins, some decent ones, like the original Chucky and Puppet Master, and lots of blah to horrible like Annabelle (blah) to any of the Puppet Masters after Puppet Master 2. The Boy is definitely one of the better entries in the field, and I was really enjoying the first three quarters of the movie.

The Boy starts off great. Beautiful, but haunted woman in a secluded country home. A very dark and unconformable vibe on everything. However there is a twist, or a reveal, might be more appropriate tag, late in the film. I'll get to that later with a spoiler alert, now for what I liked.

Lauren Cohan is gorgeous, and you don’t have to be a fan of The Walking Dead to enjoy seeing her on film. For The Boy, she has dropped her fake Georgia accent for a generic fake American accent. It's a much better accent, and much more believable than Maggie's drawl (no hate TWD fans just talking honest). Which gave me a chuckle, that we have a British actress, playing an American nanny in Britain. Whatever, Cohan is a treat for the eyes and she looks lovely in every scene. She even does the old shower tease scene (booo!), but hey, at least she's clean in The Boy (psst Daryl).

Even without Cohan it's a beautiful film. The house was an imposing gothic structure, full of menace and dark rooms. The final scene with the survivor(s) fleeing reminded me a lot of The Legend of Hell House. Brahms himself was a creepy little fuck and regardless of whether he was being good or bad, I couldn't sleep in the same room without nightmares.


Brahms from The Boy

Before the big reveal The Boy does a great job of building up a dark, moody feel. As the happenings in the house get more sinister, Cohan's Greta at first doubts her own sanity, but soon comes to accept hat she is dealing with a supernatural entity in Brahms. One thing that the movie does, successfully in my opinion, is it never makes me doubt her sanity. Even when she was thinking she was going insane, I was sure she wasn't. Unless the movie was really cheating.

Brahms is a creepy little doll to begin with and at first he seems to hide his movements, and activities. But eventually he loses his shyness and shows off in front of Greta and her friend the local grocer Malcolm, played by Rupert Evans. When Greta refuses to follow the strange instructions like play loud music for an hour each day, read poetry to him in a loud voice, kiss him goodnight, don't feed him after midnight...ok maybe the last one was from another movie, Brahms starts to torment her. After she agrees, things become much less sinister. Brahms still shows supernatural activity, but seems protective of Greta. Possibly too protective as he doesn’t seem to pleased when Malcolm sleeps over. Still things seem to be going ok. Till Greta's past shows up.

Then there is the twist. Be warned there will be some slight spoilers ahead. Throughout the movie we are lead to believe that Brahms is more than just a doll. We also find out, about midway, that Brahms when he was alive was not such a good boy. As his father said, he was “odd”, and possibly a murderer. His parents, no longer able to cope, decide to take their holiday by taking a long walk off a short pier, with pockets full of rocks.

Then there was the twist itself. I wont completely spoil it, or maybe I will, you be the judge. The twist takes the film completely out of the realm of the supernatural. A realm it had spent the full movie convincing us off, and drops us into the realm of masked killers hiding in basements and walls. The reveal itself was unexpected, for me at least, and well handled. I really didn’t know what the fuck was happening, I was so sold on the supernatural element. Still as well done as it was, I wished they had kept it supernatural. I got nothing against the masked deformed spree killers out there, but I wanted real supernatural evil horror!

I think the moment that Brahms openly revealed he could “move” I was expecting a let down. And in that regard the movie succeeded. It still didn't ruin the film for me, but it definitely took it down a few notches.

So while I did enjoy The Boy overall, the final twist was a downer. If you are a Maggie fan, I would still see the film in the theater. For her first leading role Lauren Cohan does a great job and it's fun to hear her without that annoying drawl. Everyone else can probably just wait till it's on the Netflix or home video.

6 ½ leaning toward 7 stars.

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 1 comment
MOVIE REVIEW: Dementia (2015)

MOVIE REVIEW: Dementia (2015)

By Dixielord

Newly released on VoD is Dementia, the latest film from IFC Midnight Films and director Mike Testin. Dementia stars Kristina Klebe (Proxy) and Gene Jones (The Sacrament). The plot revolves around Jones' character George Lockhart, a veteran of the Vietnam war, who has memory issues, and after suffering a stroke is no longer able to care for himself. Jones has a rocky relationship with his son and grand daughter so he is placed in the care of Michelle, a home nurse, played by Kristina Klebe. Klebe seems to be a kindly person eager to help Jones, but he eventually finds himself trapped in his own home and at her mercy.

Dementia with Kristina Klebe

Kristina Klebe in Dementia

Dementia at first glance seems very similar to Stephen King's Misery, starring Kathy Bates and James Caan in the film adaptation. However most of the similarities between the two are only surface deep. As the viewer gets deeper in the similarities drop away, making Dementia a truly unique story, but none the less brutal and horrifying. Eventually all your preconceived notions of how this is going to go fade away, and as the final credits rolled, I was still half waiting on a new revelation.

Dementia starring Gene Jones

Gene Jones in Dementia

Like Misery it is basically a battle of wills between captor and captive, showcasing the talents of Jones and Klebe, both seriously under rated actors. They carry the weight of most of the film, and they carry it well. Both play their roles well, Klebe as the wolf in sheep’s clothes, and Jones as the confused vet, who isn't sure of anything around him. It's so well done that at the beginning, I thought it might actually all be Jones confusion. Was he being tormented, or was he doing it himself in his confusion?


Kristina Klebe with a gun in Dementia

Kristina Klebe, caring nurse, psychopathic killer, or something else in Dementia

Soon however we see that Klebe is, in fact a vicious killer, who is doctoring his medicine. But is she just a crazed person looking to get her jollies by torturing a helpless man, or is it something deeper. Dementia takes the usual hero/villain dynamic and turns it on it's head. I really don't want to spoil this film. It's too good and needs to be enjoyed spoiler free. It's not an M. Night wild twist out of nowhere. Astute viewers will know something is up, and the clues are all there. Clues that everything isn't as it appears.

Gene Jones in pain in Dementia

Dementia tortures Gene Jones

Dementia isn't an extremely gory film. It's horror relies on our fear of getting old, of losing our memories and being at the mercy of someone with no mercy. The fear of estrangement from family and loved ones. Then it turns slowly turns it around. Kudos to Jones, Klebe and the rest of the cast on doing a film that is more than it could have been. Dementia could have stayed on the safe straight path of a Misery clone, but it went for more and succeeded. 9 stars out of 10 from me.

Posted by Allen Alberson in MOVIE REVIEWS, REVIEWS, 0 comments