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Interview with the director of Visceral Felipe Eluti

Interview with the director of Visceral Felipe Eluti

If you haven’t already watched Visceral by Felipe Eluti (check out the trailer :”>HERE) and if you’re a fan of extreme horror I recommend watching it immediately. It’s been a fan favorite in the underground community for a while now. Made in Chile it’s about a boxer who loses the big fight. After the loss and what would appear to be brain damage from multiple concussions he’s unable to cope and loses his grip on reality. He goes into a downward spiral and begins murdering and torturing using many creative bondage scenarios. The main character is played by Eluti himself and today I’m going to ask him a few questions about the film, and his upcoming film called Shadowplay.

  • HoTS: First of all thank you for taking time out of your busy schedule to chat with me I’m a big fan of your work. My first question is how did you come up with the idea for the film?
  • Felipe: The idea for Visceral was born thanks to many horror movies and real life psychopaths in general. I felt that a really extreme film was missing, a film that was not afraid to tell such a dark story.
  • HoTS: How did you find it playing a serial killer? It was a really brutal character how did it affect you?
  • Felipe: That’s a very personal question… you always have to know how to distinguish from the role one is playing with the person one is. When one acts, one can inquire into the darkness of the mind, but it’s only to play the character not in my normal life.
  • HoTS: there is a really graphic genital mutilation scene in Visceral that happens to your character is that hard for you to watch?
  • Felipe: I think the character deserved the punishment and the idea that the character never wins is exciting
  • HoTS: There was a lot to do with boxing in the film are you a boxer or just a fan of the sport?
  • Felipe: I practiced boxing only for the role, but personally I don’t enjoy the sport or participate in it. I’m a vegetarian  and a pacifist.
  • HoTS: There was a lot of bondage and rope in the film were you going for a BDSM theme?
  • Felipe: When my friends (Thomas Smith and Cristobal Rivera) and I looked at the film aesthetically and the script we came to the conclusion we needed it to add more perversion. We added it in and it worked.
  • HoTS: I understand you’re working on a new film called Shadowplay, what can you tell us about it?
  • Felipe: It’s different from Visceral, it’s much less violent. It’s more personal and focuses on a couple relationships. However there is still an element of terror, cosmic horror and Lovecraft style.
  • HoTS: How did you get into filmmaking?
  • Felipe: I studied film, it’s my profession. Since I was little I loved movies, music, and comics. When I had to choose a career I decided I wanted to make films.
  • HoTS: How are your films received at home in Chile vs North America?
  • Felipe: Visceral is better known outside of Chile, here I’ve been unable to show it many times because of its level of brutality. I am like Sugar Man, better known in other countries than in my native land.
  • HoTS: How did you get involved with Stephen Biro and Unearthed Films?
  • Felipe: Stephen contacted me after my film went through many festivals and realized that it was definitely for Unearthed.
  • HoTS: Finally just for fun what are your top 10 favorite movies?
  • Felipe: This is difficult since there is always more than 10, but here we go… Haze by Shinya Tsukamoto, Nekromantik  by Jorg Buttgereit, Blue Velvet by David Lynch, A Clockwork Orange by Kubrick, Phase IV by Saul Bass, The Dead Zone by Cronenberg, A Zed and Two Noughts by Greenway, Akira by Otomo, They Live by Carpenter, The Dawn of the Dead by George Romero, Phenomena by Argento, City of the Living Dead by Fulci and I’m already over ten.
  • HoTS: Thank you again for taking the time to answer my questions. I really look forward to seeing your new film Shadowplay and wish you the best on all your future projects.
  • Felipe: Thank you very much for your interest in my films, I send greetings to all my fans and lovers of extreme cinema.

Posted by Candace Stone in Categories, EDITORIALS, EXCLUSIVE, INTERVIEWS, 0 comments

MOVIE REVIEW: Creep (2014)

By Nick Durham


Every now and then when I have nothing to watch, I scour Netflix in the hopes of finding something I've never seen before, and/or isn't a steaming pile of horse shit. More often than not, anything I find I hasn't seen winds up being horse shit, but every now and then, I find a hidden gem buried within the countless turds. In the case of Creep, I didn't exactly find a gem, but I did find something that wasn't a steaming turd either, so in this case I'll take what I can get.

A found-footage-ish flick, Creep stars Patrick Brice as Aaron, a videographer who answers a Craigslist ad posted by Josef (Mark Duplass of The League). Josef is looking for someone to record footage of him for a whole day, claiming to Aaron that he is terminally ill and wants a video chronicle for his unborn child. Aaron happily accepts the wad of cash he's offered, and he gets to work. However, it isn't long before both Aaron and the audience realize that something is a little off about Josef, and before we know it, things take a really strange turn.

Without spoiling anything, Creep manages to work for what it is thanks to the performances of Duplass and Brice. Duplass, known more for his comedic side on FX's "The League", really manages to flex some dramatic and creepy (no pun intended) muscles here, and Brice is more than believable as the bewildered cameraman that goes from curious to frightened to combative. Both actors also co-wrote the film, with Brice also serving as director. Considering all the different hats both men are wearing for the production of Creep, combined with the fact that they are really the only people appearing on screen, really speaks volumes about each of them as filmmakers and performers.

Though Creep does have some eerie atmosphere and a sense of not knowing what the fuck is going to happen next, there are some long stretches that are just plain boring. Considering this is only an 82-minute long film, that's not a good thing. By the time all the pieces come together in terms of who Josef really is, the audience is left saying "duh" for the most part, but the journey to get there is a mixed bag. This is one of those cases where the sum of the parts isn't quite as good as the sum elements themselves.

In closing, you could do a lot worse than Creep. Found footage films seem to be dying out (mostly), but Creep manages to prove that the end result of these types of horror films don't have to rely on cheap scares or gimmicks to hold a majority of your interest. Like I said before, it isn't anything special, but there are way, way worse ways to spend an hour and a half. Check it out while you can, you'll probably get a bit of enjoyment out of it.


Rating: 3/5

Posted by Alan Smithee in MOVIE REVIEWS, REVIEWS, 0 comments