MST3K

THE HORROR OF PARTY BEACH(1964) REVIEW

THE HORROR OF PARTY BEACH(1964) REVIEW

THE Horror of party beach (1964)

 

What can I say?

this movie absolutely rocks on so many levels. YOU HAVE HAWT LADIES, ROCK N ROLL MUSIC, OUTLAW BIKERS, AND AWESOME CHEESY MONSTERS

 

 

BACK IN THE 50’S, 60’S WE DIDN’T GET MUCH OF AN ACTUAL VIEW OF THE MONSTER, FOR THE FUNDS WAS VERY LIMITED AND A LOT OF BLACK N WHITE HORROR MOVIES DIDN’T HAVE THE BUDGET AND OR TIME TO ACTUALLY SHOW US THE MONSTER. SO A LOT OF BLACK N WHITE LOW BUDGET  HORROR MONSTER MOVIES LACKED A LOT, STILL AWESOME, BUT SEVERELY LACKED.  I AM A BIG BLACK N WHITE MONSTER MOVIE LOVER, WHEN I WAS A KID NOT SO MUCH SO BECAUSE I LOVED MY SLASHERS.  I STILL DO LOVE MY SLASHERS BUT I CAME TO ABSOLUTELY LOVE BLACK N WHITE HORROR/MONSTER FILMS. 

I FIRST DISCOVERED THIS MOVIE MID 2018 AND ABSOLUTELY FELL IN LOVE WITH IT. NOW, WITH THAT?  ON TO MY REVIEW OF THIS CLASSIC MONSTER FILM…

“THE HORROR OF PARTY BEACH”

THIS CLASSIC MOVIE IS CONSIDERED ONE OF THE WORST FILMS.  DIRECTED BY B-MOVIE MAVEN, DEL TENNEY.  TENNEY DESCRIBED HIS FILM AS A “TAKE OFF ON BEACH PARTIES AND MUSICALS”  WITH A BUDGET OF $50,000.  RELEASE DATE WAS JUNE 1ST 1964.

STARING: 

JOHN SCOTT, AS HANK GREEN. ALICE LYON AS ELAINE GAVIN. ALLEN LAUREL AS DR GAVIN. MARILYN CLARKE AS THE SEXY TINA.

 

THIS MOVIE STARTS OFF, WITH THE MAIN TITLE AND SOME JAZZY SHAKING ROCK N ROLL AND A BAD ASS OLD SCHOOL CONVERTIBLE SPORTS CAR DRIVEN BY JOHN SCOTT(HANK GREEN) ALONG WITH HIS FLIRTY SEXUALLY PERMISSIVE MARILYN CLARKE(TINA) DOING HIGH SPEEDS IN HIS SPORTS CAR AS THEY COME TO A STOP LIGHT, TINA WAVES AT A BUNCH OF OUTLAW BIKERS FLIRTATIOUSLY AS HANK TELLS HER, KNOCK IT OFF TINA, HE PUTS THE PEDAL TO THE METAL TRYING TO RACE THE OUTLAW BIKERS AS TINA FLIRTS EVEN MORE WITH THE BIKERS. 

HANK AND TINA GET TO THE BEACH AS HANK TELLS TINA, THAT’S ENOUGH ALCOHOL, TINA REPLIES TODAY TINA IS GONNA HAVE A GREAT COCKTAIL, AS HANK GIVES TINA A TOTAL BUZZKILL LECTURE ON HOW TIMES HAS CHANGED AND HOW ITS TIME TO GROW UP, TINA SNAPS BACK WITH STOP PREACHING ON HOW SHE KNOWS ABOUT HANKS PLANS AND EXPERIMENTS AT THE LABORATORY THAT HE WORKS AT.  HE CONTINUES TO GIVE TINA LECTURES, AS TINA STATES WE DON’T EVEN TALK THE SAME LANGUE ANYMORE. 

IT CUTS TO THE SCENE OF A WORK BOAT ON THE OCEAN WHICH IS DUMPING BARRELS OF UNKNOWN RADIOACTIVE WASTE. THE BARREL SINKS TO THE BOTTOM OF THE OCEAN, CAUSING THE CONTAINER OF RADIOACTIVE WASTE TO OPEN AND THE WASTE COVERS THE BOTTOM OF THE OCEAN FLOOR AND AS WELL COVERS THE REMAINS OF A SKELETON (HOW) DID THE SKELETON DOWN THERE? WE CAN ONLY SPECULATE.

AS THE RADIO ACTIVE WASTE COVERS THE SKELETON REMAINS, IT TURNS THE SKELETON INTO THIS SLIMY MONSTER THAT LOOKS TO BE MADE OUT OF TRASH BAGS.  TO WHICH IT PROBABLY WAS, LOL, THIS MONSTER COMES EQUIPPED WITH TRASH BAGS AND BIG GOOGLY GOOFY CHEESY EYES AS THE MUSIC SHRIEKS AS THE MONSTER IS FORMING….YESSSSSS!!!!!! WE HAVE A SEA MONSTAAAA.

 

MOVIE JUMPS BACK TO THE BEACH AS THE ROCK N ROLL BAND SINGS ON THE BEACH, THE TONS OF KIDS ARE SHAKING AND DANCING AND HAVING A GREAT TIME, TINA RUNS TO THE CROWED AND STARTS TO SEDUCTIVELY DANCING WITH OTHER BOYS ON THE BEACH.  THE OUTLAW BIKERS FINALLY GET TO THE BEACH AS THEY GET OFF THE BIKE LOOKING ALL COOL AND BAD, LEATHER JACKETS, SLICKED BACK HAIR WALKING WITH A PURPOSE, AS THEY GET TO THE PIER THE MAIN BIKER IS LOOKING AT TINA, AS TINA FIRST SEES THEM AGAIN SHE WAVES AT THEM MOTIONING FOR THE BIKER TO COME ON THE BEACH FOR A DANCE.

TINA AND THE BIKER IS IN FULL SWINGING ACTION, HANK COMES UP AND THEN A RUMBLE ON THE BEACH BETWEEN THE BIKERS AND HANKS FRIENDS, AN ALL OUT BEACH PARTY BRAWL, CHEESY AS HELL BUT COMPLETELY FUNNY AS HELL.

AFTER THE FIGHT TINA TRYS TO TALK TO HANK AND HANK REJECTS HER, SENDING TINA RUNNING OFF THE BEACH TOWARDS THE WATER STRIPPING DOWN TO HER BATHING SUIT, SHE DIVES IN TO THE WATER AND SWIMS TOWARDS THE ROCK ISLAND NOT KNOWING WHAT’S IN STORE FOR HER.   THE MONSTER COMES CREEPING UP OVER THE ROCK ISLAND AND LETS OUT A TERRIBLE GROWN AND TINA SCREAMS AS THE MONSTER MUTILATES HER BODY AND THE BLOOD IS EPIC, LOOKS TO BE CHOCOLATE SYRUP LOL..

TINA’S BLOODY BODY WASHES ASHORE AS SOME BEACH BUMS SHRIEKS IN TERROR OF THE SITE OF THE BODY, IT ALARMS THE WHOLE BEACH.  SPECULATIONS RUNS HIGH OF SOME SORT OF MONSTER THAT IS LIVING IN THE OCEAN.

 

THE MONSTER THEN CONTINUES TO INVADE HOMES, INVADE SLUMBER PARTIES AND TAKES MORE VICTIMS AS EACH VICTIM IT TAKES THE MONSTER MULTIPLES.

 

WITH THAT? THIS IS MY REVIEW I DON’T WANT TO GIVE AWAY TO MUCH OF THIS MOVIE FOR YOU SHOULD CHECK IT OUT.

 

I GIVE THIS CLASSIC MOVIE 3 STARS OUT OF 5

MY BLOOD RATING GETS A 3 STARS OUT OF 5

Posted by Dice Mickey Knox Riggs in EDITORIALS, HORROR COMEDIES, HORROR HISTORY, HORROR NEWS, MONSTERS AND CREATURES, MOVIE REVIEWS, NATURE STRIKES BACK, REVIEWS, SCI-FI HORROR, STAFF PICKS, THRILLER, 3 comments
MOVIE REVIEW: The Rejuvenator (aka Rejuvenatrix) (1988)

MOVIE REVIEW: The Rejuvenator (aka Rejuvenatrix) (1988)

The Rejuvenator (1988) / Fair use doctrine.Oh, brother. If you love “So Bad It’s Good” movies (or ‘SoBIG’s’, as I usually refer to them), you gotta love the drive-in ‘classic’ and direct-to-video “disasterpieces” from the mid-to-late Seventies, definitely the Eighties, and even some entries from the Nineties and beyond. So, if you’ve never seen 1988’s The Rejuvenator (aka Rejuvenatrix), set your “phasers” on “to be STUNNED!” This is a SoBIG trash wallow at its very finest; a mishmash of all the best aspects of films that actually have gone on to become classics in their own right.

If Death Becomes Her, Sunset Boulevard and David Cronenberg’s remake of The Fly were involved in some kind of horrific car crash, the result, pulled from the tangled, mangled mess of wreckage, would be this little gem. A no-name cast, the community theater-level acting, and some surprisingly good practical effects (for this micro-micro budget), make this a good/bad movie lover’s glistening wet dream.

The Rejuvenator (1988) / Fair use doctrine.The Rejuvenator begins with your garden-variety, B-movie mad scientist, Dr. Gregory Ashton, (John McKay) is doing some, shall we say, unorthodox work in the field of gerontology and biology. Not that he’s actually studying elderly people, but he IS trying to find a way to retard or even reverse the aging process. And naturally, as the movie begins, he’s not having the best of luck in refining said process, as a deformed lab animal kills other test subjects before meeting its own sticky, gooey demise.

The Rejuvenator (1988) / Fair use doctrine.

Ashton’s research is being funded mostly by the vain, petulant, grandiose fading Hollywood actress Ruth Warren (Jessica Dublin), whose agenda for supporting his work is – what else? – to make herself younger again, so she can make her ‘huge big-screen comeback,’ and show the rest of the dime-a-dozen starlets and ingenues how it’s done. It’s not helping matters any that Ashton is constantly being spied upon by his sleazy, unctuous colleague, Dr. Germaine (Marcus Powell), superior sneer and upper-crusty accent included.

The Rejuvenator (1988) / Fair use doctrine.The good doctor and his benefactress aren’t without their own unrequited admirers, though. Ashton is assisted in his research by Dr. Stella Stone (Katell Pleven), a woman who is actually smart and beautiful…not the usual direction that kind of role takes in this kind of picture. Ruth’s not-so-secret admirer is her manservant, Wilhelm, (James Hogue, obviously filling the Erich von Stroheim role from Sunset Boulevard), a former ‘paramour’ from her halcyon days, who is now content to wait on her, hand-and-foot if that allows him to continue to be close to her. (Yes, I see you rolling your eyes, but it’s that kind of movie!)

The Rejuvenator (1988) / Fair use doctrine.

Threatened with losing his funding if he doesn’t come across with the goods, and soon, the harried Dr. Ashton has no choice, but to do what just about all ‘mad-doctors’ do in his situation: he complies. He injects Ruth with the serum he has “almost” perfected, and after the required flurry of surprisingly good low-budget makeup effects, (provided by Ed French, Dan Frye, and Bruce S. Fuller), Ruth magically is converted into…ANOTHER ACTRESS!

You heard me. The stunning ‘new edition’ of Ruth has renamed herself “Elizabeth” (Vivian Lanko, who pulls double-duty here as the “improved” Ruth and as The Thing She Turns Into), whose backstory is now “the young niece of Ruth Warren, who is taking care of her estate, while her aunt goes away on a very long retreat.”

If you’ve seen enough of these monstrosities, (yes, that pun IS intended), you know where this is headed. Being an Eighties film, there has to be enough satisfactory sex and violence, so the sex part comes in when Elizabeth shows Dr. Ashton her gratitude for the miracle he’s worked for her. Wait, don’t leave! There’s so much more…

All the while, in the background, Dr. Stone and Wilhelm skulk around, mooning after their respective objects of desire and imagining what it would be like to finally be with them romantically. (There’s a dream sequence involving all the principal characters that includes a ‘dance number’ you have to see to believe!)

But, back to the ‘youth’ serum. You might recall that I mentioned it was “almost perfected”? Well, it has some pretty disgusting side effects, including the desire to murder random people and remove their brains – Oh, didn’t I mention that? Ashton’s serum is synthesized from human brain tissue, and one of the problems is that the more serum is used, larger and larger doses become required as the body builds up a tolerance to it with each application.

What would an Eighties schlockfest like this be without the opportunity to mix even more sex and violence onscreen? When Elizabeth’s sexual appetites increase with her new youthfulness, she ‘graduates’ from Gregory, moving on to random strangers, and eventually going out on her own to prowl the nightlife, going into the most retro-tastic club you can imagine, where the hot, big-haired, heavy-metal all-girl band called The Poison Dolly’s are playing!

The tunes, which sound like the kind of stuff that The Runaways turned down, are sublimely terrible, and of course, the band is dressed so that not too many people are really paying much attention to the “music.” When the serum begins to wear off and Elizabeth resembles a putrid pumpkin more than Cinderella, this is where the aforementioned murder of some posh poseur happens outside the club…in a phone booth, no less! (Remember those?)

The Rejuvenator (1988) / Fair use doctrine.From here, it’s all pretty much by-the-numbers. Greg Ashton struggles, along with Stella, to try and artificially synthesize the formula in the lab successfully, so that brain tissue from cadavers will no longer be necessary. Meanwhile, the suspicious and jealous Dr. Germaine is closing in to shut down Ashton and his lab for good, snatching the research results for himself. And all the while, Elizabeth’s transformations grow more and more extreme, as does her need to hold onto her newly-found youth – at any cost.

Am I making this direct-to-video hoot sound better than it actually is? If so, my sincere apologies. But this IS entertaining enough that it wouldn’t surprise me if the MST3K/RiffTrax guys or Elvira have already worked their magic with it.

Brian Thomas Jones’ script (adapted from Simon Nuchtern’s original screenplay) and direction, rises above a first-year film school student’s initial project…but not that far above it. Just about all of the actors walk through this like it’s something to pad their resumes with, but not much else, although as the Dollar Store version of “Norma Desmond”, Lanko and Dublin seem to be having the most fun, playing the venial and selfish “Ruth/Elizabeth”. As funny as it plays when the “switch” occurs, Lanko’s not half-bad keeping the continuity going with the character.

It’s probably not even coincidental, the similarities between The Rejuvenator and another film that came out three years before it, Stuart Gordon’s celebrated Lovecraft adaptation, Re-Animator. For all we know, Re-Animator probably had the same level budget but better actors, a seasoned director at the helm, and the ridiculously gory effects of monster master John Carl Buechler.

At the end of the day, just like some of its counterparts, The Rejuvenator makes a great, fun, bad time-capsule worthy window into a crazy-ass decade, as well as a throwback to When DTV Low-Budget Movies Ruled The Earth. The makeup effects guys went on to establish some pretty impressive credentials, even if the cast and creative team did not. But for all the work that went into this, good, bad or indifferent, I feel perfectly fine in awarding it two-and-a-half out of five stars.

The Rejuvenator (1988) / Fair use doctrine.

Oh, and side note: like so many rarities that were only released originally on VHS tapes, I was “lucky” enough to stumble over The Rejuvenator, while surfing YouTube, where it’s one of their free movies. There are other places where you might be able to get it, but I strongly suggest that if you find yourself really jonesing to see this, get to YouTube now while it’s still available.

Posted by Samuel Glass in GORE OR EXTREME HORROR, MONSTERS AND CREATURES, MOVIE REVIEWS, REVIEWS, SCI-FI HORROR, VIDEOS, 0 comments
SERIES OVERVIEW: Mystery Science Theater 3000: The Return (2017)

SERIES OVERVIEW: Mystery Science Theater 3000: The Return (2017)

Mystery Science Theater 3000: The Return

This review might seem a bit out of nowhere for a horror site, but Mystery Science Theater 3000 is something near and dear to the hearts of many hardcore horror fans simply because we've all had to suffer through bad movies with our friends.
We've all been there, particularly if you lived through the video rental era. You'd wander the aisles for upwards of an hour, reading the backs of boxes, looking for the perfect movie to watch. You would grab a pizza and a few refreshing cold beverages, get home, pop in the movie and immediately be disappointed with your carefully selected choice of films. It happens, but you'd suffer through it anyway, because money was spent and you weren't about to let that crappy movie win.
I'm a bit shocked that some of the people I watched movies with back then are still my friends considering how many bad movies I made them watch. At this point I would like to formally apologize to my friend John for making him suffer through all those dreadful movies. Notice I said that I would LIKE to apologize; I'm not actually going to because those memories are some of the best of my formative years.
Which brings me to my point. Mystery Science Theater 3000 isn't just a movie watching experience; it's more like a bonding experience. You feel a kinship, not just with the host and his companions, but with everyone who has ever suffered through a bad movie.
I'll admit that when I first heard that Joel Hodgson was trying to reboot Mystery Science Theater 3000, I was skeptical. As much as I loved the show, I really didn't think it was still relevant in today's society of 140-character Twitter humor, Fail Army videos, and tasteless memes. That, and the fact that it's closing on 20 years since the show appeared on television.
Surprisingly, the new incarnation is every bit as good as the older version. Mind you, it's not the same show. It's the next step in the progression of the show. An evolution. Everything about it is new. It's much more polished with better visuals in some areas, and the old school, homemade feel in others.
Kinga Forrester and Max aka TV's Son of TV's Frank / Fair use doctrine.The story plays out the same way as the old one. Evil mad scientists Kinga Forrester (Felicia Day), and her assistant, TV's Son of TV's Frank, aka Max (Patton Oswalt), trap some poor, likable dope — Jonah Heston (Jonah Ray) — on the far side of the moon and force him to watch bad movies with his robot pals.
Even though Day and Oswalt do a great job as the new "Mads", I don't think their characters are fully developed at this point. They seem almost TOO competent compared to Clayton and Pearl Forrester. And while both are colorful and entertaining, they seem a bit generic. As a big fan of both, I'm hoping that both can embrace their respective roles and make them unique and interesting characters in future seasons.
Jonah and the bots / Fair use doctrine.Jonah Ray does a superb job filling the shoes of the hosts before him. No small feat. (Get it? Shoes, Feet. HaHaHaHa!) considering that Joel Hodgson and Mike Nelson had two distinctly different styles. He's not just filling the shoes in though, he's doing a great job of making the role his own. And although the voices of Crow and Tom Servo have changed slightly, Hampton Yount and Baron Vaughn pick up almost seamlessly from Bill Corbett and Kevin Murphy regarding the character and delivery of their respective robots.
The riffing in the theater segments is fast and concise right out of the gate, with lots of references to current events as well as throwbacks to some of the classic episodes. Just like the old show, the diverse range of topics give the new shows a great amount of re-watchability.
The host segments are lively and fun, although it's easy to tell that Ray, Yount, and Vaughn haven't quite mastered their on-screen chemistry. That sort of thing will come together over time, though.
Also, the addition of some big-name celebrities and a few familiar old faces dropping by on occasion gives the viewers an added treat. I'd tell you a few right now, but it's more fun to be surprised by it.
Overall, it's a faithful continuation of the series if you're an old fan of the show, and it's a great introduction if you're a newbie.
Posted by Richard Francis in HOSTED HORROR, REVIEWS, SCI-FI HORROR, SERIES REVIEWS, 0 comments
THIS JUST IN: Manos Returns

THIS JUST IN: Manos Returns

The Master Is Back

Manos Returns

By Woofer McWooferson

Manos: The Hands of Fate - Portrait of The Master. Fair use doctrine.

Portrait of The Master by Tom Neyman

Background

Most people probably know the 1966 horror film Manos: The Hands of Fate thanks to the folks at Best Brains and Mystery Science Theater 3000 (MST3K). For those few who do not know what Manos is, here’s the IMDb summary:

A family gets lost on the road and stumbles upon a hidden, underground, devil-worshiping cult led by the fearsome Master and his servant Torgo.

And here’s the original theatrical trailer:

Born of a wager and created by insurance (later fertilizer) salesman turned writer, director, producer, and actor Harold P. Warren, Manos was plagued with difficulties throughout the shoot and post-production. Some of these difficulties were:

  • Warren shot only two takes of each scene, assuring the cast that post-production Hollywood magic would fix any errors.
  • The hand-held camera used to shoot the entire film could only record 32 seconds at a time.
  • Because of the limited lighting available, a scene where two police officers set out to investigate something has them take only two steps toward it before returning to their cruiser.
  • Since the film was shot without sound, all lines were later dubbed by two men and one woman. The result put Jackey Neyman Jones, who played the little girl Debbie, in tears when she first heard her “voice”.
  • Tom Neyman, who played the Master, and John Reynolds, who played Torgo, designed and built the legs for Torgo, the satyr-like caretaker of the Master’s Lodge of Sins.
  • Post-production editing took roughly 3 to 4 hours and, consequently, did not fix all the things Warren promised it would.

Cult Status

Manos MST3K screenshot - TV's Frank (Frank Coniff), Torgo (Mike Nelson), and Dr. Clayton Forrester (Trace Beaulieu) from episode 424 of MST3K. Fair use doctrine.

TV's Frank (Frank Coniff), Torgo (Mike Nelson), and Dr. Clayton Forrester (Trace Beaulieu) from episode 424 of MST3K

Manos ultimately achieved widespread fame and cult status after being riffed in episode 424 of MST3K on January 30, 1993, by Joel Robinson (Joel Hodgson) and his bots, Tom Servo (Kevin Murphy) and Crow (Trace Beaulieu). The Manos episode was so popular, that the Rifftrax crew  also took aim at it in 2012. For those unfamiliar, Rifftrax also takes aim at movies and television, but releases an audio to sync up with the viewer's own copy of the item being riffed, enabling a much broader selection of riffable entertainment. Rifftrax  consists of MST3K alumni Michael J. Nelson (who hosted after Robins left and who was head writer from 1990 - 99), Kevin Murphy, and Bill Corbett (who played Brain Guy and who took over the voice of Crow after Beaulieu left),

Restoration

A year before the Rifftrax treatment, Ben Solovey, a Florida State film school graduate, uncovered the original 16mm Ektachrome workprint of Manos in a collection of 16 mm films. Solovey soon took to Kickstarter to finance the film's restoration and preservation with an eye to releasing it on Blu-ray and raised $48,000. As a tip of the hat to the original, Solovey allowed a 90% finished print to premiere at the El Paso Plaza Theatre, which is located near the theater which hosted the grand premiere of the original Manos in 1966.

The newly restored Blu-ray was released on October 13, 2015, and included an unrestored version as a bonus feature.

The Return of The Master

Currently, there is a sequel in works courtesy of Jackey Neyman Jones, director Tonjia Atomic, cinematographer Joe Sherlock, and the many fans who donated to the Kickstarter campaign to help get the project on its feet. Jones is the real life daughter of Tom Neyman, who also painted the Master's portrait and designed the costumes, and Jacqueline Neyman, who was the makeup artist for Manos and who also made the costumes. As Debbie, Jackey Neyman Jones was the screen daughter of Michael (Hal Warren), the hapless protagonist. Neyman's own dog, Shanka, played the devil dog from the Valley Lodge, the Master’s Lodge of Sins. You might say that Manos: The Hands of Fate was a bit of a family affair for Jackey, so it is appropriate that she helms the upcoming sequel Manos Returns.

Jackey Neyman Jones and Tom Neyman of Manos: The Hands of Fate and Manos Returns. Image Jackey Neyman Jones.

Jackey Neyman Jones and Tom Neyman of Manos: The Hands of Fate and Manos Returns

The latest word on Manos Returns is that filming has finished, which puts it quite fittingly in post-production as the original Manos: The Hands of Fate approaches its 50th anniversary.

According to the Facebook page:

MANOS Returns is a tongue-in-cheek return to Valley Lodge. It follows a a group of young, would-be filmmakers who learn their favorite movie, Manos: The Hands of Fate, was based on a true story. They set out to visit the site of the events that inspired the original and of course they find more than they bargained for. MANOS Returns will feature many of the characters from the original MANOS, but the tone is much lighter.

Jones, her father, and Diane Adelson all reprise their roles in Manos Returns, and fans of the original are already getting the popcorn and sodas ready for their Manos Returns parties.

Manos Returns - Cast and crew. Image Jackey Neyman Jones.

Cast and crew behind the scenes of Manos Returns: Joseph Cole, Darlene Darwin, Manuel Ruiz, Mark Jones, Rachel Jackson, Jackey Raye Neyman Jones, Nuria Aguilar, Tonjia Atomic, X Tina Pezzo, Christopher Barnes, Tyler James Kong, Bryan Jennings and Greg Tally.

Are you ready for Manos Returns? While we wait, check out their website and Facebook page, and let House of Tortured Souls know what you think. If you’ve never seen Manos: The Hands of Fate, you can watch the MST3K version (complete with annotations) on the official MST3K YouTube Channel:

As always, we’ll keep you updated as we learn more.

Manos Returns - Jackey dons The Master's robe. Image Jackey Neyman Jones.

Manos Returns - Jackey dons The Master's robe

Posted by Alan Smithee in HORROR NEWS, 1 comment

MOVIE REVIEW (RETRO): The Screaming Skull (1958)

The (Steaming) Screaming Skull

A Review of The Screaming Skull on Its Own and as a Classic Mystery Science Theater 3000 Episode

By Woofer McWooferson

Screaming Skull
Director: Alex Nicol; Writer: John Kneubuhl; Stars: John Hudson, Peggy Webber, Russ Conway, Alex Nicol; Rating: Unrated; Run Time: 68 min; Genre: Horror, Thriller ; Country: USA; Language: English; Year: 1958

Horror movies have been around since the beginning of cinema and have evolved along with it. That which is considered terrifying for one generation may be laughable to another. True gems mature with age, their appeal never being lost from generation to generation. Gaudy baubles become rich fodder for riffing. The (Steaming) Screaming Skull is one of the great gaudy baubles of the 50s, boring and drab on its own, but a real delight when viewed through the lens of Mystery Science Theater 3000 (MST3K).

The plot is rather typical: newlyweds Eric (John Hudson) and Jenni (Peggy Webber) arrive at the ancestral home of the husband's late wife where Jenni begins to see and hear things that make her doubt her sanity. Suspicion quickly falls on Mickey (Alex Nichol, who also directed), the slow gardener who was more than fond of Eric's first wife Marion.

Although the movie begins slowly, the pace never picks up, and the movie plods along to the bitter end. I remember this one scaring the life out of me when I was six. I crouched behind my father's chair so that the skull could not see me as I peeked around to watch the movie from the safety of my hiding spot. The titular skull shows up throughout the film, both in actuality as well as spectrally from the camera's point of view. The viewer is led to believe that the latter are manifestations of the wife's subconscious as she falls further and further from sanity.

According to trivia on the IMDB.com page, the movie is based on a novel of the same name by Francis Marion Crawford, but it is not credited as such. Crawford's novel is said to be inspired by the “screaming skull” on display at Bettiscomb Manor, Dorset, England.

The Screaming Skull debuted on August 29, 1998 (season 10, episode 12) of MST3K. Due to its short run time, the film is preceded by a Gumby short entitled Robot Rumpus – a fact that is not lost on the 'bots. The MST3K treatment is flawless, beginning with their disappointment that the movie begins with a disclaimer that anyone who dies of fright will get a free coffin but there is no word of a coffin if someone dies of boredom. As Mike (Michael J. Nelson), Crow (Bill Corbett), and Tom Servo (Kevin Murphy) riff their way through the slow torture that is The Screaming Skull, viewers are treated to some of their best assessments (“This should be called Screaming semicolon Skull” -Mike) and host segments that leave little doubt as to their opinion of this steaming pile of... skulls.

The Screaming Skull is classified as both horror and thriller, but the only real horror is the chalky blandness of the performances and the only thrill is that MST3K riffed it.

3/10 claws on its own, two for the amazing Huntington Hartford Estate and one for its ability to scare 6-year-olds in the 1950s and 60s.

8/10 claws for the MST3K treatment

Posted by Alan Smithee in MOVIE REVIEWS, REVIEWS, 0 comments