Stanley Kubrick

From Hell to Amazon: My interview with Colin Bressler

From Hell to Amazon: My interview with Colin Bressler

A while back on Facebook I stumbled upon this ad for a film premiering here in town called source go to link go here write an essay on election in india go site homework helpers for writing i need research source link a2 english literature essay writing alternate viagra website assignment ideas case study topics for criminology students source site how to write a conclusion in research paper example cialis sample 30 day mending wall analysis essay tok essay questions enter en combien de temps le viagra fait effet dissertation justice scholarship essay examples about yourself pdf resume template high school go to site viagra sign up does money buy happiness essays source url Domestic Hell. I messaged the director about it to see if this is a horror film to review. We talked and he explained It was more of a thriller and drama. Intrigued by our talk I had to check it out. After seeing the movie we talked again and I had to make time to schedule an interview well after some time and our schedules permitting we sat down and talked. Colin is a super nice guy and he was excited that his film was going to stream on Amazon prime! So if you get a chance buy or rent the movie. We’re both from San Antonio and I had to help out a fellow fan of film and good guy!

  • JA: Tell us about your start. How did it all begin for you?


  • CB: I feel in love with film early in my life, my parents love cinema and exposed me and my brother to it early and spoke of the great films all the time.  This created an air of a sort of magic to cinema for me since at that time my imagination was developing so it was a perfect storm and I was hooked. I knew I wanted to make films for a longtime and studied films. Then I went to film school in NYC school of visual arts.  There I actually feel in love with cinematography and began shooting everything I could in film school to learn. I left school and started shooting indie films in NYC. I have for over 20 years worked as a DP in TV, and film. Been a great journey.



  • JA: I saw the film and it was really compelling on the delivery of emotion. Did you have these actors in mind when writing the movie?


  • CB: I had Scotty Walker who plays Jack in mind since I had worked with him before and we had an incredible relationship. Billi Reyes who plays Olivia had also been in my last film and she’s great, so I knew I’d work with her again. The rest of the cast was cast through online websites and word of mouth. I was blown away at the talent level for this film since we had so little budget.  Truly an A plus cast.



  • JA: When watching the movie, I couldn’t help but notice a lot of around our home town of San Antonio. Were a lot of businesses open to your film making or was this in some cases small favors to shoot a quick scene or guerrilla film making?


  • CB: a little of all of that, we were incredibly fortunate in that many places in the film were so open in allowing us to film in their establishment and at other times we had to shoot guerrilla and get shots as they had afforded us. Have to be strategic in when you shoot so you can get a location with ease. all about being flexible.


  • JA: The film is a gritty realistic look at domestic abuse, Not really a horror movie, but more of a thriller or drama with horror elements. Do you think you might venture into different realms of horror?


  • CB: Yes absolutely to date I’ve directed a ghost story called Sleepover, a slasher called Bloody drama and now Domestic Hell a thriller drama. So yes, I want to explore the genre a bit but also for me I’m not the biggest believer in pure genre. I think a film can float a bit around genre themes and still be a coherent piece. I enjoy not being tethered to tropes of genre. I like just dreaming up stories and then allowing them to find those themes.


  • JA: We talked before where you told me you wanted to use real situations in life for this movie did you draw inspiration from any movies by any chance?
  • CB: Yes, Stanley Kubrick’s The Shinning was a huge inspiration in tone and sound design. I wanted to create a real threatening tension, a ticking time bomb of sorts. And we used sound to in an away irritate the viewers sense into enhancing the friction that the characters were living within. In the shinning no matter what’s happening there is a sense of doom over everything. And the shining uses sound and music so well to enhance this feeling of danger and eventually violence. I worked with a brilliant sound designer and composer named Colin Chinchar.


  • JA: The film is going to premiere on Amazon streaming, which by the way, congratulations. Are you hoping this film will not only educate people that domestic abuse is sadly real and still happening today, but also be entertained with an interesting story line?


  • CB: Yes and thanks for this question. The subject matter is very difficult and real, so in developing the story I always kept in mind that many many people. Have experience things that happen in the film, so I wanted to try to make the film also about healing, and hopefully shedding some light on a real issue in our world. We’ve done a few screenings and have partnered with a local women’s shelter to raise money and awareness. For me this is central to the purpose of the film, which of course we want to entertain and leave the view thinking about the horror of living in such a situation.


  • JA: I think it was awesome how you had the premiere in one of the locations where a scene was shot. You donated part of the proceeds to the local women’s shelter, but the other part will be used to fund your next film. Can you give us any details about your next work?


  • CB: Yes so, I recently completed the screenplay for my film Remy’s demons which is about a man’s coming of age story dealing with demons both inside and from the depths of hell. It’s one part satanic possession film, one part odd love story, and one part a story of misunderstandings and inner tension.  I’m so excited to make another one and will be shooting all of it in San Antonio.


  • JA: Finally, is there any actors from Texas or in general you would love to work with in the future?


  • CB: Of course, I’d love to work with the greats from here Mathew McConaughey and others but for now I’ll take anyone with passion for the craft of acting.
Why The Stanley Hotel Is on Every Horror Fan’s Bucket List

Why The Stanley Hotel Is on Every Horror Fan’s Bucket List

By Tammie Parker

The Stanleys

Freelan Oscar Stanley had a twin brother, Francis Edgar, and together they had a few successful businesses. F.O. went on the invent Stanley Steamer.  By doctor's orders, F.O. and his wife Flora (WHAT THE F IS UP WITH THESE F NAMES???) traveled west to cure him. He had tuberculosis and was losing weight rapidly. The 'great frontier' had clean air, literally, since overcrowded cities had sick just floating around hopping from to victim to victim.

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F.O. and Flora Stanley

Birth of the Hotel

F.O. loved the area and healed completely eventually living to be 91 years old. He would return to the area every summer, and it soon dawned on him the potential to create a luxury hotel out in the middle of nowhere where guest could experience the frontier out the window of their post hotel room or from one of Stanley's automobiles. The hotel was a complete success.

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Freelan and Flora (hey, what happens when you say that 3 times in the mirror?) enjoyed running the hotel so much that they still do 😉

Birth of The Overlook

In the winter of 1973 (That was an awesome winter. I was born that December.), young Stephen King and his wife BEGGED to stay there the night ALONE. They stayed in the famous 217. It took just one night for the hotel to inspire Stephen to write his best seller The Shining.  Stanley (ARE YOU KIDDING ME!? His name is Stanley??) Kubrick would then turn that novel into a silver scene nightmare in 1980.

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The hotel has become tourist attraction for the heebie jeebies!

You can take a ghost tour of the hotel for $25 a person. Call 970-577-4111 or go to for booking information.

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Room 217

To stay in one of the haunted rooms call 1-800-976-1377. Although guests have reported experience in every single room, the most popular room being 217.  In 1911 a chambermaid was stuck by lightning in the room. She did not die, and was given a job there for the rest of her life now the room has been a hot spot for activity. During filming of Dumb and Dumber, Jim Carrey was supposed to spend the night in the room Stephen King stayed in, but Carrey ran out after an hour. The famous room even appeared in the video game Life is Strange.

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Don't bother unpacking - it's said that is the chambermaid's favorite past-time.

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Murder By Death Music Festival

In October, they have The Shining Ball. Attendees dorn ball attire, or creative costumes for the ball and costume contest.

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Also in October is the Writers Retreat - a pretty good idea since it worked so well for Mr. King! The hotel is in a nice spot to be guaranteed quiet time (can't promise the ghost will let you enjoy peace for very long, though.)

The Stanley Hotel has become The Place for horror lovers to get married. Can you think of a better hotel?!? OMG I need lots of red(rum) flowers!

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All of the famous ghost seekers have come here to capture their own experiences. Ghost Hunters has investigated 9 times!

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Ghost Adventures has investigated the haunt as well.

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Here's an entire 44 minute episode of a ghost hunt inside the hotel:

The hotel was granted $46 millions back in 2014. It is for film center, gym and wellness center, amphitheater. They plan to open an $8 million Pavilion Events Center with 18,000 square feet of conference space and a 250-seat indoor-outdoor amphitheater in September! Guaranteed to draw in a huge crowd!

DOC REVIEW: Room 237 (2012)

DOC REVIEW: Room 237 (2012)

Room 237 or Stanley Kubrick's Shining Vision of the US?

By Woofer McWooferson

Writer and Director: Rodney Ascher; Stars: Bill Blakemore, Geoffrey Cocks, Juli Kearns, John Fell Ryan, Jay Weidner; Rating: NR; Run Time: 102 min; Genre: Documentary; Country: UK; Language: English; Year: 2012

Room 237 begins with a lengthy disclaimer about the expressed opinions not being those of the filmmakers, and it's not difficult to see why this disclaimer was added. Stanley Kubrick was a master filmmaker, a director whose every scene is packed with clues and symbols that may not be evident on a first or fifth viewing. This documentary examines possible interpretations of many aspects of Kubrick's adaptation of The Shining, a masterful examination of life and death, the natural and supernatural, the real and unreal, penned by the king of horror Stephen King. Because there are multiple interpretations presented, Room 237 seems, at times, haphazardly put together. We move back and forth through The Shining as each theory addresses various aspects of the film that supports that specific interpretation.

Room 237 feels stilted and sometimes forced, but the overall documentary is an interesting examination of Kubrick's reinvisioning of The Shining as well as the minds of the participants. Indeed, we cannot help but bring our own experiences into our interpretations, but the key is to remember that we must look at the larger picture – something some of these critics seem to neglect. Theories range from the plausible to the confusing and finally to the downright comical. Since Kubrick's films are layered with detail and significance, not all theories can be dismissed, but how can we tell which is right? Kubrick may have included aspects of all of these theories, but I'm not entirely convinced. It will take many more viewings for me to weigh in on those.

5/10 claws – the pace is uneven, but it is worth at least one viewing

Posted by Alan Smithee in DOCUMENTARY REVIEWS, REVIEWS, 0 comments