Stephen Biro

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Trailer Review: DIS the new movie from Unearthed Films coming this January-House of tortured Souls

Trailer Review: DIS the new movie from Unearthed Films coming this January-House of tortured Souls

When it comes to surprises Unearthed Films is no stranger to them. It was revealed this week that the film DIS (2017) will be released in Jan. The trailer which I saw blew me out of the water. The film has a feel of part indie art film to graphic twisted nightmare. The plot follows: an ex-soldier with a criminal past takes refuge in the woods. A demonic figure seeks the seed of killers and the blood of the damned to feed his mandrake garden. DIS is an infernal descent into the root of the mandrake legend and a man who wanders too close to that legend and the unnamable terror behind it. What you sow you will reap. The movie gives us interesting details but no real spoilers. Which is great because it’s best to walk in with no real idea of what to expect. I’m sure there will be gore, brutality, insanity with a story. The film stars Bill Orbest Jr. Who you might recognize from Circus of the Dead (2014) Death Camp (2018) and even Criminal Minds (2014) who is no stranger to horror. So, after the holidays are over the turkey has been devoured and the Christmas presents have been opened. Sit back and enjoy this film as we venture into the new year with a new film that will for sur be talked about for a while!




Posted by Jai Alexis in COMING SOON, EXCLUSIVE, FEATURED CONTENT, GORE OR EXTREME HORROR, HORROR NEWS, IN THE SPOTLIGHT, MONSTERS AND CREATURES, MOVIE REVIEWS, NEW RELEASES, REVIEWS, SATANIC/DEMONIC, SLASHERS AND BAD HUMANS, THRILLER, 0 comments
Exclusive Interview with Lex Ortega

Exclusive Interview with Lex Ortega

I’m a huge fan of the film Atroz by Lex Ortega. In my opinion it’s one of the best extreme horror films made in the last 10 years… maybe ever. It’s unrelenting and brutal beyond imagining.  I’m incredibly excited to have this opportunity to talk with Lex Ortega about it and his future plans to make films.

  • HoTS:  Before making Atroz you were the mastermind behind Mexico Barbaro what made you decide to make Mexico’s first horror anthology movie? How was it received?
  • Lex: Actually I was on the metro and I was thinking what shortfilm should I do next? Then I realized there were a lot of directors thinking the same thing, trying to get their films on festivals, paying fees, trying to finance themselves their production, etc. So I got the idea to unite efforts and make an anthology, in this case we could get distribution, promotion for us as directors, in overall a better projection than a single shorfilm, and maybe have an economic retribution for our job. It had a great reception from the audience all over the world, we got distribution around 8 counties and Netflix America (all continent), and we were in around 50 festivals all over the world.
  • HoTSAtroz was insanely brutal, in the opening it says 98% of the 27,500 murders per year in Mexico go unsolved. Did you make the film as a social commentary, meant to shed light on the level of violence there or did you just want to make an extreme film? Personally, I respect both.
  • Lex: It started weird, at the beginning I just wanted to shoot a torture sequence with no credits and release it on the internet as a supposed “Snuff film”, then I realized a lot of talent was getting involved, as well as my savings that I was going to invest on it so I decided to make it an actual shortfilm (the first video tape you see on the feature), after it was done, I was getting censorship and lots of comments on how brutal this short was. THAT WAS A PUMP OF GAS FOR ME! and I said, I want to scream louder about these topics, then making the documentary investigation to create the profile of the main character (Goyo) I got into these hard numbers you mention, and I turned the story into a social critique to the institutions, from our first social contract that we have as individuals such as family, to the state, and politics that are supposed to be there to protect us as a society.
  • HoTS:  Is your movie an accurate portrayal of violence in Mexico?
  • Lex: In certain ways yes, we don’t have a specific record on serial killers like the US, and in my personal opinion that is because a lot of murders that happen in Mexico are attributed to the Narco, and there is no investigation about it.
  • HoTS: I imagine Atroz might be bad for tourism, how did the Mexican people receive it?
  • Lex: I don’t make tourism promotions, I do horror films so I really don’t mind. When must people watch Atroz they’re shocked, and that makes me happy for 2 reasons, the first one is that for me cinema has to make you feel something, it doesn’t matter the genre, if not, it means it is not working. And second and most important is seeing people freaking out watching violence tells me that we haven’t normalized violence yet, by the time we watch graphic violence and we feel nothing it means that we don’t have empathy for each other, then we will be rotten as a society.
  • HoTS: As a Canadian I was excited to learn you came here to go to a very prestigious school in Montreal. What made you decide to attend the Trebas Institute? How did you like your stay here?
  • Lex: Oh man Canada is very important for me, it means a lot in my life. I was living in beatiful Montreal studying Sound Engineering, How I got there? It was weird, I was studying the second semester of Civil Engineering at UNAM (the biggest university in Latin America) in 1999 it went on strike for over a year and a half, so obviously I couldn’t keep studying there, my dad told me I had to start over in a new university because it seemed like the strike was going to take forever, so I told my old man that I was going to start over but this time I wanted to study what my real passion is, and he goes: Ok, so where and what are you studying? I told him Sound Engineering, but that career didn’t exist in Mexico at that time so I started looking for schools around the world and a good friend of mine went on vacation to Canada from coast to coast and I asked him what was the city he liked the most and he said Montreal, so I applied to Trebas in Montreal and I got it.
  • HoTS: Atroz is presented by extreme horror legend and director of Cannibal Holocaust Ruggero Deodato, how did you manage to score such an amazing endorsement?
  • Lex: I meet Ruggero back in 2004 in Bogota, Colombia, me and the producer Abigail Bonilla were presenting Mexico Barbaro in a fest called Zinema Zombie Fest and Ruggero was also a guest from the festival.  We were promoting the crowd funding at that time so Ruggero helped fund it, but further than the economic help he gave us I wanted him to endorse the film.  We asked him if we could use his name on the promotional advertisement for the movie, at that time he was like: Ok, but I would like to see what it is about. When we finished the film we sent it over and he loved it and he said yes to our request and became an associate producer of the film.
  • HoTS: Do you have future plans to make more extreme movies?
  • Lex: Of course hermano!!!, personally I don’t want to do the same thing over and over, I am not interested to make things other than horror.
    The horror genre is huge and I would love to dig deeper into it, to other topics and subgenres, but I definitely like to tell stories in a violent way, where antagonists are not just bad, I want them to be real sons of bitches.
  • HoTS: What are some of the movies and directors that inspired you to get into film?
  • Lex: If I had to pick a top 3 I would say, Roman Polanski’s Repulsion, Texas Chainsaw Massacre and Cannibal Holocaust.
  • HoTS: It’s my understanding that you are also a talented musician, what can you tell fans about your band?
  • Lex: I don’t know if I’m talented but I really love music, it’s very important in my life and career, that’s what made me start in the industry. It was music that made me decide to study Sound Engineering, then after working on a studio making sound design for films, that made me decide to grab a camera and shoot my first short film called “Devourment”.  I didn’t know how to direct a film at that time, all I knew was that my premise was: How do zombies hear us?, what if a human screams, sirens and helicopters are so loud and annoying for them, that they just want it to stop and attack to get it done?I started a band called “The Massacre Must Begin” with a couple of friends back in 2009 (Our album is on Atroz’s bluray that Unearthed Film released in the US), then we  broke up, some of them became parents, I guess our interests changed.Now, this week you will be able to hear my new band’s album on Spotify, Apple Music, Itunes and all the streaming platforms. We are called Belibette and we’re relasing our first LP calle 72 Huries, it’s a strong-in your face technical Grindcore. So go and listen to it!
  • Thank you very much for answering all my questions, I enjoyed your answers very much and look forward to watching the next disturbing film you make. I’d also like to thank John Roisland for setting up this interview and being our go between and just an all around good guy. Thank you both for the opportunity.
Posted by Candace Stone in BRUTAL REALITY, Categories, EXCLUSIVE, INTERVIEWS, 0 comments
Up Close and Personal with Stephen Biro

Up Close and Personal with Stephen Biro

In the world of horror there are many sub-genres ranging from the creature feature to the slasher. The hottest new trend on the rise caters to those who lust for gore and the extreme. The rise of extreme horror movies increases everyday with some attributes seeking to push the boundaries of sanity. House of Tortured Souls has the good fortune to sit down and chat with the man who has taken extreme horror by the reigns and made it his bitch, Mr. Stephen Biro! Join Candace Stone and John Roisland as we get the skinny from the godfather of extreme horror

  • 1. HoTS: First, thank you so much for taking the time to talk with us, we’re all huge fans of yours and Unearthed films. We know you’re a busy guy and appreciate you taking the time to answer our questions. This past weekend was your birthday or “The day of the Biro” an event fans were really excited to partake in. How did you spend your special day?
  • Biro: Well… I actually checked a menu design for a future film, packaged orders and worked. Didn’t go out, no parties or cake. Now… I think the only thing I really missed was NOT getting a birthday blowjob. I miss those, but alas… being single does that.
  • 2. HoTS: The American Guinea Pig series is a huge success and fans are thirsty for more, is there a possibility of an Alien themed installment? It would be difficult to make a good alien on a budget, but it would be a damn shame to miss an opportunity to make a film with an extreme alien anal probing scene (that we can only hope it will have).
  • Biro: Were in talks… with a director/fx man you all know and love. The trick would be the alien design. We couldn’t half ass it… but we’re trying to figure some things out. Also figuring a Frankenstein sort of laboratory sort of thing I was pitched recently as well. It all takes time. Can’t tell you who would be involved as well cause it is another director/fx person we all know and love. Lot of love for our fx people cause if we’re going to try to outdo or match Bouquet of Guts and Gore and the rest in AGP… that’s some serious special effects.
  • 3. HoTS:  Extreme gore films are becoming more and more popular, each director is going to try and out extreme the competition but where do you personally draw the line when it comes to gore?
  • Biro: Me personally? My films, I don’t want rape, pee, poo, semen, ejaculate, vomit or really sexuel violence. I mean, I could do a massive sexuel violence film. I’ve always wanted to do the orgy scene from a little ole comic book called Faust. The satanic orgy scene in issue 10 would be outrageous… would need porn actresses and actors in it to pull it off. But that’s in the stuff I want to make. Now when other filmmakers do it…. they can go wherever they want, unless it like glorifies rape. I won’t touch that stuff. It all depends really. We have released our share of films I would never make. But then again, I have turned down films with a lot of poo. LOL
  • 4. HoTS: You’ve mentioned your Christian faith before, how does it affect the movies you choose to release? Does it prevent you from taking on certain types of films or are there certain types you just won’t touch?
  • Biro: Not much at all… I’m forgiven of my sins.  I won’t do real death videos because they are out there by the dozens. Profiting off of the misery of others is evil. I don’t even like the true crime stuff cause someone is making money off the death of innocents. We did release Cannibal but that was someone who volunteered to be eaten. Texas Chainsaw is loosely based on Ed Gein but it wasn’t using his name to sell it. I’ve seen plenty of movies based on serial killers… but I think it’s a hack sort of thing to be honest. Make money off the deaths of others… not my style. Now, back before I found my faith I did sell real death videos… so I am guilty on that account. I can understand when you’re young, interested in death and want to watch it, study it and know what death can be like cause we are ALL going to die but… not my style anymore.
  • 5. HoTS: Do you get negative feedback from others in the Christian church? How do you handle that?
  • Biro: I haven’t been to church in a long time… I’ve tried some churches, went to one were they were speaking in tongues and that just pissed me off actually. Went to a Catholic church once and listened to the priest bitch for 20 minutes at the congregation for not giving them 10% of their money so they can make this mega church even bigger, so that pissed me off as well. As you can tell, some churches piss me off. They’re usually corrupted in some sort of way. I’d like to find a cool church… I’ve read the Holy Bible 3 and a half times… should probably read it a bit more but I have a hard time finding a KJV that is actually a real KJV version. So many are not, sort of crazy. I had one, gave it to my Mom and she gave it to someone else. hopefully, it found a good home
  • .6. HoTS: Can we expect to see more out of print Chinese films in the future? What’s the biggest challenge in releasing them?
  • Biro: We hope so… hardest part is getting your hands on a print of any film. They didn’t bother to store them correctly so a lot of mold and they usually just threw them out after the theatrical run in China, and everyone is about the 2k or 4k scans.
  • 7. HoTS: You’re also an accomplished author having written several books; do you have any plans to write more? Check out Hellucination: A Memoir here
  • Biro: If I ever get the time. Moving into producing films takes a lot of time as well as Unearthed Films swallowing up a lot of time. I do enjoy screenwriting, not as heavy as writing a novel so that’s what I have been doing lately.
  • 8. HoTS: Every director will face their share of negative feedback, you have been praised for how well you handle it. You share all reviews good and bad which is commendable, but how does it affect you personally?
  • Biro: Sometimes, it’s like… you stupid mother fucker. I enjoy them though. Some people just can’t wrap their mind around making an indie film and they all think a film should be so polished and expensive, it shines so bright but sometimes, you can only polish a turd so much and it still stinks. But then again, everyone’s a critic these days. Some people know what we do, others don’t and if someone shits all over us… they usually didn’t buy the film. The worst reviews are usually people who stole the film. IMDB is full of them. IF you go out of your way to buy an Unearthed Film… you know what you’re in store for and you’re going to enjoy it.
  • 9. HoTS: A lot of young hopefuls come to you looking for advice and you tell them not to get into film, why is that? Was it a difficult road for you?
  • Biro: Mmmm, because it is a total shitty business. I’m going to sound like a total dick here BUT… it’s better to know what you’re getting into than going in all bright eyed and bushy tailed just to get eaten alive. People rip you off, all the time. People lose their ass all the time. Look at it this way. 95% of all films lose their ass, can’t even make their budgets back and I am talking ALL films worldwide. Even the studios lose their asses.. Now… lets just say, you went to film school. Spent 70 grand in tuition and now, know how to make a film. Say you pull it off. You made a real good film. Now what? Now you got to step into the film festival trap. 40 bucks, 60 bucks and even up to 100 bucks just to submit and hope they pick it up. You and about 200 other filmmakers, or 300, 400… 1000 others. Did you know there is over 8500 film festivals in the world right now? Did you market the film? Did you know what you were doing? Marketing and promotion is another side of the battle. What? You made a free Facebook page… now the distribution trap. Do you know anything about contract negotiations? Do you know anything about IFTA? Arbitration? IFTA Arbitration? Assignment for the benefit of creditors? Do you even know what Force Majeure is? Royalty payments? Marketing cap? Return reserve? Well, you’re going to sign a contract with all of this in it so you better know it. What about international sales to other territories? Do you have reps you can trust? Can you even find a rep and sign a contract that your not going to get screwed over? Well, all of the above I mentioned in that contract you’re going to sign to a company in the US will be for sure, in the contracts, if you ever get a chance for international sales to other countries. Do you know how to negotiate a deal? Know what’s fair? Know what is too expensive? Do you know that the industry is flooded and it is very hard to get noticed. Do you know which companies rip people off? I do… I know all of this and a ton more and they don’t teach this in school and not even in film school. These are the pitfalls of the business and it’s filled with sharks, piranha’s, gators and vultures. I’m not going to get into torrents and piracy. It’s called show business… it’s a business. If you don’t know the business side of it… then why am I going to tell anyone to get into it.I’ve been in the horror business for over 20 years total. Getting traction now. I have a distribution company, I know how to do my own international sales. I even know what to do when I am getting fucked. I got screwed out 1.4 million dollars our 3rd year of business and my partner has been in it for 40 years… and we still got screwed. I’ve sued other companies and had people try to rip me off with screenplays. I’m in the middle of suing a company right now for another filmmaker as we speak. It’s been a very difficult road but it’s a difficult road for everyone that is going to last in this business. I got horror stories man… make the hair stand on end. Now you can say… I am doom and gloom and you’re fucking right. But… I am being honest here… wouldn’t you want to know the pitfalls and truth of what you’re getting into rather than me saying, “Go for it man! Your going to make millions!” Or would you rather hear a veteran of the industry say, “You’re going to get fucked, watch your ass and this is what you look out for.”
  • 10. HoTS: During your recent Live Facebook video you mentioned a podcast, when and where can fans expect to hear it? Who will you be doing it with?
  • Biro: I’m working with Brad Slaton of the Picking Brains Podcast that is now defunct but still available to hear past episodes. He’s a great interviewer and sort of crazy like me. Well, exactly as crazy as me… but not really since he has been podcasting for a lot longer than me It will be just us, chatting away, talking about everything really. You would figure it would be horror based and it will be, a bit but it will be more of a crazy sort of thing. I don’t think anyone will actually be ready for it. It’s a bit more entertainment but devious, fucked up that’s going to offend a lot of people. Well, normal people. Were going to see where it goes… It’s called… Stephen and Brad… The Podcast. Should be crazy interesting to say the least… it’s happening very soon, sooner than you think
  • HoTS: Thank you again Stephen, for this awesome interview. we appreciate your honesty and candor and enjoyed your answers immensely. Best wishes to you and everyone at the Unearthed family.
Posted by Candace Stone in Categories, EXCLUSIVE, GORE OR EXTREME HORROR, INTERVIEWS, 0 comments
MOVIE REVIEW: American Guinea Pig: Bloodshock (2015)

MOVIE REVIEW: American Guinea Pig: Bloodshock (2015)

American Guinea Pig: Bloodshock (2015) / Fair use doctrine.American Guinea Pig: Bloodshock is the second installment in the American Guinea Pig film series, a tribute to the original Japanese Guinea Pig film series started by Hideshi Hino. Bloodshock is directed by special effects guru Marcus Koch and written by Unearthed Films’ CEO Stephen Biro.

American Guinea Pig: Bloodshock is a black and white arthouse extreme horror film with a run time of an hour and thirty-eight minutes. It follows two patients, Male Patient (Dan Ellis) and Female Patient (Lillian McKinney), who are captured by a deranged doctor and subjected to extreme torture. The doctor also collects their blood during the experiments for his own personal use to get high. This is a very bleak and disturbing film, and you’ll find the patients exchanging nihilistic notes between the padded walls.

American Guinea Pig: Bloodshock (2015) / Fair use doctrine.Even though the majority of this film is in black and white, the gore is still extremely graphic. Some scenes include pulling out teeth with pliers, using a wire to saw bone, getting punched repeatedly in the face, and being cut all over. Hats off too OddtopsyFX for the incredible special effects as it all looks and feels real. The atmosphere is another memorable part of Bloodshock, and throughout the whole film, you experience a dark, hopeless feeling. The cinematography is well done with lots of close-ups on the shocking imagery. The soundtrack also plays a huge role with its ambient noise sounds at all the perfect moments. My favorite and most memorable part is the ending.

Spoiler
The End
American Guinea Pig: Bloodshock (2015) / Fair use doctrine.They end up taking revenge on the doctor and start having sex with each other covered in blood while ripping each other's wounds open creating more carnage — all while it changes from black and white into color.

American Guinea Pig: Bloodshock (2015) / Fair use doctrine.It's an extremely beautiful and mesmerizing scene. It's one you have to see to believe, and it will definitely keep all the gorehounds satisfied.

Overall Bloodshock is a refreshing second entry to The American Guinea Pig series, its something more than just a torture porn flick because there's a lot of heart and feeling behind it. If you haven't seen American Guinea Pig: Bloodshock, I highly recommend it as well as the other three films — Bouquet of Guts and Gore, Sacrifice, and The Song of Solomon — in the American Guinea Pig series.

Posted by Jazmin Peters in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: American Guinea Pig: Sacrifice (2017)

MOVIE REVIEW: American Guinea Pig: Sacrifice (2017)

American Guinea Pig: Sacrifice is the debut film by Italian director Poison Rouge and the fourth installment in the series. It was produced by Domiziano Cristopharo (Red Krokodil) and released by Unearthed Films.

You would have trouble discerning that this was Rouge’s first film because it’s artfully shot, well researched and beautifully made. Take a look at the trailer before we continue.

American Guinea Pig: Sacrifice follows a young man named Daniel (Roberto Scorza) who returns to his childhood home where a trauma took place. We are not given the details of the incident that happened, but we can guess by Daniels’s emotional and physical scars that it was tragic and took its toll on his psyche. Daniel’s body is covered with self-harm scars and he hears voices. Throughout the film, he speaks in his mind to the Goddess Ishtar (Flora Giannattasio) of personal sacrifices and an end to the pain.

At the beginning of the film, Daniel goes into the bathroom with a backpack, he lights thre white candles unpacks some tools and goes to town on himself.

This is where the film earns it’s Guinea Pig status; it has all the violence and brutality that you would expect and hope for. He starts by cutting a huge vagina-like gash in his hand, and while he’s licking it, you see flashes of cunnilingus being performed. He moves on to trepanning or boring holes into his skull. I was reminded of Andrey Iskanov’s Nails at this part (I wonder if Rogue is also a fan?) He then violently removes a toenail, and I confess I suffered through this part. Nails and compound fractures get me every time! He moves on to extreme penis mutilation by inserting a screwdriver into his urethra. I commend the FX team on the most realistic looking penis prosthetic ever used in both the mutilation and castration scene. In the end, he finally eviscerates himself in the bathtub and bleeds out. After he recedes under the surface of the bloody water, Ishtar emerges.

On the surface, American Guinea Pig: Sacrifice may just seem like a tight little torture/body horror, but I believe it’s much more than that. I feel that the Goddess Ishtar was well researched and even the casting was done intentionally to line up with her mythos. Scorza has a very androgynous quality to him and ends up transforming into a woman. Ishtar is said to have transformed men into women and is associated with androgynous people and hermaphrodites, and Daniel carves an eight-pointed star — a symbol of Ishtar — into his forehead. Both the flashbacks and his death are in water also associated with Ishtar. I love a film that knows its shit and hides Easter eggs throughout.

For this excellent film and incredible debut 5/5 shocks

Pre-order your copy of American Guinea Pig: Sacrifice at Unearthed Films today!
Posted by Candace Stone in GORE OR EXTREME HORROR, MOVIE REVIEWS, REVIEWS, 0 comments
Jessica Cameron’s Truth or Dare (2013)

Jessica Cameron’s Truth or Dare (2013)

Jessica Cameron’s Truth or Dare

Looking for something you may have missed over the past few years? Trying to find those lost titles to add to your DVD collection? Then have I got a film title for you…Truth or Dare. This wonderfully twisted and often gory Indie horror film was written by, directed by, and stars the always lovely Jessica Cameron.

Released through Ms. Cameron’s own Small Town Girl Productions, Truth or Dare focuses around a group of young adults who have found stardom and fame of its own kind by hosting a YouTube channel show called — you guessed it — Truth or DareTruth or Dare is an Internet-based reality show wherein each week the group plays the old game we all grew up playing but on a much more grown up and dangerous level. “How ?” you ask. Okay. For example, the film starts off with the group on a beach where actress Jessica Cameron picks dare and has to shoot fellow gamer Tony, played by Brandon Van Vilet, in the face with a handgun. Not quite how I played when I was young. Nevertheless, with stunts like this, the ratings for the show soar! Now you get the gist of how they play their rendition of Truth or Dare.

While interviewing on a local TV talk show, the group are confronted with questions by a member of the audience who seems to be a bit too eager and intense and is bounced out the door on his ass. But that’s not the last we see of our greasy little fanboy…

We next see our group in a basement getting ready to shoot another episode when in from behind the plastic tarps walks in our fanboy, played by Ryan Kiser who gives a stellar performance as Derik B. Smith. Smith, a fanboy stalker if you will, knows every -single- hidden inch of our new stars’ past and uses it against all of them to play his version of Truth or Dare, and of course, streams it all live on the web.

Smith’s version of Truth or Dare is basically the same as the group’s: You pick truth or dare, and you answer or act out whatever is asked of you 100%. The one small difference is that Smith’s dares are real! From the bullet in the gun to the blade on the knife to questions that can ruin or change lives, all of it is real. There’s no acting and no stunts, so many rounds end in death.

Jessica Cameron brought to the screen something that permeates today’s world — uploaded video, the more shocking and violent the better. Cameron brought plenty of that in Truth or Dare, including a few dares that are surprising if not shocking, to say the least!

If you haven’t seen this gem of an Indie horror film, you must. It will not disappoint! Jessica, great job all around with this one, and thank you for the screener. I can’t wait to see what you have in store for me next!

On a side note, be sure to keep an eye out for Jessica starring in Stephen Biro’s The Song of Solomon, an American Guinea Pig Film Series release from Unearthed Films, coming in March, 2018. You’re not going to want to miss it!

Happy early birthday, Jessica!!

Be sure to follow and support Jessica Cameron!

Keep It Evil…

Posted by John Roisland in MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, 0 comments
FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

FIRST LOOK – Upcoming Release for Domiziano Christopharo’s Red Krokodil (2012)

Set for January 23, 2018, Unearthed Films’ CEO Stephen Biro contacted House of Tortured Souls with a digital press kit for the DVD/Blu-ray release of Red Krokodil.

According to the press release, here’s what we can expect:

Red Krokodil is the story of one man (played by Brock Madson), addicted to the mind-numbing drug Krokodil. He finds himself alone in a post-nuclear city similar to Chernobyl. His physical decay, caused by the massive intake of drugs, is mirrored by his inner world, as reality mixes with hallucinations.
The decomposition of the flesh caused by Krokodil is severe in its graphic, yet slow destruction, madness, and desperation are rampant as one man’s addiction to the drug runs out of control.
Director, Domiziano Christopharo depicts a psychological condition that brings a total detachment from oneself and from the surrounding world, Red Krokodil is a dark trip, with no way out.

Domiziano Christopharo is an Italian independent film director known for having worked with various notable filmmakers in the past, including Ruggero Deodato (Cannibal Holocaust), Frank Laloggia (Lady In White), and Carlo De Mejo (City of Living Dead).

Christopharo is also known for his ongoing work to try and revive the erotic horror genre, familiar to many fans of the Giallo movement as well as fans of filmmakers such as Fellini and Argento – often having reviewers drawing comparisons with the two filmmakers and his own work.

Christopharo’s body of work includes House of Flesh Mannequins (2008), The Museum of Wonders (2009), Hyde’s Secret Nightmare (2010), Shock – My Abstraction of Death (2011), HP Lovecraft: Two Left Arms (2012), Doll Syndrome (2014), and much more.

Many have characterized Christopharo’s work as being pornographic in nature, but he prefers to respond with a quote from Picasso:

Art is never chaste and we should keep her away from pure ignorants. If it were chaste, it wouldn’t be art at all.

So far reviews have been favorable for the film’s release with Steven Paul from Beneath The Undergound calling it a film in which “you will know that you have truly experienced something special”, Barbara Tourette from Dark Veins saying “Brock Madson’s performance is a mirror of the psychic and physical consequences caused by Krokodil”, and Seth Poulin from Celluloid Terror defining it as having a “powerful message…that is open to personal interpretation and what you take the film for is exactly what it is”.

To nab your copy, visit the Unearthed Films Official Web Site.

Red Krokodil (2012)

Posted by Michelle MIDI Sayles in COMING SOON, EXCLUSIVE, HORROR NEWS, SLASHERS AND BAD HUMANS, 0 comments
MOVIE REVIEW: Dreaming Purple Neon (2016)

MOVIE REVIEW: Dreaming Purple Neon (2016)

Dreaming Purple Neon is a 2016 independent horror film by Extreme Entertainment and released by Unearthed Films. It was both written and directed by Todd Sheets, who has also brought us such goodies as Spirits (2014) and Bone Hill Road (2017).  Dreaming Purple Neon is a pure 100% Indie horror B flick at it finest!

The basis of the story is that Purple Neon, a beautiful glowing drug, turns its users into demonic creatures that follow the word of High Demoness, Abaddon. She, in turn, uses her now-demon slaves to brutally kill and take over the world.

 

When a drug dealer’s stash goes missing at the hands of his new office girl, he and his thug trace her down at a dentist office building where she’s meeting a friend to go out for the night. After the doors are locked, however, it’s more than just drug dealer revenge. The entire building is locked down and being taken over by the cult of Abaddon in order to use a young girl, one of the dentist’s patients, as a vessel to conjure Abaddon into the living. This is where things get fun — from a naked seance to a bitch with horns for nipples, shit just got real!

When Dreaming Purple Neon starts, it looks like it’s going to be a bad Indie film, but it turns into a bloodbath! Todd Sheets was able to physically take what I’m going to call the normal, the everyday life on film, and perfectly mesh it with what I will call the underworld. You are transported visually through the chaos as it spreads through the film till you are completely submerged into a world of blood-soaked violence. Sheets’ use of color schemes throughout the film is brilliant but yet not overdone.

From the start of the film, I really wasn’t expecting much out of the kill scenes. Boy, was I wrong! Todd Sheets gives audiences full-on, over-the-top, blood-spewing death! Cannibalism, murder, possession, power drills and Gene Simmons — what more could you want!

Dreaming Purple Neon delivered in many ways and is a mind trip of a great Indie horror film. I can’t wait to see what Todd Sheets brings us next!

 

Keep It Evil.

Posted by John Roisland in MOVIE REVIEWS, SATANIC/DEMONIC, 0 comments
MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014)

MOVIE REVIEW: American Guinea Pig: Bouquet of Guts and Gore (2014)

By Travis Love

AGP 2

Writer and director: Stephen Biro
Starring: Ashley Lynn Caputo, Caitlyn Daily, and Lilly Dickenson

Since the making of Stephen Biro's American Guinea Pig: Bouquet of Guts and Gore was announced, there has been a clamoring to see this film. After watching it for the first time, I wonder: is it warranted? Emphatically so. This film isn't just cinematic viewing, it's an exercise in testing personal thresholds regarding how much the viewer can actually stomach and still continue watching. American Guinea Pig: Bouquet of Guts and Gore will test your limits.

The grainy and gritty feel blurs the lines of believability and causing you to reassure yourself, "It's just a movie. This isn't real", but no matter how much you tell yourself that, it has the uncanny ability to allow a little shred of doubt to seep in. The torture is cathartic, unbridled, and animalistic, and at no time do you feel what you're watching is anything other than an obligation to take a life deemed worthy of this "attention".

Orders are barked from masked men filming, shouting their directions like circus trainers would to an animal that without direction would lash out uncontrollably. The imagery you're privy to is nothing short of grotesque and demented, and the FX are so lifelike that you easily become sucked into the atrocities that unfold.

This film firmly places its foot down defiantly, and its claim is simple: You will watch everything we have to show you. If you feel sickened, then you receive no sympathy. You have only yourself to blame. American Guinea Pig: Bouquet of Guts and Gore unapologetically captures your attention and holds it prisoner the entire duration of the film, and I, for one, can only show my gratitude to Stephen Biro and everyone involved for doing so. Thank you, Mr. Biro.

Posted by Alan Smithee in MOVIE REVIEWS, REVIEWS, 0 comments