THE WALKING DEAD

Inside the Final Episode of Rick Grimes

Inside the Final Episode of Rick Grimes

Andrew Lincoln as Rick Grimes in The Walking Dead / Image: AMCLike so many fans of The Walking Dead, I have been watching since the early seasons of this series. One of the main and most loved characters has been Rick  Grimes portrayed by Andrew Lincoln. He has been playing this character since the start of The Walking Dead back on October 31, 2010.

At the start of the series, Rick Grimes was a small town sheriff in Georgia. He was wounded when he was shot by suspects fleeing in a car. When he woke up from the coma, Rick discovered that the whole world had changed after a zombie virus destroyed the world. What followed is a journey that he undertook as he fought to find his wife and son and as he fought to protect the people that he came in contact with.

In his last episode, Rick Grimes has been injured after his horse bucks him off.  A large zombie hoard is moving towards the Hilltop and Alexandria. In his last act of sacrifice, Rick blows up a bridge to get rid of the danger of the walkers. In a major twist, Anna, played by Pollyanna McIntosh, finds Rick after he washes up on shore after blowing up the bridge. Even though she has saved Rick’s life, this is the last episode of Rick Grimes. According to Scott Gimple, though this is his last episode, this will not be the last time we will see Rick Grimes. 3 made for tv movies will be made in the future that will continue with Rick Grimes’ story.

Posted by Graveyard Girl in Categories, HORROR NEWS, REVIEWS, STAFF PICKS, 0 comments

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Thirty – 10/30/18

10/30 – 2016: DON’T BREATHE/TRAIN TO BUSAN

And yet again, I came upon a year where it was too hard to decide which films to feature, and it got narrowed down to two: a home invasion thriller that upends the premise of a classic chiller from the Sixties, and a zombie action drama unlike anything audiences had seen before.

If you’re old enough to remember (as I do) the Terence Young-directed thriller from 1967, WAIT UNTIL DARK, the best screen adaptation of Frederick Knott’s smash play there will ever be, you’ll recall Audrey Hepburn as the “champion blind lady”, who manages to get the goods on three crooks trying to outsmart her, including a terrifyingly good Alan Arkin.  FEDE ALVAREZ, who totally retooled Sam Raimi’s EVIL DEAD in a gore-drenched remake in 2013, got the brilliant idea of taking that scenario and flipping it around. The result? The cracklingly good ‘home invasion’ flick, DON’T BREATHE…which literally describes what you’ll find yourself doing through the second and third acts of his DEAD follow-up.

Once again tapping the talents of his muse/leading lady JANE LEVY, and adding DYLAN MINNETTE and DANIEL ZOVATO into the mix, the three of them play juvenile burglars out to make one last big score. Zovato’s “Money”, the wannabe-badass of the group hits upon a plan. Rumor has it that there’s an old, blind Iraq war vet who lives alone, and has a shitload of cash stashed somewhere in his house.

Old. Blind. Isolated. Rich. Easy pickins, right?

Except, of course, if the man in question happens to be STEPHEN LANG (AVATAR, BAND OF THE HAND, LAST EXIT TO BROOKLYN), who usually plays ‘not-fuck-with-able’ sighted characters on his worst days. So is the man he plays here going to be an easy target? Not on your life.

I won’t disclose how they find out, but the three thieves soon learn they’ve got their hands full. And worst of all, they’re on the Blind Man’s turf. Where they know next to nothing about his house, he has that blind person’s super-heightened senses of everything that’s around him, especially sound. And that’s where the title comes in.  BREATHE is a mindfuck all the way around. The “bad guys” turn out to be so much less dangerous than their intended ‘victim’, and even though they were up to no good, you end up rooting for them to be able to get the hell out of the predicament they made for themselves.

But much like the script that Alvarez crafted with writing/producing partner RODO SAYAGUES, you never have any idea of what’s coming next, and the twists and turns will keep you on the edge of your sofa, all the way up to the gasp-inducing finale.  I didn’t care much for Alvarez’s take on the Raimi film, to be completely honest, but DON’T BREATHE won me over immediately. I don’t doubt that if you love a good, solid thriller, the same will happen for you with this one.

As for our other feature…

Like many people, I gave up on THE WALKING DEAD at about Season Six. Or was it Seven? No matter. By the time Negan was finally introduced after what seemed like a lifetime’s worth of speculation, I was pretty much “zombie’d-out”. With multiple TV series devoted to them (including FEAR THE WALKING DEAD), I just didn’t feel like anything new could be done with the sub-genre. Or at least, no one was trying very hard to.

And then, along comes TRAIN TO BUSAN.

This pulse-pounding thriller from Korean director SANG-HO YEON, took what appears to be a simple enough premise – transferring the scenario of Romero’s DAWN OF THE DEAD from a shopping mall to a commuter train – and, using the tried-and-true conceit of character investment by the audience, turns his film into a grueling, 90-minute terror ride that fans have taken again and again since its initial release. (It was one of the biggest box-office smashes in Korea that year, and for good reason!)

Work-obsessed businessman Seok-woo (YOO GONG) is taking his daughter, Soo-an (SU-AN KIM) to be with her mother, from whom he is estranged. But what seems like the beginning of a downer of a family drama, takes a sharp left turn, as father and daughter board the train leaving Seoul and bound for Busan, just as a mysterious zombie virus descends upon the city, transforming those affected by it into speedy, groveling flesh-munchers, infecting any and everyone who happens to get bitten.

The terror grows with the size of the undead hordes, and the chances for survival shrink faster than the Seoul skyline in the distance. As the struggle begins, a beefy laborer, Sang-hwa (the scene-stealing DONG-SEOK MA) who starts out having an antagonistic relationship with Seok-woo, soon joins forces with him as a badly-needed ally, as he tries to keep himself and his daughter alive, while also still trying to fulfill his promise to Soo-an to get her to Busan to see her mother.

 

As I often like to say, “Terror needs no translation”, and that definitely applies here. Director Yeon, working from the script he wrote with JOO-SUK PARK, knows his way around an action sequence, and manages to blow the audience away with several suspenseful setpieces, involving situations that have never been presented before the way they are here, even in top-notch zombie thrillers like 28 DAYS LATER and WORLD WAR Z (which TRAIN shares some similarities with.)

International filmmakers are ‘bringing it’ with their takes on the zombie genre, with everything from BUSAN, to the recent Chinese productions of ZOMBIOLOGY and LOST IN APOCALYPSE. I wish George Romero were still here to see this, and to remark on it in his own unique way…

POST-MORTEM SCRYPT: 2016 bounced crazily between sci-fi/horror, the supernatural and man-made monsters with such offerings as 10 CLOVERFIELD LANE, THE CONJURING 2, SPLIT, THE WAILING, RAW, THE AUTOPSY OF JANE DOE, UNDER THE SHADOW and the excellent THE GIRL WITH ALL THE GIFTS.

Posted by Samuel Glass in EDITORIALS, FAMILY HORROR, FEATURED CONTENT, GORE OR EXTREME HORROR, HALLOWEEN, MONSTERS AND CREATURES, OPINION, SLASHERS AND BAD HUMANS, THRILLER, TRIBUTE, ZOMBIES, 1 comment

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Eighteen – 10/18/18

10/18 – 2004: SHAUN OF THE DEAD/DAWN OF THE DEAD

What the hell do you do with a year that not only gave us one of the best remakes ever of a George A. Romero masterpiece, but also the great horror dramedy that was inspired by the original version of said film?  Why, you review them both, of course!

The now-famous horror-comedy team of SIMON PEGG and NICK FROST, together with their frequent partner-in-crime, director EDGAR WRIGHT, had long since been fans of Romero’s entire body of work, when they began to cook up their own impossibly nutty take on not just that film, but the entire zombie genre, SHAUN OF THE DEAD. Think of what would have happened if the MONTY PYTHON group had gotten hold of the original script for DAWN, and put their own special “stamp” on it, and you’re pretty much there.

 

Pegg plays the titular electronic store clerk Shaun, of course…a rather ordinary bloke living a rather ordinary existence, save for a few unfortunate things…like his strained relationship with his mum, and his girlfriend, who’s now his ex. And like every guy who’s been through this, even though he has his best bud and roomie, Ed (FROST) who has his back like always, nothing is going to be the same for him, until he has his girl, Liz (KATE ASHFIELD) back.  But there is the bothersome matter of a zombie apocalypse to deal with, right in the middle of his “get my ex back” campaign.

  

There’s plenty of action in this, in between the guffaws and gaffes, not to mention enough bloodletting to satisfy gorehounds who might otherwise be inclined to skip it.  But as writers, Pegg and Wright never forget to give us fully-realized characters, and some stunning and memorable setpieces, including a look at Shaun’s daily routine in before-and-after apocalypse mode, which even with repeat viewings is still as funny and frightening as it was the first time.

A dead-on (pun intended) skewering of everyday British life, pop culture and the human condition (not to mention the condition of the undead who were once your family, friends and neighbors) SHAUN is never less than a brilliantly-conceived, funny-as-hell, sometimes gory and sometimes even touching tribute from two absolute super-fans of not just George Romero, but the sub-genre of horror that he singlehandedly created. In fact, the mutual admiration society they had going on was so intense, that George actually gave both Simon and Nick cameos in LAND OF THE DEAD!

Which brings us to the ‘new and improved’ version of DAWN. If it had been any other writing/directing team, I could imagine this remake of a classic would have sunk from the multiplexes without a trace. Until you consider that the writer and director in question are JAMES GUNN and ZACK SNYDER.  Now we’re talking!

The original DAWN opening, somewhat picking up from NIGHT OF THE LIVING DEAD, was pretty scary stuff, and you’d think that there wouldn’t be too many ways to make it scarier. But that’s where Snyder and Gunn say “Here, hold our beers.”

A family morning wake-up call has never been more horrific.  In the blink of an eye, the drowsy family morning routine of Ana (SARAH POLLEY) goes from being blasé, to a total bloodbath, when their infected daughter bites and kills her husband, turning HIM into an undead flesh-eater. The shocking sequence where she escapes, only to witness her entire neighborhood descending into mayhem is as unforgettable as anything Romero ever pulled off.

  

That’s not the only place where Gunn as a screenwriter stuck to the original Romero story beats, but still brought his own vibe and dark sense of humor to the proceedings. As Ana takes her chances with a group of survivors who decide to hole up in a local mall, just like in the original, the story pulls in the rest of the outstanding cast including VING RHAMES, JAKE WEBER, MICHAEL KELLY, TY BURRELL and MEKHI PHIFER.

And Phifer’s other half in the film, Luda (INNA KOROBKINA) is very, very pregnant, soon providing us with the horrific answer to a question we didn’t exactly get from, say, THE WALKING DEAD: what happens to pregnant women in the zombie apocalypse, who give birth to…well, you fill in the blank.

Not the biggest ‘feel-good’ zombie film in the bunch by a long shot (and those who have seen it multiple times know exactly why), this DAWN remake still stands tall as one of the better ones in the scads of Romero tributes, knockoffs and wanna-be’s.

POST-MORTEM SCRYPT: SAW, THREE…EXTREMES, SHUTTER, THE VILLAGE and GINGER SNAPS II: UNLEASHED were just some of the other goodies dropped on horror fans in 2004.

Posted by Samuel Glass in EDITORIALS, FAMILY HORROR, FEATURED CONTENT, GORE OR EXTREME HORROR, HALLOWEEN, HORROR COMEDIES, MONSTERS AND CREATURES, OPINION, THRILLER, TRIBUTE, ZOMBIES, 0 comments