Train to Busan

10/30 – 2016: DON’T BREATHE/TRAIN TO BUSAN

And yet again, I came upon a year where it was too hard to decide which films to feature, and it got narrowed down to two: a home invasion thriller that upends the premise of a classic chiller from the Sixties, and a zombie action drama unlike anything audiences had seen before.

If you’re old enough to remember (as I do) the Terence Young-directed thriller from 1967, WAIT UNTIL DARK, the best screen adaptation of Frederick Knott’s smash play there will ever be, you’ll recall Audrey Hepburn as the “champion blind lady”, who manages to get the goods on three crooks trying to outsmart her, including a terrifyingly good Alan Arkin.  FEDE ALVAREZ, who totally retooled Sam Raimi’s EVIL DEAD in a gore-drenched remake in 2013, got the brilliant idea of taking that scenario and flipping it around. The result? The cracklingly good ‘home invasion’ flick, DON’T BREATHE…which literally describes what you’ll find yourself doing through the second and third acts of his DEAD follow-up.

Once again tapping the talents of his muse/leading lady JANE LEVY, and adding DYLAN MINNETTE and DANIEL ZOVATO into the mix, the three of them play juvenile burglars out to make one last big score. Zovato’s “Money”, the wannabe-badass of the group hits upon a plan. Rumor has it that there’s an old, blind Iraq war vet who lives alone, and has a shitload of cash stashed somewhere in his house.

Old. Blind. Isolated. Rich. Easy pickins, right?

Except, of course, if the man in question happens to be STEPHEN LANG (AVATAR, BAND OF THE HAND, LAST EXIT TO BROOKLYN), who usually plays ‘not-fuck-with-able’ sighted characters on his worst days. So is the man he plays here going to be an easy target? Not on your life.

I won’t disclose how they find out, but the three thieves soon learn they’ve got their hands full. And worst of all, they’re on the Blind Man’s turf. Where they know next to nothing about his house, he has that blind person’s super-heightened senses of everything that’s around him, especially sound. And that’s where the title comes in.  BREATHE is a mindfuck all the way around. The “bad guys” turn out to be so much less dangerous than their intended ‘victim’, and even though they were up to no good, you end up rooting for them to be able to get the hell out of the predicament they made for themselves.

But much like the script that Alvarez crafted with writing/producing partner RODO SAYAGUES, you never have any idea of what’s coming next, and the twists and turns will keep you on the edge of your sofa, all the way up to the gasp-inducing finale.  I didn’t care much for Alvarez’s take on the Raimi film, to be completely honest, but DON’T BREATHE won me over immediately. I don’t doubt that if you love a good, solid thriller, the same will happen for you with this one.

As for our other feature…

Like many people, I gave up on THE WALKING DEAD at about Season Six. Or was it Seven? No matter. By the time Negan was finally introduced after what seemed like a lifetime’s worth of speculation, I was pretty much “zombie’d-out”. With multiple TV series devoted to them (including FEAR THE WALKING DEAD), I just didn’t feel like anything new could be done with the sub-genre. Or at least, no one was trying very hard to.

And then, along comes TRAIN TO BUSAN.

This pulse-pounding thriller from Korean director SANG-HO YEON, took what appears to be a simple enough premise – transferring the scenario of Romero’s DAWN OF THE DEAD from a shopping mall to a commuter train – and, using the tried-and-true conceit of character investment by the audience, turns his film into a grueling, 90-minute terror ride that fans have taken again and again since its initial release. (It was one of the biggest box-office smashes in Korea that year, and for good reason!)

Work-obsessed businessman Seok-woo (YOO GONG) is taking his daughter, Soo-an (SU-AN KIM) to be with her mother, from whom he is estranged. But what seems like the beginning of a downer of a family drama, takes a sharp left turn, as father and daughter board the train leaving Seoul and bound for Busan, just as a mysterious zombie virus descends upon the city, transforming those affected by it into speedy, groveling flesh-munchers, infecting any and everyone who happens to get bitten.

The terror grows with the size of the undead hordes, and the chances for survival shrink faster than the Seoul skyline in the distance. As the struggle begins, a beefy laborer, Sang-hwa (the scene-stealing DONG-SEOK MA) who starts out having an antagonistic relationship with Seok-woo, soon joins forces with him as a badly-needed ally, as he tries to keep himself and his daughter alive, while also still trying to fulfill his promise to Soo-an to get her to Busan to see her mother.

 

As I often like to say, “Terror needs no translation”, and that definitely applies here. Director Yeon, working from the script he wrote with JOO-SUK PARK, knows his way around an action sequence, and manages to blow the audience away with several suspenseful setpieces, involving situations that have never been presented before the way they are here, even in top-notch zombie thrillers like 28 DAYS LATER and WORLD WAR Z (which TRAIN shares some similarities with.)

International filmmakers are ‘bringing it’ with their takes on the zombie genre, with everything from BUSAN, to the recent Chinese productions of ZOMBIOLOGY and LOST IN APOCALYPSE. I wish George Romero were still here to see this, and to remark on it in his own unique way…

POST-MORTEM SCRYPT: 2016 bounced crazily between sci-fi/horror, the supernatural and man-made monsters with such offerings as 10 CLOVERFIELD LANE, THE CONJURING 2, SPLIT, THE WAILING, RAW, THE AUTOPSY OF JANE DOE, UNDER THE SHADOW and the excellent THE GIRL WITH ALL THE GIFTS.

HELLABRATION DELUXE! Thirty-One Days of SHOCKTOBER: Day Thirty – 10/30/18

10/30 – 2016: DON’T BREATHE/TRAIN TO BUSAN

And yet again, I came upon a year where it was too hard to decide which films to feature, and it got narrowed down to two: a home invasion thriller that upends the premise of a classic chiller from the Sixties, and a zombie action drama unlike anything audiences had seen before.

If you’re old enough to remember (as I do) the Terence Young-directed thriller from 1967, WAIT UNTIL DARK, the best screen adaptation of Frederick Knott’s smash play there will ever be, you’ll recall Audrey Hepburn as the “champion blind lady”, who manages to get the goods on three crooks trying to outsmart her, including a terrifyingly good Alan Arkin.  FEDE ALVAREZ, who totally retooled Sam Raimi’s EVIL DEAD in a gore-drenched remake in 2013, got the brilliant idea of taking that scenario and flipping it around. The result? The cracklingly good ‘home invasion’ flick, DON’T BREATHE…which literally describes what you’ll find yourself doing through the second and third acts of his DEAD follow-up.

Once again tapping the talents of his muse/leading lady JANE LEVY, and adding DYLAN MINNETTE and DANIEL ZOVATO into the mix, the three of them play juvenile burglars out to make one last big score. Zovato’s “Money”, the wannabe-badass of the group hits upon a plan. Rumor has it that there’s an old, blind Iraq war vet who lives alone, and has a shitload of cash stashed somewhere in his house.

Old. Blind. Isolated. Rich. Easy pickins, right?

Except, of course, if the man in question happens to be STEPHEN LANG (AVATAR, BAND OF THE HAND, LAST EXIT TO BROOKLYN), who usually plays ‘not-fuck-with-able’ sighted characters on his worst days. So is the man he plays here going to be an easy target? Not on your life.

I won’t disclose how they find out, but the three thieves soon learn they’ve got their hands full. And worst of all, they’re on the Blind Man’s turf. Where they know next to nothing about his house, he has that blind person’s super-heightened senses of everything that’s around him, especially sound. And that’s where the title comes in.  BREATHE is a mindfuck all the way around. The “bad guys” turn out to be so much less dangerous than their intended ‘victim’, and even though they were up to no good, you end up rooting for them to be able to get the hell out of the predicament they made for themselves.

But much like the script that Alvarez crafted with writing/producing partner RODO SAYAGUES, you never have any idea of what’s coming next, and the twists and turns will keep you on the edge of your sofa, all the way up to the gasp-inducing finale.  I didn’t care much for Alvarez’s take on the Raimi film, to be completely honest, but DON’T BREATHE won me over immediately. I don’t doubt that if you love a good, solid thriller, the same will happen for you with this one.

As for our other feature…

Like many people, I gave up on THE WALKING DEAD at about Season Six. Or was it Seven? No matter. By the time Negan was finally introduced after what seemed like a lifetime’s worth of speculation, I was pretty much “zombie’d-out”. With multiple TV series devoted to them (including FEAR THE WALKING DEAD), I just didn’t feel like anything new could be done with the sub-genre. Or at least, no one was trying very hard to.

And then, along comes TRAIN TO BUSAN.

This pulse-pounding thriller from Korean director SANG-HO YEON, took what appears to be a simple enough premise – transferring the scenario of Romero’s DAWN OF THE DEAD from a shopping mall to a commuter train – and, using the tried-and-true conceit of character investment by the audience, turns his film into a grueling, 90-minute terror ride that fans have taken again and again since its initial release. (It was one of the biggest box-office smashes in Korea that year, and for good reason!)

Work-obsessed businessman Seok-woo (YOO GONG) is taking his daughter, Soo-an (SU-AN KIM) to be with her mother, from whom he is estranged. But what seems like the beginning of a downer of a family drama, takes a sharp left turn, as father and daughter board the train leaving Seoul and bound for Busan, just as a mysterious zombie virus descends upon the city, transforming those affected by it into speedy, groveling flesh-munchers, infecting any and everyone who happens to get bitten.

The terror grows with the size of the undead hordes, and the chances for survival shrink faster than the Seoul skyline in the distance. As the struggle begins, a beefy laborer, Sang-hwa (the scene-stealing DONG-SEOK MA) who starts out having an antagonistic relationship with Seok-woo, soon joins forces with him as a badly-needed ally, as he tries to keep himself and his daughter alive, while also still trying to fulfill his promise to Soo-an to get her to Busan to see her mother.

 

As I often like to say, “Terror needs no translation”, and that definitely applies here. Director Yeon, working from the script he wrote with JOO-SUK PARK, knows his way around an action sequence, and manages to blow the audience away with several suspenseful setpieces, involving situations that have never been presented before the way they are here, even in top-notch zombie thrillers like 28 DAYS LATER and WORLD WAR Z (which TRAIN shares some similarities with.)

International filmmakers are ‘bringing it’ with their takes on the zombie genre, with everything from BUSAN, to the recent Chinese productions of ZOMBIOLOGY and LOST IN APOCALYPSE. I wish George Romero were still here to see this, and to remark on it in his own unique way…

POST-MORTEM SCRYPT: 2016 bounced crazily between sci-fi/horror, the supernatural and man-made monsters with such offerings as 10 CLOVERFIELD LANE, THE CONJURING 2, SPLIT, THE WAILING, RAW, THE AUTOPSY OF JANE DOE, UNDER THE SHADOW and the excellent THE GIRL WITH ALL THE GIFTS.


Posted by Samuel Glass in EDITORIALS, FAMILY HORROR, FEATURED CONTENT, GORE OR EXTREME HORROR, HALLOWEEN, MONSTERS AND CREATURES, OPINION, SLASHERS AND BAD HUMANS, THRILLER, TRIBUTE, ZOMBIES, 1 comment
MIDI’S COUNTDOWN TO HALLOWEEN 2018

MIDI’S COUNTDOWN TO HALLOWEEN 2018

Each year I Countdown to Halloween and explore 31 Horror films that examine a variety of sub genres. I combine films both new and old. I explore the mainstream and indie. And I select from purely the good, bad and ugly (yes there are some truly awful films available to fans for laughs).

This year  I will be explaining each film for the House of Tortured Souls as I countdown to Halloween. Be warned that some of the small pieces on each film, are based on a sub genre and may in fact provide a spoiler or two.
OCTOBER 1
First sub genre I had set myself is to find a film with a Child Vampire. I chose  30 Days of Night  which has a scene involving a young girl vampire, in a pack that has over run the town of Barrow, Alaska.  Obvious other choices were Interview With A Vampire and Near Dark.
OCTOBER 2
On day two I was exploring films with people who could be considered Freaks so this time I selected The Abominable Dr Phibes
starring Vincent Price, as a mutant mourning his beloved.
Although Freaks by Tod Browning is my fave film in this vein, Phibes was the first horror film I saw when I was 3. It will forever be imbedded in my memory.
OCTOBER 3
Taking it to another level on day three, I wanted to find a film involving the strangest or most unique Horror Parents . This led me to select  It’s Alive (movie)for obvious reasons . Let’s face it , that kid had a face only a mother could love! A mutated baby literally is born and goes on the run leaving a wake of murderous terror. Not only is this film awesome fun, it also spawned 2 sequels and a remake!!
OCTOBER 4
I investigated the infamous adoration for films with that ultimate Twist Ending, selecting the Summer Camp Classic Sleepaway Camp
This of course was one of many options but discovering what is “wrong with Angela” is always great. Other possibilities are films like The Perfect Getaway (in which the twist is revealed midway through the film, yet doesn’t ruin the pace). Also included could be The Sixth Sense, And Switchblade Romance (aka Haute Tension).
OCTOBER 5

For my selective viewing for an impressive Indie horror film was Phil Stevens Flowers.The film is silent. It has such

Hereditary

strong visual imagery and features the demise of a group of beautiful women (the flowers themselves). Stevens is currently in production on Flowers 2.

OCTOBER 6
Was the sub genre of crime as told through the True Story narrative, I chose the film Dear Mr. Gacy. This film is inspired by the Jason Moss’ book The Last Victim. Moss discusses a relationship he created with the serial killer as he studied him in college. It is also sad to know that Moss was so affected, by the stranglehold Gacy ended up having on his life.  His psyche was fractured and in 2006 Moss committed suicide. I highly recommend the book as well as this film. It proves the power of those with such depraved impulses as Gacy.
OCTOBER 7
I was was trying to avoid the usually popular picks for the sub genre of Sea Creatures. I wanted to avoid The Deep, Jaws and Orca. Instead I landed on the highly memorable and classic Universal icon the Creature from the Black Lagoon
OCTOBER 8
A simple sub genre in which of course A LOT of possibilities popped up, to view limbs replaced with weapons. For me this is a film I enjoy, in its true GrindHouse style. It has a strong female lead, that pulled me in. With the teaming of Tarantino and Rodriguez , I had to go with the machine gun leg of Rose McGowan in Planet Terror
OCTOBER 9

The selection as a huge foreign film fan was tricky, and I had to find one Asian Horror film. In the past I have enjoyed the likes of Ringu, JuOn, Phone, The Red Shoes, One Missed Call and Shutter. However I felt a revisit to the

Train To Busan

surprise runaway Zombie hit  Train To Busan was a good idea- and having only seen it once upon release, I wanted to see if it still was as enjoyable (which it is).

OCTOBER 10
This day was Lloyd Kaufman’s empire known affectionately as Troma films, I had to try and find one that I loved to watch as my choice from their stock. This was easy as I love the campy cheesy quality of a good Troma film , from Poultrygeist to Tromeo and Juliet. I decided on One of Troma’s most lucrative franchises with the lovable film  The Toxic Avenger
OCTOBER 11
I realised some franchises have MORE than their fair share. From Nightmare on Elm St (9 films), Friday the 13th (12 films) , or even Halloween ( 11 films) many sequels were imaginable, but for me my taste was drawn to the Children of the Corn Franchise (which has 10 films with the release of Runaway in recent months). Out of those sequels (and a remake) I chose Children of the Corn 666: Issac’s Return, because it is the first film after the original to reintroduce Isaac – one of the horror film worlds most messed up child preachers in history.
OCTOBER 12
For European horror my mind raced straight to  Mörderische Ferien (aka Flashback:A Murderous Vacation), a quirky German teen horror film, that featured campy gags, a psycho on the loose, bumbling cops and some fun kills. If you haven’t seen it before, it’s a diamond in the rough and I liken it’s cheekiness to the original Scream film by Wes Craven.
OCTOBER 13
I was tasked with finding a horror movie starring Robert England, but It had to be anything but his role as Freddy Krueger in the Nightmare on Elm Street films. With options like 2001 Maniacs and Urban Legends available I recalled The Mangler and viewed that. A film based on a short story from Stephen Kings  collection, that has since inspired two sequels.
OCTOBER 14
Horror Creatures dominated the day, so I thought long and hard about all sorts and settled on  Zombeavers. A simple comical romp with manic beavers at a lake side cabin, and a group of foolish college kids.
OCTOBER 15

Pinnochios Revenge

I decided on a film for my ghostly theme, with a classic spooky story featuring George.C.Scott called The Changeling .

This was my favourite pick for the ghastly ghost genre and although I enjoy films like the original version of The Haunting, Rose Red an others with various paranormal entities, The Changeling is an atmospheric joy to rewatch.
OCTOBER 16
An obvious choice for day 16’s infamous horror hotel themed entry , was to go with the mother loving Norman Bates insanity of Alfred Hitchcock’s PsychoPsycho epitomizes the horror hotel themes, with the “mother” of all memorable moments, but I will give shout outs to other possibilities such as Horror Hotel, Motel Hell, And Room 1408 ( which has actually been picked for another sub genre day in this challenge).
OCTOBER 17
Re examining the Psychotic Hitchhiker sub genre for day 17, I decided against the classic Hitchhiker films or even The Texas Chainsaw Massacre and went with a modern Ozploitation thriller called Gone (aka Middle of Nowhere). The film starred Scott Mechlowicz , Amelia Warner and Shaun Evans and followed an American and two British tourists backpacking in Australia with deadly consequences.
OCTOBER 18
The 18th choice calls for me to watch  a 2017 Film and I thought this was a perfect chance for me to re explore one that had a dismal run cinematically upon its release. I found it to be an entertaining and seemingly good film, but The Dark Tower  was a far cry from the nature of the original source material developed over many books by Stephen King.
OCTOBER 19
My 19th watch is a film released in 2018, so I thought I would take this opportunity to return to Hereditary. Originally when I saw this film it was such a slow build intro I lost interest and was unable to finish it so I hope as I do so I will complete it today.
OCTOBER 20
I will turn to Horror with a number in the title. With many options open to me I looked at 2001 Maniacs, Germany’s 666: In Bed With The Devil And found Stephen Kings Room 1408. An interesting and twisted story of a hotel room from Hell, this is a great little film with a strong cast.
OCTOBER 21
I needed  a film with a strong female killer. I will be avoiding  Switchblade Romance, Mothers Day, The Hand That Rocks the Cradle and Fatal Attraction. Instead I feel that Guillermo Del Toros psychotic sister in his film Crimson Peak was a great choice – and I am a huge fan of this film and it’s themes throughout.
OCTOBER 22
The 22nd for me is the most fun sub genre and one of the lesser appreciated, Disney Horror! Yes these films actually were made , exist and are awesome fun to horror fans. You can go for the slightly thrilling or the fun and goofy kids fodder. I went with the latter . My favourite Disney Horror is actually Something Wicked This Way Comes, that starred  freakishly awesome Johnathan Pryce in the role as Mr Dark. However I wanted a calmer, shorter film for my viewing and went with Richard Masur (best known as Adult Stanley Uris in the 1990 IT miniseries) in the film Mr Boogedy. It also has a sequel ,as they were hugely popular films during my childhood.
OCTOBER 23
Joyfully I found my 23rd film choice at this years Sydney Film Festival, when I attended a screening for the Supernatural New Zealand film The Changeover. With a young fresh cast and some more familiar faces (Timothy Spall and Melanie Lynskey), it is a strange and yet engaging story of a girl coming into her powers and using them to save her family from an evil force.
OCTOBER 24
I attended the premiere screening of my 24th film in Sydney at MonsterFests Travelling Sideshow. And it was such a powerfully musical film I had to use it for Best Soundtrack. The Strangers 2: Prey At Night didn’t have to try too hard to impress, with the delightful antics of our insane trio on screen being played out to 80s hits with gusto!
OCTOBER 25
On the 25th I will avoid the predictability of Dolls, Chucky, Annabelle , Puppetmaster or Demonic Toys for the Doll/toy Horror film. Instead I am returning to view an oldie that I have enjoyed before, called The Pinocchio Syndrome (aka Pinnochios Revenge). It’s about an evil Pinocchio puppet that once you cut his strings becomes a killer.
OCTOBER 26
My usual pick for the Worst Horror film for day 26 is abysmal
Dracula 3000 ,and if you have seen it you’d understand. This year I thought I would go with one, that I often refer to as the BEST film for drinking games. It is called Grim Weekend (aka S.I.C.K). Grim Weekend and follows a hopeless bunch, who venture off on a mini break and are beseeched by a psychotic clown. Sounds fun right? Sadly this film has a score that is cheesy, effects that are lame and a cast so utterly annoying it is only good for games. Have the shots ready and let’s play.
OCTOBER 27
On the 27th I will inspect the aspect of Horror Tv Episodes with We All Scream for Ice Cream (Masters of Horror episode). It is an impresssive part of a large collection done by talented directors. This anthology series has some intriguing storyline’s and very colourful characters.
OCTOBER 28
For the 28th I needed to focus on choosing a film that had Great Poster Art. I couldn’t ignore the awesome screaming, burning human on the cover of David Croenenbergs 1981 supernatural horror film Scanners. Any artistic eye can see the beauty in that image, as much as any other.
OCTOBER 29
My least enjoyed sub genre is the Found Footage one. So on the 29th having to pick one from the few I enjoy was taxing. Being able to sift through some good ones I like, such as Afflicted and Cannibal Holocaust, I remembered the immensely impressive  The Poughkeepsie Tapes.
OCTOBER 30
Being the youngest of three children obviously for horror siblings, my immediate thought was my brothers (just kidding and yes they know I love them dearly). No instead I selected the classic black and white film What Ever Happened to Baby Jane? starring feuding actresses (and on screen sisters) Bette Davis And Joan Crawford.
OCTOBER 31
To round out my viewing pleasure this month, I will end on a more jovial note with a horror musical. I put aside my usual fun choices of the Rocky Horror Picture Show, Shock Treatment, Repo: A Genetic Opera or even Little Shop Of Horrors. Instead I opted for 2014’s Stage Fright.
I always encourage others to explore a variety of films when embarking on creating a watchlist. Watch as much of the things you don’t get to. Watch new films. Watch old films. Watch films from various parts of the world. And always include the good,the bad and the ugly.
And have a Happy Halloween!
Posted by Michelle MIDI Sayles in Categories, EDITORIALS, HALLOWEEN, STAFF PICKS, 0 comments
The MAYHEM FILM FESTIVAL Brings Scares Aplenty To The UK

The MAYHEM FILM FESTIVAL Brings Scares Aplenty To The UK

Are you ready…for absolute MAYHEM? The Mayhem Film Festival descends upon Nottingham, UK, at the Broadway Cinema, October 11 – 14, 2018. Featuring some of the best of horror, sci-fi, and cult classic features and shorts, there’s going to be a wide variety of cinematic genre offerings that should keep everyone happy.

Quite a few of the menu items have been making the rounds at many of the festivals, with some of them even winning awards. You’ll find a few that have been reviewed here and some that are about to be in the very near future, including:

Mayhem Film Festival: Anna and the Apocalypse (2017)Anna and the Apocalypse : A Scottish high-school Christmas zombie musical, this one’s been getting a lot of buzz lately, and MAYHEM will also feature a Q&A with Anna and the Apocalypse’s director John McPhail.

Mayhem Film Festival: The Witch in the Window (2018)The Witch in the Window: Canadian filmmaker Andy Mitton’s follow-up to Yellowbrickroad and We Go On, this supernatural chiller is primed to bring a lot of unhappy relationships together. For those families where someone loves horror movies but hates the PG-13 ones and has yet another finicky watcher who loves horror but ONLY if it’s PG-13, The Witch in the Window is that happy medium where everyone gets what they want. With a minimum of reliance on tired horror tropes and no gore whatsoever, The Witch in the Window specializes more in classic creeps, using the slow-burn technique to come to a heart-warming, yet also heart-breaking finish.

Puppet Master: The Littlest Reich continues to advance the beloved cult Full Moon Features franchise, with both fan favorites Udo Kier and Barbara Crampton on board.

Mayhem Film Festival: One Cut of the Dead (2017)One Cut of the Dead: Asian filmmakers have had their American brethren hanging their heads in shame (or they should be) with the way they’ve been managing to freshen up the tired zombie genre, with Korea’s outstanding Train to Busan and the quirky Chinese gut-muncher Zombiology: Enjoy Yourself Tonight. Now it’s Japanese co-writer/director Shin’ichiro Ueda’s turn, and if the other two are any indication of what kind of surprises to expect, you probably want to get your tickets to this one ASAP.

Mayhem Film Festival: What Keeps You Alive (2018)What Keeps You Alive: Even if you’re not familiar with Colin Minihan’s name, you’ve probably seen one or both of the films in the Grave Encounters franchise that he launched, or maybe his zombie-apocalypse-hits-Sin-City thriller It Stains the Sands Red. Based on his past work alone, his latest, a remote, woodsy horror drama sounds like another ‘must-see’ to add to your list.

Mayhem Film Festival: Nightmare Cinema (2018)Besides these films, there are also some debuts and other goodies worth noting. Nightmare Cinema is the much-anticipated horror omnibus from genre icon Mick Garris, who gave us the unforgettable Showtime shock-stravaganza Masters of Horror. Directors on-board this time around include Garris himself, Joe Dante, David Slade, and Ryuhei Kitamura (No One Lives, Versus, Midnight Meat Train).

Mayhem Film Festival: Mandy (2018)Mandy, the plenty-talked-about horror-on-acid freakshow starring – appropriately enough – Nicolas Cage – will infiltrate the Festival as well, and hopefully have tongues wagging just as much about its writer/director Panos Cosmatos, who also created the equally trippy Beyond the Black Rainbow.

And if One Cut of the Dead leaves you ravenous for more Japanese horror-goodness, you’re in luck. Making its UK premiere will be Shinsuke Sato’s live-action adaptation of the popular manga Inuyashiki.

And if this wasn’t mind-blowing enough, there’s also going to be a screening of the Lamberto Bava/Dario Argento collaboration from 1985, the crowd-pleasing Demons, and from Finland, The White Reindeer, a rarely-seen supernatural adaptation of a Finnish folk tale, made in 1952 by director Erik Blomberg.

More information about dates, times, the features and shorts, and where to get tickets, can be found at www.mayhemfilmfestival.com.

Posted by Samuel Glass in ATTRACTIONS AND DESTINATIONS, EVENTS, HORROR NEWS, PRESS RELEASES, 0 comments
MOVIE REVIEW: Train to Busan (2016)

MOVIE REVIEW: Train to Busan (2016)

Train to Busan is a 2016 South Korean zombie flick that is a breath of fresh air!! The storyline... Well, like in any other zombie film: run and don't get eaten! Okay, that's the same here. Our story centers around a divorced father and young daughter who are traveling by train to get to... you guessed it, Busan. They are trying to get his daughter back to her mother. The father sadly is a workaholic and spends no time with his daughter, and that also plays an emotionally important part in the story.
While the father and daughter are travelling, an outbreak has begun and, yes, people are starting to turn into zombies. Only becoming aware of the situations via cell phones while en route, the crowded train learns the hard way at a scheduled stop that things are a lot worse than what they had expected - having been anticipating a military welcome in what was supposedly a safe area.

Without giving anything away from the film, you use your imagination as to what happens next...on its way to Busan.
What sets Train to Busan apart from other recent zombie films is how it's shot. The first thing that really hit me was how sharp and bright the colors in the film are. Most are dark and almost dingy, but this could have been used for a Clorox color-safe bleach commercial. The colors just seemed to pop and everything just seemed to be so damn clean!
The makeup and special FX used were spot on! No masks and no use of dirt and buckets of blood for decay value, all while still packing a punch and throwing a few holy shit moments at you. It was a near-perfect zombie film.
Lastly, one thing I’ve learned over the years with Asian horror films, they are either so far over-the-top-what-the-fuck-did-I-just-watch kind of film or they are extremely brutal and violent and usually very sexually oriented, often in a somewhat perverted way. I'm not saying that I don't enjoy all those qualities in a good wholesome Asian horror film, but Train to Busan possessed none of those stereotypical qualities. It is just a straight-ahead zombie film, with a great ending!

Train to Busan was directed by Sang-ho-Yeon, runs just under 2 hours long, is subtitled, and is currently on Netflix. I really can’t suggest Train to Busan enough!

Keep It Evil...

Posted by John Roisland in MONSTERS AND CREATURES, MOVIE REVIEWS, REVIEWS, ZOMBIES, 0 comments