Women in Horror month

Interview with filmmaker Roxanne Bordeaux for her upcoming film ‘Pest Control’

Interview with filmmaker Roxanne Bordeaux for her upcoming film ‘Pest Control’

In a new interview for Women in Horror Month I got a chance to ask the multifaceted writer, director and actress Roxanne Bordeaux a few questions about her latest film ‘Pest Control’.

Under new state law from a controversial Senator, a task force is created under local law enforcement to combat the state’s child predator infestation, enabling the officers to act as judge, jury and executioner.

This is Pest Control.

Q: Who are your inspirations when it comes to film making? 

Ah, there’s so many.. But when I think of the reason I got into film making I think it has to be John Waters. Female Trouble (1974) was that click for me that made me realise you don’t have to be a millionaire star fucker to make films. Just pick up a camera and shoot. It’s that easy.


Q: You have directed, acted and modelled previously, which do you prefer and why?

Although acting and modelling were fun I’d have to say equivalently, Directing. Why be a puppet when you can pull the strings? It’s so fun curating your own world and taking your cast and crew on that crazy adventure, I can’t think of a better creative outlet. Albeit entirely aneurysm inducing.


Q. You are currently fundraising for your new short film Pest Control which you wrote and looking to direct. Can you tell us a little bit about the film?

So this film spawned from binge watching Chris Hansens To Catch a Predator (2006).  I just started going down this rabbit hole. I looked into the realities of these vigilante paedophile hunting groups and questioned my own fascination with the subject. Some of these groups go too far whilst some say not far enough. It’s really about walking that fine line of moral ambiguity where a little stumble can take you from hero to villain. I wanted to explore that with Pest Control. In this film there are no heroes, they’re all just enacting they’re vision of virtue. We follow an undercover cop team (in the guise of Pest Control) where their core objective is to capture predators, however our protagonist has taken it upon herself to take full advantage of this initiative.. You’ll have to watch the film and keep up with us online for more!


Q. We can see some of the publicity shots for the film on the website. Is this what we can expect from the finished film? If so, what were some of your influences for the overall look and style?

My DOP (Callum Tester) and I went back and forth on this subject a lot. The aesthetic will be neon noir, complemented by brutalist architecture and a colour palette of grey, red and pastels to coincide with our polarising main characters, Triss (played by Julia Holden) and Billie (played by Sara D’Olivier).


Q. Can you tell us about some of the other cast and crew who will be involved in the film?

In terms of cast we have the enigmatic, amazonian beauty that is Julia Holden. She’ll be playing our hot headed protagonist. Sara D’Olivier will be her decoy cop partner with dubious intentions. We’re also working with our local radio station Express FM to bring our Captain of the force to life. Think the DJ from the Warriors. My crew is an amalgamation of talent, some who I’ve worked with on previous films and some who I’ve admired and wanted to collaborate with.


Q. In addition to crowdfunding on the website where you can get exclusive perks, you also have plans for a livestream fundraiser. Can you tell us about what will be involved and when it will take place?

So on Sunday March 1st myself and the crew will be holding a huge live stream event. Some will be live streaming themselves role playing Pest Control’s characters in video games, some will be IRL and some may be dumb enough (like yours truly) to be live streaming their entire day and leaving it up to the viewers to decide your fate. Think of it like a choose your own adventure type thing, I’ll give you options but top donors will be able to throw in a wild card. I’ll be streaming on Youtube via our Pest control page. So watch out!


Q. Have you had any requests so far? If so, what have been the most unusual request you have received so far?

Ha ha, well as I won’t be enacting anything illegal or sexually ambiguous it’s been pretty tame so far. I’m hoping they’ll be more adventurous suggestions than eating hot sauce. I’ll do that of my own volition.


Q. How far would the character of Roxanne Bordeaux go to fund her film?

All the way, baby. Ya know, as long as it’s not harming myself or anyone, not committing illegal acts or being sexually ambiguous.. Have at it!

Q. Do you have any other projects which you are currently working on? 

Pest Control is my soul focus right now, but I’m constantly thinking of new ideas and concepts to push the boundaries of indie film.


Q. As an independent filmmaker, what advice would you give to someone looking to make their own film?

Don’t get overwhelmed by the bigger picture in front of you. If you focus too much on the Cinematography, the lighting, costumes, music then you can lose focus on what really matters. And that’s the story. Once you have that killer idea, start building on it. A pen and paper is free, as is your imagination. Once you have that story that you put your all into everything else will come into place.

You can film out more about Pest Control on the Website and following social media pages InstagramFacebook

Posted by Philip Rogers in Categories, 0 comments
Kerry Newton—WiHM Interview

Kerry Newton—WiHM Interview

This month keeps getting better on showcasing talented women and I had the opportunity to interview the talented Kerry Newton. Check out below on her upcoming projects and see what advice she offers to women aspiring to pursue careers in acting.  

Sarah Gregory:

  • What inspired you to get into the industry?

Kerry Newton:

  • Five or six years ago I was in teaching, I was also doing a lot of musical theatre and straight plays, comedy plays, a lot of theatre and a friend of mine who is a bit of a professional actor for many many years,  he who is in The Last Kingdom (Netflix series) said he felt that I had something about me that was unique and had this faith in me , the talent, drive and determination and skills and had a good look and had the strength to make it in acting. It was him that inspired me to make a leap from teaching and everything else that I was doing. Because I felt rather stuck, I followed all his advice very quickly cause one I set my mind to something I go got it.  Got myself on spotlight, got myself an agent, did lots and lots of short films and did everything I could to network, got to know a lot of key people quickly with his help and support and it’s not what inspired me it’s who inspired me, it was him. 


  • What does Women in Horror Month mean to you? Who/ what are your inspirations?


  • Horror Month is a great opportunity to showcase new independent horror films, upcoming directors and producers and actor’s work and writer’s work because horror is a very popular genre and it’s great to see new work from new people and see what people out there are creating this unique and different in the horror genre. Also, my inspirations in horror, I like horror films where there’s a strong woman who (like Sigourney Weaver in Aliens) at the center of things, fighting against all evil and seeing it through and going through absolute hell coming  out the other side not being defeated. I like those types of films where there’s a female fighter, a strong woman fighting through all odds in horror. I’m not one for very very sick, gory films like Saw and Hostel and things like that. I like things with a very good meaty story line, I like a gritty character, strong female role. 


  • What challenges do you find yourself facing when accepting roles?


  • If it looks like a challenging part, I love to take on a challenge, so no challenge is too big for me. I find myself facing all sorts of challenges, going through very deep emotional acting, going through absolute hell in some parts, I’ll just accept any challenge and rise to it no challenge is too big. If it’s a character that I’m invested in and it’s got the detailed gritty acting then I’ll take it on.


  • Any advice for someone, women in particular who are getting into acting, especially in the horror scene?


  • My advice would be with horror you will have raw emotion pouring out of you, you have to be real, be absolute real don’t try to just act you have to really feel it. With getting into acting in general, you’ve got to have a great agent, a great headshot, a great show reel, and take every single role you can at first to build up your portfolio.


  • With Everyone Laugh at Leanne, what inspired you to channel her downward spiral?


  • What you don’t see is that she’s had psychological problems for quite awhile, so in the short you might be questioning how could she have this downfall in such a short time and are left guessing as to what she’s been through before this stage, that she’s always had mental health problems and this is just a build up or the last straw in the last few days in her situation. So I considered going in there already having been through a great deal and been suffering and struggling with mental health issues from the trying to lead a normal life, some of these events in the film trigger to what she’s been trying to cover up and hide and it just sets her off.


  • You are a woman of many talents— as a singer, actress, combat artist, etc. With branching out in different directions, what do you prefer more to do?


  • Besides acting I do sing, dance and am a combat artist, what I love to do the most is act. Out of all of those I like to create a roll, living through it, and being on set. Going through the characters emotions, becoming that person and producing a good character, screen acting is the thing I love the most.


  • Do you have any other upcoming projects you are working on that you are allowed to discuss?


  • I’ve got a couple of projects coming up, one is the feature film I’m working on that is something that Netflix could be taking on it’s called Hood: A Legend Reborn.  Its the retelling of the Robin Hood story but its very Games of Thrones esque it’s very dark and grisly. It’s kind of difficult to watch, hard hitting but full of action in stunts and I’m playing Sky she’s the only female in the Merry Men Gang, it’s expanded a bit to include me. I’m very excited about that filming that in the next few months. I also co-written, co-produced, co-directed a TV pilot called Dixies which is set in Doncaster in 1985 , it tells a true story of a night club bar called Dixies and all the goings on, all the nitty gritty drama and I’m starting to film that in late February so that’s my next project.
Posted by Sarah Gregory in INTERVIEWS, WOMEN IN HORROR, 0 comments
Women In Horror Month 2020 Spotlight: Kate Davies-Speak

Women In Horror Month 2020 Spotlight: Kate Davies-Speak

As we celebrate Women in Horror Month, I had the extreme pleasure of sitting down with the phenomenal actress Kate Davies-Speak, an up and coming British Scream Queen similar to the likes of Jamie Lee Curtis and Sigourney Weaver. Kate was born and raised in Bristol, England. Check out what she had to say about her acting career, martial arts, taking time off recently to have a child, Women in Horror, and much more.

Monster: How did you get your start in film and what originally drew you to acting?

Kate: I’ve been a working actor for 20 years. When I finished my A-Levels in college I got involved in a production of ‘West Side Story’ and I fell head over heels in love with it. I played the part of Anita (she’s such a cool character). I loved her sassy manor and I remember battling self-confidence to get up on stage and bring the part to life. Receiving high praise from everyone really motivated me to want to do it a lot more.  I remember people stopping me in the corridor and telling me that I should keep pursuing acting and try for further productions. I was bit by the acting bug, as I’d always been quite shy at school and was mainly just associated with drawing cartoons and keeping myself to myself. So to be praised for performing really woke up a new passion with within me.  After that, I landed my first professional role at the age of 22 and I went off to tour for three months throughout the UK – a production of a musical called ‘Something’s Afoot’ (a murder mystery Musical!). I worked alongside people that had been  in the television industry for many years. I had such a great time, and again it just reinforced how much I was falling in love with acting and performing.  Over the following decade, I went on to be a support worker, helping other people to learn to act and dance and help people with special needs within the subject, but I was always aching to get back out and do some more performing work,so I joined the English Theatre Company and I was working mainly based in Sitges (near Barcelona). I was touring throughout Europe, mainly in Spain and Portugal, and that’s where I met my husband Steve and acting just became a huge part of both of our lives. During my theatre tours I was performing roughly four shows a day, every day of the week, which although I loved it, when I came back to England in 2012 I wanted to try something quite different, and that’s when I started looking more into doing screen acting. Screen acting itself is such a different type of acting but I kind of found a whole new passion for it. After that I just really hammered away applying for any TV and film productions that came along whether it was in student films, indie features, or even people just wanting to experiment with new cameras. I just wanted to be part of it so I could try to learn the craft. I’ve always found I learned through getting up and doing things.

Monster: You’re a certified fitness instructor and a practitioner of combat fighting techniques that you utilize in the roles and with characters that you portray on screen. Can you tell us a little more about that and what exactly it is that you do? 

Kate: Health and fitness is always been a huge part of my life I think I take after my Mum for that. I was always running even when I was a little kid, and I took quite a little passion into keeping Fit,  running,  playing sports; basketball, dancing and eventually in my teens I got into doing more martial arts. I just really enjoyed it. I started off doing a bit of boxer-size and then found out was maybe a little bit too aggressive and I wanted to learn more about specific martial art styles, so I took up Tang Soo Do Korean Karate which I did for quite a few years. During drama training at college, I trained in screen combat, which was a lot of fun for me and I loved seeing how you could make things look more aggressive than they actually were, tricking the audience into believing we were actually hurting each other. I qualified as a personal trainer about five years ago I often experimented on myself in terms of what I could do with my physique; so I’d train my muscles to try and look more ripped. I’ve always inspired by Sarah Connor in Terminator 2 and how her body transition really brought the character to life and made women admire her as an icon. I loved her as a really tough iconic female in film, and I wanted to have a little flavour of that myself, so it was always a motivation for me when I was hitting weights and in training outside, and even when I train other people I just enjoy motivating and being motivated. Even at a very young age, when I was a little girl, I looked up to you tougher women. When I’ve taken on roles for the screen, I would make sure that was my vibe as well.  Working as a fitness instructor is also really cool because it means I’ve still got the time and freedom to go away and take acting projects when they come up. It’s not not easy for actors to have the second job but I wanted to make sure that I had one that worked well with acting and I’ve been quite lucky.  On some sets I even offered to do some fitness routines with some of the other cast and crew just to get psyched up before we shoot. Everyone seemed to enjoy that. It’s good to kind of approach role with mind body and soul.

Monster: How did you find your way into horror and what do you love most about the genre?

Kate: I was always a fan of the horror genre when I was a child, watching horror films probably before I was old enough to do so. I specifically remember watching ‘Halloween‘ ‘American Werewolf in London‘ and ‘Terminator‘ and being terrified but also wanting to keep coming back for more, and it just became a bit of an obsession for me growing up. I’ve never been so scared that I’ve been unable to watch horror and I also always loved scary video games, they actually often terrified me more than films, especially ‘Resident Evil 7 VR‘. Working in horror in incredible fun. I remember shooting a film called ‘Beautiful People‘ (Italian horror film) out in Northern Italy, and we were shooting a scene and being chased by monsters and I turned to one of the actors saying “I’m literally living my dream here”. I also find the horror community is really supportive and those who understand in particular how independent films are made, are really incredible. It’s a real delight to share our work at events such as ‘Frightfest‘ and ‘Horror-On-Sea‘ because everyone understands the passion for the genre. They’ve seen a lot and they appreciate all the small things such as; practical effects and the gore, the homages to past movies and also that horror is something you can accomplish on the lower budget, still achieving some great results…and I love being part of that! I’ve met some brilliant people along the way.

Monster: As we celebrate Women In Horror Month, how important is it to continue to have strong diverse female leads represented in film, and what does WIHM mean to you?

Kate: I think Women In Horror Month is amazing! I always idolised women in horror, one actress in particular is Neve Campbell who played Sydney Prescott in ‘Scream‘ and to be part of that or to even be considered as a woman in horror (I love the term ‘final girl) is a true honor. Monster: Who are some of your inspirations and influences when it comes to acting and film?

: All actors have a mark that we want to make in something, and to be remembered for, and I’m more than happy for mine to be the horror genre. I think it’s great that some of the more recent horrors have really shown proactive, strong, tough females fighting back or even sometimes being a villain as well, and it’s something I really enjoy. Another favorite of mine ‘The Descent‘ by Neil Marshall. The cast were excellent and had such great, dynamic, brilliant acting, then the horror and monsters were thrown in and they were able to show what they were made of. I enjoyed this film because it’s important for me to see really credible fantastic actors working  in horror. You get it even more so now with the likes of ‘Midsommar‘, ‘Hereditary‘ and ‘Get Out‘. They all have terrific cast and performances that elevate the genre so much, and brings it into A-List territory. Florence Pugh is one of my current favourite actresses, especially when I saw her performance in ‘Midsommar‘ which I think she was incredible in. Not only is she an amazing actress and really charismatic, she really brings the best out of all the other actors around her. I could literally watch her in anything, but to be able to bring that level of performance into horror was really important for the genre because it goes against the grain of hammy acting, and brought a realism rarely seen in a scary film.  Toni Collete too for ‘Hereditary‘, her grief and pain were so real and so raw and really brought the trauma so incredibly and realistically- that’s exactly what I always try to tell people that professional actors working in horror still have to be good at what we do, and fill the drama and bring characters to life. Monster: What are a few of your favorite characters that you’ve portrayed, and what type of roles are you interested in tackling in the future?

: I was excited to play the character of Jessica in ‘Escape From Cannibal Farm’ and loved bringing her to life because her journey throughout the film just changed so much throughout the story. Starting out as a slightly bratty early 20-year-old sister/daughter who then evolved into a victim (portraying fear, trauma and resilience), and then who took that further into the realm of crazy before transforming into the quintessential ‘Final Girl’, I just really felt like I had this whole journey mapped out with that character and that’s what I loved about playing her. I also really enjoyed playing Kat in ‘The Barge People‘, which was written by my friend Christopher Lombard. She was to me the most realistic character I’ve played in a horror movie, trying to say and do believable things within the crazy circumstances. Although she was being pursued by monsters she was still at heart just a normal city girl, not an action hero, simply trying to have a break with her partner to rekindle a bond and relationship with her younger sister whilst dealing with the grief of losing her mother and protectively-struggling to hold her friends and family together.

Drama work that I have always have a hankering to play would be someone like a police officer or detective.  I loved the character of Deborah Morgan in the TV series ‘Dexter‘ and that’s definitely something that appeals to me, a woman who is intelligent and strong but certainly with more to her, a vulnerability and interesting back story. Monster: Do you have any special projects currently in the works that you’d like to share with fans?

Kate: In terms of future projects, I’m currently working on two films; one is a werewolf film and the other is a more comedic spoofy ‘Ghostbusters‘ type of film.  I’m actually just getting back into it all after taking a year off to have a baby, so I’m seeing what kind of roles come my way and seeing what my newlife experience can add to my performance. I will be scouting about soon for further work and for the opportunity to connect and work with many different people, and of course re-connect with those that I worked with previously.

Thanks for taking the time to ask me questions, it’s really nice that people have taken an interest and I’m very proud to be asked things regarding Women In Horror. I think it’s wonderful and I’d like to give a big shout out of love to all the other amazing women in horror. Thank you.
Monster Interviews: Tori Danielle Romero- Women In Horror Month

Monster Interviews: Tori Danielle Romero- Women In Horror Month

It’s that time of the year again when we thank and recognize the Women who kick butt In horror. When it comes to true independent Women In Horror, there’s none more deserving than that of Tori Danielle Romero. If you don’t know who she is by now, you should.

I recently had the honor of asking her a few questions about Women In Horror Month, and about the surge her super popular website, PopHorror.com. It’s currently on the rise and has gathered quite a sizable following as of late. It’s definitely a quality source for horror news and all things that encompass the genre.

Tori Danielle Romero is a writer and film producer. She was born and raised on horror at a very young age. She broke into the industry around four years prior, when a friend and fellow writer of hers, approached her about joining the website CrypticRock.com. Not long after, she joined PopHorror.com as a co-owner, where she began making connections and things began to blossom from there.

Tori is an advocate for Women In Horror and indie horror in general. She’s a firm believer in people receiving the recognition they deserve for the work they put in. She began writing as a way to highlight those responsible and deserving, and takes inspiration from the women around her who kick ass on a daily basis.


  • DS: Do you recall when you first fell in love with horror? Can you remember how old you were and what it was that captured and sparked your imagination and interest in the genre?



  • TDR: I know that I fell in love watching the NOES films. I’ve always been a Freddy Girl and although the films have never scared me… they’ve held a special place in my heart. I can’t remember my exact age, but I know I was pretty young probably around 5 or 6 when I knew horror was a genre that I loved. It was thrilling and always had fun characters. I don’t get scared easily though. Zelda from Pet Sematary is about the only thing that’s ever gave me nightmares, lol.



  • DS:. As most fans of the genre might know already, you own and operate your own horror based website. What made you decide to create the website, and can you elaborate on how it all eventually came about?



  • TDR: So, in the very beginning it wasn’t actually my site. This is something that not a lot of people know about. It was initially created by someone else and they approached me to run and be a co-owner. I also knew I didn’t want to run the site by myself, so I talked with my bestie Tracy Allen and she agreed. It all began in 2016 and it’s been quite the journey. A lot of sweat, tears and time have gone into this site, but we couldn’t be prouder of what we’ve accomplished in such a short period of time.



  • DS: You’re website’s named PopHorror.com. How did you come up with that name and what does it mean to you specifically? Does it have any hidden meaning or connotations pertaining to you or the fans of your site?



  • TDR: As I mentioned previously, I didn’t originally create the site, but the name is just a fun play on words and let’s us branch out a bit. We can cover more than just horror because of it. Dark comedies, thrillers, crimes, etc. I like to think of it nice and healthy balance of pop culture and horror. The name has grown on me quite a bit over the last couple years.



  • DS: A lot of times, fans of horror tend to receive bad reputations. What are your thoughts on the horror fan base and how vital are they to the success or failure of our beloved genre?



  • TDR: I think the horror fan base is one of the best fan bases out there. They’re extremely loyal and passionate. They support old and new horror and love connecting with other people who love the genre. Of course, there’s some bad eggs out there that try to ruin it for all, but for the most part the fans are exceptional. I interviewed Barbara Crampton last Summer and she stated “I feel like horror fans are more dedicated and loyal than any other group.”

    Barbara Crampton




  • I couldn’t agree more with that statement. The fans are crucial to the success of our beloved genre because without the support from them, from us, so many amazing stories would go untold and the bad reputation would continue to grow. I think over the years, horror has gained more respect and that’s not only because of the people who create the films but the people who back them. Horror still has a long way to come before it’s viewed the way we see it by the “norm” but oh well who gives a fuck. We love it and we know it rocks.



  • DS: As a female working in the genre, what does Women In Horror Month mean to you and how important do you think it is to continue to acknowledge and support the amazing women representing the genre?



  • TDR: Women in Horror Month is incredibly important to me. If it were a perfect world and everyone was treated equally, we wouldn’t need a month like this, but the truth is women and minorities don’t get the recognition and praise they deserve. With WIHM, we get a chance to highlight all these amazing women and bring awareness to their projects. I’m so glad that the community comes together to celebrate this month and that it’s become a pretty big deal. I know some people think it’s silly, but I find it incredibly inspiring to see my news feed packed full of stories and pictures about talented women in the horror industry. Just doing their thang and killing it.



  • DS: Going forward, what do you come to expect from Women In Horror Month, and is there anything in particular you’d like to see branch out of WIHM?



  • TDR: I would love to see more women get hired for projects they deserve and are perfect for. I want to see more women directors not only in the indie world but on the big screen. I want to see people praising those women like they do men. Everyone talks about John Carpenter’s Halloween but rarely do they talk about Debra Hill. Pet Sematary is one of the most beloved horror films of all time yet rarely do you see people praise Mary Lambert for it. They mostly talk about Stephen King (which he’s fucking great) but you see what I’m saying?

    Mary Lambert


  • In the end, though, I would love to see a day come in the future that we don’t need a Women in Horror Month. I want women to be appreciated equally by the masses and for more opportunities to be open up because they’re great fucking filmmakers, actresses, and so on. I want them to be loved for what they have to offer and not judged or turned away, doubted, or paid less because of their sex.


DS: What can we expect to see from PopHorror this year and do you have any exciting announcements or new additions to the website that you’d like to mention or promote?


  • TDR: We plan on hustling and grinding as per usual. We have a lot of things in the works and are trying to expand and reach out to more people. Perhaps a podcast as well… but that’s still a MAYBE.


  • DS: Is there anything you’re really fond of when it comes to your website? Are there any particular segments or special content that you really enjoy and look forward to publishing?


  • TDR: I really enjoy interviews and editorials. Both are personal and enlightening. With interviews, whether it’s me or one of my writers, I love that we get to talk with people we admire and learn about their lives. With editorials, it’s like a writer is giving a piece of themselves to the world. It’s personal and I enjoy reading someone’s thoughts on a subject versus reading a review. Don’t get me wrong. I love reading and writing reviews. But you can read a review about the same movie a million times. Editorials are unique and specific to the person writing it. Sometimes that’s a breath of fresh air.


  • DS: As a writer and producer, do you have any upcoming projects you’re anticipating that you’d like to let your fans know about?
  • TDR: I have a couple of writing ideas that I’m wanting to do but nothing set in stone – so I’ll announce that a bit later. As far as producing, one of my biggest projects I’m involved with is 13 Fanboy and I’m co-producing. So many amazing people are involved with this Deborah Voorhees, Kane Hodder, Dee Wallace, Corey Feldman, and many more. It’s also getting a theatrical run!




  • Some of my other producing projects are the third and last installment of Volumes of Blood aka Volumes of Blood: Devil’s Knight. P.J. Starks is a wonderful dude and friend and I’m proud to be apart of it. There’s a killer cast with this one as well.



  • I’m also helping with Brooklyn Ewing’s upcoming anthology Tales from the Creep, which is super exciting because I love horror anthologies. Plus, Brooklyn is my fucking hero. She’s amazing at everything she does, and I adore her.

    Brooklyn Ewing



  • And then Anthony Raus’ short that I’m involved with ABSTRACTION landed a distribution deal recently so that’s pretty awesome as well.



  • DS: Aside from PopHorror.com, where can people follow you and stay up to date with your work? Are there any social media platforms you’re currently active on?


  • TDR: First, I want to say that I’ve written several other sites both big and small. I’ve left most of them as to focus my time on things and sites that actually matter to me. On that note, beyond PopHorror, I do also write for Shannon McGrew’s Nightmarish Conjurings and James H. Carter II’s Creepy Kingdom. I’m always open to writing for other sites as well as long as they’re good people whose actions reflect their words. Too many people say one thing and do another. And I’m not about drama. I’m a simple girl who loves all things nerdy and horror and supporting other people. That’s it. Haha… sorry I got a bit sidetracked with that response.



  • DS To wrap up, we like to ask one final question. If you could pick one, and only one, what would you say is your all-time favorite horror film?


  • TDR: As a horror fan yourself, you know this is damn near fucking impossible. I suppose if I had to chose one and only one it would be A Nightmare on Elm Street 3: Dream Warriors. I love everything about that film, and it has some of the best and creative kills in a horror movie ever!


  • Second runner up would probably be Trick R Treat. I mean, I have a huge obsession with Sam and I just LOVE horror anthologies.
Monster Interviews: Stephanie Malone – Women In Horror Month

Monster Interviews: Stephanie Malone – Women In Horror Month

As we celebrate Women In Horror Month, I wanted to highlight those behind the scenes who don’t receive the credit they rightfully deserve. In the first interview I’m thrilled for you to meet a Woman who is deeply dedicated to the genre, and who is the owner of her very own horror based website, MorbidlyBeautiful.com. It’s a beautiful aesthetic website that’s quickly ascending through the ranks in popularity and is definitely one of the top sources for all things horror. As their tagline reads, “We Bleed Horror.”

I had the chance to ask the multi talented Editor In Chief of Morbidly Beautiful, Stephanie Malone, a few questions for Women In Horror Month. Her website is one that’s constantly on the rise and is a quality source for everything horror. It’s truly a website that has all its bases covered in terms of content.

Stephanie Malone is an experienced graphic and web designer, copywriter, Art and Creative Director, and Marketing professional. She studied Film, English, and Marketing at University of Texas at Austin. She’s also the founder and editor-in-chief for morbidlybeautiful.com. As an avid supporter of indie film, she’s been involved in numerous short and feature films in the roles of producer, art director, and publicist.

Stephanie founded morbidlybeautiful.com three years ago as a way to further her support for indie film and celebrate her lifelong love of all things horror. The site was founded with a mission to shine a spotlight on some of the lesser known talent in the genre, covering the people and projects that others aren’t covering, and to provide thoughtful and high quality content you can’t find anywhere else.

  • DS: Do you you recall when you first fell in love with horror? Can you remember how old you were and what it was that captured and sparked your imagination and interest in the genre?
  • SM: That’s such a hard question because I honestly can’t recall a time when I wasn’t a horror fan and when loving horror didn’t feel like such a core part of my identity. From as early as I can remember, I was watching horror films – shockingly adult ones at that thanks to my wonderfully liberal parents. As strange as it sounds, I can’t recall ever having a nightmare. Horror never scared me in that upsetting kind of way. It excited me, thrilled me, got my blood pumping. It gave me an adrenaline rush nothing else could ever quite top. I just felt such an instant connection with all things creepy and what most “normal” people would call disturbing.I think really creative people tend to be especially drawn to the genre because it offers such a fantastical escape filled with the most creative monsters, creatures, supernatural magic, incredible effects, and truly mind-blowing artistry. As a passionate creative from practically the moment I came into this world, I was always drawn to the magic and wonder of the genre — and I always thought it was more titillating than terrifying.
  • DS: As most fans of the genre might know already, you own and operate your own horror based website. What made you decide to create the website, and can you elaborate on how it all eventually came about? 
  • SM: It’s such a strange story, and a bit of a long one. But I’ll do my best to keep it brief. I have a diverse background, which includes writing, graphic design, web design/development, and film. Prior to starting the site, I was regularly working with indie filmmakers on micro budget horror films as Producer, Art Director, and sometimes Publicist. Strangely, as much as I love to write and do so professionally, I had never explored horror journalism. But an opportunity came about for me to potentially join a horror site a couple of my friends wrote for.As with most things in life, my timing ending up being terrible. The site folded right when I was working on my audition pieces — a couple of interviews with indie filmmakers that I was very excited about. For some reason that I can’t quite explain, I felt driven in a way I never had before to get more involved in the horror community and really make my voice be heard.
  • Fortunately, I had the right skill set for the job. In a matter of days, I had built my site from the ground up, created my brand, published my first couple of articles, and recruited my first few writers to help me out. It was an overwhelming but exhilarating process — and one I still can’t believe I actually went through with.
  • When I started the site, however, I had no intention of it becoming what it is today. I was fine with it being a tiny, obscure little site for me to express myself and help support the indie filmmakers and artists I loved. The fact that it’s grown to what it is now in a few short years and that so many amazing talented people have agreed to come on board and build this site with me means more than I can express. It honestly blows me away every single day. I feel so honored and so constantly rewarded in ways I could have never imagined.
  • DS: You’re website’s named MorbidlyBeautiful.com. How did you come up with the name and what does it mean to you specifically? Does it have any hidden meaning or connotations pertaining to you or the fans of your site? 
  • SM:It stems from a couple of places. First, as a graphic designer by trade, aesthetics are really important to me. I wanted to create a site that celebrated the dark, creepy, and horrific. But I really wanted it to look beautiful and be a place genre fans enjoyed visiting. I wanted to pay respect to the incredible artistry reflected in so many aspects of the genre by building a platform that truly honored those contributions in both style and substance.
  • Personally, I found the macabre very beautiful. I find so much true art and talent in the genre, and I hate when people try to disrespect or diminish horror, as if it’s somehow a lower art form. For example, it infuriates me (much as it does many horror fans) that the Academy consistently overlooks brilliant horror films and performances. I hate that we have to label films as something other than horror (ie, calling “Get Out” a social thriller rather than a horror film) so that they can be taken seriously. For me, the name Morbidly Beautiful honors the fact that something can be dark and disturbing and still be considered beautiful, artful, and worthy of praise and appreciation.

DS: A lot of times, horror fans tend to receive bad reputations. What are your thoughts on the horror fan base and how vital are they to the success or failure of our beloved genre?


  • SM: Honestly, that boggles my mind that horror fans would be held in anything other than the absolute highest regard. It’s been my experience that genre fans tend to be among the most passionate, genuine, loyal, accepting, and friendliest people around. Over and over when we interview horror actors, filmmakers, and artists, they talk about how amazing and supportive the horror community is. This is especially true for actors who work in other genres and see how different and special horror fans are.
  • For whatever problems social media brings, it has also given us an incredible opportunity to connect with others who think like we do and appreciate the same wonderfully weird things we appreciate. Before social media, I often felt like an outsider due to my passion for horror. I had no idea there were so many people who felt exactly how I felt — and that they were such insanely cool and interesting people. It has been so validating to really immerse myself in this community and feel, for the first time, like I am really a part of something and that my “weirdness” is perfectly acceptable and actually pretty awesome.
  • For those who are also able to get out to some of the cons and film fests, it’s the best way to further reinforce how wonderful this community is. There is absolutely nothing like being a room packed wall-to-wall with people who geek out over the same things you geek out over and who really love and accept you for who you are.


  • DS As a female working in the genre, what does Women In Horror Month mean to you and how important do you think it is to continue to acknowledge and support the amazing women representing the genre?


  • SM: I guess you could call me a proud feminist, in that I truly believe in equal opportunity and representation. More than a feminist, I’m a humanist and value equality for all. Honoring women in horror as been a key tenant of the site since it began, and we do it all year round. We may go big in February to take advantage of the increased momentum and awareness surrounding women in horror (thanks to tireless efforts and vision of Women in Horror Month Founder, Hannah Neurotica, an inspiration and idol of mine). But our commitment to bringing attention to the many incredibly talented and often unsung women working in the genre is something that never takes a break or a backseat.

    Hannah Neurotica

  • I’ve heard many people, men and women alike, say that we may not need Women in Horror Month anymore. But I vehemently disagree. As much progress as we’ve made and as far as we’ve come in many ways, we still have so far to go. We still have a problem of under representation and a unequal access to opportunity and exposure. When people think of Women in Horror, they so often think of actresses and “Scream Queens”, and that leads them to conclude that there’s plenty of representation.
  • But, as another one of my heroes, Jovanka Vuckovik, said, “When it comes to horror, women are more often seen than they are heard. In other words, people are more familiar with scream queens than they are the contributions of women behind the scenes.” True equality means equal opportunities for and recognition of screenwriters, directors, special effects artists, composers, authors, artists, and the many other talented creators responsible for making this genre as truly incredible as it is.

    Director Jovanka Vuckovic


  • DS: Going forward, what do you come to expect from Women In Horror Month, and is there anything in particular you’d like to see branch out of WIHM?


  • SM: Once thing I definitely want to say is that I’m so incredibly proud that this is a genre that does tend to give a damn. We most certainly need a Women in Film Month, as the problem of under representation is much broader than horror. I know some people find it strange that we have this month dedicated to such a niche portion of entertainment as a whole. But that’s because there are passionate activists like Hannah Neurotica and the Soska Sisters who are at the forefront of change and driving the conversation in a way no one else is. I am beyond honored to be a very small part of helping champion this cause. And it’s been so heartening to see the growing support and recognition for this important event throughout the community.

    Soska Sisters

  • At Morbidly Beautiful, we try every year to do a little more, push out as much great content as we can, and find new ways to engage the community during Women in Horror Month. I’ve also seen so many other sites and journalists taken up the mantle and becoming champions for change. Honestly, I think we just need to keep having these conversations and all working together as a community to create a future (hopefully a not so distant one) where we no longer need a Women in Horror Month. The best thing that could happen to Women in Horror Month is for it to go away because it’s no longer relevant.


  • DS: What can we expect to see from Morbidly Beautiful this year and do you have any exciting announcements or new additions to the website that you’d like to mention or promote?


  • SM: The site is growing at such a rapid pace, and honestly I’m just trying to keep up with that growth and not sacrifice quality. Each year, I’ve slowly been growing our writing family to bring on more great talent and unique points of view. This year, we’ve had more interested applicants than ever before, and I’m beyond thrilled about the level of talent and passion we’re adding to the site. I’m also so excited by our efforts to expand our focus on diversity, bringing on writers with specific expertise and background in this area.
  • We’re also partnering with some of our favorite platforms and distributors to bring even more unique content, highlighting some of the best horror releases from Shudder, Vinegar Syndrome, Scream Factory, and Unearthed Films to name a few.
  • We’ve been given tremendous access to expand our coverage of some of the world’s best film festivals and horror conventions. This will enable us to bring our readers exclusive and early access to some of the most anticipated new horror films and the best up-and-coming filmmakers everyone should know about.
  • We post new content daily, usually multiple new articles a day. And we’ve been adding a ton of new features we think and hope our readers will love. Be sure to follow us on social media and turn on post notifications to stay updated on everything new and exciting happening at Morbidly Beautiful.


  • DS Is there anything you’re really fond of when it comes to your website? Are there any particular segments or special content that you really enjoy and look forward to publishing?


  • SM: The thing I’m most proud of when it comes to the site is our extremely diverse writing staff and the incredibly high quality of content they produce. As much as I’m a huge fan of so many other horror sites, I do believe we produce truly original and thought provoking content not available anywhere else. I especially love our commitment to celebrating underrepresented voices in indie film making and in all aspects of the genre — including focusing on diversity, LGBTQ, minorities, and women in horror.
  • My favorite articles are the in-depth opinion and analysis pieces — the ones that take a really thoughtful look at the genre and treat it with the respect and reverence I believe it deserves. I’m a true horror nerd, and I absolutely love articles that take a scholarly approach to the great work being produced in the genre.
  • I also love articles that bring together several writers to share distinct points of views on a subject. I’d love to see us do more of these, including group reviews, best of lists, holiday horror guides, and more. I love anything that highlights the incredible range of talent we have working on the site.


  • DS As a writer, graphic designer and producer, do you have any upcoming projects you’re anticipating that you’d like to let your fans know about?


  • Besides my day job as a professional Creative Director/Designer/Copywriter, almost all of my time is devoted to Morbidly Beautiful. Thankfully, it’s an incredible outlet that combines all my passions — allowing me to write, edit, design, market, and aggressively support indie film. Any outside creative projects I take on are purely passion projects where I want to help support a project, company, or cause I really believe in. I have a couple of things I’m working on, but nothing I can really talk about just yet.
  • However, I am one of the producers on the new indie horror film Crepitus, starring Bill Moseley as a killer clown, and I’m super excited to have everyone see that hopefully later this year.


  • DS. Aside from Morbidly Beautiful.com where can people follow you and stay up to date with your work? Are there any social media platforms you’re currently active on?


  • SM: I’m very active on Morbidly Beautiful’s social channels: Facebook and Instagram at  @morbidlybeautifulhorror and Twitter at @xmorbidbeautyx. Personally, I’m most active on Instagram at @srgreenhaw. And I’ve made a vow to get back into Twitter. You can find me there at @smalondesign.


  • DS: To wrap up, we like to ask one final question. If you could pick one, and only one, what would you say is your all time favorite horror film?


  • SM: This is the one question that isn’t difficult for me to answer because I always go with the film that first made me fall head over heels in love with the genre, the film that helped launch my favorite subgenre of slasher films, and the one that produced my all-time favorite killer: John Carpenter’s Halloween. I know it’s basic and not reflective of my diverse love of cult, indie, foreign, underground, arthouse and extreme horror. But, to me, it’s a damn near perfect film whose unquestionable impact and influence on the genre cannot be denied.
Danielle Harris : Women in Horror Scream Queen

Danielle Harris : Women in Horror Scream Queen

Danielle Andrea Harris, possibly the littlest of the scream queens, but one to be reckoned with as her résumé speaks for itself.

There are so many overly talented women in the horror industry, that it seems nearly impossible to pick one for me to spotlight. I always try to focus on and bring light to those behind the scenes , the writers, director, make up artist’s, and i usually  also to pick a new up and comer  from the independent film circuit. I thought long and hard about it, and realized I wanted to give credit to where credit is due as well.

My personal pick for Women in Horror Month(WIHM) this year, Danielle Harris. Born in Long Island New York in 1977 the talented young lady is so much more than meets the eye. With over 90 acting titles , she has also directed two films, ( Among Friends (2012) / Prank (2008) and is associate producer to Blood Night: The Legend of Mary Hatchet (2009). Harris has also made numerous appearances on many t.v. shows as well as doing voice overs The Rugrats cartoons.

Landing her first role, and a good-sized role it was as Jamie Loyd in  Halloween 4 : The Return of Micheal Myers (1988),and the very next year in Halloween 5: The Curse of Micheal Myers(1989)  Harris was only 11 years old and well on her way to make a name for herself. Funny, one of her smaller roles, Urban Legend, she played goth college room-mate Tosh Guaneri, is actually in fact one role that I always remember her for.



Harris has kept herself busy, but it was in 2007, when Rob Zombie’s Halloween was released and Harris was back home, this time as Annie Brackett. As fate would have it, two years later she follows up her role with Halloween II. Her performances in both were strong characters, and I think that’s why I liked them so much, and Harris nailed it.

While not playing the lead role, hers while even a short woman in height , made up for in it attitude and strength. Even while being thrown around the house like a small toy doll being butchered by the likes of Micheal Myers, she always had fight in her, and she portrayed it quite well!

From return roles in Hatchet 2 & 3 , to playing pregnant in StakelandSee No Evil 2, Havenhurst, Chrome-skull:laid to Rest 2 just to name a few the past few years have been very busy for Danielle Harris.

Having been fortunate enough to had met Danielle Harris about 12 years ago in Orlando at Spooky Empire Horror convention, I can first handedly  say that yes….she is all her 4’11, but is a giant at heart. Harris is a very down to earth woman who sincerely appreciates her fans.

And am I the only one that shows Harris love, no, most certainly not! Danielle Harris has not only been nominated for her work, her acting has also won her awards for Best Actress in 2012 at The Burbank International Film Festival for Shiver, as well as Best Actress at the Fear NYC 2017 for Inoperable. And my favorite, Fangoria Chainsaw Awards for the Fangoria Horror Hall of Fame ! All in my eye, well deserved.

So to you , Danielle Harris, congratulations as you have inspired me to nominate you, a true Horror Icon,  as a proud Women in Horror.


Keep it Evil


Posted by John Roisland in Categories, EDITORIALS, WOMEN IN HORROR, 1 comment

WiHM9 Blood Drive, PSA #2 – B[e] Positive

Happy second PSA of Women in Horror Month, Souls! House of Tortured Souls is pround to present the second entry in this year’s Women in Horror Month Blood Drive.

Today’s PSA comes to us from Los Angeles writer/director Joe Magna.

Oh, and before we continue, here’s the obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

And without further ado, behold the amazing second Blood Drive PSA of Women in Horror Month:

B[e] Positive

By Joe Magna


Joe Magna is a Los Angeles-based Writer & Director, specializing in surreal fantasy and candy-coated nightmares.
Joe’s creative work spans through Television, Film and Theme Park development.
In addition to recently writing and directing the short film “B[e] Positive” for the Twisted Twins’ WIH Massive Blood Drive, Joe Magna will be releasing two additional short films that he wrote and directed, coming soon in 2018.
Joe Magna is currently working in creative development on several Theme Park attractions overseas.


I celebrate Women in horror month every month. Without the wonderful women of the horror genre, we would have no Frankenstein [thank you Mary Shelley]. We would have no Creature from the Black Lagoon [thank you Milicent Patrick]. And we would cease to exist.

I think these days more than ever, we need to remind ourselves that each of us emerged bloody and crying from the womb of a brave and strong woman.

It is my pleasure to be a part of this collection of short films that celebrates the wonderful women of Horror.


Blood is life. It’s in all of us. For most of us, it flows in abundance.
But there are those out there less fortunate.
Donating blood means donating life. Now more than ever, we need to band together to help our brothers and sisters in need.
Not all of us can donate financially. But nearly all of us can donate the fluid of life to help someone else live theirs.
It’s truly in you to give . Thank you for donating blood. Thank you for being a true hero.


Writer, Director, Editor: Joe Magna
Cinematography, Music, Sound Design: Richard Trejo
Production Design: Alex Napiwocki

Jill Evyn
Stephanie Gail Williams
Christina Westbrook
and Noel Jason Scott as Harvey Winesnob

Check out the first PSA:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM: Elvira, Mistress of the Dark

WiHM: Elvira, Mistress of the Dark

Cassandra Peterson as Elvira / Fair use doctrine.On September 17, 1951, the world was gifted with The Mistress of the Dark. Born in Manhattan Kansas, Cassandra Peterson a.k.a. Elvira started her life with a mishap that led to her success. As a toddler, she had accidentally pulled a pot of boiling water down onto her. This burnt about a third of her body and left permanent scarring. After moving to Colorado Springs, CO, at age 7, she endured the harassment of other school children and was extremely shy due to the scarring. She would later use this experience, a place she quoted as “all the freaks come from” to help inspire her Elvira persona.

Growing up, Cassandra’s mother ran a costume shop and she loved playing model for her. She told Biography.com:

I would pick out whatever was the hot costume that year — Ginger from Gilligan’s Island, I Dream of Jeanie, Miss Kitty from Gunsmoke — and my mom would make one in my size, so I would wear costumes to school all the time. Everyone thought I was a total freak. But I knew I would grow up and wear a costume one day, and that’s exactly what happened.

Cassandra Peterson as Elvira / Fair use doctrine.At 17, she became the youngest showgirl in Las Vegas in a show titled Vive Les Girls. After stints overseas as a singer and dancer, she came back to the United States as a star of her comedy show. This led to years of her being part of the best improv groups in LA, The Groundlings, working with famous comedians such as Paul Reubens and Phil Hartman. But, in 1981, the true star was born. She auditioned for a role as a horror movie hostess for a local LA TV station. The show was called Movie Macabre and her hostess name was Elvira, the Mistress of the Dark. She became a household name in no time.

Everyone loved the wickedly vampish hostess and her quirky commentary for the B movies she showed. She was never cruel or mean, just enough of a jab to make it hilarious. She also never took herself too seriously. She loved the persona of Elvira and helped it come to life not just on TV but with successful movies and home videos as well. 1985 brought us her home video series known as Thriller Video. The feature-length film Elvira, Mistress of the Dark was released in 1988. Cassandra co-wrote, produced and starred in it. Next came Elvira’s Haunted Hills in 2001, which she also co-wrote and produced. She is a lady of many talents and quickly became an icon in the horror/Halloween world.

Funko Pop Elvira / Fair use doctrine.Now, over three decades later, Elvira is still adored by millions. You can find Cassandra on the convention circuit where she loves meeting fans. Her licensed image can be found on shirts, purses, pinball machines, Pop dolls and more. A recent photobook Peterson released celebrates 35 years of beauty with over 350 images of the Queen of Halloween. And I suspect that she will hold that title forever.

Your adoring fan forever,
Cassandra Peterson as Elvira / Fair use doctrine.

Posted by ZombieGurl in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #28 – The Newish Testament

WiHM9 Blood Drive, PSA #28 – The Newish Testament

Good evening and happy twenty-eighth night of Women in Horror Month, and House of Tortured Souls is proud to present the final entry in this year’s Women in Horror Month Blood Drive.

Tonight’s PSA comes from Jamie DeWolf.

The following may be offensive to some, but in the immortal words of mister John Cleese, “Some people deserve to be offended”….

Without further ado, behold the wicked final Blood Drive PSA of Women in Horror Month:

The Newish Testament

By Jamie DeWolf


An irreverent romp through the Garden of Eden, on a quest for the origin of the First Blood.
Directed, shot, written and edited by Jamie DeWolf and Sharkey Stiletto


For this short, we wanted to confront widely held fairytales through a critical eye.
This lead us down some zany paths, on a quest of what makes blood magical and what makes it absurd.


A.J. Kirsch as Adam
Sadira LadyLiquid as Eve
Jordan Ranft as God
Asher Kennedy as Sampson
Zoë Rountree as Delilah
Jamie DeWolf as Joseph
Nazelah Jamison as Mary
ChaCha Burnadette as Goddess
Dre AKA Duke Bossman as Jesus Christmas


JAMIE DEWOLF is a writer, performer, film director, show producer and circus ringmaster from Oakland, CA. A filmmaker since his teens, DeWolf wrote and directed his first feature film Smoked, a “fast paced, smart, witty dark comedy crime caper” about a botched Cannabis Club robbery in Oakland. The film is described as “Mean, bloody and demented. It’s also piss-your-pants hilarious, maddeningly nihilistic…and an insanely energetic romp.” Smoked was picked up for international distribution by Indican Studios, who also released the cult film Boondock Saints.
DeWolf’s original short films, known for their provocative and boundary pushing subject matter, have won multiple awards from “Best Acting Performance” (A Girl and a Gun Briefs 2013), “Most Terrifying Storyline” (U Turn Scream 2013), “Best Cinematography” (Ricochet in Reverse Scream 2014), and “Best Writing” (Rio Grind 2014). His short films Hey Baby Hey and OK Monster! both won the Grand Prize Audience Award the year of their premiere. His shorts Double Agent and Black Out were both chosen to be featured at the CineKink Film Festival in NYC. His short U Turn was selected for The Invoking 2, a feature length horror film anthology franchise by Ruthless Pictures. He was voted “Best Film-Maker” by the East Bay Express in 2016.
DeWolf has made a dedication to intertwining cinema and social activism, shooting and directing over 32 films for the Bigger Picture Project, an acclaimed, statewide series of films on the youth prevention of Diabetes. The series was featured in the NY Times, the PBS NewsHour, Colorlines and KQED. He’s helmed national film campaigns for the Raise Up Project focusing on the high school drop-out crisis, the Write Home Project which was coupled with a writing program on youth homelessness, and the Off/Page Project in partnership with the Center for Investigative Reporting. The Off/Page Project resulted in the trilogy Whispers from the Fields, This is Home and Locked (in), acclaimed for creating a new hybrid of “lyricism and facts”. His films have accumulated over 5 million shared views across the world, winning the Real Food Media Grand Prize two years in a row with the films Thin Line and Home Flavored, and received the Spirit of 1848 award from the American Public Health Association. He continues to direct and shoot a variety of projects from documentary, music video and narrative films.
Currently DeWolf hosts his variety show Tourettes Without Regrets every First Thursday in Oakland, tours with NPR’s storytelling series Snap Judgment and is writing his next feature film. You can find his CD Vaude Villain featuring his comedy performances on Itunes .

Check out the other PSAs:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM Interview: The Inimitable Barbie Wilde

WiHM Interview: The Inimitable Barbie Wilde

Woofer here, Souls, and it’s my great pleasure to introduce this interview. When discussing Women in Horror Month with my assistant editor Spencer, we decided that as fans of Hellraiser – both as the Books of Blood and the film franchise – we would be completely remiss if we didn’t reach out to Barbie Wilde. Being both talented and gracious, she consented to be interviewed and is our final focus for Women in Horror Month.

Barbie Wilde - Female Cenobite Hellbound: Hellraiser II (1988)

Well, that’s enough of my yammering. You’re all here to find out more about the lovely, talented, and kind Barbie Wilde, so keep on reading.
House of Tortured Souls: Did you ever think you would become a horror icon?
Barbie Wilde: I never did… And it’s a bit ironic that I nearly didn’t go to the audition for Hellbound Hellraiser II, because I found the first Hellraiser film so disturbing. (Although I did love the character of Julia. I’m a sucker for obsession! And the Cenobites were such original and unusual monsters.)
However, I’ve very glad that I did go, obviously. Being in Hellbound was a great experience and, speaking as a short blonde person, I’m truly thrilled that I’ve managed to scare so many people over the years.
HoTS: What is your favorite memory from working on Hellraiser II?
BW: Meeting Ken (Dr. Channard) Cranham for the first time. I walked up to him in full Female Cenobite makeup and costume, when he was in full Channard Cenobite makeup and costume — and on the phone to his wife as well! For some reason known only to the infernal powers below, I said: “Hi Ken, I’m Barbie. Do you want to get married and have babies called Pepper and Skipper?”
Why I thought that this was an appropriate way to introduce myself for the first time to such a venerable actor as Ken, I don’t know. Especially since he was English and had no idea that there were these famous American dolls called Barbie, Ken, Pepper and Skipper. (In Britain, the Barbie Doll equivalent is called Cindy.) In my defense, I do say this line to every “Ken” I meet, because for some strange reason, I think it’s hilarious.
Anyway, Ken was gobsmacked and whispered to his wife, “Darling, an actress is talking to me… I’ve got to go.” I apologized profusely and we’ve been good friends ever since.

The Lovely Barbie Wilde

HoTS: What was it like working with Tik and Tok?
BW: The years with Shock in the early 80s were fantastic. It was the most fun that I’ve ever had as a performer. Working with Tik and Tok was wonderful, as well as performing with Robert Pereno, LA Richards, and Carole Caplin. The high point for us was supporting Gary Numan at Wembley Arena, but we also toured with Depeche Mode and supported Ultravox as well.
HoTS: Who are some of your greatest influences?
BW: As a writer: Rod Serling, Patricia Highsmith, Clive Barker, Hemingway, Raymond Chandler, Colin Wilson.
Directors I admire are: Guillermo Del Toro, Hitchcock, Ridley Scott, the Soska Sisters, Ann Biller, Katherine Bigalow, Mary Harron, Agnieszka Smoczynska, Patty Jenkins.

Barbie Wilde's Blue Eyes - A Film By Chris Alexander

HoTS: How do you prepare for a role? Is it different for each?
BW: I approach each role in a new way. I don’t use any particular “method”. I’m very intuitive and I take a lot from the text…
HoTS: Why horror? What drew you to it?
BW: To be honest, I didn’t choose horror, horror chose me! I had moved from acting into presenting, writing and hosting TV shows when I was cast in Hellbound. It was my first horror movie. (Although I suppose being in Grizzly II: The Concert (1983) was my first appearance in a horror movie, but it was never released.)
It’s interesting, because until Paul Kane asked me to write a story for the Hellbound Hearts anthology, I was more interested in exploring the criminal mind in writing novel like my diary-of-a-serial-killer novel, The Venus Complex (published by Comet Press), than writing horror. But I had so much fun writing my Female Cenobite origin story (“Sister Cilice”) for Hellbound Hearts, that I continued writing horror, contributing short stories to various horror anthologies over the years, culminating in my illustrated, full color, short horror story collection, Voices of the Damned (published by SST Publications).

The Venus Complex (2012) by Barbie Wilde

Saying that though, I’ve always watched horror movies, ever since I was a kid, especially Sci-fi horror. Those films really shaped my twisted imagination! And TV shows like The Twilight Zone and The Outer Limits also made a big impression on me.
HoTS: What are your favorite horror films?
BW: I love the old black and white horrors like: The Thing From Another World (1951), Invasion of the Body Snatchers (1956), The Innocents (1961), The Haunting (1963) and Night of the Demon AKA Curse of the Demon (1957). I also like visceral horror such as Carpenter’s The Thing (1982) and Alien (1979). Other favorites are: American Mary (2012), Sinister (2012), Audition (1999), The Lure (2015), Cronos (1993), Mimic (1997), Crimson Peak (2015), etc. (I’m really looking forward to seeing The Shape of Water and the Soska Sisters’ reimagining of Cronenberg’s Rabid.)
HoTS: What drew you to writing? Do you prefer it to acting?
BW: I’ll always love acting, but now I prefer creating my own worlds, my own characters and my own mythologies.
HoTS: When did you realize that you wanted to dive into the arts?
BW: I was a very shy kid, but when I was cast in a school play when I was 12, I was hooked forever. People were laughing with me, rather than at me. I loved it.

Voices of the Damned (2016) by Barbie Wilde

HoTS: What is something outside of art that you’re passionate about?
BW: Wine… Margaritas… Martinis… you see a pattern here? Actually, those are just hobbies! Seriously, I’m fascinated by archeology (it was my Minor at University) and I love what’s happening in the world of science with all the innovations that are happening, medical discoveries, etc. And I’m a tech geek. I never would have guessed that I’d love gadgets so much. I suppose it’s the Star Trek fan in me!

Barbie’s books and other works:

Out now:

Voices of the Damned, an illustrated short horror story collection published by SST Publications. (Publishers Weekly: “…sensual in its brutality.” “…a delight for the darker senses.”) Each story is illustrated in full color by top artists in the horror genre, such as Clive Barker, Nick Percival, Daniele Serra, Vincent Sammy, Tara Bush, Steve McGinnis, Ben Bradford and Eric Gross.

Barbie Wilde - Female Cenobite with knife in Hellbound: Hellraiser II (1988)

The Venus Complex, Barbie’s debut dark crime, diary-of-a-serial-killer novel, published by Comet Press. (Fangoria: “Wilde is one of the finest purveyors of erotically charged horror fiction around.”)

In pre-production:

A feature length horror film called Blue Eyes, based on a short story by Barbie. It’s co-written with Chris Alexander (Blood for Irina, Queen of Blood, Female Werewolf, Blood Dynasty, Space Vampire) and will be directed by Chris. Starring Nivek Ogre of Skinny Puppy.


Film Script: “Zulu Zombies”.
New real life horror novel, working title: The Anatomy of Ghosts.

Plans for the future:

To find a publisher for graphic novels based on Barbie’s short stories “Sister Cilice” and “Zulu Zombies”.

The Offer (2017) - Barbie Wilde

In 2017, Barbie returned to acting after 17 years in The Offer, the first episode of the horror series, Dark Ditties, produced by Cult Film Screenings.

Barbie Wilde Social Media:

Barbie Wilde - Classic Beauty

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM Salute: Deborah Voorhees

WiHM Salute: Deborah Voorhees

Deborah VoorheesWhat’s in a name?  If you are the subject of this latest Women in Horror Month piece, the answer can be everything.  In 1985, Deborah Voorhees (then known as Debi Sue Voorhees) was an unknown actress and former Playboy Bunny, whose biggest acting gig was a 7 episode run on the TV series Dallas.  That changed when she went for an audition of the fifth installment of Friday The 13th.  She would beat out future Friday The 13th alum, Darcy DeMoss for the role of Tina in Friday The 13th: A New Beginning.

Deborah VoorheesIt was in the role of Tina that Deborah would have one of the most memorable deaths in the franchise.  Her eyes were sheared by a pair of hedge clippers.  Unfortunately, A New Beginning is often the most criticized film in the series.  Why?  Because Jason isn’t the killer and it is the disgruntled ambulance driver, Roy? (If that is a spoiler for anyone, the movie came out 33 years ago, so spoiler rules don’t apply.).   What is funny about Voorhees (who was going to be cast in the movie one way or another because of her last name) is when you talk to her about horror movies, she is an admitted scaredy cat.

Deborah VoorheesSo what has happened to Deborah Voorhees since Friday The 13th Part 5?  She has tried her hand in a couple different fields.  Voorhees was a teacher and also has worked for The Dallas Morning Times.  She has also began writing, producing and directing films for her own company, Voorhees Films.  Just recently, she ran a contest where fans could submit a “kill” for her upcoming Horror/Comedy, The List.  Deborah Voorhees also runs and moderates a Facebook Page called Deborah Voorhees Shear Horror Group.

As far as what is in store for Deborah Voorhees.  She has hinted at a new project.  Not much is known about this mystery project except that it incorporates some of her fellow Friday the 13th Alumni.  So we have something to look forward from Deborah.  Deborah also has attended some Conventions in the last year, including Texas Frightmare and Horror Hound last year.

So please join me in saluting the Deborah Voorhees (Tina in Friday the 13th: A New Beginning) and let’s wish this multi-talented woman a very Happy Women in Horror Month!

Deborah Voorhees

Posted by Crypt Keeper Clint in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #27 – The Love Swallows

WiHM9 Blood Drive, PSA #27 – The Love Swallows

Good evening and happy twenty-seventh PSA of Women in Horror Month, and House of Tortured Souls is proud to present the nxt entry in this year’s Women in Horror Month Blood Drive.

Tonight’s PSA comes from Nicole McClure.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the awesome twenty-seventh Blood Drive PSA of Women in Horror Month:

The Love Swallows

By Nicole McClure


Nicole McClure is a writer, director, editor, colorist, and VFX artist. A woman of many talents, Nicole’s body of work is as diverse as she is. Regardless of what position she holds on a production, her work always elevates the pieces to a whole new level.
A two time WiHM Massive Blood drive director before this with her partner, Aramis Sartorio, the two have a hilarious, often shocking, and blood fantastic take on horror to get you in the mood to donate blood.


Megan Duffy
Matt Mercer
Aramis Sartorio


Production Design………George Hale
Gaffer………Miles Kittrege………
Photography by………Nate Liquor
Pony Gold
Nicole McClure

Special Thanks:

Matt Suchesi
Kaeli Quick
Michael Snyder
Sebastian Love
Mylissa Ftizsimmons
Blame Mercury
Jen & Sylvia Soska

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM: Interview with Rakefet Abergel of Jax in Love (2017)

WiHM: Interview with Rakefet Abergel of Jax in Love (2017)

Hey horror fans, Horrormadam here with a Women in Horror interview with the amazing stand-up comedienne, actor (Superbad, Just Go With It, and My Best Friend’s Girl), director (Girls on Girls), and writer (Jax in Love, Live) Rakefet Abergel. We are here to discuss the wonderful short film Jax in Love.
First, let me give you the premise:
A mysterious and lonely young woman, Jax (Rakefet Abergel) is traveling through the expansive desert of the American West, in search of some tangible connection, a kindred spirit or like-minded soul with whom she can bond. When her car breaks down in the middle of nowhere, her journey takes a dangerous turn, and we learn this seemingly sweet woman may not be who she seems at all. How far will she go for love? Will she make it out of the desert alive?
—Written by Nick Laskin
I really loved this film and apparently, I am not alone. The awards that are already pouring in are illuminating.
  • Best Actress in a Short — Nightmares Film Festival
  • Best Horror Short — Hollywood Reel Independent Film Festival
  • Award of Merit — Best Shorts Competition (Leading Actress)
  • Award of Merit — Best Shorts Competition (Women Filmmakers)
  • Award of Commendation — Canada Shorts Film Festival
  • Best Thriller Short Nominee — Women in Horror Film Festival
  • Best of Fest Nominee — Sick Chick Flicks Film Festival
  • Best Actress Nominee — Independent Horror Movie Awards
JAX IN LOVE was directed by Academy Award Nominee (Best Short Film, Live Action, Seraglio (2000)) Colin Campbell and produced by Jory Weitz, the executive producer of Napoleon Dynamite. It also stars John Gammon (Corey and Lucas for the Win, The Middle), Ben Kacsandi (Rio, Please Tell Me I’m Adopted), Devi Veysey (Breaking Fat), and Laura Wiggins (Rings, Shameless).
I certainly do not want to give too much away but one of my favorite things about the film is the role reversal over what we normally see in these kinds of thrillers. So well acted and engaging, this horror short grabs you from the beginning and leaves you wanting more. It is all-inclusive as a short but the action made me hope that not only would it become a feature but hopefully a series. We need more of the main character out there. So let’s get to it.
House of Tortured Souls: My first question for Rakefet, what was your motivation while writing Jax in Love?
Rakefet Abergel: The whole idea stemmed from the desire to write something for myself that was dark and dramatic versus the comedy roles I was used to booking. I also wanted to cast myself in a part I would never get cast in just because of my type. I want to change the way we look at what a “leading lady” is.
HoTS: Are you a big fan of horror and what made you want to do a horror film?
RA: I actually grew up hating horror films. Lol. Not because they’re bad but because they are so good at scaring the crap out of me. And I don’t like to be scared! Of course, that begs the question as to why I made one, for which the only answer I can give is that it wasn’t intended to be a horror film. I didn’t even know it would become one. But based on test audience reactions I quickly realized that I had the genre wrong. I still don’t necessarily consider it a horror film, it has so different tones to it. But attending all these horror festivals has allowed me to watch more horror films then I’ve seen in my entire life combined and I realized that I have a place in my heart for horror now. I kinda get it now. The allure. Especially with the quality of the genre really changing now more than ever.
HoTS: Do you have any favorite horror films?
RA: I actually do love some horror films. Identity was one of my favorite. And The Sixth Sense. Split. Teeth was really good too. I liked the message. Get Out was incredible. I really like psychological horror. Not so much into all of the blood. But a good mind-sc4.
HoTS: It is Women in Horror Month, who are some of your female real life/ fiction influences in horror or other?
RA: All of the women filmmakers I’ve met over the last few months are so inspiring to me! As far as influences, I don’t know. I suppose I’m influenced by everything I’ve ever seen!
HoTS: You have played a lot of diverse roles. Do you have a favorite?
RA: Jax is probably one of my favorites. If not the favorite. As far as comedy, I really enjoyed playing Jodi Flooger on iCarly. That was a fun role. And getting to work with Adam Sandler in Just Go With It and wear a prosthetic nose was pretty cool too.
HoTS: Have you faced any difficulties being a woman in film?
RA: Sometimes as a woman in our society it’s hard to be taken seriously. That’s been something I’ve come up against. That our stories maybe aren’t as important as the ones men want to tell. That we are too emotional or sappy or feminist or whatever. But I don’t generally care that much about what other people think. Or I try not to. I experienced an inappropriate comment on my own set by a crew member. That was shocking. I was his boss. Paying him. And he decided to make a comment about my body and considered it to be a compliment. Unfortunately, since I didn’t want to jeopardize my film and we were on location and I couldn’t lose a crew member, I couldn’t do anything about it. And that was very frustrating. Even when a woman is in power, she can still be harassed and have no real recourse. It’s very unfortunate.
HoTS: In the movie, can you tell me about the tattoo?
RA: Yes! It’s a heart with a set of car keys inside it. It symbolizes Jax’s love for the road and her quest for love and how she goes about it. We give out replicas at the screenings and people really love the idea, so that’s fun. It was designed by my former editor and forever friend Lindsay McKenna!
HoTS: Is this going to be made into a feature?
RA: Possibly. Or a series. I haven’t decided yet. But I don’t think we’ve seen the last of Jax.
HoTS: I love that a great stand up artist went so dark, any plans for more along the same lines?
RA: Thanks for the compliment! 🙂 Yes! I love dark. It’s why I wanted to act. I love the drama. Comedy is fun too, but this is a more satisfying genre for me. I’m writing two very, very dark screenplays at the moment that I hope to also star in, so I’m sure there will be more where Jax came from.
I really recommend that you check this film out. It was a lot of fun and I so enjoyed Rakefet’s performance in it. I want to thank her for taking the time to talk with me and to let her know the darker the better for us! And dear readers always keep this question in mind: How far would YOU go for love?

Rakefet Abergel's Jax in Love (2017)

WiHM9 Blood Drive, PSA #26 – NerdGirls

WiHM9 Blood Drive, PSA #26 – NerdGirls

Tonight’s PSA comes from Adam Marcus, Debra Sullivan, and Bryan Sexton.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the awesome twenty-sixth Blood Drive PSA of Women in Horror Month:


By Adam Marcus, Debra Sullivan, & Bryan Sexton


A native of New York and Connecticut (a feat in itself), at 11, Adam was a PA on his first studio movie. At 13 he was apprentice editing for Columbia Pictures. At 15, he created the Westport Theatreworks Theatrical Company, directing and producing over 50 shows in 7 years. At NYU he won Best Picture in for his film, “…so you like this girl”. At 21, Adam set up his first feature film at Disney and less than a year later he had been hired to write and direct New Line Cinema’s “Jason Goes to Hell: The Final Friday”. At 23 he was the youngest director ever hired by a major studio to write and direct a feature film. He then turned his attention to writing and he and writing partner </ strong>Debra Sullivan, wrote scripts for Paramount (the adaptation of James Patterson’s “Virgin”), Fox (the original “Black Autumn”), and Lionsgate (the box office #1 “Texas Chainsaw 3D”).
In 1995 Adam created the Skeleton Crew TheatreWorks where to this day he trains some of the most talented actors in the industry. This troupe has been the backbone of Adam’s theatrical and cinematic casts.
In 1998 Adam directed the indie comedy, “Let It Snow” starring Bernadette Peters. The film was a critical and festival darling at AFI’s LAIFF (where it won several awards), Sundance, New York/Avignon, the Deauville festival in France among many others. At the same time Adam sold several TV series to Kevin Bright Productions, Imagine Television, NBC, Fox and The WB. Adam then directed the Sony Pictures feature film, “Conspiracy”, which he co-wrote with Sullivan. Starring Val Kilmer, Jennifer Esposito, and Gary Cole. The latest Marcus/Sullivan project written by the duo, is “Momentum”, starring Olga Kurylenko, James Purefoy and Morgan Freeman.
Recently episodes of Adam’s web series, Connected was the winner for best short subject at three separate festivals.
He and Sullivan have recently partnered with long time producer Bryan S. Sexton to form Skeleton Crew Productions. They already have several films slated for release next year and 2 new television series slated for mid- 2018.
As a director Adam has three new films in the pipeline, “The Plantation”, “The Harvest” and “Dread”.
“Secret Santa” is a return to the genre Adam loves dearly. He’s so thrilled to be back, knee deep in blood and madness!


When I was in film school at NYU, there were two films that would change my idea of artful storytelling. The first was Katherine Bigalow’s “Near Dark”. It was a dark, scary, romantic adrenaline rush. As a young man I was not accustomed to seeing a film this kick-ass made by a woman. A woman who not only gave James Cameron a run for his money when it came to action but was far more interested in the connection between it’s characters than the average horror movie. It knocked my socks off. Then I saw Luc Besson’s “La Femme Nikita”. It was a mash-up of all the things I loved about French Cinema and American Movies. At it’s center was the story of a lost young woman who is as bad an anti-hero as you’ll find. But you love her. She is a murderer who is trained to use her pathological talents for the “government”. We’ve seen this story a thousand times and it’s always a bit ham-fisted. Why does this one work? Because it is the story of a woman and the complications of being a woman used by a world of men for their purposes, that’s why! She goes from being owned by the male-constructed system to owning herself. And it was written and directed by a man. It showed me that a man can tell stories about strong, kick-ass women that still get to be feminine. And that was it… I was hooked.
Since then, I have struggled to do the impossible in Hollywood… tell stories about strong women. For twenty-five years I have tirelessly written movies about women, in every genre. Many of those scripts have been bought, but only a few have even been made. Most sit on shelves in studio offices.
Before it was chic to make stories about women, I wanted to.
No, I yearned to. Every time I’d sit down with my brilliant partner, Debra, and come up with a new story, the response from our representatives was always, “For the love of all that’s holy, can’t you please write something with a male protagonist”? That’s something they don’t teach in film school, or in three day seminars on writing movies… if you want a movie to get made, write about men.
Well… fuck that! Seriously. Fuck that!
A couple of years ago, Debra and I wrote a project based on a wonderful novel our company optioned named, Nightspinners. It was the story of twin sisters who can speak to each other telepathically. Again, it’s about ownership of one’s identity. It’s about strong women. One heroic and one psychotic. But both will not and can not be ignored. When we went searching for our director, I said, “It has to be a woman. This is story that should be told by a woman”. We started making a list but our list got tossed out the window when we found out that Jen and Sylvia Soska were repped at our same agency. After much hemming and hawing (“they’ve seen every twin story out there”) they sent them the script. Twenty-four hours later we received a two line response, “Fuck yeah we’ll do Nightspinners! Cause it’s fucking awesome”! Thus began the beautiful friendship between the Twisted Twins and Skeleton Crew.
When the Soskas came to Debra and me to create something for WiHM, we could not have said, “YES” faster. We got to work immediately on hatching our PSA. Enter the NERDGIRLS!
NerdGirls is a film series that Debra and I created over a year ago. It’s about a young woman, Alex, who since childhood has been obsessed with what she was always told was “Boy Stuff”. Comics, Kung-Fu Movies, Superheroes. Her best friend in grade school, a super-serious tom boy, Maxine, even used to beat up the boys in school who taunted Alex for playing with Giant Robots rather than dolls. When Alex was eight, her father left the family and she blamed herself, thinking she was a bad daughter and not “girly” enough. So she abandoned and threw out everything she loved. Her comics and toys and worse of all… Maxine. 15 years later, Alex’s life is a mess. She’s forced herself to be what society thinks of as a “girl”, all the while still daydreaming of comic books and obsessively sketching on anything she can. On the day that she is robbed at her day job, finds her boyfriend in bed with another… man, and is kicked out of her apartment, she stumbles upon a shop selling the same GIANT ROBOT she abandoned years ago. She rushes into the store to find… Maxine is running the place! Rekindling their friendship, Alex finds a new home and the real adventure of her NerdGirl life is about to begin.
Our WiHM PSA is a horror episode of NerdGirls. It’s about the snakepit that is Blind Dating and the power of friendship and ass-kicking femininity! Oh, and did I mention there’s lot of blood?
I’m so excited to be a part of this year’s Blood Drive and WiHM! Not just as a man who loves stories about women, but as a human being who loves stories about all of us!


Debra is an actress/writer/producer. As an actress, over the years, she has appeared in countless plays, films, television shows and commercials. This 2nd generation Los Angelino has played lead roles in comedies, dramas and musicals. In television, she has had lead and/or recurring roles on “Criminal Minds”, “Private Practice”, “Big Love”, “ER”, “Days of Our Lives” and “Cold Case”, as well as many others. Some of her favorite films roles include, “Conspiracy” with Val Kilmer, “Let It Snow” (a Sundance Winner) with Bernadette Peters, “Bring It On, All or Nothing” with Hayden Panetierre, and “Brewster’s Millions” with the late Richard Pryor and John Candy. Recently, she starred opposite Steve Guttenberg in the film, “Lookin’ Up”.
When not acting, she and her husband/partner, Adam Marcus have written over 50 screenplays, including, “Conspiracy”, “Momentum”, “Texas Chainsaw 3D” and “The Plantation”. Their latest script, “Secret Santa” is a film she not only performs in but co-wrote and co-produced with Marcus and their producing partner, Bryan S. Sexton.
“Secret Santa”, a scathing “horromedy”, is burning up the festival circuit right now and is the first feature out of the gate for the trio’s newly formed production company, Skeleton Crew Productions.
Creating Skeleton Crew with Marcus and Sexton has been one of the most rewarding aspects of her career in the business. The company is committed to making entertainment, at all budget levels while giving opportunities to those who haven’t had their “breaks” yet or to work in the field of the business they’ve always wanted to. They currently have several films and television shows in the pipeline, the majority of which have strong female protagonists, something Marcus and Sullivan have always specialized in.
You can follow Debra on Twitter and Instagram @debsullivanm, and on Facebook as Debra Sullivan.


I am so excited to be a part of this year’s Women in Horror Month Blood Drive. As a woman in the industry and one who has done the majority of her work in the horror genre, I am honored to support the talented and ever amazing Soska Sisters in this annual event.
While we had a lot of fun making our film, our true heart was in the message we’re helping to send out to the world, the importance of donating blood. When you donate, you save lives, period. In these unpredictable times we live in, with more and more things happening, we have to stick together and be there for each other. The horror community has always been a source of people who care. So let’s care together. Go out and donate. You’ll be blessed that you did.
Let the blood-letting begin!!!

Cast & Crew:

The Nerd Girls
Anna Sondall………Alex Travalian
Paris Wise………Kit Kapinski
Michelle Allaire………Mickey Montgomery
Debra Sullivan………Mrs. Virginia Summerbottom
Mesa Kronhaus………Maxine Kotzwinkle
Kristin Wall………Georgia Washington
Ryan Leigh………Seaton Pickles

The Vampires
Scott Maguire………Cassian
Sassan Saffari………Derek
Rissa Kilar………Chantal The Vampire Queen
Nigel Lawes………Abatu The Gatekeeper
Darren Dupree Washington………Baka The Guardian
Jerusalem Girma………D.J. Cyrus
Joshua Kwak………Chiang-Shih
Erika Lane Enggren………Kali
Russ Ferri………Amon
Charlit Dae………Balam The Protector
Ed Nathan………Mecate Cacus The Protector
Pat Destro………Evanora The Vile
Petra Areskoug………Agate
Nick Barajas-Torres………Deumus
Gabriel Fiorindo Bellotti………Cherufe
Glennthomas Camba………Forneus
Melissa Corkern………Eris
Kate Enggren………Gatrea
Gilbert Feliciano………Kappas
CJ Feldbau………Azazel
Scott Fleetwood………Gremony
Troy Fromin………Halphas
Timothy D. Harris………Malphas
Mitch Narito………Marax
Breann Johnson………Hecate
Jeff Karr………Orobas
Gabi Mayorga………Salome
Daryn O’Patry………Moloch
Candace Quirk………Cerys
Jon Daniel Schwartz………Uvall
Anna Yosin………Onodine

Adam Marcus………Director/Co-Writer/Editor/Co-Producer
Debra Sullivan………Co-Writer/Co-Producer
Bryan S. Sexton………Producer
Fidencio Casas………D.P.
Freddy John James………Stunt Coordinator
Timothy D.G. Eilers………Composer/Vfx
Joshua Kwak………First A.D.
Chris Gonzaga………Gaffer
Gregg Furuoka………A.C.
Jorge Ramos………Key Grip
Kristy Munden………Wrangler

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #25 – Kirby, A Hero

WiHM9 Blood Drive, PSA #25 – Kirby, A Hero

Morning, Souls! It’s the twenty-fifth morning of Women in Horror Month, and House of Tortured Souls is proud to present the twenty-fourth entry in this year’s Women in Horror Month Blood Drive.

The twenty-fifth PSA comes from the devilicious mind of Nicholas Burman-Vince.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the brilliant twenty-fifth Blood Drive PSA of Women in Horror Month:

Kirby, A Hero

By Nicholas Burman-Vince


When I was 19, I had major reconstructive surgery on my face and during the operation half the blood in my body was replaced via transfusion. For years I thought that was an extraordinary amount, but through the my involvement with the Soskas Blood Drive PSA, I’ve learned this is common – which help put into perspective just how urgent the need for blood donations is. Particularly as surgery isn’t the main use for donated blood. In the UK 67% is used to treat medical conditions including anaemia, cancer and blood disorders. So, people regularly need blood to survive.
I particularly like the current promotion by blood.co.uk #Date2Donate, encouraging people to donate with a friend or family member. What could be more romantic. Getting to know if your partner has a phobia about needles and helping to save someone’s life?

Cast & Crew:

Nicholas Vince – Writer and Director

Nicholas Vince played The Chatterer Cenobite in Clive Barker’s Hellraiser & Hellbound: Hellraiser II and Kinski in Barker’s Nightbreed. In 2016 he was awarded the London Horror Society Award for Outstanding Contribution to UK Independent Horror. He is Patron of the London Horror Festival.

His first short film as writer and director, The Night Whispered, screened at festivals in the US, UK, and France and is now available on Reelhouse.org. His second film, Your Appraisal, is on its festival run and a third, Necessary Evils, will be part of the horror anthology feature film For We Are Many, from Hex Media.

He still acts and recently starred in The Offer, with others from the Hellraiser films. He also stars in the independent feature film, Hollower (dir. MJ Dixon), and numerous short films including the award-winning Mindless (dir. Katie Bonham).

He hosts the weekly YouTube show Chattering with Nicholas Vince, where he interviews independent film makers and actors.

His two collections of short stories, What Monsters Do (rated 5*) and Other People’s Darkness are both available on amazon sites. His short story ‘Prayers of Desire‘, a new origin story for The Chatterer was published in Hellraiser: Anthology – Volume 2 by Seraphim Inc.

Holly Boyden – Rebekah

Recent graduate of the Royal Central School of Speech and Drama, Holly Boyden previously studies at Goldsmith’s College, University of London and the National Youth Theatre of Great Britain.

She is known for The Night Whispered, @MovieGeek and One In A Million.

She is a trained dancer, specialising in Classical Ballet and Ballroom and Latin American. She speaks fluent Spanish.

Dawson James – Kirby

Film maker, actor, cinematographer, performance capture artist and photographer Dawson James, is known for Scale Down, Ophelia, The Night Whispered and his science fiction short, HUD, which is on its festival run. Later this year he stars in Burying the Mother in Law

He is the creator of the young YouTube channel, Fluffy Dog.

Patrick E. Fagan – Composer

Patrick graduated from The University of West Scotland in 2002 with a BA Honours degree in Commercial Music. Since then, Patrick has worked in many roles within the music industry from music management to event organisation and is now currently working as a music teacher.

After many years performing in various bands, Patrick decided to move into creating music specifically aimed at film, TV and Media.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
Women in Horror Month: Women in Film

Women in Horror Month: Women in Film

I have always been a huge cinephile and in so being have always tried to champion not only my favorite genre-horror but also women in film and independent filmmaking. So for Women in Horror Month, I wanted to reach out to some different women in the industry to get their feelings on the subject du jour. I was lucky enough to have been on Twitter when I came across a hashtag labeled #femalefilmmakerfriday. I just put up a tweet asking if any women in film would like to answer some questions for me, and I was so grateful to get many wondrous women volunteer to answer my inquiries. I do want to stipulate that I am not disparaging men in the business but celebrating women’s contributions to film which can oftentimes go unheralded. It shouldn’t need to be said that any actor, director, writer, etc…should be judged on the work that they put out, not on their gender, race, or sexual preference. But that is usually not the case. I heard a great quote this week from Danai Gurira from Black Panther this week, she said that “if you create excellence it will be responded to.” And I truly believe that should be true. So I will let you know my questions, and introduce you to the extremely talented women who answered them for me.

My first question: Do you approach directing/acting differently as a woman?

Katherine Filaseta Director: Black Panties Web series about women’s intuition and black girl magic, and mini-documentary The Loud, Proud Voices of the Women’s March on Washington. www.kayfilums.com

The main thing that makes my directing unique is that I never thought of film as a career choice growing up – and this is, indirectly, the result of me being a woman. Coming from an academic math-centered family, the only inspiration I had was whatever books, film, & TV I consumed, and unfortunately when I thought of film directors (or even just actors or authors) it didn’t even feel like an option for me because I only ever saw names like Scorcese or Tarantino or other white men in those positions. I was always a storyteller and played with writing stories and books, but I never thought about doing that professionally, even up through and beyond college. So I have a really varied background – I studied a lot of biology, math, chemistry, anthropology, history, music… I pretty much touched everything else before realizing that film was a thing. And all of that comes into my directing style. Even though it took a long time for me to figure it out, I’m really glad I had those experiences because I think if I had been a white man, or just been born into a different family, I would be viewing film from this “film school perspective” instead of just as an audience member and consumer, and I, of course, prefer my own perspective that I’ve figured out through trial and error and consumption over trying to emulate anyone else.

Noomi Spook-Independent producer/director of film, documentaries, and music videos. Nominated for Best New Media Entertainment. LTNT-Boss Lady, The Glowing Divide, Vodum-Spirits Past. www.noomispook.com

My gender influences the creative decisions I make as a director in so much as, I care about how women are represented on screen. I find it repulsive that most women characters are often defined exclusively by their relationship to the male characters (most likely the protagonist)- the wife, the mother, the love interest. They have no agency, and most of the time they have no brains and no personality either – they are functional plot devices. Therefore I chose to work on projects that show women as fully rounded, flawed, human beings. I thoroughly enjoy any opportunity I have to show a woman being badass – and that doesn’t always mean beating the shit out of someone or behaving in a stereotypically “masculine” way, to me being a badass woman means to constructively wield one’s own power, and to not take any shit for doing that.

My next question was “what challenges have you faced as a female director or actor?”

Nihil Noctem: Izzy Lee Director/Author.  My Monster, Rights of Vengeance, Innsmouth (on Shudder), The Lake Children in “Hydrophobia: A Charity Anthology Benefitting Victims of Hurricane Harvey and a new PSA for the Soska’s Blood Drive www.nihilnoctem.com

Getting a producer to want to go on a cinematic journey with me. Getting funding. Guys thinking that my husband is the director, not me.

Noomi: I’ve been told to wait to be hired by an ad agency to direct commercials because they didn’t have any girly adds, nothing with perfume or flowers etc. Fuck that. I want to do something with tanks in it! Another problem is navigating the sexual minefield. I’ve been inappropriately touched, propositioned and humiliated in business meetings, by powerful men who offered to finance my projects if I performed sexual favors on them. And as a result, now, I always have my guard up whenever I am meeting a man who could potentially support my career.

Third Question: Do you ever have trouble with the men you direct or act with as a woman?

Emily Sheskin Director Damon at 86th Street, There She Is, and Girl Boxer: Jesszilla about Jesselyn Silva a 10-year-old boxer hoping to win gold at the 2024 Olympics. http://www.emilysheskin.com/jesszilla

Once I had an actor mansplain calling action. He was a bit of a dumdum though and I laughed it off and noted as an actor in such a competitive market, correcting a director is not the best way to keep getting jobs. I’ve also experienced older, male DoPs sometimes talk down to me but that’s been rare since I choose to work with DoPs and crew members who I know and have a good history with. In those situations, it’s hard to know if it’s me being a woman, or me being “young” that has them speaking to me the way they initially do.

Question number four: What women in film influenced you?

Ariel Hansen Bad Cookie Pictures, Actor and Director specializing in Sci-Fi, Horror, and Grindhouse Nepenthes, Ready To Burst, Paint the Town Red https://twitter.com/BadCookiePics https://www.facebook.com/BadCookiePictures/

Living in Vancouver I’m very lucky because I get to rub shoulders with some really awesome women in the horror side of the industry who constantly inspire me like Jen & Sylvia Soska, Tristan Risk and my friend Gigi Saul Guerrero who taught me the basics of directing before we started shooting my first film. I’m also inspired by Karyn Kusama’s horror films, especially The Invitation, and Mary Lambert’s Pet Sematary really disturbed me as a kid

Katherine: I had the opportunity when I was first starting my career to attend the NYWIFT Muse awards where I got to hear Dawn Ostroff speak, so she has inspired me from the beginning of my career. What she did to grow CW into a network where young women could actually see stories that interested them on screen is basically what opened the doors to me being able to do what I do now. I also, through NYWIFT and very early on in my film career, heard Annetta Marion speak about her journey, and getting to know her – an incredibly kind, confident, beautiful woman who had a non-traditional path into the industry similar to mine and isn’t afraid to demand what she is worth – has been inspiring to me as well. Lastly, my favorite director of all time is Bollywood director Farah Khan, whose films all contain reverence for the Bollywood industry while also containing yet incredibly intelligent mockery of it. I also super respect how she always has her entire crew featured in a really fun credits sequence. I wish all directors had that much respect and admiration for every member of their crew, even the ones whose names would otherwise pass by in the credits totally unnoticed by the audience.

Nihil: Jennifer Lynch, Karyn Kusama, and my friend Jovanka Vuckovic. Other directors that made me think I could do this too: Maude Michaud and the Soskas. Another friend, Jill Gevargizian, is inspirational with the sheer amount of talent she has.

Noomi: My number one female filmmaking hero is Lynne Ramsay. I saw the Ratcatcher when I was in college and it broke my heart, I’ve never been more moved by a film, before or since. However, in terms of my personal style, I have always been more influenced by John Carpenter, David Lynch, and John Waters. They are all much bigger influences on my style and the kinds of films I aspire to make.

Emily: Amy HeckerlingClueless, words don’t express how much I love that film or how important it was to me growing up. Also, Penny Marshall who directed Big. Those two women managed to shelter me from the fact that not many women directed films. As a kid, I just knew that I loved these two movies and they both were by women…no big deal! It was only later that I realized how rare their existence was. Sailor Moon was also huge for me as a kid and it was created by Naoko Takeuchi (who I believe was a pharmacist before she found success with her manga). That show made me believe not only that women were great storytellers but that storytelling is universal. I figured if a show from Japan (an island I’d never been to or thought much about as an 11-year-old) could bring me such joy and impact my life in such a positive way, people are not so different and stories can bring us all together. That show made me want to do what she did for me for someone else.

Question number five was is there anything you have experienced as a female director/actor that is a great story?

Emma Dark, Award-winning filmmaker, actress, and model specializing in Horror and Sci-Fi Salient Minus Ten, Seize the Night, Island of the Blind Dead www.facebook.com/SalientMinusTen www.twitter.com/SalientMinusTen

As a female director, the fact that we have wonderful events and interviews for movements such as Women in Horror Month. We need more of this!

Nihil: I was onstage at a film festival where I was the only woman with about 8 or 9 guys. An actor who was repping the film he was in was the first to get the mic, and said, “I’m so happy to be up here with all these fine young men.” I mean, what?! When I got the mic as it was passed down, I wiggled my pinkie in front of crouch, and looked at my husband in the crowd and said, “Hey Steve, sorry, but I seem to have gotten a sex change while I’ve been up here.” You have to call people out when a situation is as egregious as that.

Question number six was “If you could direct a film about any famous woman, who would it be?”

Gemma Wilks, Actress, Alien Outbreak, Harvest of the Dead, Skullz  https://www.spotlight.com/2537-0194-7453

She’s not famous, but I am developing a story inspired by the life of my grandmother who has now passed away. My dream is to write and produce it as a feature film/tv series one day, perhaps Anne Mensah will come knocking! The themes are around my grandmother’s struggles growing up in the 20th Century when her youth was ripped away by the war. Being a WAF officer with a particular instance involving Churchill. Living through technology changes that were baffling. Watching people you cared about die as you age. There is more that I can’t go into but she was an inspiration and her tenacious spirit certainly contributed to make me the person I am.

Emma: Grace Jones was given a tough time in the 80s and treated with a degree of sexism, based on my understanding given the interviews with her that I’ve watched. Her avant-garde style and diverse creative skillset would have been something held in higher regard today. So maybe there’s a story to tell there!

Ariel: There are a few different women through history that I’d love to make films about, like the sniper Lyudmila Mikhailovna Pavlichenko from WW2, Boudica, or since they’re finding evidence of women being a part of Viking raiding parties, it would be so cool to make a film about female Vikings.

Nihil: Not sure, but a biopic about Sigourney Weaver or Charlize Theron before either made it as an actor would be cool. The story of the “radium girls” is horrific but compelling.

Emily: There’s a documentary on Bret the Hitman Hart (Hitman Hart: Wrestling with Shadows), and now that Ronda Rousey has signed a contract with the WWE I’d be very curious to document her transition out of MMA to WWE. I have been so curious how she feels about leaving a sport that she helped open up to other women in the way she left it, and how she feels about this next chapter.

Noomi: Rosa Luxemburg. That’s a no-brainer for me, her politics were so ahead of its time, she was a genius, a fighter, a real revolutionary. She was sexually free at a time when people didn’t do that, and she stood for something she believed in, even up the point when she was murdered for her beliefs. people were terrified of her. And she was only 4foot 10 with a limp. She was a total badass.

And my last question: What does a woman bring to the film industry that a man doesn’t?

Gemma: Men bring a huge amount to any industry, but I think from my experience women bring organizational skills which help things run smoothly. This then allows them to look beyond an issue and see a series of options available beyond the confusion of daily functioning. They have an empathy and understanding of individuals circumstances which they can take on board whilst making sure the job still gets done and standards aren’t compromised. Obviously, there are men that can do this too but this is in my experience. Oh, and women don’t generally take no for an answer, even if they pretend they have!

Emma: In terms of horror the audience is increasingly female. I believe having more of an equal balance of men and women in cast and crew will help bring more diverse themes, ideas, and creativity to the table.

Noomi: Anything they can do, we can do bleeding

Katherine: I recently got the opportunity to work with an all-female cast and crew through the Women’s Weekend Film Challenge, and it was such a wonderful experience. In general, I think women and other minorities have had to be exceptional at their jobs to be taken seriously at all, so everyone had an incredible work ethic and was amazing to work with. Also, I think a lot of the stories we see are repetitive and formulaic – which is not an issue, because formulas work and it’s so cool to see what different people do with those formulas. But most of the people we’ve seen play with those formulas are men, and it’s so cool to see what a female perspective brings to those formulas. Women have a ton of stories that simply haven’t been told without a male gaze on them, and it’s exciting that finally, we are getting the opportunity to tell those stories on our own. We’ve seen a million great coming of age stories, and yet Ladybird touched me in totally new ways and honestly told an entirely different story – just because I finally got to watch a coming of age story about myself, for literally the first time ever. Which is completely ridiculous given the number of coming of age novels that are required high school reading but ONLY ABOUT BOYS.

Ariel: Women bring our own diverse experiences and stories to the industry which has been very homogeneous in what you see on screen for far too long. Having those stories told on the big screen are crucial in creating an equal society and helping the next generation to know that women can be more than just “so and so’s love interest” not just in films, but in their own lives as well.

Nihil: I hate to generalize, but I would think that empathy and multitasking could be it.

Emily: I think being a woman just gives you a different experience. There are small things that we take for granted that men never think about. It’s the reality of living in this body and going through life socialized the way we are. I think women are trained to be more sensitive to the feelings of others and as a result, tend to make very thoughtful inclusive films. This is a sweeping generalization though and I have a hard time answering this when experience varies so greatly.

In preparing for this article and putting feelers out I got a response from the very talented actor Eddy Shore (Murrays Run, White) who had such an insightful comment on the subject that I wanted to include it here:

As we all know there shouldn’t be a differentiation between genders in job opportunities, pay, etc. But there is a huge difference in the emotional connections those two genders have. Women are much more in touch of certain (deep) emotions which men are often not (or often are not allowed to be in a stereotypical image) and this emotional connection brings a whole different point of few to stories. If we keep having dominantly white male directors, we will keep having white male points of few to the majority of stories. I’m to 100% certain that women will pay attention to different details, will focus on different statements they want to portray and this which will show in a film. In my opinion, there is a huge need for a fresh wind in the film industry.

So I want to thank everyone for their very valuable time and the thought that went into their answers. All of these amazing women answered all of the questions, but so this did not become a novella I have chosen to just feature a few from each. Hopefully, this has given you some insight and awareness into the world of women in film but always remember that they are, as far as the film industry should be concerned with, they are writers, directors, producers, actors, etc… first and foremost and their vast talents are paramount.

WiHM9 Blood Drive, PSA #23 – Surprise Egg!

WiHM9 Blood Drive, PSA #23 – Surprise Egg!

Morning, Souls! It’s the twenty-third PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

This PSA comes from Hannah Neurotica.

From the official Press Release:

Nine years ago, this next artist decided to change February forever with the very first Women in Horror Month. The founder of WiHM, Hannah Forman, has been growing this event, this celebration, this unity for nine years before it was in vogue to support female artists in the industry.
Without WIHM, our first film wouldn’t have gotten its first two screenings which became life changing events for us. I’ve watched her work tirelessly every year to promote people’s work and raise awareness about artists across the globe in the past, present, and setting up for the future.
I’m over-joyed that she was able to be a part of these 9th Annual WiHM Massive Blood Drive PSAs. Bless you for everything you’ve done, Hannah. Love you to bits!

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the incredible twenty-third Blood Drive PSA of Women in Horror Month:

Surprise Egg

By Hannah Neurotica



Hannah Neurotica


33 Music Boxes
Public Domain


Hannah Neurotica is the founder of Women in Horror Month, the Ax Wound Film Festival, and published the world’s first known print feminist horror publication, Ax Wound ‘Zine. She is a mixed media artist, writer, and experimental filmmaker whose appeared in Newsweek, The GuardianComplex.com, Rue Morgue, Bitch, NPR, CBC Radio, and other pop culture media. She has been invited to speak or moderate a panels at events such as Geek Girl Con, Horror Rama, and Horrible Imaginings.
From event organizing to creative projects, Hannah’s passion is rooted in educating and empowering women to share their stories in all artistic forms, while simultaneously creating new spaces/opportunities to amplify what they have to say.


I am honored to be part of this massive blood drive undertaking. My father passed away right before the first WiHM in 2010 and it was especially meaningful when Jen and Sylvia Soska told me they wanted to start encouraging people to donate with horror/gore themed blood donation PSAs. I’d just watched my dad get bags of blood from people I will never be able to thank but whom I am grateful for everyday. All you have to do is make an appointment, sit in a chair, and then you get a cookie. Being a hero has never been easier! Please consider taking that brave step and share that good red stuff in your veins.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM: Dyanne Thorne as Ilsa

WiHM: Dyanne Thorne as Ilsa

Dyanne Thorne as Ilsa She Wolf of the SSThis next lady’s contribution to horror may be a little controversial, but I still feel that Dyanne Thorne’s character Ilsa deserves some love during women in horror month.

I found myself struggling to write this to not sound like a Nazi sympathizer and to not glorify the atrocities committed during the Holocaust. I hope that before the social justice and keyboard warriors attack, they consider the reasons I choose to salute her.

Dyanne Thorne as Ilsa She Wolf of the SSIn case you aren’t familiar with the Ilsa character she starred in a triology of cult/Nazisploitation films called Ilsa, She Wolf of the SS, Ilsa, Harem Keeper of the Oil Sheiks, and Ilsa, the Wicked Warden. The first two films are directed by the Canadian (yay Canada!) director Don Edmunds and the third by popular Spanish cult director Jesus Franco. Thorne plays a tough female leader as Ilsa in all three and they’re all great movies, but She Wolf of the SS is my favorite and will be my focus in this tribute.

Dyanne Thorne as Ilsa She Wolf of the SSIlsa She Wolf of the SS is the only Nazisploitation film in the trilogy and is by far the best, but I’d argue that it’s more about feminism and female sexuality than Nazis. Ilsa is a Nazi Komandant, in charge of a “medical” camp. She is hell bent on proving that woman are inherently stronger than men and have a much higher threshold for pain. She works endlessly to prove this by inflicting all kinds of sadistic torture upon the women who enter her camp. It’s nearing the end of the war and Germany is in desperate need of reinforcements and she wants to demonstrate that women would make far greater soldiers than men. She finally proves this after subjecting the women to gangrene, whippings, gang rape, an electrified dildo (and I don’t mean it vibrates), genital mutilation, and syphilis. She’s gratified when she finds a star test subject who can withstand all of the above and still fight back.

While Ilsa works hard during the day she also works hard at night choosing a different male prisoner each night to sexually satisfy her. When they fail to meet her needs, she has them castrated until she finally comes across an American prisoner who is able to hold an erection indefinitely. Her sexual prowess leads to her unfortunate demise as the American ends up seducing her and killing her.

Dyanne Thorne as Ilsa She Wolf of the SSA couple of fun facts regarding Ilsa:

The set of She Wolf was actually the recycled set of Hogan’s Heroes and since the show had already been cancelled they were allowed to burn it to the ground for the final scene of Ilsa, saving them the cost of having it demolished.

Dyanne Thorne now performs weddings in Las Vegas and rumor has it that if you pay enough she will dress up as Ilsa.

I’ll always love Ilsa for her ability to command respect, her strength and indifference when it comes to her work and most importantly for her shameless sexual expression.

Posted by Candace Stone in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #22 – It’s In You To Give

WiHM9 Blood Drive, PSA #22 – It’s In You To Give

Evening, Souls! It’s the twenty-second PSA of Women in Horror Month, and House of Tortured Souls is proud to present the next entry in this year’s Women in Horror Month Blood Drive.

This PSA comes from Ama Lea.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the amazing twenty-first Blood Drive PSA of Women in Horror Month:

It’s In You To Give

By Ama Lea

Cast & Crew:


Lara Jean Mummert
Colton Wheeler


Ama Lea


Diego Madrigal


Eric Thirteen

Special FX

Sheila Mia Seifi


Adam Lima


Ama Lea grew up in Stephen King Country- Bangor, Maine where she naturally had an inclination to the horror genre from a very early age. She spent her youth making films on old Camcorders, editing between VCRs and taking pictures in cemeteries.
After High School Ama moved to Boston where she majored in editorial photography at New England School of photography. She was Valedictorian of her graduating class. Soon after which she attended grad school at Brooks Institute in Santa Barbara, California where she majored in Fashion Photography and Film Studies. She was again, Valedictorian. After college she went on to become a celebrity photographer for many top magazines such as Inked, AP, Revolver, Zink and many more. She worked within the horror industry shooting a fine art photo exhibit entitled The Bloody Best which included portraits of legends in the horror industry which lead to her accepting the position as photographer for Fangoria Magazine where she had the honor of shooting the likes of Roger Corman, Wes Craven, and many more. She went on to create Year of Fear, a sexy parody horror calendar company that releases products annually. Meanwhile she kept her toe in film making by writing and directing several shorts and participating in ABC’s of Death 2.5 for Alamo Drafthouse as well as just finishing a huge festival season with her award winning short film, From Hell She Rises.
Ama is currently working for various publications as an editorial and celebrity photographer.


When asked to be a part of the Soska’s annual blood drive, I was honored! It’s a great cause that’s been a tradition for women in horror and the Soska’s for years. I began to think about the theme…”be a hero.” Obviously capes and tights come to mind first but breaking it down to something even more simple. A hero in your life every day. To me, there is something so heroic about giving your all to another person. So many men have zero idea how to really be a great partner and furthermore, a great lover. To me the ability to give unselfishly to another person is heroic and it’s the same as giving blood. The simple act of donating blood can help save lives. Nearly 4.5 million patients need a blood transfusion a year in the US and Canada alone and only 10% of the population donates per year. If we could increase that number by even 1% the blood deficit in America would disappear. This is a call to arms for the horror community. It’s in all of us to give!

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments
WiHM9 Blood Drive, PSA #21 – Just A Prick

WiHM9 Blood Drive, PSA #21 – Just A Prick

Early morning, Souls! It’s the twenty-second day of Women in Horror Month, and House of Tortured Souls is proud to present the twenty-first entry in this year’s Women in Horror Month Blood Drive.

I’d like apologize personally for the delay on this release to Tonjia Atomic & Mi Chelle Nessk. I am having technical difficulties as well as issues with one of my fangs…
–Woofer McWooferson Source: Internet / Fair use doctrine.

From the Official Press Release comes this introduction:

I’ve known Tonjia Atomic for many years and I am very happy to announce her and Mi Chelle Nessk’s next instalment for the Women in Horror Month Massive Blood Drive PSAs.
These two are incredibly talented directors, multi-talented artists, and astonishingly hard-working professionals. I don’t want to give away anything about their PSA, so just keep an eye out for cameos and lots of other fun (I guess grown up) stuff. Not 18A, but it gets pretty murdery.

Obligatory disclaimer (not that we need it, right Souls?):

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.
If you are SENSITIVE to this kind of content, be a mature human being and just don’t watch. No need to spoil the fun for us fellow weirdos. We’re not hurting anyone. It just REALLY looks like we are 😉

Without further ado, behold the powerful twenty-first Blood Drive PSA of Women in Horror Month:

Just A Prick

By Tonjia Atomic & Mi Chelle Nessk


Westin Halvorson – Christopher James Phillips
Tristan Risk – Hailey Vesper
Michelle Nessk – Zee Monsta
Jackey Raye Neyman Jones – Pamela Knickknacks
James Grixoni – Johnathan the Lonely
Tonija Atomic – Cam Date Blair
Rachel Jackson – Audrey Swinging Electra
Hiromi Cota – Gurgling Man
Benjamin Barton – Bear Double
Ygal Kaufman – Zee Monsta’s Victim


Christina Lynn Hendricks
Benjamin Barton
Ygal Kaufman
Heather Geer
Britt Byrtus
James Mahoney
Evan Christopher


Michelle Nessk
Tonjia Atomic


Gloomy Sunday Productions

Executive Producers

D Kirkness
James Mahoney

Associate Producers

Vicki Woods
Angie Faro
Jimmy Weinholz
Charity Becker
Linda Kay
Gary Washington
Shannon Devine
Chrystal Doucette


Jeff Morales


Conn Buckley

Editor, 2nd AD

James Mahoney

1st AD

Nadine L’Esperance

3rd AD

Angie Faro

1st AC

Britt Byrtus

Audio Editor

Ken Webster


Bryce Kain & Michelle Nessk

Color Correction

Dave Patterson


Christina Pezzo


Ygal Kaufman

Key MUA, Wardrobe, Styling, SFX, Assistant Editor, Casting Producer, Art Director

Michelle Nessk

Wardrobe Assistant, Casting Producer, 2nd Art Director

Tonija Atomic


Nick Shargas


Heather Geer

Art Poster Illustrators

Mark McKenna
Cesar Feliciano

Blood Logo Graphic Designer

Christal VanEtten

Production Assistants

Christopher Barnes
Rachel Jackson
Benjamin Barton
Heather Geer
Evan Christopher


Kevin Van Walk
Chrystal Doucette
Joshua Phenicie
Joe Sherlock
Women in Horror
Twisted Twins Productions
Blue Mouse Theatre
Crypticon Seattle


Digital Soaps
Shannon Devine’s Illustrated Stories
Value Village
Sinful Audio


Tonjia Atomic is an award-winning filmmaker, actress, musician, and writer. Her films include Plain Devil and Walking to Linas. Her writing has been featured in several online and print magazines. She’s in the bands Duet To-It, Huh-Uh, and Filthy Issue. Her most recent film, Manos Returns, is the sequel to the 1965 cult film Manos: The Hands of Fate.


It means a lot to me to be a part of the Women in Horror Month blood drive PSAs. As an anemic I am unable to give blood. Participating in the PSAs is a way for me to be able to contribute something by encouraging others to donate blood. I’m proud to be a part of this group of talented filmmakers. What better way than horror to remind us that we all bleed? After all, it’s in you to give.


Michelle Nessk is an award-winning indie horror filmmaker, dancer, musician, and artist out of the Pacific Northwest. Best known for their well-regarded & controversial first full feature film: O. Unilateralis, as well as the annual showcase series Horrors of the PNW. The showcase has premiered at Crypticon Seattle every year for the last five years, where Michelle plays horror host Zee Monsta. Much of Michelle’s work is laced with social commentary regarding rape culture and is often connected to charities and non-profits that focus on domestic abuse survivor advocacy. Their band ANU performs at various horror and sci-fi festivals in the Pacific Northwest. Michelle is the owner of production company Gloomy Sunday Productions and the horror publication The Blood Shed.


I’m so grateful to have gotten to participate in the 2018 Women in Horror Massive Blood Drive PSA. I don’t give blood, I take it. Because I’m severely anemic, I depend upon the generosity of others to give in order to survive. This project has not only given me the opportunity to work with the incredible Tonjia Atomic (who also happens to be anemic), but to truly show my gratitude to all the heroes who open their veins to save lives. Thank you so much for letting us be part of this.

Remember, Souls, there’ll be a new PSA every day, and please check out the official WiHM website for more on Women in Horror Month.

Check out the other PSAs:

Posted by Alan Smithee in STAFF PICKS, WOMEN IN HORROR, 0 comments