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PREVIEW: Gremlin (2017)

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Director: Ryan Bellgardt; Writers: Ryan Bellgardt, Andy Swanson, Josh McKamie; Stars: Adam Hampton, Katie Burgess, Christian Bellgardt; Rating: Not rated; Run Time: 90 min; Genre: Horror; Country: USA; Language: English; Year: 2017
First off, let me say I was pretty excited to get a screener for Gremlin as I was a huge fan of Ryan's previous film Army of Frankensteins, which was a balls to the wall action horror which played like old school Doom(and that is more than OK with me). But sometimes that excited joy can turn to disappointment. Gremlin, not to be confused with Joe Dante’s seminal horror comedy Gremlins is about a mysterious box hiding a nasty little surprise inside. If you are unlucky enough to receive it, you must pass it along to someone you truly love or it will destroy everyone in its path. As much as I hate to bash Bellgardt, I just have to be honest. Gremlin tries hard to be a family drama wrapped in a high concept monster movie but sadly it struggles to do it right. But to be far this is a tricky thing to pull off correctly but is possible, films like Stake Land and the more recent (and brilliant) The Monster (2016) really mesh the two genres seamlessly.
The film gets weighed down in poorly written dialogue, all over the place acting (and I’m using that term very loosely mind you), and plot holes and contrivances that boggle the mind. And then there is the creature... I mean elephant in the room - that being the really poor CGI (think made for SyFy movie) which takes the audience right out of the film. Part of what I loved about Ryan’s previous film was the fact that it for the most part he used practical effects (and damn well, I thought) so why he would choose to follow it up with a hacky CG film is beyond me. But I think what hampers this project the most is in the painfully earnest way it forgets to have a bit of fun with the monster genre and we, the viewers, are left to wade through tired melodrama. Again, as I mentioned above, marrying the drama and horror genre together really is a hard thing to do successfully, so if you know you can’t, why not have some fun with it?
I will give credit where credit is due and say the film is well shot and Bellgardt clearly knows the technical side of film and he frames and lights things to their upmost effectiveness. It also sports a great score. I so wanted this film to be as creative and enjoyable as Army of Frankensteins, but instead of maturing, Ryan traded in his steampunk Indie cred for something altogether unremarkable. I know I beat this film up, but I can see Mr. Bellgardt was really trying for something different and for that I give him huge props. I am still looking forward to his next film - a mash up of Jurassic Park and The Hunger Games as it seems like a return to Army of Frankensteins style madcap fun.
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