Cult

You came, I saw, and I love you

In Mandy, Nic Cage takes revenge on a crazy religious cult in the woods with a homemade battle ax. STOP DRILLING YOU HIT OIL! That’s pretty much what sold me on the plot for Mandy, the second film by director Panos Cosmatos whose first film was Beyond The Black Rainbow (2010). Set in 1983, Red Miller (Nicholas Cage) goes after a religious cult that brutally murdered his wife Mandy (Andrea Riseborough). If you have seen his first film, you know what to expect in this; if not, then fair warning — watch the movie with an open mind. Although the film plays out like an 80s-themed slasher movie, it’s almost far from it. Let’s examine this movie further.

Mandy (2018) / Fair use doctrine.

Although set in the 80s, it doesn’t have an 80s soundtrack with well-known music. There is a synthesizer, though, along with a Friday the 13th reference to Crystal Lake from Mandy (Andrea Riseborough of such works as Hidden (2015), Waco (2018) (TV mini-series), and Black Mirror (2017) (TV series)). Admittedly there is a real Crystal Lake, Nic Cage himself said that he drew inspiration for his character from Jason Voorhees, so perhaps he wants to give that nod since his character evolved in the woods.

Mandy (2018) / Fair use doctrine.As may be obvious, Mandy is not like any other Nicholas Cage film. From the picture of Cage all bloody and glimpses in the trailer, one would expect a cheesy B horror movie with over the top gore and one-liners. Not at all! The film plays out like a heavy metal live action movie, and at times, it just feels like a dream as Red goes through moments of despair, guilt, and regret. Cage is complemented by a host of character actors, from Richard Brake (31, Halloween II (2009)) to Linus Roache (Batman Begins) to Bill Duke (Payback, Predator), who definitely deliver. The scenes with the cult aren’t over the top, which is good because not once do the characters trail off and leave the idea of the movie on its own. The bikers, though, don’t dress or sound like bikers. Think something out of Mad Max with a distorted voice that almost sounds animalistic. This raises some interesting questions on the cult’s story because there’s really no back story – for anyone on anything.

Mandy (2018) / Fair use doctrine.I saw the movie at night, and it stuck with me — not in a bad way but almost as if I were dreaming too. This, by the way, got me thinking about the end when Nicholas Cage is driving away, caked in blood caked and looking out of his mind. This is not Hollywood Nic Cage but a genuinely insane Nicholas Cage.

Final thoughts: Watch the movie, and watch it at night with an open mind because this is without a doubt an interesting movie, and I sincerely hope we don’t have to wait another eight years for Panos Cosmatos’ third film.

MOVIE REVIEW: Mandy (2018)

MOVIE REVIEW: Mandy (2018)

You came, I saw, and I love you

In Mandy, Nic Cage takes revenge on a crazy religious cult in the woods with a homemade battle ax. STOP DRILLING YOU HIT OIL! That’s pretty much what sold me on the plot for Mandy, the second film by director Panos Cosmatos whose first film was Beyond The Black Rainbow (2010). Set in 1983, Red Miller (Nicholas Cage) goes after a religious cult that brutally murdered his wife Mandy (Andrea Riseborough). If you have seen his first film, you know what to expect in this; if not, then fair warning — watch the movie with an open mind. Although the film plays out like an 80s-themed slasher movie, it’s almost far from it. Let’s examine this movie further.

Mandy (2018) / Fair use doctrine.

Although set in the 80s, it doesn’t have an 80s soundtrack with well-known music. There is a synthesizer, though, along with a Friday the 13th reference to Crystal Lake from Mandy (Andrea Riseborough of such works as Hidden (2015), Waco (2018) (TV mini-series), and Black Mirror (2017) (TV series)). Admittedly there is a real Crystal Lake, Nic Cage himself said that he drew inspiration for his character from Jason Voorhees, so perhaps he wants to give that nod since his character evolved in the woods.

Mandy (2018) / Fair use doctrine.As may be obvious, Mandy is not like any other Nicholas Cage film. From the picture of Cage all bloody and glimpses in the trailer, one would expect a cheesy B horror movie with over the top gore and one-liners. Not at all! The film plays out like a heavy metal live action movie, and at times, it just feels like a dream as Red goes through moments of despair, guilt, and regret. Cage is complemented by a host of character actors, from Richard Brake (31, Halloween II (2009)) to Linus Roache (Batman Begins) to Bill Duke (Payback, Predator), who definitely deliver. The scenes with the cult aren’t over the top, which is good because not once do the characters trail off and leave the idea of the movie on its own. The bikers, though, don’t dress or sound like bikers. Think something out of Mad Max with a distorted voice that almost sounds animalistic. This raises some interesting questions on the cult’s story because there’s really no back story – for anyone on anything.

Mandy (2018) / Fair use doctrine.I saw the movie at night, and it stuck with me — not in a bad way but almost as if I were dreaming too. This, by the way, got me thinking about the end when Nicholas Cage is driving away, caked in blood caked and looking out of his mind. This is not Hollywood Nic Cage but a genuinely insane Nicholas Cage.

Final thoughts: Watch the movie, and watch it at night with an open mind because this is without a doubt an interesting movie, and I sincerely hope we don’t have to wait another eight years for Panos Cosmatos’ third film.




Posted by Jai Alexis in MOVIE REVIEWS, NEW RELEASES, SLASHERS AND BAD HUMANS, 0 comments
Amazon Primed for Horror: February, 2018

Amazon Primed for Horror: February, 2018

The Best Horror/Thrillers and Cult Films on Amazon Prime

As much as I LOVE my physical Blu-rays and DVDs, I am perfectly fine embracing streaming services as well. Netflix, Hulu, and the more horror-geared platform Shudder, are all fine choices for at your fingertips, on-demand movies. But, surprisingly Amazon Prime should also be considered when looking for great, weird, and wonderful movies. One of my friends described Prime as a mom and pop video store for on-demand gory goodies. And you know what I have to wholeheartedly agree with him. Recently, Fright Night 2 was rolled out widescreen and even sporting a restored print. Listed Is a guide to some great movies that people with Prime can watch right this minute and the titles might actually surprise you. Items listed in totally random-ass order but three categories: Classic Horror (20s-90s), Recent (00-Now), and Non-Horror (but still worth watching).

Amazon Prime Horror

Classic Horror:

Murderlust! (1985)
A grimy low budget slasher that is more in tune with Henry: Portrait of a Serial Killer and its lead, Eric Rich, does a great job playing the disturbed killer.

Chopping Mall (1986)
In the mood for killer robots in a mall, then look no further. Plenty of gore, nudity, and action in this classic 80s horror romp.

Spider Baby (1967)
Jack Hill’s seminal love letter to classic horror is a must view and a totally bonkers film.

Fright Night 2 (1988)
As mentioned above the long OOP Fright Night 2 is now on Prime widescreen and in a nice restored print. Now is the perfect time to revisit this cult classic.

Fade to Black (1980)
Currently, long OOP this fun trashy and entertaining gem is now streamable!

Blood on Satan’s Claw (1971)
I consider this one of the best British shockers, and now there is no excuse not to give it a try.

Body Melt (1993)
Melting bodies and insanity from the good folks in Australia, this cult classic has been out of print off and on but now is readily available to view.

Prom Night 2 (1987)
Prom Night 2 is a great follow up to the original but doesn’t simply remake the first. Make a date with this movie now!

Island of Death (1976)
Not for the easily offended or disturbed this whacked out import is a must-see for brave cult film viewers.

Splatter University (1982)
Flaws aside this 80s splatter film is great for those wanting a nice mindless way to “kill” some time.

Three on a Meathook (1972)
This proto-slasher that pre-dates Texas Chainsaw Massacre/Halloween may have a lot of cheese and flaws but for slasher fans, it’s a guilty pleasure.

Death Spa (1989)
Outrageous late 80s horror fun complete with spandex, killer machines and Ken Foree, and that is even before the killer fish come into the picture. Needs to be seen.

Recent:

Them (2006)
Not to be confused with THEM!, the 50s giant ant movie, this tense and brutal home invasion film is an underrated film from France and every horror fan should give it a chance.

The Neon Demon Standard/4k Ultra (2016)
This is a very polarizing film but its visuals are top notch and it breaks taboos without skipping a beat. Those of you with 4K TVs will be in luck as they offer it in 4k as well as standard.

A Ghost Story (2017)
Like Neon Demon, this movie divides fans but one thing I think we can agree is it is a totally different take on the supernatural genre and is more about loss and change than boo scares.

The Blackcoat’s Daughter (2015)
This thriller directed by Oz Perkins (son of Anthony Perkins) directs this outstanding atmospheric Gothic horror film.

The Monster (2016)
One of my favorite horror films of 2016 wasThe Monster, a minimalist monster movie that perfectly fuses drama/horror seamlessly. Not to be missed.

Green Room (2015)
Green Room is a nonstop tense thriller that keeps one on the edge of his/her seat and doesn’t let up until the end credits. A bloody punk fest and one of the best films of 2015.

Frankenstein’s Army (2013)
This movie is a lot of fun and plays like a live action video game. It also uses the found footage in an interesting way. Check it out!

We are Still Here (2015)
Ted Geoghegan takes an interesting spin on the haunted house genre with this highly creative and tense horror flick. Fan favorite Barbara Crampton stars in this prime ready thrill ride.

What We Do in the Shadows (2014)
In the mood for a side-splitting horror/comedy? What we do in the shadows is a hilarious film and with rumors of a show spin-off and sequel, it’s high time you check it out.

Hannibal (2001)
Despite Jodie Foster not being in it, Hannibal is still a tasty macabre horror/thriller that, like a good wine seems to get better with age. Dig in.
Honorable mentions: Sleep Tight, Afflicted, Rare Exports, Behind the Mask: The Rise of Leslie Vernon

Not Horror (but still worth watching):

Paradise Lost Trilogy
This disturbing yet engrossing true-crime drama is not for everybody but, for those brave enough it’s a really worthwhile documentary.

Swiss Army Man (2016)
This is sure to split fans but it’s a really worthwhile drama, black comedy with great performances.

The Lobster (2015)
The Lobster takes a crazy premise and runs with it and is a totally engrossing black comedy that really keeps you glued. Not for everybody but its free on Prime so give it a chance.

That’s my list. I am sure I missed some movies but this will get you started. Thanks for reading.

Posted by Mike Vaughn in STAFF PICKS, 0 comments
Top Five Films to Watch in October (Part 5)

Top Five Films to Watch in October (Part 5)

Part of the House of Tortured Souls
Staff Pick October 2016

By Stephanie Roisland

May I start by saying that this idea and the person behind it (my husband John Roisland) fucking suck. This is way harder than anticipated. I enjoy greatly far too many films and could go on for days about my passion for them. So this gave me a headache and made my anxiety rise while trying to select my top five. I thought about posting the titles based off of my roots and what brought me to love horror - films such as Attack of the killer Tomatoes, The Hills Have Eyes, Halloween, Swamp Thing , and so on. I decided to post my go to movies, the ones I could watch over and over no matter the day. I hope you enjoy demons.

Feast l (2005), Feast ll (2008), and Feast lll (2009)

Fair use doctrine.I know this is kind of a cheat but if you watch one you go straight to the rest. Director John Gulager hit a home run with these beauties. If it was good enough for Jason Mewes, Henry Rollins, Carl Anthony, and Clu Gulager to sign on then you know it is a homerun. Made in 2005, 2008, and 2009, these fantastic B comedy horror films are about patrons of a bar and a local small town that must fight these horrible monsters, eating human flesh and multiplying like rabbits. So if you love sexy suicide girls, hungry monsters, and using a midget wrestlers' Spanish grandmother as monster bait, these movies are totally for you.

The Devils Rejects (2005)

 

Fair use doctrine.I absolutely love the twisted joy this film brings out in the characters. Rob Zombie hit a home run here with me. This family of demented murderers’ home was attacked by the police, headed by Sheriff Wydell (William Forsythe). You almost feel pity for these murderous, depraved folks as their family is shot down and separated. You soon learn that this group of deranged killers is strong and proud of their slaughtering ways and love to see others suffer. In the end, this is a Police vs. Murderers showdown that forever makes epic history in my mind. Free Bird will never be the same!

Frontier(s)(2007)

Fair use doctrine.

This beautifully directed film by Xavier Gens is set in Paris. A young girl, is trying to get away after she pulls a heist with her ex. Pregnant, scared, and blocked by the police from crossing the border, they find refuge at a small, quaint inn. Little do they know, they should have just took their chances with the cops. As her friends get murdered and start to be used for dinner, she realizes there is no way out. It is a good thing this cult family’s father becomes smitten with her beauty and her baby. She refused to be a breeding, human flesh eating, cult wife and must take them all out in order to survive. Stripped of her hair, the father of her child, her dignity and her emotional virginity, she finds the strength to take them all out in a (rain) of blood and gun fire but what she leaves behind could haunt her forever.

Martyrs (2008)

Fair use doctrine.In this emotionally stunning masterpiece by Pascal Laugier, presented by Richard Grandpierre, this foreign film blows your previous idea of horror right out the damn window. In this chilling tale, an anonymous group uses disposable people to achieve the ever seeking emotional state of a matyr. Never before had a woman let go, giving up all fight to the cause, until now. Two young friends, Hell-bent on finding revenge for the misdoings done to one of them as a child, find themselves in terror of no end. One is killed and the other is chosen to become the one - the one to tell, the one to see, the one to give up all hope in order to know what is on the other side. When you let go of hope, endure all pain beyond all other, give yourself to the end, a martyr you will be. Bloody brilliant and an unforgettable journey.

Trick 'r Treat (2007)

Fair use doctrine.

Any day of the week, I could watch this amazing movie. This exquisite little masterpiece by writer/director Michael Dougherty, sucks in the whole family. The trick’r’treating little demon in a cute burlap mask is just one of the four interwoven tales set on Halloween night. Werewolves, murderers, and tricksters, oh my. There’s a child's story of a bus murder come to life but the good girl becomes the bad girl and wins in the end. The bus driver, now an old man, becomes victim of the demon who wants candy, the heart of Halloween if you will. Another story tells of how the local principal, a mass murderer, passing on his wicked ways to his son becomes prey. And the tale of a beautiful girl who is becoming a woman and is making her first time a time to remember and a time he will wish he could forget. The film brings actors Anna Paquin, Dylan Baker, Brian Cox and so many more to life in this Halloween must have.
Fair use doctrine.

Posted by Stephanie Roisland in STAFF PICKS, 1 comment