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INTERVIEW: Poison Rouge – Director, American Guinea Pig: Sacrifice (2017)

INTERVIEW: Poison Rouge – Director, American Guinea Pig: Sacrifice (2017)

After recently watching American Guinea Pig: Sacrifice, I was so impressed with it that I reached out to the director Poison Rouge. I was surprised and delighted to learn that Sacrifice was her debut film and even more delighted when she consented to an interview. Actor and director Poison Rouge is quite the talent, and if you haven’t watched American Guinea Pig: Sacrifice already, I highly recommend you do so.

Interview: Poison Rouge / Fair use doctrine.

House of Tortured Souls: Thank you so much for taking the time to chat with me. I’m very excited to connect with a talented woman who also loves extreme horror. Did you always want to be a director/actor?
Poison Rouge: No, thank you for your time and for supporting Indie films. Actually, I don’t yet know who I am or what I want to be in life, I just want to live it day by day. The fatal meeting with Domiziano (Christopharo) changed a lot of things for me, around me, and inside me. We first met at a tattoo shop where he was working. He did a tattoo for me, and we became friends and have been ever since. Now I see something — and someone — in myself that I didn’t see before. He suggested that I act in his sideshow first, then in his first feature film House of Flesh Mannequins (2009).
House of Flesh Mannequins (2009) / Fair use doctrine.
HoTS: What was your inspiration for this film?
PR: The story was already written. It was originally conceived as a horror comedy that Domiziano wanted to direct as the first chapter in his Trilogy of Death. The lead role was created for a woman, but the actress abandoned the project two weeks before starting. Domiziano asked me to take her place, and later he decided to give the direction of the movie to me so he could follow the second production (Torment). I turned the character into a male and removed the comedic tone to obtain something darker.

HoTS: Why did you choose to start with such an extreme film?
PR: Life decided for me, and I always accept the gifts that life gives me daily.

HoTS: I noticed a lot of well-researched references to the Goddess Ishtar. Why did you choose her or what is her significance to you?
PR: I love the fact that she is the goddess of sex, life, and destruction. The heart of motherhood in some ways. She’s a strong female figure that really describes the power of a woman outside stereotypes.

Interview: Poison Rouge / Fair use doctrine.

HoTS: What films and directors are your favorites and influenced your style?
PR: My favorite movies are any ones that involve Sly Stallone; I just love him! Especially Rocky.
In horror, my favorites are all the classics — Carpenter, Polanski, and Friedkin, etc.
I don’t think I really have a style yet. It’s impossible after only one feature, but I have a vision. My passion for art and painting is very visible in Sacrifice.

HoTS: I loved the gore and the practical FX in this one. I heard a rumor that the penis mutilation scene is partially real. Is that true? Please explain!
PR: Haha! You should watch the extras on the DVD to know more about it. I won’t say another word!
The FX are great and very realistic. Domiziano (aka Athanasius Pernath) is a master.

Interview: Poison Rouge with Domiziano Christopharo / Fair use doctrine.

HoTS: It’s really cool that your first film was picked up by Unearthed and is part of the American Guinea Pig series. Was it made specifically to be part four of AGP or was that something that happened after the fact?
PR: It was already in the works by Domiziano to be the first in his Trilogy of Death. He was planning for it to be the first Italian extreme horror saga. The references in the first film Sacrifice are from He Never Dies, the third installment in the Japanese Guinea Pig saga. Stephen Biro noticed us from the start and followed us every step of the way. He found the final result worthy of his American Guinea Pig series, and the rest is history!

HoTS: On a personal note it’s my understanding that you’re quite an accomplished bodybuilder and boxer. How did you get involved in it?
PR: Because I love Rocky and Stallone! He was my inspiration in filmmaking and made me want to act. It was only a natural next step to start fighting for real, too.
Interview: Poison Rouge / Fair use doctrine.
HoTS: I’d like to thank you, Poison, and Domiziano Christopharo again for agreeing to chat with me. You’re both talented artists and lovely people. I look forward to seeing your next film. After this incredible debut, I’m eager to see what you will do next.

Buy American Guinea Pig: Sacrifice at Unearthed Films

Check out the trailer for American Guinea Pig: Sacrifice.



Posted by Candace Stone in FEATURED ARTISTS, INTERVIEWS, STAFF PICKS, 0 comments
MOVIE REVIEW: Shogun’s Sadism (1976)

MOVIE REVIEW: Shogun’s Sadism (1976)

Shogun’s Sadism (1976) by Yuji Makiguchi is a really fun, Japanese, exploitation, period piece.

First, let me just tip my hat to the Japanese on their unparalleled ability to torture and cause human suffering, no one does it better than Japan.

Shogun’s Sadism starts with old stock footage of war atrocities and the first shot is of a girl being boiled alive… it doesn’t mess about. It’s scene after scene of intense torture with brief explanations of the “crimes” committed and the form of torture being used.

The film features two different stories that take place during the Edo period in Japan (between 1603-1868). Although the film is fictional it does mirror actual forms of torture and beliefs held during that time period.

The first story is of a young woman named Toyo who saves the life of Lori, a Samurai, by sucking the poison out of a snake bite for him. She brings him to her family home and cares for him, and the two fall in love. It’s later discovered that Toyo and her family are Christians and must be executed. During the Edo period, Christians were tortured until they confessed and often killed for choosing Jesus over the Shogunate (feudal military government). When Toyo is brought before the government for her crimes Lori does nothing as he watches her be raped and abused repeatedly and then kept as a personal concubine by his superior. Toyo suffers many horrible injustices and eventually Lori and her escape only to be brutally killed.

The second story, while still good, is definitely a bit more silly or comedic. It takes place in a brothel where a young man claiming to have a rich family turns out to be poor and unable to pay his bill. In order to pay off his debts, he has to stay and work at the brothel for a year. He falls in love with one of the girls and after witnessing a forced abortion and then the death of one of the other girls, he decides to escape with her. The two become petty criminals and are eventually caught. He’s killed, and she’s sold back into prostitution.

In case you aren’t convinced of the brutality here are some of the things you can expect to see:
SPOILERS!!!!

  • human branding
  • stake burnings and spearing
  • snake pit torture
  • rape, including double penetration gang rape
  • forced abortion
  • beheading
  • castration
  • And my personal favourite execution by bulls pulling a woman’s limbs off.

4/5 historically accurate shocks for this film

Posted by Candace Stone in BRUTAL REALITY, REVIEWS, 0 comments
MOVIE REVIEW: Gutterballs (2008) [SPOILERS]

MOVIE REVIEW: Gutterballs (2008) [SPOILERS]

Gutterballs (2008) is a Canadian extreme horror set entirely in the Xcalibar bowling alley (Surrey, BC). It’s essentially a rape revenge with a slight twist.

The film is horribly acted, feels like a slasher made by porn stars for porn stars, and despite the low budget and less than Oscar-worthy acting, it still ends up being a great little movie. The gore and practical effects are superb. The kills are inventive and fresh, and the rape scene was genuinely disturbing.

A group of friends go bowling after hours and compete against one another. It’s a typical mix of teens from the 80s: you’ve got your token jocks, rockers and rockettes, skanks, and even the trans community is represented. The jocks compete against the rockers. The group of jocks gets drunk and rowdy and roughs up the transgender member of the group, and a bit of a brawl breaks out. In order to stop one of the jocks from beating up her friend, one of the girls drops a bowling ball on his foot. The group gets kicked out of the alley early but vow to have a rematch the following night. They all go their separate ways except the girl who dropped the bowling ball goes back in the alley in search of her purse. She runs into the group of jocks, and they brutally gang rape her. This scene is long and excessive; it imprints itself on your brain. I found it to be a lot harder to stomach than most scenes of this nature because it was extremely graphic and felt like it went on forever. I was completely emotionally depleted by its finish. It’s been a while since I was truly disturbed by a scene in any movie.

The following night the group all comes back for a bowl-off. The group starts getting picked off one by one with some of the most original kill scenes put to film. You can look to find quite a few hat tips to other movies in this and have fun picking them out. I was a tad disappointed by the “twist” ending, but overall I was pretty impressed with the film.

Spoiler Alert Nosferatu

Here are some of the extreme and disturbing bits you can expect to see:

  • A brutal and graphic gang rape using a bowling pin
  • Death by 69 (extra points for creativity)
  • An incredibly up close and personal penile mutilation
  • Sodomization with a bowling pin
  • Tons of nudity, sex, violence, and gore in this one

4/5 shocks for Gutterballs

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
MOVIE REVIEW: Tetsuo, the Iron Man (1989) [SPOILERS]

MOVIE REVIEW: Tetsuo, the Iron Man (1989) [SPOILERS]

Tetsuo, the Iron Man by Shinya Tsukamoto is a gnarly cyberpunk fetish film. Filmed in black and white and employing very little dialogue… it’s not really needed because there’s enough going on without it Tetsuo, the Iron Man has a cool techno/industrial, pulsing, fast-paced vibe.

Spoiler Alert Nosferatu

The film starts out with “The Man” or “The Metal Fetishist” (Tsukamoto) inserting a metal pipe into his thigh, then losing his shit when it starts to fester and maggots show up. He runs out into the street where he is hit and presumably killed by “The Salaryman” (Tomorowo Taguchi) and his girlfriend (Kei Fujiwara). They take his body and dump it into a ravine and then get it on in front of the corpse because nothing gets you as hot as killing someone… right?

Tetsuo, the Iron Man (1989)

Later that night, The Salaryman notices a piece of metal sticking out of his cheek that he can’t get rid of. He has a nightmare where his girlfriend has a metal pipe coming from her hoo-haw and she rapes him with it. This scene is actually pretty great, she does this weird ass interpretive dance and licks her pipe before slamming it into his.

Tetsuo, the Iron Man (1989)

For some reason, everyone is super sweaty all the time. When he wakes up, The Salaryman and his girlfriend have sex and eat erotically, as in she licks a wiener. The whole time, however, The Salaryman hears metal scraping, and then he starts to transform. He runs into the bathroom afraid of what he’s becoming and tells his girlfriend to stay away. She says nothing bothers her and goes in anyway, and that’s when we see it… The drill dick!!! Yes, you read that right: his genitalia is now a large spinning metal drilldo. At first, the girlfriend is scared and starts stabbing him, but every time she stabs him, more metal sprouts out of his body. She then becomes turned on and rides the drill to death.

Tetsuo, the Iron Man (1989)

We discover that The Metal Fetishist isn’t actually dead and the two have an epic metalman duel until they eventually meld together into one giant metal man tethered by a metal pipe umbilical cord. The Metal Fetishist vows to turn the whole world into metal and let it rust, scattering it into the dust of the universe. Game over.
4/5 cyberpunk rock shocks for Tetsuo, the Iron Man

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
EXTREME REVIEW: The Life and Death of a Porno Gang (2009) [Spoilers]

EXTREME REVIEW: The Life and Death of a Porno Gang (2009) [Spoilers]

The Life and Death of a Porno Gang is an excellent Serbian movie directed by Mladen Djordjevic. It’s been referred to as “the other Serbian Film” although it has almost no similarities other than it’s Serbian and extreme. So no need to panic, no babies or children are harmed in this one.

This one is a bit difficult to tackle without spoilers, so I’m going to say mild spoilers from this point on and I’ll give you a heads up when I go into major spoilers.

The Life and Death of a Porno Gang (2009)

The film is about Marko (Mihajlo Jovanovic), a young enthusiastic film student fresh out of college. He’s bright-eyed and full of great ideas for an artsy horror/fantasy film. Unfortunately, Serbia has no market for such films and although his father is rich he won’t help with funding. Discouraged and down, Marko goes to a bar where he meets Cane (Srdjan Miletic) one of the top porn directors in Serbia. He offers Marko a job, and Marko accepts in hopes of earning enough money to make his film. After Cane shows him the ropes, Marko uses a few of the actors to make artsy political pornos, and the short film of a killer strain of weed that turns people into sex zombies is actually pretty brilliant. Cane, however, didn’t think so and was pissed that Marko went behind his back. He has his cop brother beat him up and run him out of town.

Marko gets together a group of “actors” and convinces them to join his traveling show: the first pornographic playhouse in Serbia. They buy a really cool van, paint it up all dirty, and hit the road. The rest of the movie follows their struggles in various towns. The show doesn’t go over well, and they get kicked out of town after town until they meet Franz, who offers them a different type of job that they end up accepting for the money. Then we witness the break-up and demise of the gang.

Spoiler Alert Nosferatu

Some of the more disturbing aspects of the film include:

  • The entire group being gang-raped at gunpoint after townsmen follow them from the last town they performed in. This scene was brutal, and I thanked god when one of them started to laugh in the face of their attacker because the scene needed a break.
  • Franz’s job offer was for the gang to do snuff films. The participants were willing, and their surviving family members were well compensated. This is where the film takes a profound turn and even though the participants are willing, we still experience the consequences of taking a life.
  • A horse blowjob that looks pretty real…
  • The death of a goat.
  • The death of everyone in the porno gang.

While the first half of the film was colorful and happy if somewhat disturbing, the second half becomes bleak, overly long, and depressing. It’s a hard watch in more ways than one, but it needs to be seen by any true extreme cinema fan.

4/5 Shocks for this film

The Life and Death of a Porno Gang (2009)

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, 0 comments
EXTREME REVIEW: Marian Dora’s Cannibal (2006)

EXTREME REVIEW: Marian Dora’s Cannibal (2006)

Cannibal is a 2006 film by Marian Dora based on the true story of Armin Meiwes that happened in Germany. It’s the story of a man who posts an online ad looking for another man to be his lover and let him cannibalize him, and he actually finds a willing participant.

Cannibal starts out with a businessman, The Man, meeting multiple potential partners all of whom, of course, are not willing to be eaten. Finally, he comes across a man, The Flesh, who is suicidal and wants to be killed by someone else. The two meet up and hit it off immediately. They court each other, reading passages from a beloved childhood favorite, dining, frolicking, and making love. The two men seem to become genuinely fond of each other.

At last, the pair enter a room set up with a camera and prepare to proceed with the original plan of cannibalism. The Flesh (neither are given actual names in the film, and there is very little dialogue) asks The Man to bite off his penis. After two failed attempts, I assume because of The Man’s new affection for The Flesh, The Flesh asks to be taken home. At the train station, the pair regroup, make up, and decide to try again. Once home, The Flesh takes stronger drugs, a record is put on, and then it’s down to business.

From this point on, it becomes an endurance test for the audience, and it makes for rather unpleasant viewing. The Man finally cuts off The Flesh’s penis, cooks it, and the two try to eat it together, but apparently, it not only tastes bad but has the consistency of rubber. So heads up future cannibals: stick with Oscar Meyer. The Man then puts The Flesh in a hot bath to let him bleed out. During this time, the two share a heartfelt goodbye, and The Flesh asks The Man to consume everything and to make sure nothing is left of him. Once The Flesh is dead, The Man drags his body — spraying shit and puke — out to the barn only to discover that The Flesh still draws breath. The Man stabs The Flesh in the neck and kisses him while he dies. He then proceeds to process the body like it’s a dead hog. This scene has great gore and is well done. I particularly like that he beheads him and positions the head so it can watch what he’s doing. Once the body has been processed he prepares a feast and dines on his lover.

My thought on Cannibal is that it’s ultimately a love story between two men — The Flesh wanting to be loved and consumed and The Man wanting to love and consume and truly have his beloved inside of him. They make a choice to be together forever and share in an experience that maybe only two people ever have.

5/5 for this haunting love story

Posted by Candace Stone in BRUTAL REALITY, GORE OR EXTREME HORROR, MOVIE REVIEWS, 0 comments
Miike’s Hidden Gem: Fudoh: The New Generation (1996)

Miike’s Hidden Gem: Fudoh: The New Generation (1996)

No other creature is like a human being… Even wolves do not prey on each other, but humans will eat each other alive.

One of Takashi Miike’s most overlooked gems is probably Fudoh: The New Generation. It was a V movie — or straight to video movie —bmade in 1996. It’s a typical, not so typical Yakuza gangster film.

While the story of Fudoh is somewhat predictable, the method is not. We start out with two brothers, sons of the Yakuza boss Mr. Fudoh. The older son Ryu is murdered in front of the younger son Riki by their father. Riki doesn’t let on that he sees it happen and plots revenge. Years later, Riki has a trained group of youth assassins that essentially run his high school. I love the casual mix of children and violence in this film; it’s both bold and refreshing. He also has two young boys who are pretty handy with a gun and taser, not to mention two of the cutest kids you’ll ever see, which only adds to the disturbing factor.

While all of the assassins and assassinations in this film are top notch, Mika the girl with a vagina blow dart takes the cake. I wonder where one even buys custom zipper panties and vagina darts? I assume Walmart. Mika also has a secret reveal later on. Her dart through the ear kill is epic and something you won’t want to miss!

One by one, Riki’s friends begin to die in mysterious ways. The predictability comes in here when a surprise half-brother is revealed and, of course, an epic duel ensues. It obviously ends with a final revenge battle between Riki and his father but with a couple little tricks up its sleeve.

When I’m going into an extreme film I like a break down of the film’s highlights before I invest, so here are a few goodies you can expect to see:

Spoiler Alert Nosferatu

  • Children playing soccer with a severed head
  • Lots and lots of spraying blood and beheadings, one really cool scene with a boss being poisoned inside a car and basically melting
  • Period vagina darts
  • Surprise hermaphrodite sex
  • An electrified vibrator in the bum
  • Prostitute acid bath

And some other great stuff that if you’re sick like me, I’m sure you’ll love it.

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments
A Serbian Film (2010): It’s Fucking Art!

A Serbian Film (2010): It’s Fucking Art!

In a desensitized world when shock truly does have value, along comes A Serbian Film, and here we are 8 years later still discussing it and reeling from the controversy. It’s a film that has ruined a lot of other films for me, making them seem colorless by comparison.

A Serbian Film (2010)

If, like me, you’re a fan of A Serbian Film, then you know it’s not something you admit to just anyone or casually discuss at family dinner. I used to find myself constantly on the defense regarding my love of this film, but now I refuse to be. I no longer justify why I like it or why it’s my second favorite movie of all time; I defend the movie itself. Before I get into the reasons why, let’s just quickly go over the movie’s plot and content for those who may not have watched it yet.

Milos, a semi-retired porn star, is struggling to provide for his wife and young son. When Milos’ former co-star comes by and offers him a role in an “art film” being made by a visionary and promising new director, it seems like his troubles are over. So far everything sounds pretty tame, right? Let’s fast forward to after the shooting of the “art film” starts and watch as it begins a downward spiral into depravity that would make the Marquis de Sade blush.

A Serbian Film (2010)

The areas causing the most controversy are the film’s depiction of child abuse, forcing a minor to watch a sexual act, raping a newborn, and raping a child. There are many other graphic, sexually violent scenes, but the aforementioned really get the censors riled up. For these reasons, the film has been heavily edited and banned in many countries, making an uncut copy somewhat difficult to find. Fear not, however, as Unearthed is releasing an uncut version with tons of extras and a much-anticipated documentary on the film.

Now back to my defense of the movie. It’s often assumed that I will use the same political defense the director Srdjan Spasojevic claims. Spasojevic insists he spent years trying to perfectly put on film how it felt to grow up in the midst of a very chaotic time in Serbia. He states that the infant rape and necrophilia show how the government rapes its citizens from birth until after death. Spasojevic also states, “this is a diary of our own molestation by the Serbian government”. Although these are not the reasons why I support the film, they were successful in getting me to investigate a little further into Serbian politics.

A Serbian Film (2010)

I personally don’t use the political pretense to justify this movie, and quite frankly I call bullshit. I believe Spasojevic wanted to make a shocking movie and once the backlash came, he used his carefully prepared political statement as a defense. I defend this movie simply because it’s art. Art that makes you really feel something, be it shock, anger, disgust, or horror, forces you to put down the fucking phone and watch. It makes you feel genuine emotions, powerful ones. For that reason alone, A Serbian Film is worth defending and remains one of the most engaging cinematic experiences of my life. I applaud it for pushing boundaries I didn’t even know I had.

A Serbian Film (2010)

Posted by Candace Stone in MOVIE REVIEWS, REVIEWS, SLASHERS AND BAD HUMANS, URBAN DECAY/DYSTOPIAN FUTURES, 0 comments