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MOVIE REVIEW: The Predator (2018)

MOVIE REVIEW: The Predator (2018)

The Predator: Hit or Miss

The Predator (2018) / Fair use doctrine.When I first heard that The Predator was coming back to the big screen I thought, ‘Well how are you going to top Predators?’ For my money, Predators is the best sequel to date and has the most legendary opening sequence in a movie ever. The news of Shane Black and Fred Dekker being on board, however, convinced me this was going to be top notch fun, gory, and worth the sequel.

I eagerly attended the first showing on Sunday, 16 September, only to find I was proven wrong – which is a major let down. Black and Dekker (haha) know their stuff and should’ve put together a great movie. With comedy, horror, and even family elements, The Predator struggles to find its focus. On the surface, The Predator is about a young boy who receives a gift of Predator items (WHY?) that eventually turn on a beacon which puts the Predator on a wanted list for being hunted {Or for hunting other creatures?}. The alert causes a problem for Earth since Predators aren’t friendly with anyone. A group of ragtag soldiers who suffer from PTSD ultimately are enlisted to do what’s right, help the kid, and…save the world?

The Predator (2018) / Fair use doctrine.As the film starts, there are actually some great action sequences, nice gore, and even a bit of a character development where you find yourself invested in the main character, Quinn McKenna (Boyd Holbrook, whom you’ll remember as Pierce, the villain, in Logan (2017)). After the spacecraft and presence of the aliens (Predators not Xenomorphs) are revealed, the government steps in and the movie takes a hard turn into Superficialville. Character development and, indeed, care of any characters steps out.

‘But,’ you may think to yourself, ‘This an action horror sci-fi movie. Does character development matter? We’re here for the blood and guts?’

The Predator (2018) / Fair use doctrine.

Well, kind of, yes. What I mean is this: When you attend a movie, you invest your time. In return, you expect to be entertained. You expect to see characters to whom you can relate or for whom you actually feel – especially when they die.

Hell, it took me a good while to realize that Thomas Jane was in the movie – not because of great method acting, but I just didn’t realize it was him. With an actor like Thomas Jane, you would expect that he would be front and center. At the very least, he should be cast in a better or more significant role. However, with this movie, you don’t get that. The deaths feel rushed, and the camera doesn’t exactly linger on the gore. It was almost blink-and-you-miss-it shots of the kills. Perhaps this was to avoid delays from the MPAA or maybe another unknown reason. We may never know.

The Predator (2018) / Fair use doctrine.Overall, The Predator doesn’t really hold up to the previous films in the franchise – gore- or action-wise. Sure, there are a few nods to the previous films but not enough to keep you entertained. From the sci-fi/horror aspect, it could have worked as any other alien movie, but as an entry in the Predator franchise, it doesn’t. Peppered with forced jokes as an attempt to engage the audience, it falls flat because they didn’t really fit the movie. At times, the movie felt overlong and drawn out – not good for film with a scant runtime of 107 minutes. My excitement swelled as the ending approached. Would there be a possible connection to the previous films? Or even something better?

I won’t spoil the movie, but it was almost a slap in the face to the fans of the franchise to see this. HINT: Think uber Jason from Jason X but with no delivery of any kind. It was just a big let down.

My advice: Wait until The Predator comes on Netflix or hits Redbox. It just barely made number one this weekend, so perhaps a sequel or another reboot will help the franchise.

The Predator (2018) / Fair use doctrine.


Posted by Jai Alexis in HORROR NEWS, MOVIE REVIEWS, NEW RELEASES, PREQUELS AND SEQUELS, REVIEWS, 0 comments
THE GOOD, THE BAD, AND THE UGLY OF  MONSTER FEST SYDNEY 2018

THE GOOD, THE BAD, AND THE UGLY OF MONSTER FEST SYDNEY 2018

The last three days have been a whirlwind of screening delight at the second Sydney Monster Fest . From 7 pm on Friday, 9 March 2018, night until 11 pm on Sunday, 11 March 2018, Monster Fest screened a total of twelve films, and of those twelve, two were short films.

Unfortunately, there were two films I could not attend due to time restraints. These were Stefan Ruzowitzky’s Cold Hell (a German thriller about a woman in hiding following witnessing a murder) and Luke Shanahan’s Rabbit (noted as a strong, well driven Australian thriller surrounding the disappearance of a girl’s sister). Next year I shall be clearing my schedule to attend all of the screenings available as both, I felt, offered so many possibilities as a film fan, and I did want to see them.

Monster Fest 2018 - Living Space Q&A 01

Steven Spiel’s Living Space Q&A, 1 of 3

At Monster Fest, Australia served up some more homegrown horror with the two shorts Edward and Melissa LyonsAlfred J Hemlock (an impressive revamping of the better the devil you know style dealings with a hilariously lovable comedic twist- that kick-started the festival ahead of the opening screening) and Ren Thackham’s and Fliss Keep’s Tightly Ground ( a boring and rather overindulgent hipster attempt at satire with a bit of murder thrown in). As well as the films like Steven Spiel’s superb Living Space (an awesome time looping thriller featuring some pure moments of amazement – including a human swastika!), Daniel Armstrong’s Tarnation (which despite an impressively campy premise was ultimately an abysmal film featuring a group of annoyingly bad actors facing perils of obscure concepts – penis bugs, demonic unicorns and zombie kangaroos all sound great but if executed poorly are not as fun as hoped), and the standout Mystery Movie that ended the festival Chris Sun’s desperately anticipated BOAR.

Monster Fest 2018 - Living Space Q&A 02

Steven Spiel’s Living Space Q&A, 2 of 3

Monster Fest 2018 - Living Space Q&A 03

Steven Spiel’s Living Space Q&A, 3 of 3

BOAR is a beast of a film all of its own which features a huge quality bag full of lovable Australian larrikin humor, great creature effects and a cast of likable and deliberately unlikeable characters. Switching from the douchebag boyfriend Robert (played so well by Hugh Sheridan), to the hulking gentle giant uncle Bernie (played adorably by Nathan Jones) and even familiar faces such as John Jarratt, Bill Moseley, and even Steve Bisley, Sun has his star-studded cast guide this film superbly through the sentimental, the comedic and the terrifying!

From the USA, Monster Fest secured screenings of Johannes Roberts’ The Strangers 2: Prey at Night (which for me knocks the original out of the picture through its musically rich murderous antics and opened the festival with a bang alongside Alfred J Hemlock), the 1987 classic Fred Dekker film The Monster Squad (I had never seen this and am a huge lover of it now!!!!) , and  their 4K restoration screening of the classic George. A. Romero’s Night of the Living Dead (crisper clear quality without losing the original film’s awesomeness).

Canada served up Adam MacDonald’s Pyewacket, an impressive occult themed film about the suffering that follows a loss. It starred The Walking Dead’s Laurie Holden and Vancouver actress Nicole Munoz (both dove deep to create likable and unlikeable aspects to their tortured characters).

Lastly, from Turkey came the Can Evrenol film Housewife, an inexplainable romp into the insanity that it displays thoroughly throughout. With dream realms, surreal ongoing and a beginning classic to any horror film, you will not be let down by this film. Brilliant!!

All in all, Monster Fest was a thoroughly amazing viewing experience and I cannot wait for any further screenings throughout the year or events like this one. I will be there!

Posted by Michelle MIDI Sayles in EVENT REVIEWS, MOVIE REVIEWS, REVIEWS, STAFF PICKS, 0 comments