horror music

Redneck Nosferatu — (Self-Titled)

Good Ass Studios

  • 1. Momma
  • 2. Love & A .45
  • 3. Papa Kills Babies
  • 4. Father Curtis
  • 5. Son Of 100 Maniacs
  • 6. Dead Girls
  • 7. Children Shouldn’t Play With Dead Things
  • 8. Silver Bullet
  • 9. Stalker
  • 10. Otis
A majority of the bands in my collection come from random purchases. Generally if a band pops up on my Facebook feed, and they have physical albums for sale, I’ll buy for the sake of collecting. I love supporting the small time bands and even if they don’t end up being an act I fall in love with, they earn a spot in my collection. Sometimes though, I find a band that completely floors me and that’s the case when I opened my copy of the Redneck Nosferatu self-titled debut album. Hailing from Tulsa, OK, this self-proclaimed “killbilly trash punk” quintet combines crusty punk rock with metal and layers it all under an air of backwoods horror. Consisting of guitarists and vocalists Clovis and Rowdy Riter, bassist and vocalist Lola and drummer D-Bone, they produced a 10 track album fit for hardcore and horror fans alike.
With the opening track, “Momma”, the listener is treated to an audio sample setting the mood and tone for the remainder of the disc. Edmund Kemper’s confession about beheading is mother is heard over a backing track of dripping water, muffled cries. and inhuman moans. The 83 second introduction lays the groundwork for the no-frills, in-your-face sludgefest that you’re about to endure during the next 23 minutes. The first song on the album, “Love & a .45” tears in and delivers in less than 2 minutes. What made this group immediately interesting was the gnarled female vocals that brought to mind groups like Circle Takes The Square. With the crack of a beer “Papa Kills Babies”, the album’s third track, kicks off. Distorted vocals shout “they don’t go in the woods at night” over an aggressive thrash rhythm. The vocals jump between belched barks and strained screams creating a sense of menace.
The album continues with “Father Curtis”, chugging along on a crust punk beat, breaking the cycle and adding another layer to the band and album. “Son Of 100 Maniacs” is one of the discs strongest offerings. With back and forth vocals, a fast beat and unsettling overall tone, the song pounds away and builds up to an ending of sporadic guitar squeals and static noise fading out pleasantly, all in 93 seconds time.
Starting the album’s second half is the album’s most easily digestible track for newcomers, “Dead Girls”. Starting on an acoustic guitar riff the band crafts a spooky atmosphere before kicking everything into gear. The lead vocals are delivered with less of a snarl but more than enough attitude. The bass, drum, and spoons breakdown in the track shows off that the groups roots and influences stand in other places besides punk and metal. “Children Shouldn’t Play With Dead Things” is easily my favorite song on the album. The guitar tone over such a driving riff with the vocals spewed out in a steady stream, this track plays like a theme song to a killing spree conducted by backwoods cannibals high on meth. This is a song coated in total chaos and energy and one of the album’s longest entries.
Silver Bullet” ramps up the energy considerably as the group delivers an anthem style head-banger primed to fire up any pit. The verses build up in intensity until chorus rushes in like a welcome release. Rounding out the album are the tracks “Stalker” and “Otis”. “Stalker” plays out as a sludgy metal track with an enticing vocal performance, which initially reminded me of Daniel Hell (Dr. Hell), and holds the title as the disc longest play at 3:10. Modest and moving, “Stalker” keeps the anxious and claustrophobic tone of the record moving along before “Otis” closes everything out. Starting out with a Black Sabbath intro and the “Frailty” movie quote, the album’s grimy metal ending continues. The chant of “I got bored with the Lord, now I’m skating for Satan” drives home where this band hails from and what they’re about, a preachy punk piece that wraps everything together.
Running about 23 minutes total, the album offers little to dislike though the high points sometimes feel rushed along. Overall, this is an incredible debut by a band that, perhaps literally, crawled out of the woodwork and I’m really looking forward to what follows. Dark, grimy and aggressive, Redneck Nosferatu have left their mark on the neck of the horror genre.
Follow Redneck Nosferatu on their Facebook.
Or pick up a copy of the self-titled album from their Website.
Redneck Nosferatu / Fair use doctrine.
MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

MUSIC REVIEW: Redneck Nosferatu – Self-Titled (2017)

Redneck Nosferatu — (Self-Titled)

Good Ass Studios

  • 1. Momma
  • 2. Love & A .45
  • 3. Papa Kills Babies
  • 4. Father Curtis
  • 5. Son Of 100 Maniacs
  • 6. Dead Girls
  • 7. Children Shouldn't Play With Dead Things
  • 8. Silver Bullet
  • 9. Stalker
  • 10. Otis
A majority of the bands in my collection come from random purchases. Generally if a band pops up on my Facebook feed, and they have physical albums for sale, I’ll buy for the sake of collecting. I love supporting the small time bands and even if they don’t end up being an act I fall in love with, they earn a spot in my collection. Sometimes though, I find a band that completely floors me and that’s the case when I opened my copy of the Redneck Nosferatu self-titled debut album. Hailing from Tulsa, OK, this self-proclaimed “killbilly trash punk” quintet combines crusty punk rock with metal and layers it all under an air of backwoods horror. Consisting of guitarists and vocalists Clovis and Rowdy Riter, bassist and vocalist Lola and drummer D-Bone, they produced a 10 track album fit for hardcore and horror fans alike.
With the opening track, “Momma”, the listener is treated to an audio sample setting the mood and tone for the remainder of the disc. Edmund Kemper’s confession about beheading is mother is heard over a backing track of dripping water, muffled cries. and inhuman moans. The 83 second introduction lays the groundwork for the no-frills, in-your-face sludgefest that you’re about to endure during the next 23 minutes. The first song on the album, “Love & a .45” tears in and delivers in less than 2 minutes. What made this group immediately interesting was the gnarled female vocals that brought to mind groups like Circle Takes The Square. With the crack of a beer “Papa Kills Babies”, the album’s third track, kicks off. Distorted vocals shout “they don’t go in the woods at night” over an aggressive thrash rhythm. The vocals jump between belched barks and strained screams creating a sense of menace.
The album continues with “Father Curtis”, chugging along on a crust punk beat, breaking the cycle and adding another layer to the band and album. “Son Of 100 Maniacs” is one of the discs strongest offerings. With back and forth vocals, a fast beat and unsettling overall tone, the song pounds away and builds up to an ending of sporadic guitar squeals and static noise fading out pleasantly, all in 93 seconds time.
Starting the album’s second half is the album's most easily digestible track for newcomers, “Dead Girls”. Starting on an acoustic guitar riff the band crafts a spooky atmosphere before kicking everything into gear. The lead vocals are delivered with less of a snarl but more than enough attitude. The bass, drum, and spoons breakdown in the track shows off that the groups roots and influences stand in other places besides punk and metal. “Children Shouldn’t Play With Dead Things” is easily my favorite song on the album. The guitar tone over such a driving riff with the vocals spewed out in a steady stream, this track plays like a theme song to a killing spree conducted by backwoods cannibals high on meth. This is a song coated in total chaos and energy and one of the album’s longest entries.
Silver Bullet” ramps up the energy considerably as the group delivers an anthem style head-banger primed to fire up any pit. The verses build up in intensity until chorus rushes in like a welcome release. Rounding out the album are the tracks “Stalker” and “Otis”. “Stalker” plays out as a sludgy metal track with an enticing vocal performance, which initially reminded me of Daniel Hell (Dr. Hell), and holds the title as the disc longest play at 3:10. Modest and moving, “Stalker” keeps the anxious and claustrophobic tone of the record moving along before “Otis” closes everything out. Starting out with a Black Sabbath intro and the “Frailty” movie quote, the album's grimy metal ending continues. The chant of “I got bored with the Lord, now I’m skating for Satan” drives home where this band hails from and what they’re about, a preachy punk piece that wraps everything together.
Running about 23 minutes total, the album offers little to dislike though the high points sometimes feel rushed along. Overall, this is an incredible debut by a band that, perhaps literally, crawled out of the woodwork and I’m really looking forward to what follows. Dark, grimy and aggressive, Redneck Nosferatu have left their mark on the neck of the horror genre.
Follow Redneck Nosferatu on their Facebook.
Or pick up a copy of the self-titled album from their Website.
Redneck Nosferatu / Fair use doctrine.
Posted by Dom Calzola in MUSIC REVIEWS, REVIEWS, STAFF PICKS, 0 comments
MUSIC REVIEW: Misfits Reunion @ Riot Fest 2016

MUSIC REVIEW: Misfits Reunion @ Riot Fest 2016

By Shock
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Misfits 9/18/2016
Photo credit: riotfest.org
Throughout life, we all have the need to see a band that made us who we are today. Music comes to us, and speaks to something deep inside every person. No matter whom it is or what kind of music it is, music speaks to us and, I dare say, is a necessity of life in order to survive.
Some of the bands we go through in our lives stick to our souls and yet there is no chance of seeing a live performance, bands like Queen with a front man as inspirational, charismatic and amazing as Freddie Mercury. Some of us never had the pleasure and honor to see him perform with a band that changed the standard of music. That's just one example of thousands, and most of us who can bounce between genres, we also have home where we go to.
For me, home is Horror Punk and although some would say it pales in comparison to bands that can't be classified like Queen. It is still where my heart and soul have been for many years. This genre was made famous by a small little band we now know as the MISFITS, a band that has a legacy that has been undeniable for decades. So when I got the email from the Riotfest.org mailing list that was nothing more than a picture of the iconic Crimson Ghost that stated ORIGINAL MISFITS LINE UP, I may have felt my heart sink. Tears flooded my eyes, and I literally screamed. Laugh if you must, but I totally did scream in the middle of a grocery store. Looked at the email on my phone and emotion flooded me. It was like finally having a dream come true - a phrase that is often used but rarely true. We have all been hearing for over 30 years "It will never happen!" Well, it was happening, and the skeptics came out in droves to instantly try to disprove this and call it a hoax. There was not a care in the world on my end of it, I logged on right way and dropped a healthy chunk of money to purchase tickets.
One thing I know is the music industry, not the lives of the people but the industry itself, so I figured of course there had to have been a solid contract in place. So I wasn't worried like many others were, stating their past beef ruining the reunion. Now, enough of that, let's break down the show.
It was a long three days of Riot Fest in Chicago. I spent the months prior awaiting the three day festival. Of course, being into punk and metal, I attended the whole three day event, eagerly anticipating Sunday and the opportunity to witness a band that created a genre that had influenced some of the biggest names in the music world.
The energy was intense with 50,000+ people in attendance. For us into the underground music scene, most shows have maybe 500 people tops. This was the most intense experience, the stage garnished with two giant sized jack-o-lanterns from the Halloween EP cover in and, of course, numerous crimson ghosts all over the place. So once the band took stage, the audience erupted into cheers and applause and other audience noises that nearly broke the sound barrier! Doyle Wolfgang Von Frankenstein on guitar, Acey Slade (Murderdolls, Dope, Trashlight Vision and more) on second guitar, Jerry Only on bass, Dave Lombardo (Slayer, Fantomas, Suicidal Tendencies, and more) on drums and of course the almighty Glenn Danzig on vocals.
Opening up the show with "Death Comes Ripping" - a powerful way to start off the set in my opinion, the earth shook once that first beat from Mr. Lombardo's drum intro hit. And I'm not exaggerating. The ground literally was shaking, and it was pure amazement. There was a lot going on, from the stage with the lights and screens to the crowd moving like waves; it was the time we all were waiting for and damn did it hit hard.
Some have said that Glenn sounds great, but you couldn't hear him over everyone else singing along to every single song, so I don't know what they could have been hearing honestly. The performance as a whole was very energetic and very unexpected, with all of them running about like they were 17 again and taking over the stage like kids on a play ground. This was unexpected only because the Misfits original members are a bit aged. There had been a lot of speculation from super elite fans that the performance was going to lack. However, just look at the shape they are in; there was no way it was going to be what was predicted all over the Internet. And I'm sure the energy from the insane amount of people in attendance really fueled the energy they put off. Their overall performance really was like seeing a band of younger cats doing what needs to be done to put on the best show. I have seen HUNDREDS of concerts in my time, and I can confidently say that the way they owned the stage was right up there with the hype and energy of bands like Suicidal Tendencies, AFI, Terror and other high energy bands.
The band slid effortlessly from song to song, each one an obvious classic. The vibe never drowned, and endless flashing designs played on the screen on the back of the stage. You couldn't even tell it was 10:00 PM and pitch black outside. Many have speculated what the origins are behind the songs. As fans we don't really know what the songs are truly about, so hearing straight from Danzig's mouth what "I Turned Into a Martian" was really about or how the infamous "Bullet" JFK art was created was truly a gift to any true fan.
Seeing this live took me back to the first time I heard the MISFITS as a kid, and how it was different from other punk bands. If you're not familiar with the Misfits, well you've been under a coffin far too long. They mixed the two things I love most: horror and music. This took me back to a time when everything was okay with the world and listening to your favorite band made you feel like you could do anything. Seeing them perform together live - something that will probably never happen again - made it all the more of a positive experience.
Overall, this was an amazing and a once in a lifetime event that I am very fortunate to have attended. Anyone that was there know exactly how heavy and intense it was. Everyone who had the means to make it but did not really missed out. This is your own problem. All who did not have the means, I am truly sorry that you could not make it to this historic event.
So, until next time, keep your ears to the streets. There is more horror music out there, and if you haven't heard about it yet, you will hear about it real soon.
Keep it Creepy,
-Schock
Posted by Schock in MUSIC REVIEWS, REVIEWS, 1 comment
SLAYER TO JOIN THE MISFITS!!

SLAYER TO JOIN THE MISFITS!!

By John Roisland

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When someone asks you, "Who is the best horror band?", who do you automatically think of (or, even better, who SHOULD you always automatically think of)? To me, that's an easy question to answer: hands down it is The Misfits - the original in your face horror punk band that started the wave of horror music as we know it today.
Originally fronted by legendary vocalist Glenn Danzig, who, after leaving The Misfits, went on to form the highly acclaimed Samhain. While lyrically was similar to The Misfits, was a darker and much gloomier sound. He later went solo and started Danzig. While all three acts were very similar, they were all also worlds apart yet all had huge followings and were very influential in the music world. After The Misfits original members split up, there've been a lot of harsh words towards each other and hard feelings over the years amongst the members - including court cases over copyright issues.

The Misfits originally formed in 1977, and 39 years later The Misfits are still kicking ass and it seems like a dream will come true. They said it would never happen but, the almighty The Misfits will be making a return the end of 2016 at Riot Fest headlining the show with all original members - or so it was claimed. The original members have rumored that they will be using renowned drummer and former member of legendary heavy metal thrash gods Slayer the one and only Dave Lombardo. Now Dave has been rumored to be the skin smasher filling in on drums during these live performances that are being held in September.

dave-lombardo

As of now Dave's name has not officially been announced. As a matter of fact, it's actually just hearsay and speculation because band members of The Misfits have been hinting around that he is who the drummer will be. So by the process of elimination by hints given by Danzig and Jerry Only, Dave's name has surfaced and is now in the limelight.

I have been a fan of both Slayer and The Misfits since I was a young teen and continue to be one to this day. Hell, I even sported the black wrist bands like Glenn for a while. So combining the two bands for me personally would be like a demonic musical orgasm! Although the styles of both bands are very different, putting the two together will be incredible, especially in a live performance.

Could this possibly be the new line up for The Misfits? Could there be a new studio album in the future with the return of the original members plus Lombardo? One can only dream.

It's doubtful that I will be lucky enough to attend Riot Fest and get to witness the reunion of The Misfits , but if any of you readers out there are able to and if you think I'm a halfway decent guy, then help me out and get me a fucking t-shirt!

I don't have a clue on the future of The Misfits or the possibly joining of Dave Lombardo on drums to the band, but I do promise that I will keep you guys updated as the events unfold !

Keep It Evil.

Posted by John Roisland in CAST AND CREW NEWS, HORROR NEWS, 2 comments
COMING SOON: Fangoria Musick – The Horde Mixtape

COMING SOON: Fangoria Musick – The Horde Mixtape

By John Roisland
musick

Growing up as a young horror fan, one of the first publications I remember seeing that covered the genre was, of course, Fangoria. After being around for all these years and still holding strong, they have expanded and have since opened a music department aptly named Fangoria Musick.

So when April Bedan, manager of Fangoria Musick emailed me and asked if I'd be interested in mentioning their upcoming release, I was honored.

Fangoria Musick held an open call for any interested horror themed musicians to send in the best they had. What they ended up with is going to shatter your soul!

Fangoria Musick - The Horde Mixtape Flyer

Fangoria Musick presents THE HORDE MIXTAPE. After a long list of submissions, Fangoria Musick narrowed it down to 11 very fortunate groups that I'm sure had to sell their soul and sign the deal with blood. Fangoria has said this album will cover all different genres of horror music, so whether its dark ominous or head banging thrash, I'm looking forward to it!

The musicians on THE HORDE MIXTAPE are as follows:

Fangoria Musick - Red arrow right20SIX HUNDRED

Fangoria Musick - Red arrow rightCEMETERY HIGH

Fangoria Musick - Red arrow rightSURGERY HEAD

Fangoria Musick - Red arrow rightKARDIAC

Fangoria Musick - Red arrow rightTHE CHURCH OF ZANN

Fangoria Musick - Red arrow rightGEOFF BALL

Fangoria Musick - Red arrow rightBASTARD CITY

Fangoria Musick - Red arrow rightMOJAVE PHONE BOOTH

Fangoria Musick - Red arrow rightDOWD

Fangoria Musick - Red arrow rightTHE CHOKE

Fangoria Musick - Red arrow rightBLOODSHOT

Artwork for the album cover was done by Corey Jennings of KARDIAC who is also signed to the Fangoria Musick label and who also produced and edited THE MIXTAPE video promo. Obviously a busy guy!

Set to release on July 29, 2016, Digital Downloads will be available at FANGORIA.com, while physical copies will be available at FangoriaMusick.bigcartel.com.

I'm sure this release is going to be one to add to your personal library. I, for one, cant wait to get my hands on a copy.

So stay true to the horror genre, support Fangoria and Fangoria Muisck, both online and on their Facebook and Twitter social pages. And don't forget to order your copy of THE HORDE MIXTAPE or you'll suffer eternally!

Keep It Evil.

Posted by John Roisland in COMING SOON, HORROR NEWS, 0 comments