We all know and love Mr. Glenn Danzig, the man behind the almighty Misfits, Samhain, and Danzig. What most suspected and read in past interviews is that he was heavily influenced by the likes of Elvis Presley and Jim Morrison. I mean, he’s like the evil version of both that’s wrapped into a ball of energy that, honestly, after seeing him live a couple of times, I think cannot be matched by a lot of people in his age bracket. So he brings us now Danzig Skeletons.
For many years we all waited for an album to come out in which Danzig would cover some of heaviest influences. Finally, as of 2015 he did, and it’s a glorious record. Listening to Glenn speak in interviews and with the unexpected reunion of the Misfits 2 Riotfest gigs, you can see he’s really getting nostalgic and so an album like this is pretty cool to have on his resume, paying homage to some things and introducing fans of his to music they may not have heard prior. A couple of tracks from some B film biker flicks really threw me off, but when you listen to the original versions, it makes sense as to why he would throw his particular style into it.
So let’s get down to business:
Devil’s Angels – This was taken from the theme song of an old biker movie. Straight up I had hopes that maybe he would revisit the O.G. punk rock sound of The Misfits with some of this, and this one did it. A very well done number with some throw back punk rock that made us all fall in love with Mr. Danzig.
Satan – Another number that has that old time biker film jive to it. I had never heard of this, so I researched the original and found it to be mega slow, and, I don’t know, I always thought bikers were supposed to be hard and mean, and this didn’t do it for me. However, good ol’ Glenn really threw in some of that bluesy metal vibe and smashed it. Definitely made it more convincing to the reader.
Let Yourself Go – An Elvis number that isn’t very well known unless you’re a die hard fan and not just a fair weather Presley fan. Really, there’s no difference. Danzig nailed this one PERFECTLY.
N.I.B. – By far my favorite Black Sabbath song, and I’ve heard many people cover this one and even considered covering it myself. I can’t say it’s my favorite version, but it’s definitely in the top 3. It’s slowed down a bit, and Danzig puts his own spin on it, of course, and really turned it into a Danzig song. If you hadn’t known Sabbath was the original artist, you’d think it was a Danzig tune for sure.
Lord of the Thighs – Aerosmith... uh, yeah, you read that correctly. An older Aerosmith number that was great originally, and then Glenn gets a hold of it and adds that metal flair and really gave it some justice. I’m sure anyone who knows the original and then hears this will absolutely love it. Putting that Danzig twist to it really makes a difference in the song’s dynamic.
Action Woman – Another song I had never heard prior to this, originally recorded by some band called The Litter. I felt, after listening to the original, that if Danzig wasn’t in the punk scene, this would have been his band. No doubt about it, he took this song and again made it a tune of his own with the carried out notes and guitar squeals. It has Danzig 1 all over it.
Rough Boy – What’s funny about this whole record is there are songs by bands that you’re not going to expect. This one is brought to us by ZZ Top. I was not expecting to hear this; again, though, it’s very well done and perfectly arranged, really paying great homage to the original. I don’t care for ZZ Top, but to see what’s up, I listened to it and found it a good representation.
With a Girl Like You – Danzig frequently can be incoherent in his lyrical projection. When I listened to this one, I thought that’s what was going on here, but nope, the original has the same vibe. I’m not so stoked about this one as the others, the distorted bass really throws off the vibe of the song and kind of gets annoying after 45 seconds.
Find Somebody – This is another tune that sounds as if they were dying down towards the end of writing. Not very well arranged and sounds as if the whole band may be falling asleep. I’ve heard this one in original form a few dozen times, and it doesn’t really pay homage as well as they could have.
Crying in the Rain – Originally recorded by The Everly Brothers, it was an amazing song then, and the way Danzig recorded it is fantastic. Light instruments and some echoed out vocals. It’s a fantastic way to end this album.
Overall, Danzig did a fantastic job with this record. A few songs could have been represented better, but who am I to say? They stayed true to a bluesy but metal style and picked songs that represented the Danzig sound.
Every once in a while I’ll stumble upon a band that differs from what’s out there in the midst of the horror rock community. Darkness Visible a band from Australia is really one of those bands that has shown they are far different from the rest of the horror rock bands that are circulating.
With a visually appealing musical act, the artistry is very well done, like a tamer version of Genitortures. Less sex than the Gen’s of course. Definitely a band that would be a lot of fun to see live. The musical aspect of Darkness Visible is eclectic as it is not just one set genre. They kind of jump all over the place as far as style goes and that’s not a bad thing. Simple people, want simple music: “If it’s not this one genre, I don’t want it”. So if you’re a simpleton don’t bother listening to Darkness Visible. I say that with the utmost respect because one minute it’s a slow death rock style song, and then you’re taken into a world of pianos and almost jazzy, swing-style forte, which I absolutely love.
The female vocals are KILLER on every song she sings on. If this were my band, I’d stick her on vocals and never touch a mic again. In the Horror Rock world, females always shine through, and this is no different.
With a new video out for “The Truth Hurts” set in a silent film kind of style, very unique and well put together. Musically it’s like if a Danzig meets Alice Cooper vibe. This particular song features male vocals. The darkness, and artistry really shows through on this video.
Let’s not stop there, I can’t seem to find any music online other than videos, and that’s really a good thing because the visual aspect of this band is pleasing to the eyes. The song “Flesh” and the video for it is quite the visual horror freak show. If you’re going to listen to a band with a different sound and different way of doing things, this is the band to check out. You can do so by visiting their Facebook page where you can find their videos and more information about them.
Darkness Visible star / Image: Darkness Visible
Stay tuned for more and, as always, keep it creepy! -Schock
Sometime in the latter half of 2015, I was first introduced to the Martian rock monsters Ratbatspider. Hailing from the angry red planet but currently residing in Milwaukee, Wisconsin, this horror punk outfit blends the obvious standard scene influences of The Misfits, Glenn Danzig, etc., with a heavier, more metal-influenced style that’s rare to see with bands who identify as Horror Punk. The four piece machine features vocalist Ryan Remains, bassist Chris Rat, guitarist Jack Bat, and drummer Doug Spider. The first impression this band made on me was in form of their 2014 release, Night of the Sharksquatch. The album cover shows a hulking Sasquatch with a shark’s head superimposed on it. Between the cover art, album title, and band name, I had no idea what to expect from the group and went in with zero expectations.
From the start of the album, it was obvious this was a group willing to pave their own way in a genre over-saturated with copy artists trying to emulate groups that came before them. The first track “...And I'm All Out Of Bubblegum” opens with the Rodney Piper quip from They Live where he threatens the alien invaders and then tears right into the music. Front man, Ryan Remains’ aggressive vocal track soars to drummer Doug Spider’s blasting beat as he shouts about the rich getting richer and the poor getting poorer. The track ends with a shotgun blast before the album’s second song, “Inward Skeleton”, begins. The group slows down slightly for this track and falls into a tighter groove while Remains demonstrates his capable vocal abilities as he jumps back and forth between a croon and shouting.
The third track is the disc’s longest play, coming in at 3:13. “Last One Out Close The Coffin Lid” has the characters playing a game of Russian roulette. Chris Rat’s bass line prominently carries this track as Remains barks the lyrics like, “one is six chance I’ll wind up dead, paint the room with insides of my head”. Overall, this was my favorite listen on the album. The fourth track “Dead Girls Don’t Say No” starts with Jack Bat playing a thrash-style introduction before Doug Spider starts in with another breakneck pace drum beat. This track showcases the groups plethora of influences as collectively they sound like something straight out the late 80s thrash metal scene. The band works at double time as Remains’ vocals change shape again into a more powerful howl.
The album closes with the title track, “Night of the Sharksquatch” a powerful and heavy closer centered around a Kaiju-style beast created when toxic waste fuses the infamous Sasquatch and a shark together. The light-hearted song premise shows a band that can have fun and still write incredible, gripping, and powerful music. Ratbatspider has proven time and again on each of their more current releases that they are a band with confidence in the direction they are going and the raw talent to get them there.
Earsplit Public Relations is really bringing back the true meaning of Death Metal with some …dare I say it, ear splitting metal bands that simply murder what we hear from the big wigs of metal these days.
On this label there is a healthy mix of Death, Doom, Grind, Black and Thrash Metal. First up for my listening pleasure on this label is the band Beheaded of the album Beast Incarnate.
Straight out of the gates with this one it’s a barrage of blast beats and growls. Ya know, the way Death Metal is suppose to be. The first song, “Beast Incarnate”, really gives the album title its meaning and brings to you what the rest of the record holds true. The songs to follow are no less brutal, and unlike some modern day more well known Death Metal bands, there’s nothing clean about this record. It is gritty, raw, and killer to the point of being terrifying.
Song by song there is seriously just no stopping this band. The brutality of the drums, let’s focus here for a moment. The drums are so on point, 30000 bpm (slight exaggeration) and clean with a flawless Death Metal precise landing. You might fall in love with the just the drumming alone on this record. This isn’t to take away from the rest of the band, I’m just saying this is something I noticed right off the bat.
Beast Incarnate, right from the beginning of the album, I mean as soon as you hit play, will have you head banging – even if you’re driving down the road. You will NOT stop until the record is over this I can promise you. So wear a helmet and be safe while driving and listening to this record. Each song is a supreme example of what Death Metal truly should be. This is my first listen of this band and I’m in awe at how precise and solid this album has been executed. Lyrically, vocally, and musically, this album is truly something to buy today!
When I listen to metal bands, a lot of times some of the music is sloppy and a bit simple for the style of music. You’re asking yourself, “Who are you listening to?” I listen to the underground world, and some of the more popular bands as well, and if you listen close, you can hear some rushed recordings and who is just trying to be one of the cool kids. This is not the case here. This whole album should be in rotation in any TRUE metal head’s collection. Warning: This is not for people who think Five Finger Death Punch is a metal band. No no, this is the real deal.
The HOPE compilation is a compilation put out by Optimist/Pessimist (O/P) records to raise awareness and funding for Planned Parenthood. O/P is a label hell bent on raising awareness and funds for charities and organizations. Doing an impressive job so far with They're Not the Last, a tribute to Minor Threat for which the proceeds all went to the American Cancer Society, and Edge for Autism, an all straight edge compilation in which all proceeds went toward the awareness and education of autism.
Optimist/Pessimist records is trying to make a staple on the world through positive movements and music. The HOPE compilation is put together consisting of an impressive 36 different bands and solo artists. With a genre range from HipHop/Rap, Punk, Horror Punk, Hardcore, Surf, Gothabilly and Metal. Such bands as Ghoultown, Mummula, Sugar Virus, Sunrot, SE Frank, Jason x Voorhees, Shadow Windhawk and the Morticians, xSCHOCKx, Bloodbather and Many many more! A wide array of artists coming together to help support the Planned Parenthood organization. All proceeds of the compilation will be donated to the Planned Parenthood organization. With rumors in the midst that it may be defunded, Optimist/Pessimist put together this compilation to distribute digitally and raise funding as well as awareness of the importance that Planned Parenthood's medical examinations, education and programs hold for the American People. So let your voice be heard, and if you're in a band and interested in future projects from Optimist/Pessimist Records just check them out on bandcamp.com. The link below will take you right to the page. Where you can also download/purchase Edge for Autism as well as They're not the Last, and the Jason x Voorhees album Horror Edge.
Some people see the horror community as something scary and to be feared, but let's be honest, we have families, friends and hearts. We care about the world, too. So it's pretty awesome that we can all contribute in our own ways. Rikk, the guy running the show of O/P records has the biggest heart of us all. Let's all together make this one count and then make way for the next compilation that gets put out.
Over the years since I first started listening to Calabrese, I thought they couldn’t get any better. Their E.P. Midnight Spookshow (way back on MP3.com) made me fall in love with this band. They were campy, fun, and cartoonish with some hard-hitting yet almost poppy rhythms that really brought something different to the scene at the time. Then 13 Halloweens comes out with the same flavor, and you could tell it’s a great band that would – and has – just kept getting better. So, skipping past the rest of the albums to the latest, which I’m going to talk about here, I’ll say those first two defined them with some of us in the early 2000s punk rock scene.
The following Calabrese expressed a lot of growth and experience from this band of three brothers. I just finally had a chance to listen to the latest record, Lust for Sacrilege, and it is definitely a solid, one hundred percent different feel from where they were until now.
The talent in the music is very present in this album. It’s slower than the previous albums, however, as after 13 Halloweens they did kind of slow it down and evolve into more adult-themed with their brand of horror rock. Lust for Sacrilege is an album that I would put in a category with bands like Sisters of Mercy and The Cult - the super dark death rock that is great to listen to and just admire the marksmanship of the lyrics, harmonies, and music that really shows what kind of band can come from the land of campy cartoons to the big screen adulthood of rock n’ roll.
I would not classify this album as Horror Punk because, like horror, there are many subgenres. In the beginning, Calabrese got straight to the point with songs like “Blood in my Eyes”, “Midnight Spook Show”, and “Backseat of my Hearse”. Moving on to the albums III-Touch of Death and Born of the Scorpions Touch, we saw that their style was evolving – maturing. Lust for Sacrilege is the ultimate mature album for a truly talented band that is strong in everything they do that each song glides smoothly from one to the other.
The album opens with “The Dark Is Who I Am”, and, man, you CANNOT get a better opening song than this as it really sets the tone for the rest of the album. It’s a bit slow and different from the Calabrese signature sound they started with. It really sets the dark tone of the album. The following tracks are a little harder and faster as they move on to “Teenage Crimewave”, which showcases some of that old school Calabrese guitar riffs and driving tempo. Still, it’s not campy and is very lyrically pleasing, a solid song from start to finish that serves as a great throw back number for them musically. The rest of the album, like I said, has some really heavy vibes of The Cult, which is a fantastic band to be compared to. “Wanted Man” is probably one of my favorite songs on the album. When I first heard it, I could practically feel it actually resonating through the speakers. In short, the whole song gives off a vibe that is just amazing and needs to be felt not heard. Some slower songs on the album, such as “Serpent Flame” and “Drift into Dust, I couldn’t really get into. I don’t mind slow songs but these just didn’t do it for me, and I skip over them. On the other hand, you, the reader, may prefer such numbers. The beauty of music is there’s always something for everyone. This album exemplifies that.
For a band that came from some punk rock, campy, horror roots, Calabrese evolved and transformed their signature sound to create something marvelous with Lust for Sacrilege , a solid album with something for everyone and really keeps you listening. I highly recommend this album, and, while you’re at it, please show Calabrese some love and pick up their other albums as well. If you have a chance to see them live, let me assure you that you should. Calabrese is something you will want to experience live, and you will not be disappointed - I promise you that.
Don’t forget to check out the official Calabrese website.
Horror Punk is a genre that many in the punk rock world will overlook and say, “Oh, they’re just trying to sound like the Misfits.” Coming from the heart of my being, I can say that this is not true. Yes, there are many who try. Much like any genre of music, you will have such seminal acts come around and these bands will mimic their influences heavily. However, this compilation and the compilations previous to it have proven to give the Horror Punk world a new face and a new life.
If you’re just getting into the genre, this and the previous Music of Horror-Punks.net compilations are where to start. You’ll find some acts that are well known as well as some that some of us have not heard of yet. The Horror Punk world is vast with many styles, due to the many influences from punk and metal. So now let’s break down a few of my favorite songs off of this particular album and then you’re free to download from the link that will be provided at the end of this. It’s a name-your-price type deal which is awesome for those of us on the comp, but if you wanna help out the horror-punks.net site throw a few bucks towards it. Trust me this compilation is worth every penny you put into it. Without further ado..I give to you 21 songs from the 62 track record.
Bishop Lake – “Make You Mine”: A heavy rock and roll sound with the classic love song for stalker type quality. This song tells a story, with melodies and harmonizing that is true to the horror rock sound. This is a powerful piece that depending how you feel about someone could really work as a love song toward someone you’re stalking.
Bloodthirsters – “Psycho City”: Campy, fun psychobilly sounding song. If you want to crawl yourself out of your grave and dance sock hop style, this one is the song for it.
Cyclotrode X – “Killing Time”: Where Horror Punk bands pull influence from is all over the spectrum. Here’s a band with a song that really mixes it. You can hear some heavy Stooges influence as well as hints of The Exploited and some other street punk style. With a real classic sound that any one into punk rock can get down with.
Dead End Lane – “Cat Fight”: Holy Hell! When I turned this song on, I knew it was time to get down and slam dance old school style. That’s right, this monster of a song really gritty and true to the head-climbing, stage-diving old school circle pit punk rock. This particular song is most definitely one of my favorites on the comp. A lot of what Horror Punk is about also is being all inclusive. Female vocals and female musicians are always welcomed and common here. This song really shows that off with gusto.
Deathwood – “Number 85”: Sing-A-Long hardcore is what I’m going to call this, an anthemesque tone with a vocalist that sounds an awful lot like Bruce Dickinson, just a splash grittier but still very impactful. Another song and band I believe everyone should be listening to. The harmonizing gang vocals really pack a punch here, as well as the music being flawlessly beautiful. You will listen and get chills, I promise you that.
Dr. Hell – “Poison Cabinet”: I’ve been listening to this band for a while - true Horror Punks right here. Keeping to the classic punk rock sound, adding the horror flavor lyrically and visually, this is another band keeping the female musicianship in the game. Once these backups hit you’ll be like, “Oh Hell yes!” Every song they have is a hit to me. I’m glad to see them on this compilation.
Fear Incorporated – “The Boogey Man”: This is a song, something you could really play during a Halloween mixer or in a haunted attraction and creep the hell out of people. It’s very synth-sounding and has a lot of spooky overtones and reverb that definitely is worthy of a creepy good time. On a regular basis it’s not my cup of tea, but it’s perfect for a party situation for sure.
Genki Genki Panic – “Two Girls One Casket”: SURF ROCK! There is nothing better than surf rock that adds horror elements. This song really had me going the whole time with no vocals, just guitar, bass, and drums. It’s a solid, reverbed surf rock number.
Ghoultown – “I Spit on Your Grave”: Ghoultown has always been a staple in my personal collection. I forget exactly what they call their blend of cowboy horror, but I can say this old west meets slasher movie mix is amazing. This particular song is a great introduction to this band if you’ve never heard them. To add to it if you ever get a chance to see this band live, then I highly recommend you do so.
Haiduk – “Azyr”: This one threw me off a lot. It’s the music of Horror-Punks.net yes so there’s a lot of variety. However, thrashy death metal I was not expecting. Fast, precise, technical, brutal this is definitely an artist worth checking out if you’re really into the metal world.
JasonxVoorhees – “WYFSM”: Horror, Straight Edge, Hardcore. These dudes are the coolest; I’ve been friends with these guys for a while. We have done a few compilations together musically for charities, and these cats are solid good-hearted fellas for sure. This song really showcases their hard-hitting sound mixing Hardcore, Metal, and Horror to make music that is definitely worthy of listening to. You’ll really feel this band, claiming their own subcategory of all of this calling it Horror Edge!
Jess-O-Lantern – “Corpse Revival”: More of this female flavored Horror Rock! I love this for sure. It’s upbeat, bob your head, dance around type horror rock. If you’re a fan of music at all, this is what you need to hear. I went through the Internet and found more of Jess O Lantern, and I can say it’s a solid experience.
Marquis DeBlood – “Death Knocks Three Times”: Woooo! This is dude has been on the scene forever with some different projects, and this, by far, is my favorite. I could listen to this song over and over and never get tired of it. There is not a single word in the whole thing, just symphonic, creepy, horrifying greatness!
Mutant Reavers – “Blood Magic”: This band has more of that classic horror sound. With a voice that resembles early Danzig (or Samhain, if you will). Musically, if played in a live performance, I can see a crowd erupting with some old school pogo dancing and then throw down circle pit. They have a good mix in this one song, a very enjoyable band to listen to.
Others – “Heart of Darkness (Tales of Dracula)”: If you’re into symphonic music with BEAUTIFUL female vocals, this is that song! Listen to this band as a whole. It’s another one I’ve been listening to for many years and even did art for them years ago. To be introduced to this band with this song is ideal. I’ve probably listened to it 9 times in a row just to soak it all in.
Poison Anthem – “Choke and Die”: Okay, I’ll say it again and you’ve probably figured out that I love female vocals in this particular subgenre especially. This song is amazing and another top favorite on this record. This band is front to back just solid. If you want punk rock, this is it right here. If any song gets listened to first, make it this one.
Scanner – “Just Like Bela”: This song is a little hard to describe really. Reverby vocals and a great rock n’ roll sound coming from it. With a catchy hook, I can’t really stop listening to it. So just listen and like it.
Scarecrow – “Horror of the Beach Party”: Another catchy tune with a super catchy sing along vibe. Imagine, if you will, Dropkick Murphys but as a Horror Punk band. This would be that band, and I checked their other songs out and they should easily be right up there on the best of the best list.
xSchockx – “Bloodbath Orgy”: Okay, I can’t review myself, but I have to give an honorable mention to my music. I don’t say band because it’s all just me creating what I call “HardGore” music. About the song: It is based on a couple that get pleasure from murdering people then having relations over their bodies. Sorry for the PG rating of the description.
Slavething – “Queen of the Dead”: HORROR PUNK 100%. Melodic, Upbeat, Great to grab a girl/guy and just start dancing to. The sound these cats put off is exactly what Horror Punk is about.
The Casket Creatures – “Spirit of Vengeance”: Punk rock at its finest - harmonizing vocals that really stand out, and guitar work that is so solid you can just feel it. This one is in my top 3 for sure on the whole record, clean and crisp and Horror Punk gold.
Voice of Doom – “Dead Things”: Some of that Samhain flavor of Horror Punk rock goodness. An enjoyable sound that gets your head banging, then the infamous Danzig style: slow down, then speed up. It’s some good stuff for sure. Zombies, blood, and guts. Can’t beat it!
So there you have it kids. The Music of Horror-Punks.net Vol. IIII is a great record all the way through, and these are just some of my favorites from the over 62 track compilation. Each artist brings something different to the table, giving an idea that not all Horror Punk is “whoa” and horror movie references; it’s actually filled with diversity and talent. So, please check it out at The Music of Horror-Punks.net Vol. IIII.
Mister Monster - Over Your Dead Body / Image: Discog.com
For about 17 years now, Mister Monster has been a staple in the Horror Punk fan's collection. Well, to those of us who have been fortunate to hear the best horror punk album ever written. Some of the newer guys and girls to the scene have stated they do not know who Mister Monster is or what they're about. For those who may not have heard the album Over Your Dead Body, here's a little song by song write up on an album that changed the way a lot of us looked at the genre of Horror Punk.
With Over Your Dead Body, released March 19, 2001, the New Jersey-based Mister Monster set a new standard with a subdivision of Horror Punk called Boo Wop. OYDB had been anticipated for a few years and prior to its release a handful of demos and singles were released. OYDB showed people what the band was about, introduced the Boo Wop sound and style, and highlighted the outstanding musicianship of the band.
The album album opens with a track called "Weird NJ", a news report about different females named Anna or Annie around the New Jersey area who have been killed, describing in detail the different fictional (or were they?) murders and cannibalistic rituals involved. They then slide into the song "Over Your Dead Body", which alone set the standard that could have carried this band for another two decades. This song is simply the best written song from start to finish. Full of murder, love, and necrophilia, this song really gets you amped for the whole record. While not every song is as masterful as this one, it certainly sets the standard and showcased what Mister Monster was capable of.
Following this amazing opening is "Guaranteed to Bleed" which we can tell by listening has that Boo Wop sound, a nice mixture of 50s/60s doo wop and modern day punk rock. It really gave way to a sound that wasn't present in any band at the time or before. Following this was "Love Thornz" and "This Night I Call Bad Luck", two songs that I've heard some say represent their lives. "This Night I Call Bad Luck" really when you put this on you're thinking, 'Yes, Jsin, I totally feel ya, bro'. With its catchy hook, and relateable lyrics that aren't precisely horror, it's still fitting for the genre and gives us a look into the mind of Jsin Trioxin and how he sees things outside of the horror field.
Track 6, "'Til the End", is by far my favorite song on the album. This track that really gets down to business musically and with such artistry that the music pulls you in and the lyrics right away give you chills. Go ahead and listen. I promise you, this one will change the way you see things, putting images in your head instantly of what is playing out in the lyrics. It's a beautiful song that is in a classification all on its own.
From here it goes into "Murder 4 Hire", a song that is very dirty in nature, evident from the end of "'Til the End", which acts as an intro to "Murder 4 Hire". "One, two, three or four..would you like any more of my blood stained fingers inside....you". Then it goes into this completely necrophilia-driven song. And if you're REALLY into horror, use it as a get your girl in the mood song instead of something like Marvin Gaye or any other Barry White type love song. This one will do it for the punkers and metal heads. The album carries on with "Bigger Shop of Horrors" and then "Prom Night".
"Prom Night" was the first song I heard from Mister Monster when it was still a demo. Let me say Boo Wop definitely is what this song defines. Paying homage to the story Carrie, "Prom Night" brings a really classic rock n' roll vibe and makes you want to grab a girl and sock hop dance. It's such a great track that it makes you feel like you're in the song. After this is "Amy Sue", and I've had many arguments with people over this song. Personally, I don't like it. Too slow for my taste, and I could never get into it at all; however, others would say it's the best song on the record. "Teenaged Dreams" and "Tina and Freddy" follow "Amy Sue" making up for the slower vibe. "Tina and Freddy" another Return of the Living Dead reference, is very fast and almost metal in style and is for sure a head banger. Getting further into the album, "Little Frankenstein" goes back to the Boo Wop style and sucks you back in to that genre created by this band. Next is "Her Open Grave", another slower piece I usually skip because, well, I just do. I've heard it a few hundred times but still can't get into the style that it is. Some of you may feel differently, and that's cool as well.
"Gore Whore" on the other hand, which is homage to Trash from Return of the Living Dead, rocks. Something that really gets you with music is not always being able to understand the singer, so when you listen to this one and hear, "She likes to bat fuck...she's my little gore whore". You won't hear bat. So, have a chuckle at this one, a lot of us have for years. It's a solid song with a heavy overtone and is great for anyone with a dirty mind and love of zombies. Then it goes right into "Resident Evil" another metal style piece; extra fast but crooner style vocals really make this song something to remember and get stuck in your head for years.
"Dead Flesh Gurl", another necrophilia driven song, is slower but still a decent listen. Next it goes into "Transylvania Mania", something completely different. This song is that. I remember listening to a radio interview with Jsin Trioxin in which he stated he and Myke Hideous were drinking one night and laid the vocals for this one. It's not really singing at all, just random spooky nonsense.
Finally, they end the album with "Send More Paramedics". What do you know? Another Return of the Living Dead reference; however, it has nothing to do with the movie. This is a ghostly tale of sorts and pretty much a love song that is another favorite of mine on the album.
This album is solid from start to finish (evidenced by the the fact I have had 18 copies of the album and that this is the first thing I mention when anyone asks what I'm into). Lyrically, it's a magical piece. I remember a conversation I had with Jsin one night when he was playing guitar for Blitzkid and the band I was in played with them that night. I asked about a particular lyric and what it meant he said, "You take away from it what you think it means". So, unless it's a blatant reference, you will have to figure it out for yourself. Musically, this is the best album period. Hands down. No matter what genre you're into, if you're a true music fan, this is the album for you. Punk, horror, rock'n'roll, metal... this album has every bit of it blended perfectly in 19 tracks.
Some of us fans have been waiting for years to finally hear new music, and all we have been given are singles here and there and word on the street that is there is another album being made. When it is released, I'll be all over it. I can say, though, topping this album is pretty impossible. I listen to many genres and many different bands, and this one has been my favorite for a very long time. This album is number 1 on my list. If you haven't listened, then click the link below and enjoy the whole thing. If you have the opportunity to purchase the album, do so! It's money well spent, I promise you that.
Has it really been 20 years since Tales from the Crypt: Demon Knight first came out? It's hard to believe that it's really been that damn long. It's even harder to believe that Tales from the Crypt has been off the air for almost that long as well. With all that in mind, Tales from the Crypt has always held a special place in my heart. The TV show itself was basically my own personal introduction to horror in my youth, and while I still enjoy Demon Knight to this very day, it's the film's soundtrack that has resonated with me even more so than the actual film.
Like how the show was an introduction of sorts for me to the horror realm, the soundtrack to Demon Knight was an introduction for me to metal music that wasn't somehow related to Ozzy Osbourne or Metallica. This was the first time that I can remember hearing Pantera, Ministry, Megadeth, and others that would continue to resonate with me as I got older, and helped mold my love of the metal genre. Even though most of the tracks featured here are from previously released material from their respective artists, they all manage to fit the atmosphere not only of the film, but of the comic book horror lunacy of Tales from the Crypt as a whole.
Opening track "Cemetery Gates" is a classic single from Pantera's "Cowboys from Hell", only here we get an edited take on it that shaves about a minute and a half off the run time. Ministry's "Tonight We Murder" is lovely, while Machine Head's "My Misery" seems to be an original track provided for the film. Megadeth's "Diadems" sounds like a B-side from the "Rust in Peace"/"Symphony of Destruction" era, and Melvins provides "Instant Larry", which is pretty damn kicking.
The legendary Henry Rollins is here with Rollins Band (who else would he be with?) providing "Fall Guy", which isn't really anything special in all honesty, but Biohazard's "Beaten" and Sepultura's "Policia" more than make up for it and make me want to smash my head into a wall in a good way. Filter is here with the only song they're known for besides that fucking annoying ass "take my picture" song from the end of the century, with "Hey Man, Nice Shot", which may be about Kurt Cobain or Bud Dwyer. Take your pick. Finally the soundtrack ends with the lone hip-hop track here, "1-800-SUICIDE" by Gravediggaz. I've never been into hip-hop too much, but this song is wonderful. Not to mention the fact that I can still recite the whole thing word for word to this day.
In closing, the Demon Knight soundtrack may appear to be nothing special at first glance, but for those that were around when all this originally hit, it will hold a special place in your heart. I still listen to many of the songs featured here to this very day, and because of this soundtrack, it helped me discover so much wonderful music as the years would go on. Maybe I'm talking it up a bit more than what it's worth because of the sake of nostalgia, but I can't help myself. It was special to me then, and it's special to me now. Check it out if you never have before.